
浜崎あゆみ
Ayumi Hamasaki (浜崎あゆみ Hamasaki Ayumi, also 濱崎歩; born October 2, 1978) is a Japanese singer-songwriter, record producer, model, lyricist, and actress. Also called "Ayu" by her fans, Hamasaki has been dubbed the "Empress of Pop" because of her popularity and widespread influence in Japan and throughout Asia. Born and raised in Fukuoka, she moved to Tokyo at fourteen to pursue a career in entertainment. In 1998, under the tutelage of Avex CEO Max Matsuura, she released a string of modestly selling singles that concluded with her 1999 debut album A Song for ××.
The album debuted atop the Oricon charts and stayed there for four weeks, establishing her popularity in Japan. Hamasaki's constantly changing image and tight control over her artistry has helped her popularity extend across Asia; music and fashion trends she has started have spread to countries such as China, Singapore, and Southeast Asia. She has appeared in or lent her songs to many advertisements and television commercials. Though she originally supported the exploitation of her popularity for commercial purposes, she later reconsidered and eventually opposed her status as an Avex "product".
Since her 1998 debut with the single "Poker Face", Hamasaki has sold over 50 million records in Japan, making her the best selling solo singer in Japanese history as well as one of the country's most successful songwriters, ranking her among the best-selling singers in the country. As a female singer, Hamasaki holds several domestic records for her singles, such as the most number-one hits overall by a female artist, the most consecutive number-one hits by a solo artist, the highest sales, and the most million-sellers. Since 1999, Hamasaki has had at least one single each year topping the charts (except 2011, which she released a mini-album, Five, without any singles). Hamasaki is the first female singer to have eight studio albums since her debut to top the Oricon and the first artist to have a number-one album for 13 consecutive years since her debut.
The Groove is music.nw’s own measure of renown — not an opinion, a fact computed from the record. It weighs reach (how many people engaged) against acclaim (how highly they rated it), balanced so a handful of votes can’t outshout a lasting favourite.
Computed the NeuraWeb way, across the whole record. The same yardstick for everyone — which is why the little-known can out-Groove the famous in their own corner.
How 浜崎あゆみ moved
Genre belongs to the record, not to the artist. Every album’s Groove is shared out across the genres it actually is — by how the raters tagged it — so nobody is 100% one thing. Stack that by decade and a career draws itself.