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Bob Daisley
Person

Bob Daisley

Albums
1
Members
13
Active
1950–present
Origin
Australia
Biography

Robert John "Bob" Daisley (born 13 February 1950) is an Australian musician and author. A bassist and songwriter, he has performed with numerous acts since the 1970s, most notably Rainbow, Ozzy Osbourne, Gary Moore and Uriah Heep.

Daisley began playing guitar at age 13 and went on to bass at 14. His rapid progress won him local acclaim especially through his work with guitarist Dennis Wilson with The Powerpact and Mecca; their only single release "Black Sally" became an underground hit and was copied by Human Instinct on their Stoned Guitar album. Daisley and Wilson then formed Kahvas Jute with Tamam Shud members Tim Gaze and Dannie Davidson. They released one album, Wide Open, on Infinity Records in 1971.

Daisley came to international notice as a bass player and member of the English blues band Chicken Shack in 1972, before going on to play with Mungo Jerry in 1973 and on their 1974 album Long-Legged Woman Dressed in Black. After this he co-formed Widowmaker, contributing to two albums — 1975's self-titled debut and Too Late to Cry in 1977. The same year he joined Ritchie Blackmore's band Rainbow and later played on tracks of the Long Live Rock 'N' Roll album. He remained with Rainbow until 1979 when he was replaced by Blackmore's ex-Deep Purple bandmate Roger Glover.

In October 1979, Daisley met Ozzy Osbourne at a venue called the Music Machine in Camden Town, and Osbourne soon suggested they form a band with former Quiet Riot guitarist Randy Rhoads, whom Osbourne had recently met in Los Angeles. The trio hired drummer Lee Kerslake and settled on the band name The Blizzard of Ozz, though a record company billed the act simply as "Ozzy Osbourne".

Daisley contributed bass and backing vocals as well as songwriting and co-production on the group's first album, Blizzard Of Ozz, and co-wrote much of the material on the follow-up album Diary of a Madman but both he and drummer Lee Kerslake were fired before the album was released. Rudy Sarzo and Tommy Aldridge appeared in their place in the artwork and credits of that album. Daisley and Kerslake successfully sued Jet Records and Don Arden in 1986 for performance royalties and to have their performance credits added to Diary of a Madman. Litigation with regards to these albums continued in 1998 when Daisley and Kerslake sued the Osbournes (who unknown to Daisley and Kerslake had purchased the early albums' publishing rights) for unpaid performance royalties and accreditation. However, the Osbourne management responded to this by deleting the original recordings and re-issuing new CD versions with the bass and drum tracks re-recorded by Robert Trujillo and Mike Bordin in 2002. In 2003, Daisley and Kerslake's lawsuit was dismissed by the United States District Court in Los Angeles. This dismissal was upheld by the United States Court of Appeals for the Ninth Circuit.

Daisley continued to write and record for Osbourne throughout the 1980s, playing on and/or writing for Bark at the Moon (1983), The Ultimate Sin (1986), and No Rest for the Wicked (1988). He maintained his working relationship with the Osbournes up until 1991's No More Tears album, which featured his bass playing on all tracks. Mike Inez (who later joined Alice in Chains) appeared in the album's promotional videos.

After leaving Osbourne's band the first time, Daisley joined the reformed Uriah Heep in 1981 alongside Kerslake and remained with them until the following year, recording two albums, Abominog and Head First, both of which helped to rekindle some interest in the band.

During his on-off involvement with Osbourne, Daisley also recorded many albums with Gary Moore and toured extensively with him.

In 1986 he was approached by producer Jeff Glixman to play on the Black Sabbath album The Eternal Idol as the band's actual bass player Dave Spitz had personal commitments to attend to. However, Spitz was credited on the final release along with Daisley. Daisley was offered the bassist's spot in Black Sabbath but turned it down due to his commitment to Moore. He continued to work with Gary Moore from time to time until the guitarist's death in 2011.

Since the 1980s, Daisley has contributed to a wealth of recordings as bassist, lyricist and producer, including albums by Yngwie Malmsteen, Takara, Bill Ward, Black Sabbath and Jeff Watson of Night Ranger. Daisley and Watson teamed up again and formed Mother's Army with vocalist Joe Lynn Turner and drummer Carmine Appice. In 2003, following his second and unsuccessful suit against Ozzy Osbourne, he teamed up with Lee Kerslake, Steve Morse of Deep Purple and Australian rock singer Jimmy Barnes to record an album under the name Living Loud. Six of the album's eleven tracks were covers from Blizzard of Ozz and Diary of a Madman. Don Airey played keyboards on the Living Loud album. On 7 February 2003 Daisley recorded a live show at The Basement in Sydney with Australian blues band The Hoochie Coochie Men, for a live DVD and CD release. Featured were former Deep Purple organist Jon Lord and Jimmy Barnes. In 2007, The Hoochie Coochie Men released the studio album Danger: White Men Dancing, also featuring Jon Lord.

Discography

Credits

Ranked #10,099 of 14,615 producers — 92.01 career Groove across 6 records.

Since You Been Gone: The Essential Rainbow
Instrument · 2017
A Light in the Black 1975–1984
Instrument · 2015
Essential
Instrument · 2014
5 Original Albums
Instrument · 2011
Anthology 1975–1984
Instrument · 2009
Planet Alliance
Instrument · 2006
Live in Munich 1977
Instrument · 2005
Album cover
Power of the Blues
Instrument · 2004
Catch the Rainbow: The Anthology
Instrument · 2003
Classic Rainbow
Instrument · 2002
Pot of Gold
Instrument · 2002
20th Century Masters: The Millennium Collection: The Best of Rainbow
Instrument · 2000
Nothing Is Sacred
Instrument · 1998
The Very Best of Rainbow
Instrument · 1997
Album cover
A Time of Revelation: 25 Years On...
Instrument · 1996
Album cover
Under Wheels of Confusion: 1970–1987
Instrument · 1996
Carmine Appice’s Guitar Zeus
Instrument · 1995
Album cover
After Hours
Instrument · 1992
Album cover
Mama, I’m Coming Home
Instrument · 1991
Album cover
No More Tears
Instrument · 1991
No More Tears
Instrument · 1991
Album cover
Still 'eavy, Still Proud: Two Decades of Uriah Heep
Instrument · 1990
Album cover
Still Got the Blues
Instrument · 1990
Album cover
Blackest Sabbath: Black Sabbath 1970–1987
Instrument · 1989
Album cover
After the War
Instrument · 1988
Crazy Babies
Instrument · 1988
Album cover
No Rest for the Wicked
Instrument · 1988
Album cover
Odyssey
Instrument · 1988
Album cover
The Eternal Idol
Instrument · 1987
The Shining
Instrument · 1987
Wild Frontier
Instrument · 1987
Album cover
Finyl Vinyl
Instrument · 1986
Album cover
The Ultimate Sin
Instrument · 1986
Run for Cover
Instrument · 1985
Album cover
Head First
Instrument · 1983
Victims of the Future
Instrument · 1983
Album cover
Abominog
Instrument · 1982
That’s the Way That It Is / Hot Persuasion
Instrument · 1982
Album cover
Diary of a Madman
Instrument · 1981
The Best of Rainbow
Instrument · 1980
Album cover
Long Live Rock ’n’ Roll
Instrument · 1978
5 Album Set
Instrument · —
An Act Of God
Instrument · —
An Die Freude
Instrument · —
Atlanta 1978
Instrument · —
Bark At The Moon
Instrument · —
Bark At The Moon Japan Tour
Instrument · —
Bark At The Moon Tour '84
Instrument · —
Bark At The Tokyo
Instrument · —
Black Sally
Instrument · —
Blind In Paradise
Instrument · —
Blizzard Of Ozz / The Ultimate Sin
Instrument · —
Blizzard Of Ozz Tour
Instrument · —
CA Connection
Instrument · —
Captain Amazing & Mr.Cornflakes
Instrument · —
Catch The Rainbow
Instrument · —
Chapter & Verse - The Uriah Heep Story
Instrument · —
Cozy Powell Show
Instrument · —
Crazy Enough To Sing To You
Instrument · —
Emerald Aisles. Live In Ireland
Instrument · —