New Order
New Order are an English rock band formed in 1980 by Bernard Sumner (vocals, guitars, synthesisers), Peter Hook (bass, synthesisers) and Stephen Morris (drums, electronic drums, synthesisers) - the remaining members of Joy Division, following the suicide of vocalist Ian Curtis - with the addition of Gillian Gilbert (keyboards, guitars, synthesisers). In 1993 the band broke-up amidst tension between bandmembers, but reformed in 1998. In 2001, Phil Cunningham (guitars, synthesisers) replaced Gilbert, who left the group due to family commitments. In 2007, Peter Hook left the band and the band broke-up again, with Sumner saying in 2009 that he no longer wishes to make music as New Order.
The band reunited in 2011 without Hook, with Gilbert returning to the fold and Tom Chapman replacing Hook on bass. During the band's career and inbetween lengthy breaks, bandmembers have immersed themselves on number of solo projects, such as Sumner's Electronic and Bad Lieutenant; Hook's Monaco and Revenge and Gilbert's and Morris' The Other Two. By combining New Wave and electronic music, New Order became one of the most critically acclaimed and highly influential bands of the 1980s. Though the band's early years were shadowed by the legacy and basic sound of Joy Division, their immersion in the early 1980s New York City club scene increased their knowledge of dance music and enabled them to incorporate elements of that style into their work.
The band's 1983 hit "Blue Monday", the best-selling 12-inch single of all time, is one example of how the band transformed their sound. New Order were the flagship band for Factory Records. Their minimalist album sleeves and "non-image" (the band rarely gave interviews and were known for performing short concert sets with no encores) reflected the label's aesthetic of doing whatever the relevant parties wanted to do, including an aversion to including singles as album tracks. The band has often been acclaimed by fans, critics and other musicians as a highly influential force in the alternative rock, dance and rave music scenes.
The Groove is music.nw’s own measure of renown — not an opinion, a fact computed from the record. It weighs reach (how many people engaged) against acclaim (how highly they rated it), balanced so a handful of votes can’t outshout a lasting favourite.
Computed the NeuraWeb way, across the whole record. The same yardstick for everyone — which is why the little-known can out-Groove the famous in their own corner.
How New Order moved
Genre belongs to the record, not to the artist. Every album’s Groove is shared out across the genres it actually is — by how the raters tagged it — so nobody is 100% one thing. Stack that by decade and a career draws itself.
Discography
Credits
Ranked #99 of 14,615 producers — 3,947.02 career Groove across 29 records.
