Person · pianist
Kun Woo Paik
Albums
31
Members
0
Active
1946–present
Origin
South Korea
Biography
Biography pending — no prose in the substrate for this entity yet.
Discography
Clair de Lune
Hungarian Rhapsody
Œuvres pour deux pianos
Piano Concertos: No. 1, op. 10 / No. 3, op. 26 / No. 4, op. 53
Trio, op. 98 / Quatuor, op. 45 / Sextuor, op. 92
Sonate libre pour violon et piano, op. 68 / 3 rapsodies, op. 53 / Quatuor "Hasards", op. 96
Piano Concertos 1-4 / Rhapsody on a Theme by Paganini
Piano Transcriptions
Kun Woo Paik Plays Gabriel Fauré
Plays Gabriel Fauré
Romances sans paroles de Félix Mendelssohn
Complete Works for Piano & Orchestra
Conciertos para piano
Piano Sonatas 16 ‐ 26
32 Piano Sonatas
Piano Sonatas Op. 90・Op. 101・Op. 106 "Hammerklavier"・Op. 109・Op. 110・Op. 111
Intermezzi, Capriccios, Romance
Piano Concertos nos. 2 and 5
Impromptus, Drei Klavierstücke, Moments Musicaux
The French Influence: Music for Trumpet and Piano
The Complete Nocturnes
Favorite Piano Sonatas
Schumann
The Early Recordings
Goyescas
Piano Works, Vol. 1
Piano Works, Vol. 2
Appassionata
Impromptus, Drei Klavierstücke, Moments Musicaux
Intermezzi
Piano Concerto no. 1, Variations
Credits
The Complete Nocturnes
Complete Works for Piano & Orchestra
Clair de Lune
An American In Paris (Songs - Piano Pieces - Concerto)
Bach / Busoni Piano Transcriptions
Complete Works For Piano (Two Hands), Vol. I
Das Gesamtwerk Für Klavier (zu zwei Händen)
Die Klavierkonzerte • The Piano Concertos • Les Concertos Pour Piano
Hungarian Rhapsody
Impromptus, Drei Klavierstücke, Moments Musicaux
Intermezzi, Capriccios, Romance
Nocturne Music For Dreaming
Piano Concerto No.1 / Variations
Piano Concertos No. 1, Op. 10 · No. 3, Op. 26 · No. 4, Op. 53
Piano Concertos No.2, Op.16 - No.5, Op.55
Plays Gabriel Fauré
Romances Sans Paroles
Sonates Pour Clarinet Et Piano / Sonate Pour Clarinet Et Basson / Trio Pour Hautbois, Basson Et Piano / Sonate Pour Deux Clarinettes / Sonate Pour Hautbois Et Piano
The Best Of Prokofiev
Trio N° 2 Op. 98, Quatuor N° 2 Op. 45, Sextuor Op. 92