Acclaimed Australian author David Malouf in 2000. He was also a gifted short story writer and fan of opera, sitting on the board of Opera Australia. Photograph: Ulf Andersen/Getty ImagesView image in fullscreenAcclaimed Australian author David Malouf in 2000. He was also a gifted short story writer and fan of opera, sitting on the board of Opera Australia. Photograph: Ulf Andersen/Getty ImagesDavid Malouf, Australian author of Remembering Babylon and Ransom, dies aged 92Acclaimed Brisbane-born writer was known for his work exploring his own childhood, great myths and colonial Australia
David Malouf, the acclaimed Australian author of books including Ransom, An Imaginary Life and the Booker prize-nominated Remembering Babylon, has died aged 92.
Malouf died on Wednesday, his publisher, Penguin Random House Australia, said in a statement on Thursday.
“We are deeply saddened to share that author and poet David Malouf AO has passed away,” the statement said. “David Malouf wrote across fiction, non-fiction, poetry, libretti and plays, and made a significant and continued impact on Australian literature.”
“David won numerous prizes for his work, including the Miles Franklin Award, Commonwealth Writers’ prize, the Prix Femina Etranger, IMPAC Dublin Literary Award and Australia-Asia Literary Award. He was also an admired teacher and lecturer both in Australia and Europe.”
“Alongside his achievements as a writer, David was a loyal, loving friend to many and devoted to his family. He was a passionate supporter of Opera Australia, Adelaide Writers Week and the Indigenous Literacy Foundation.”
Born in Brisbane in 1934 to a Lebanese Australian father and an English-born mother of Portuguese and Sephardic Jewish descent, Malouf was an avid reader at an early age, reading the complete works of Shakespeare from the age of 10.
Malouf began writing poetry, usually about his childhood, his family, travelling and his connections to Europe and Australia; his first work was published in 1962. He was also known as a gifted short story writer, publishing five collections over three decades.
His first novel, 1975’s Johnno, was semi-autobiographical, following a young man growing up in Brisbane during the second world war.
His 1993 book, Remembering Babylon, made him a literary name: the tale of a young shipwreck survivor rescued and raised by Aboriginal people was shortlisted for the Booker prize. It also won the Commonwealth writers’ prize and the first International Dublin Literary award.
Much of Malouf’s writing focused on the past – his own childhood, on great myths, on colonial Australia.
“He has a poet’s sensibility, but there is nothing brazenly poetic about his prose,” Rick Gekoski wrote in the Guardian in 2011.
“One is constantly astonished by the vivacity and accuracy of the writing, and it is hardly possible to read a page of Malouf without a smile of delight and gratitude.”
Malouf’s final novel, Ransom, was published in 2009, after a 13-year gap between novels. The book, a retelling of Priam’s appeal to Achilles for the return of his son Hector’s body in the Iliad, received acclaim around the world and was shortlisted for the International Dublin Literary award.
Malouf was also a fan of opera, sitting on the board of Opera Australia and writing criticism and several libretti himself, including an adaptation of Patrick White’s Voss.
The author was gay, and openly so for much of his life, but remained discreet in his relationships before and after fame arrived; close friends reported not knowing anything about his personal life.
He was often hailed by critics and other authors as a great chronicler of Australia, uniquely capturing something of its innate character, which he rejected.
“I don’t consider myself a representative Australian and I’m not a representative Queenslander,” he once said.
“I think each one of us is individual and we take exactly what suits us best. Whether we’re men, women, gay or ethnic, we take up what we can use. I think that’s one of the great privileges of being Australians. We have that kind of freedom and we’ve given up, I hope, the very narrow idea we have to think of ourselves as Australians. We can be whatever we want to be.”
