The film’s reinterpreted Homeric hero represents a contemporary reckoning with the West’s ruthless pursuit of power and disregard for boundaries
3-MIN READ3-MINChow Chung-yanChow Chung-yan began his journalistic career at the South China Morning Post and rose to become editor-in-chief in 2025. Published: 9:30am, 14 Aug 2026In every civilisation, certain stories capture the psyche so profoundly that they are retold across centuries. In the West, Homer’s Odyssey is the one.
Homer’s Odysseus embodies the heroic ideal (kleos) of ancient Greece. He is courageous, ruthless, inquisitive and daring. A master of trickery, he overcomes adversaries through wit and guile, yet harbours no qualms about brute force. Leading his men on a trail of slaughter, pillage and destruction from Troy and back, he spends 10 years at war and another 10 at sea. He is the ultimate architect of the Greek victory. Returning to Ithaca, he finds his home besieged by suitors who, assuming him dead, seek to marry his wife and usurp his kingdom. Odysseus slaughters them all and reclaims his throne.
This is a man of unhesitating action, untroubled by regret or remorse. He feels no guilt for the sacking of Troy or execution of the suitors. Immediately after the fall of Troy, he leads his men to raid Ismarus; plundering and killing civilians were simply standard features of ancient Greek warfare. Returning home laden with spoils (geras) was a badge of honour, not a sin. When the families of the slain suitors assemble for vengeance, Odysseus prepares to meet them in a fresh bloodbath, halted only by Athena’s divine intervention. He is, in essence, the original action hero – achieving absolute self-realisation without repentance.
Friedrich Nietzsche described Odysseus as “the most unscrupulous” – a label intended as praise rather than condemnation. To Nietzsche, life is an exercise in power, struggle and self-imposed destiny, making Odysseus a prototype of the “Superman”. Nietzsche admired the Greek concept of kleos as the ultimate “master morality”: act without guilt, seek dominance without shame and value strength, honour and self-realisation above all else.
Dante took a different approach in Inferno. He places Ulysses (the Latin name for Odysseus) in the eighth circle of Hell, reserved for “counsellors of fraud”. Trapped inside a flame alongside Diomedes, he is punished for using his intellect and eloquence to deceive.
