小澤征爾

Seiji Ozawa , born September 1, 1935) is a Japanese conductor known for his advocacy of modern composers and for his work with the San Francisco Symphony, the Toronto Symphony, and the Boston Symphony. He is the recipient of numerous international awards. Ozawa was born on September 1, 1935, to Japanese parents in the city of Mukden, Manchukuo (now Shenyang, China). When his family returned to Japan in 1944, he began studying piano with Noboru Toyomasu, heavily studying the works of Johann Sebastian Bach. After graduating from the Seijo Junior High School in 1950, Ozawa sprained his finger in a rugby game. Unable to continue studying the piano, his teacher at the Toho Gakuen School of Music, Hideo Saito, brought Ozawa to a life-changing performance of Beethoven's Symphony No. 5, which ultimately shifted his musical focus from piano performance to conducting.

International success : Almost a decade after the sports injury, Ozawa won the first prize at the International Competition of Orchestra Conductors in Besançon, France. His success there led to an invitation by Charles Münch, then the music director of the Boston Symphony Orchestra, to attend the Berkshire Music Center (now the Tanglewood Music Center), where he studied with Munch and Pierre Monteux. In 1960, shortly after his arrival, Ozawa won the Koussevitzky Prize for outstanding student conductor, Tanglewood's highest honor. Receiving a scholarship to study conducting with famous Austrian conductor Herbert von Karajan, Ozawa moved to West Berlin. Under the tutelage of von Karajan, Ozawa caught the attention of prominent conductor Leonard Bernstein. Bernstein then appointed him as assistant conductor of the New York Philharmonic where he served during the 1961–62 and 1964–65 seasons. While with the New York Philharmonic, he made his first professional concert appearance with the San Francisco Symphony in 1962. In December 1962 Ozawa was involved in a controversy with the prestigious Japanese NHK Symphony Orchestra when certain players, unhappy with his style and personality, refused to play under him. Ozawa went on to conduct the rival Japan Philharmonic Orchestra instead. From 1964 until 1968, Ozawa served as the first music director of the Ravinia Festival, the summer home of the Chicago Symphony Orchestra. In 1969 he served as the festival's principal conductor. He was music director of the Toronto Symphony Orchestra from 1965 to 1969 and of the San Francisco Symphony from 1970 to 1977. In 1972, he led the San Francisco Symphony in its first commercial recordings in a decade, recording music inspired by William Shakespeare's Romeo and Juliet. In 1973, he took the San Francisco orchestra on a European tour, which included a Paris concert that was broadcast via satellite in stereo to San Francisco station KKHI. He was involved in a 1974 dispute with the San Francisco Symphony's players' committee that denied tenure to two young musicians (the timpanist Elayne Jones and the bassoonist Ryohei Nakagawa) Ozawa had selected. He returned to San Francisco as a guest conductor, including a 1978 concert featuring music from Tchaikovsky's ballet Swan Lake.