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Person · German medieval saint

Hildegard von Bingen

Albums
84
Members
0
Active
1098–1179
Origin
Germany
Biography

Saint Hildegard of Bingen (German: von Bingen, Latin: Bingensis) (September 16, 1098 - September 17, 1179) was a German magistra, monastic leader, mystic, author, and composer of music. Hildegard was born into a family of nobles in the service of the counts of Sponheim, close relatives of the Hohenstaufen emperors. Because she was a tenth child, and a sickly one from birth, and also perhaps as a political move, at the age of eight Hildegard's parents sent her as a tithe to the church. Hildegard was put in the care of Jutta, the sister of Count Meinhard of Sponheim, just outside the Disibodenberg monastery in Germany. Jutta was enormously popular and acquired so many followers a small nunnery sprang up around her. Upon Jutta's death in 1136 Hildegard was chosen magistra of the community, and eventually moved the group to a new monastery on the Rupertsberg at Bingen on the Rhine. From the time she was very young, Hildegard claimed to have visions. She received a prophetic call from God five years after her election as magistra in 1141 demanding of her, "Write what you see". At first she was hesitant about writing her visions, holding them inside. She was finally convinced to write by members of her order after falling physically ill from carrying the unspoken burden. Recent scholarly interest in women in the medieval church has led to a popularization of Hildegard - and particularly of her music. Approximately eighty compositions survive, which is a far larger repertoire than almost any other medieval composer. Among her better known works is the Ordo Virtutum ("Order of the Virtues" or "Play of the Virtues"), a type of early oratorio for women's voices, with one male part - that of the Devil. It was created, like all of Hildegard's music, to be performed by the nuns of her convent. The text of her compositions uses a form of modified medieval Latin unique to Hildegard, for which she created many invented, conflated and abridged words, while the music itself is monophonic, designed for limited instrumental accompaniment (usually just using hurdy gurdy drones), and characterised by soaring soprano vocalisations. In addition to music, Hildegard also wrote medical, botanical and geological treatises, and she even invented an alternative alphabet. Due to her inventions of words for her lyrics and a constructed script, many conlangers look upon her as a mediaeval precursor. She collected her visions into three books: the first and most important Scivias ("Know the Way") completed in 1151, Liber vitae meritorum ("Book of Life's Merits") and De operatione Dei ("Of God's Activities") also known as Liber divinorum operum ("Book of Divine Works"). In these volumes, written over the course of her life until her death in 1179, she first describes each vision, then interprets them. The narrative of her visions was richly decorated under her direction, presumably drawn by other nuns in the convent, while transcription assistance was provided by the monk Volmar (see illustration) with pictures of the visions. Her interpretations are usually quite traditionally Catholic in nature. Her vivid description of the physical sensations which accompanied her visions have been diagnosed by neurologists (including popular author Oliver Sacks) as symptoms of migraine; however others have seen in them merely colourful illustrations of the prevailing church doctrine of her time, which she supported, rather than actual visions. The book was celebrated in the Middle Ages and printed for the first time in Paris in 1513. Hildegard's visionary writings maintain that virginity is the highest level of the spiritual life. There are many instances both in her letters and visions which decry the misuse of carnal pleasures. In Scivias Book II Vision Six.78, "God united man and woman, thus joining the strong to the weak, that each might sustain the other. But these perverted adulterers change their virile strength into perverse weakness, rejecting the proper male and female roles, and in their wickedness they shamefully follow Satan, who in his pride sought to split and divide Him Who is indivisible. They create in themselves by their wicked deeds a strange and perverse adultery, and so appear polluted and shameful in My sight..." "...a woman who takes up devilish ways and plays a male role in coupling with another woman is most vile in My sight, and so is she who subjects herself to such a one in this evil deed..." "...And men who touch their own genital organ and emit their semen seriously imperil their souls, for they excite themselves to distraction; they appear to Me as impure animals devouring their own whelps, for they wickedly produce their semen only for abusive pollution..." "...When a person feels himself disturbed by bodily stimulation let him run to the refuge of continence, and seize the shield of chastity, and thus defend himself from uncleanness." (translation by Mother Columba Hart and Jane Bishop). Hildegard was a powerful woman by the standards of the Middle Ages. She communicated with Popes such as Eugene III and Anastasius IV, statesmen such as Abbot Suger, German emperors such as Frederick I Barbarossa, and on one occasion with St. Bernard of Clairvaux who although he reportedly advanced her work at the Synod of Trier 1147/48, seemed to have little regard for her as evidenced from the one letter from him she received. Nevertheless many Abbots and Abbesses asked her for prayers and opinions on various matters. She traveled widely, giving public speeches, a rarity for a woman of the time. Hildegard was one of the first saints for which the canonization process was officially applied, but the process took so long that all four attempts at canonization (the last was in 1244, under Pope Innocent IV) were not completed, and remained at her beatification. However, she was already called a saint by the people before the canonization attempts. As a result of the long-standing devotion of the people to Hildegard, her name was taken up in the Roman martyrology at the end of the 16th century without a formal canonization process, earning her the title of saint. Her feast day is September 17. The shrine with the relics of Hildegard is in her second monastery in Eibingen near Rüdesheim (on the Rhine).

Discography

Credits

KNEECAP (ORIGINAL SOUNDTRACK)
Writer · 2024
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Halcyon
Writer · 2005
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Englar alheimsins
Liner Notes · 2001
Hildegard von Bingen
Writer · 2001
Isles of the Blest
Artwork · 1998
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Lux Vivens
Composer · 1998
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11,000 Virgins: Chants for the Feast of St. Ursula
Composer · 1997
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Monk and the Abbess
Composer · 1996
Heavenly Revelations: Hymns, Sequences, Antiphons, Responds
Composer · 1995
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Voice of the Blood
Lyricist · 1995
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Canticles of Ecstasy
Composer · 1994
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Vision: The Music of Hildegard von Bingen
Liner Notes · 1994
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Hitler as Kalki
Design · 1993
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Diadema
Composer · 1990
Op. Transreplica Meccano
Lyricist · 1989
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Christ and the Pale Queens Mighty in Sorrow
Lyricist · 1988
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A Feather on the Breath of God
Composer · 1985
Ancient Music For A Modern Age
Composer · —
Angelic Voices (Heavenly Music From A Medieval Abbey)
Composer · —
Belfast
Writer · —
Celebration Of Love
Illustration · —
Celestial Harmonies • Responsories And Antiphons
Composer · —
Celestial Stairs
Composer · —
Femina Forma Maria: Marienlieder Des Villarenser Codex
Composer · —
Geistliche Musik Des Mittelalters Und Der Renaissance
Composer · —
Hildegard von Bingen
Composer · —
Hildegard Von Bingen - Ein Hörbild
Composer · —
Hildegard Von Bingen (Seelisch Heilsam Wirkende Meditationsmusik)
Lyricist · —
Hildegard von Bingen Und Ihre Zeit = Hildegard von Bingen And Her Time
Composer · —
Hortus Deliciarum
Composer · —
Illumination (Hildegard Von Bingen: The Fire Of The Spirit)
Lyricist · —
Inspiration: Hildegard Von Bingen: Lieder Und Visionen
Writer · —
Laudes De Sainte Ursule
Writer · —
Le Mariage Du Ciel Et De La Terre
Composer · —
Long After The Music Is Gone
Composer · —
Luminous Spirit
Composer · —
Lux Vivens
Composer · —
Materia Mystica (Homage To Hildegard Von Bingen)
Writer · —
Meditation. The Songs Of Hildegard von Bingen.
Writer · —
Mystic Chants
Composer · —
O Jerusalem
Composer · —
Omnis
Writer · —
Ordo Virtutum
Composer · —
Ordo Virtutum
Composer · —
"O Vis Aeternitatis" - Vesper In Der Abtei St. Hildegard
Composer · —
Symphoniae. Geistliche Gesänge
Composer · —
Symphoniae Harmoniae Caelestium Revelationum
Composer · —
The Distaff
Lyricist · —
The Origin Of Fire (Music And Visions Of Hildegard Von Bingen)
Composer · —
Unio Celestia
Lyricist · —
Wings Of Passion
Writer · —
Zum Fest Der Heiligen Hildegard Von Bingen - Gregorianische Gesänge Aus Messe Und Offizium
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