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Person · "Mallika-e-Ghazal" (Queen of Ghazals)

Begum Akhtar

Albums
34
Members
0
Active
1914–1974
Origin
India
Biography

Akhtari Bai Faizabadi (7 October 1914 – 30 October 1974), also known as Begum Akhtar, was an Indian singer and actress. Dubbed "Mallika-e-Ghazal" (Queen of Ghazals), she is regarded as one of the greatest singers of ghazal, dadra, and thumri genres of Hindustani classical music.

Begum Akhtar received the Sangeet Natak Akademi Award for vocal music in 1972, was awarded Padma Shri, and later a Padma Bhushan Award posthumously by the government of India.

Akhtar was barely seven when she was captivated by the music of Chandra Bai, an artist attached to a touring theatre group. However at her uncle's insistence she was sent to train under Ustad Imdad Khan, the great sarangi exponent from Patna, and later under Ata Mohammed Khan of Patiala. Later, she travelled to Calcutta with her mother and learnt music from classical stalwarts like Mohammad Khan, Abdul Waheed Khan of Lahore, and finally she became the disciple of Ustad Jhande Khan.

Her first public performance was at the age of fifteen. The famous poet Sarojini Naidu appreciated her singing during a concert which was organised in the aid of victims of the 1934 Nepal–Bihar earthquake. This encouraged her to continue singing ghazals with more enthusiasm. She cut her first disc for the Megaphone Record Company, at that time. A number of gramophone records were released carrying her ghazals, dadras, thumris, etc. She was amongst the early female singers to give public concert, and break away from singing in mehfils or private gatherings, and in time came to be known as Mallika-e-Ghazal (Queen of Ghazal).

Begum Akhtar's good looks and sensitive voice made her an ideal candidate for a film career in her early years. When she heard great musicians like Gauhar Jaan and Malak Jan, however, she decided to forsake the glamour of the film world for a career in Indian classical music. Her supreme artistry in light classical music had its moorings in the tradition of pure classicism. She chose her repertoire in primarily classical modes: a variety of raags, ranging from simple to complex. After the advent of talkie era in India, Begum Akhtar acted in a few Hindi movies in the 1930s. East India Film Company of Calcutta approached her to act in "King for a Day" (alias Ek Din Ka Badshah) and Nal Damayanti in 1933.

Like others of that era, she sang her songs herself in all her films. She continued acting in the following years. Subsequently, Begum Akhtar moved back to Lucknow where she was approached by the famous producer-director Mehboob Khan, to act in Roti which was released in 1942 and whose music was composed by the maestro Anil Biswas. "Roti" contained six of her ghazals but unfortunately due to some trouble with the producer, Mehboob Khan subsequently deleted three or four ghazals from the film. All the ghazals are available on Megaphone gramophone records. Begum Akhtar, meanwhile, left Bombay and returned to Lucknow. Her name appears differently in many film credits as Akhtaribai Fyzabadi, Akhtaribai Faizabadi, Akhtari and Begum Akhtar.

In 1945, Akhtari Bai married a Lucknow-based barrister, Ishtiaq Ahmed Abbasi, and became known as Begum Akhtar. However, after marriage, due to restrictions by her husband, she could not sing for almost five years and subsequently, fell ill and emotionally depressed. That is when her return to music was prescribed as a befitting remedy, and in 1949 she returned to the recording studios. She sang three ghazals and a dadra at Lucknow All India Radio station. She started crying afterwards and returned to singing in concerts, which she continued to do unto death. She sang publicly in Lucknow, in a women's only concert in aid of the war with China, which was held in 1962.

Her voice matured with time, acquiring richness and depth. She sang ghazals and other light classical pieces, in her inimitable style. She has nearly four hundred songs to her credit. She was a regular performer on All India Radio. She usually composed her own ghazals and most of her compositions were raag based. She also sang the timeless Bengali classical song "Jochona Koreche Aari" (জোছনা করেছে আড়ি).

Discography

Great Hits Of Begum Akhtar
Begum Akhtar · 1963
Begum Akhtar Sings Ghalib
Begum Akhtar · 1968
Dadras & Thumrees
Begum Akhtar · 1968
Dadras & Thumrees
Begum Akhtar · 1968
Begum Akhtar (Ghazals)
Begum Akhtar · 1969
Ghazals & Dadrars
Begum Akhtar · 1970
Naat Shareef
Begum Akhtar · 1970
Begum Akhtar
Begum Akhtar · 1971
Ghazals
Begum Akhtar · 1971
Naaten
Begum Akhtar · 1971
Ghazals
Begum Akhtar · 1973
Bengali Light Classical Songs
Begum Akhtar · 1974
Begum Akhtar = بیگم اختر
Begum Akhtar · 1975
Ghazals
Begum Akhtar · 1975
In Memoriam (Kalam-E-Asatiza)
Begum Akhtar · 1975
Lost Horizons (Ghazals)
Begum Akhtar · 1977
Best of Begum Akhtar
Begum Akhtar · 1981
Malika-E-Ghazal
Begum Akhtar · 1983
Thumri Sawan Ghazal
Begum Akhtar · 1983
An Enchanting Hour With Begum Akhtar - Ghazals
Begum Akhtar · 1984
At Her Best Begum Akhtar
Begum Akhtar · 1984
Thumri, Dadra Poorvi
Begum Akhtar · 1984
Shah E Madina
Begum Akhtar · 1985
Malika-E-Ghazal
Begum Akhtar · 1989
Thumri
Begum Akhtar · 1990
The Golden Collection - Ghazal Queen
Begum Akhtar · 1992
A Journey Vol. 1 & 2
Begum Akhtar · 2003
Rooh-e-Mousiqi
Begum Akhtar · 2003
Farmaaish / Ghazals & Geet
Begum Akhtar · 2004
Ae Muhabbat Tere Anjam Pe Rona Aaya = ऎ मोहब्बत तेरे अंजाम पे रोना आया - गजल​
Begum Akhtar · —
Hamar Kahin Mano Raja Ji / Nanadua Kahe Mare Bol
Begum Akhtar · —
Itna To Zindagi Mon / Bus Ek Jhijak Hai Yahin
Begum Akhtar · —
Koyelia Gaan Thama
Begum Akhtar · —
زمین پہ رہ کے دماغ / یه بر همی کی ادا
Begum Akhtar · —

Credits