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Person

Blind Willie McTell

Albums
63
Members
1
Active
1901–1959
Origin
United States
Biography

Blind Willie McTell (born William Samuel McTier May 5, 1898 – August 19, 1959), was a Piedmont and ragtime blues singer and guitarist. He played with a fluid, syncopated fingerstyle guitar technique, common among many exponents of Piedmont blues, although, unlike his contemporaries, he came to use twelve-string guitars exclusively. McTell was also an adept slide guitarist, unusual among ragtime bluesmen. His vocal style, a smooth and often laid-back tenor, differed greatly from many of the harsher voice types employed by Delta bluesmen, such as Charlie Patton. McTell embodied a variety of musical styles, including blues, ragtime, religious music and hokum.

Born blind in the town of Thomson, Georgia, McTell learned how to play guitar in his early teens. He soon became a street performer around several Georgia cities including Atlanta and Augusta, and first recorded in 1927 for Victor Records. Although he never produced a major hit record, McTell's recording career was prolific, recording for different labels under different names throughout the 1920s and 30s. In 1940, he was recorded by John Lomax for the Library of Congress's folk song archive. He would remain active throughout the 1940s and 50s, playing on the streets of Atlanta, often with his longtime associate, Curley Weaver. Twice more he recorded professionally. McTell's last recordings originated during an impromptu session recorded by an Atlanta record store owner in 1956. McTell would die three years later after suffering for years from diabetes and alcoholism. Despite his mainly failed releases, McTell was one of the few archaic blues musicians that would actively play and record during the 1940s and 50s. However, McTell never lived to be "rediscovered" during the imminent American folk music revival, as many other bluesmen would.

McTell's influence extended over a wide variety of artists, including The Allman Brothers Band, who famously covered McTell's "Statesboro Blues", and Bob Dylan, who paid tribute to McTell in his 1983 song "Blind Willie McTell"; the refrain of which is, "And I know no one can sing the blues, like Blind Willie McTell". Other artists influenced by McTell include Taj Mahal, Alvin Youngblood Hart, Ralph McTell, Chris Smither and The White Stripes.

Discography

Credits

Live At La Chapelle
Writer · 2020
Album cover
Lazaretto
Writer · 2014
Album cover
The Hidden Treasures of Taj Mahal: 1969-1973
Writer · 2012
The Best of Blind Willie McTell: Classic Recordings of the 1920s & 30s
Vocal · 2004
Album cover
De Stijl
Writer · 2000
Pig 'N Whistle Red
Vocal · 1993
Album cover
Makin’ Magic
Writer · 1977
Album cover
Farm
Writer · 1971
1927-1935
Instrument · —
1949 Love Changin' Blues
Instrument · —
Atlanta Strut
Vocal · —
Atlanta Twelve String
Vocal · —
Atlantic Blues: Guitar
Instrument · —
A To Z Blues
Vocal · —
Believing
Writer · —
Blind Willie McTell: 1940 The Legendary Library Of Congress Session
Vocal · —
Blind Willie McTell 1949, Trying To Get Home
Instrument · —
Blues In The Dark
Vocal · —
Complete Recorded Works 1933-1935 In Chronological Order
Instrument · —
Complete Recorded Works In Chronological Order October 18, 1927 To November 29, 1929 (Volume 1)
Instrument · —
Complete Recorded Works In Chronological Order Volume 3
Vocal · —
Complete Recorded Works In Chronological Order Volume 4
Instrument · —
Fixin' To Die
Writer · —
Georgia Guitar Wizard
Instrument · —
I'm A Stranger Too! / Don't It Drag On
Writer · —
Jailhouse Blues
Instrument · —
King Of The Georgia Blues Singers (1929-1935)
Vocal · —
Last Session
Instrument · —
Masters Of The Country Blues
Instrument · —
Statesboro Blues
Vocal · —
Statesboro Blues
Vocal · —
The Best Of The Allman Brothers Band
Writer · —
The Best Of The Allman Brothers Band
Writer · —
The Definitive Blind Willie McTell
Instrument · —
The Early Years 1927-1933
Instrument · —
The Greatest In Country Blues (1927-1956)
Vocal · —
The Post-War Years (1949-1950)
Instrument · —
Three Women Blues / Statesboro Blues
Vocal · —
Volume 2 (Complete Recorded Works In Chronological Order April 17, 1930 To September 14, 1933)
Instrument · —