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Person

Hugh Masekela

Albums
117
Members
2
Active
1939–2018
Origin
South Africa
Biography

Hugh Ramopolo Masekela (born 4 April 1939) is a South African trumpeter, flugelhornist, cornetist, composer, and singer. He is the father of American television host Sal Masekela. Masekela was born in Kwa-Guqa Township, Witbank, South Africa. He began singing and playing piano as a child. At age 14, after seeing the film Young Man with a Horn (in which Kirk Douglas plays a character modeled after American jazz cornetist Bix Beiderbecke), he took up playing the trumpet. His first trumpet was given to him by Archbishop Trevor Huddleston, the anti-apartheid chaplain at St. Peter's Secondary School. Huddleston asked the leader of the then Johannesburg "Native" Municipal Brass Band, Uncle Sauda, to teach Masekela the rudiments of trumpet playing. Masekela quickly mastered the instrument. Soon, some of his schoolmates also became interested in playing instruments, leading to the formation of the Huddleston Jazz Band, South Africa's first youth orchestra. By 1956, after leading other ensembles, Masekela joined Alfred Herbert's African Jazz Revue. Since 1954, Masekela has played music that closely reflects his life experience. The agony, conflict, and exploitation South Africa faced during the 1950s and 1960s: This inspired, influenced him to make music and also spread political change. He was an artist who in his music vividly portrayed the struggles and sorrows, as well as the joys and passions of his country. His music protested about apartheid, slavery, government; the hardships individuals were living. Masekela reached a large population that also felt oppressed due to the country's situation. Following a Manhattan Brothers tour of South Africa in 1958, Masekela wound up in the orchestra of the musical King Kong, written by Todd Matshikiza. King Kong was South Africa's first blockbuster theatrical success, touring the country for a sold-out year with Miriam Makeba and the Manhattan Brothers' Nathan Mdledle in the lead. The musical later went to London's West End for two years. Career At the end of 1959, Dollar Brand (later known as Abdullah Ibrahim), Kippie Moeketsi, Makhaya Ntshoko, Johnny Gertze and Hugh formed the Jazz Epistles, the first African jazz group to record an LP and perform to record-breaking audiences in Johannesburg and Cape Town through late 1959 to early 1960. Following the 21 March 1960 Sharpeville Massacre—where 69 peacefully protesting Africans were shot dead in Sharpeville, and the South African government banned gatherings of ten or more people—and the increased brutality of the Apartheid state, Masekela left the country. He was helped by Trevor Huddleston and international friends such as Yehudi Menuhin and John Dankworth, who got him admitted into London's Guildhall School of Music. During that period, Masekela visited the United States, where he was befriended by Harry Belafonte. He attended Manhattan School of Music in New York, where he studied classical trumpet from 1960 to 1964. In 1964, Makeba and Masekela were married, divorcing two years later. He had hits in the United States with the pop jazz tunes "Up, Up and Away" (1967) and the number-one smash "Grazing in the Grass" (1968), which sold four million copies. He also appeared at the Monterey Pop Festival in 1967, and was subsequently featured in the film Monterey Pop by D. A. Pennebaker. In 1974, Masekela and friend Stewart Levine organised the Zaire 74 music festival in Kinshasa set around The Rumble in the Jungle boxing match.

Masekela in Washington, D.C., 2007 He has played primarily in jazz ensembles, with guest appearances on recordings by The Byrds ("So You Want to Be a Rock 'n' Roll Star" and "Lady Friend") and Paul Simon ("Further to Fly"). In 1984, Masekela released the album Techno Bush; from that album, a single entitled "Don't Go Lose It Baby" peaked at number two for two weeks on the dance charts. In 1987, he had a hit single with "Bring Him Back Home", which became an anthem for the movement to free Nelson Mandela. A renewed interest in his African roots led Masekela to collaborate with West and Central African musicians, and finally to reconnect with Southern African players when he set up with the help of Jive Records a mobile studio in Botswana, just over the South African border, from 1980 to 1984. Here he re-absorbed and re-used mbaqanga strains, a style he has continued to use since his return to South Africa in the early 1990s. In the 1980s, he toured with Paul Simon in support of Simon's album Graceland, which featured other South African artists such as Ladysmith Black Mambazo, Miriam Makeba, Ray Phiri, and other elements of the band Kalahari, which Masekela recorded with in the 1980s. He also collaborated in the musical development for the Broadway play, Sarafina! He previously recorded with the band Kalahari.

Masekela in Cambridge, Massachusetts, 26 June 2013 In 2003, he was featured in the documentary film Amandla!. In 2004, he released his autobiography, Still Grazing: The Musical Journey of Hugh Masekela, co-authored with journalist D. Michael Cheers, which thoughtfully detailed Masekela's struggles against apartheid in his homeland, as well as his personal struggles against alcoholism from the late 1970s through to the 1990s. In this period, he migrated, in his personal recording career, to mbaqanga, jazz/funk, and the blending of South African sounds to an adult contemporary sound, through two albums he recorded with Herb Alpert, and solo recordings, Techno-Bush (recorded in his studio in Botswana), Tomorrow (featuring the anthem "Bring Him Back Home"), Uptownship (a lush-sounding ode to American R&B), Beatin' Aroun de Bush, Sixty, Time, and Revival. His song "Soweto Blues", sung by his former wife, Miriam Makeba, is a blues/jazz piece that mourns the carnage of the Soweto riots in 1976. He has also provided interpretations of songs composed by Jorge Ben, Antonio Carlos Jobim, Caiphus Semenya, Jonas Gwangwa, Dorothy Masuka and Fela Kuti. In 2009, Masekela released the album Phola (meaning "to get well, to heal"), his second recording for 4 Quarters Entertainment/Times Square Records. It includes some songs he wrote in the 1980s but never completed, as well as a reinterpretation of "The Joke of Life (Brinca de Vivre)", which he recorded in the mid-1980s. Since October 2007, he has been a Board Member of the Woyome Foundation for Africa. In 2010, Hugh Masekela was featured, with his son Salema, in a series of videos on ESPN. The series, called Umlando – Through My Father's Eyes, was aired in 10 parts during ESPN's coverage of the FIFA World Cup in South Africa. The series focused on Hugh and Sal's travels through South Africa. Hugh brought his son to the places he grew up. It was Sal's first trip to his father's homeland. On 3 December 2013, Masekela guested with the Dave Matthews Band in Johannesburg, South Africa. He joined Rashawn Ross on trumpet for "Proudest Monkey" and "Grazing in the Grass".

Social initiatives Masekela is involved in several social initiatives, and serves for instance as a director on the board of The Lunchbox Fund, a non-profit organization that provides a daily meal to students of township schools in Soweto.

Discography

Ke Bale (There They Go)
Hugh Masekela · 1987
Mbongeni Ngema's Sarafina!
Hugh Masekela · 1987
Sarafina! The Music of Liberation
Hugh Masekela · 1987
Tomorrow
Hugh Masekela · 1987
Don't Go Lose It Baby / African Breeze
Hugh Masekela · 1988
Liberation: The Best of Hugh Masekela
Hugh Masekela · 1988
Liberation - The Best Of Hugh Masekela
Hugh Masekela · 1988
Uptownship
Hugh Masekela · 1989
If You Don't Know Me By Now
Hugh Masekela · 1990
Beatin’ Aroun de Bush
Hugh Masekela · 1992
Album cover
Hope
Hugh Masekela · 1994
Stimela
Hugh Masekela · 1994
Stimela
Hugh Masekela · 1995
African Breeze: '80s Masekela
Hugh Masekela · 1996
African Breeze: 80’s Masekela
Hugh Masekela · 1996
Home
Hugh Masekela · 1996
Album cover
The Lasting Impressions of Ooga Booga
Hugh Masekela · 1996
The Lasting Impressions Of Ooga Booga
Hugh Masekela · 1996
Black to the Future
Hugh Masekela · 1997
Best of Hugh Masekela on Novus
Hugh Masekela · 1999
Best Of Hugh Masekela On Novus
Hugh Masekela · 1999
Album cover
Sixty
Hugh Masekela · 1999
Grazing in the Grass: The Best of Hugh Masekela
Hugh Masekela · 2000
Greatest Hits
Hugh Masekela · 2000
Greatest Hits
Hugh Masekela · 2000
Live At The BBC
Hugh Masekela · 2002
Send Me
Hugh Masekela · 2002
Time
Hugh Masekela · 2002
Album cover
Grrr
Hugh Masekela · 2003
Mama - Metro Area Birthday Dub
Hugh Masekela · 2003
The Collection
Hugh Masekela · 2003
The Collection
Hugh Masekela · 2003
Still Grazing
Hugh Masekela · 2004
Almost Like Being in Jazz
Hugh Masekela · 2005
Revival
Hugh Masekela · 2005
Album cover
Revival
Hugh Masekela · 2005
20th Century Masters: The Best of Hugh Masekela
Hugh Masekela · 2006
The Chisa Years 1965-1975 (Rare And Unreleased)
Hugh Masekela · 2006
Live at the Market Theatre
Hugh Masekela · 2007
Phola
Hugh Masekela · 2008
Album cover
Phola
Hugh Masekela · 2008
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Hugh! The Best of Hugh Masekela
Hugh Masekela · 2010
Notes of Life
Hugh Masekela · 2010
Early Hugh Masekela
Hugh Masekela · 2011
Jabulani
Hugh Masekela · 2012
No Borders
Hugh Masekela · 2016
Johannesburg
Hugh Masekela · 2017
Original Album Classics
Hugh Masekela · 2017
’66 - ’76
Hugh Masekela · 2018
Live at the Record Plant, 24th February 1974
Hugh Masekela · 2018
Live At The Record Plant 24th February 1974
Hugh Masekela · 2018
The Times We’ve Shared 1939–2018
Hugh Masekela · 2018
Live in Lesotho
Hugh Masekela · 2019
Rejoice
Hugh Masekela · 2020
The Best of Hugh Masekela
Hugh Masekela · 2024
Trumpet Africaine
Hugh Masekela · —
U-Dwi (Smallpox)
Hugh Masekela · —

Credits

Ranked #7,390 of 14,615 producers — 159.91 career Groove across 3 records.

Rejoice
Producer · 2020
The Columbia Years 1968–1969
Arranger · 2016
The Lost Studio Sessions 1964–1982
Instrument · 2016
Makeba Sings!
Conductor · 2015
The Many Voices of Miriam Makeba
Instrument · 2011
Live at the Market Theatre
Art Direction · 2007
Hugh Masekela presents The Chisa Years 1965-1975 (Rare And Unreleased)
Producer · 2006
Almost Like Being in Jazz
Liner Notes · 2005
Album cover
Grrr
Instrument · 2003
Time
Vocal · 2002
Album cover
Graceland: The African Concert
Performer · 1999
Album cover
Sixty
Producer · 1999
Album cover
The Complete Wailers 1967-1972, Part 1
Performer · 1998
Black to the Future
Liner Notes · 1997
Home
Composer · 1996
Album cover
Life
Vocal · 1995
Album cover
Hope
Liner Notes · 1994
Hugh Masakela & the Union of South Africa
Instrument · 1994
Album cover
Songs of Freedom
Instrument · 1992
Africa
Arranger · 1991
Album cover
Eyes on Tomorrow
Producer · 1991
Of the Heart, of the Soul and of the Cross: The Utopian Experience
Writer · 1991
Nali Kola
Instrument · 1989
Too True
Instrument · 1989
Uptownship
Producer · 1989
Album cover
Conscious Party
Arranger · 1988
Album cover
Sangoma
Instrument · 1988
Album cover
Bring Him Back Home
Producer · 1987
Sarafina! The Music of Liberation
Producer · 1987
Tomorrow
Liner Notes · 1987
Waiting for the Rain
Producer · 1985
Don’t Go Lose It Baby
Writer · 1984
Album cover
Comme une symphonie d'amour / Malaisha / Sabelani / African Convention
Instrument · 1979
Album cover
Herb Alpert / Hugh Masekela
Producer · 1978
Main Event: Live
Producer · 1978
Peddlin' Music on the Side
Arranger · 1977
Album cover
You Told Your Mama Not to Worry
Producer · 1977
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Colonial Man
Producer · 1976
Album cover
Tears on My Pillow
Instrument · 1975
The Boy's Doin' It
Producer · 1975
Album cover
I Am Not Afraid
Instrument · 1974
Album cover
Home Is Where the Music Is / The African Connection
Instrument · 1972
Album cover
Letta
Liner Notes · 1970
Reconstruction
Arranger · 1970
Album cover
Masekela
Instrument · 1969
The Best of Miriam Makeba
Conductor · 1968
Album cover
The Promise of a Future
Instrument · 1968
Album cover
Have You Ever Seen the Blues / Have You Dug His Scene
Producer · 1967
Hugh Masekela’s Latest
Instrument · 1967
Album cover
Younger Than Yesterday
Instrument · 1967
The Emancipation of Hugh Masekala
Instrument · 1966
The World of Miriam Makeba
Instrument · 1966
Africa '68
Producer · —
African Breeze
Producer · —
African Breeze: '80s Masekela
Producer · —
African Convention
Instrument · —
Afrocentric
Instrument · —
Another Day Comes (Another Day Goes)
Instrument · —
A Person Is A Sometime Thing
Producer · —
Awa Yiô
Instrument · —