Philharmonisches Staatsorchester Hamburg

Opera in Hamburg dates to 2 January 1678 when the Oper am Gänsemarkt was inaugurated with a performance of a biblical Singspiel by Johann Theile. It was not a short theater but the first public opera house in Germany established by the art-loving citizens of Hamburg, a prosperous member of the Hanseatic League. The Hamburg Bürgeroper resisted the dominance of the Italianate style and became the leading musical center of the German Baroque. In 1703, George Friedrich Handel was a violinist and harpsichordist and his performances were not long in appearing. In 1705, Hamburg gave the world premiere of his opera Nero. In 1721, Georg Philipp Telemann, a member of the German Baroque, joined the Hamburg Opera, and subsequently Christoph Willibald Gluck and Johann Adolph Hasse and various Italian companies were among the guests. To replace the aging wooden structure, the first stone was laid on 18 May 1826 for the Stadt Theater on the present-day site of the Hamburg State Opera. The new theater, with seating for 2,800 guest, was inaugurated less than a year later with Beethoven's incidental music to Egmont. In 1873, both the interior and exterior of the structure were renovated in the reigning "Gründerzeit" style of the time, and again in 1891, when electric lighting was introduced. Under the direction of Bernhard Pollini, the house mounted Ring Cycle in 1879. In 1883, the year of Wagner's death, a cycle comprising nine of his operas began. The musical directors Hans von Bülow (from 1887 to 1890) and Gustav Mahler (from 1891 to 1897) also contributed to the fame of the opera house. In the beginning of the 20th century, the opera was an important part of the theater's repertoire; among the 321 performances during the 1907-08 season, 282 were performances of opera. The Stadt-Theater performed not only established, but also Paul Hindemith's Sancta Susanna, Igor Stravinsky's The Soldier's Tale, Ernst Krenek's Jonny Spielt auf, and Leoš Janáček's Jenůfa. Ferruccio Busoni's Die Brautwahl (1912) and Erich Wolfgang Korngold's Die tote Stadt (1920) both had their world premieres in Hamburg. In the 1930s, after Hitler came to power, the opera house was renamed Hamburgische Staatsoper. On the night of August 2, 1943, both the auditorium and its neighboring buildings were destroyed by fire-bombing; A low-flying airplane dropped several petrol and phosphorus containers on the roof of the roof of the auditorium, turning it into a conflagration. Current interior The current Staatsoper opened on 15 October 1955 with Mozart's Die Zauberflöte. Hans Werner Henze 's The Prince of Homburg (1960), Stravinsky' s The Flood (1963), Gian Carlo Menotti 's Help, the Globolinks! (1968), and Mauricio Kagel's Staatstheater (1971). In 1967, under the direction of Joachim Hess, the Hamburg State Opera became the first company to broadcasts its operas in color on television, beginning with Die Hochzeit des Figaro (German translation of Le Nozze di Figaro). Ten of these television productions have been released on DVD by ArtHaus Musik as Cult Opera of the 1970s, as well as separately. All of these were performed in German regardless of the original language (six were written in German, one in French, two in English, and one in Italian). More recently, Hamburg gave the world premieres of Wolfgang Rihm's The Conquest of Mexico (1992) and Helmut Lachenmann's The Matchmaking Girl (1997), for which it has received much international acclaim. The company has won the "Opera House of the Year" award by the German magazine opera world in 1997 and in 2005. Recent General Music Directors (GMD) have included Ingo Metzmacher and Simone Young. Young was the first female GMD in the company's history, serving from 2005 to 2015. Kent Nagano became GMD as of 2015-2016 season, with an initial contract of 5 seasons. In October 2017, the company announced the extension of Nagano's Hamburg contract through 2025.