The Dreaded P.D.Q. Bach Collection

In the Vanguard Vault, Part 1

Introduction

Concerto for Horn and Hardart, S. 27: Allegro

Concerto for Horn and Hardart, S. 27: Tema con variazione

Concerto for Horn and Hardart, S. 27: Menuetto con panna e zucchero

Introduction

Cantata: Iphigenia in Brooklyn, S. 53162: Aria

Cantata: Iphigenia in Brooklyn, S. 53162: Recitative

Cantata: Iphigenia in Brooklyn, S. 53162: Ground

Cantata: Iphigenia in Brooklyn, S. 53162: Recitative

Cantata: Iphigenia in Brooklyn, S. 53162: Aria

Introduction

Quodlibet for Small Orchestra: Allegro

Quodlibet for Small Orchestra: Adagio

Quodlibet for Small Orchestra: Allegro

Introduction

Sinfonia Concertante, S. 98.6: Sehr unruhig mit schmalz

Sinfonia Concertante, S. 98.6: Andante senza moto

Sinfonia Concertante, S. 98.6: Presto nicht schleppend

Introduction

Oratorio: “The Seasonings”, S. ½ tsp.: Chorus: “Tarragon of virtue is full”

Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “And there were in the same country”

Oratorio: “The Seasonings”, S. ½ tsp.: Duet: “Bide thy thyme”

Oratorio: “The Seasonings”, S. ½ tsp.: Fugue for Orchestra

Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “Then asked he”

Oratorio: “The Seasonings”, S. ½ tsp.: Chorale: “By the leeks of Babylon / There we sat down, yea, we wept”

Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “Then she gave in”

Oratorio: “The Seasonings”, S. ½ tsp.: Aria: “Open sesame seeds”

Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “So saying”

Oratorio: “The Seasonings”, S. ½ tsp.: Duet: “Summer is a cumin seed”

Oratorio: “The Seasonings”, S. ½ tsp.: Chorus with Soloists: “To curry favor, favor curry”

Introduction

“Unbegun” Symphony: Ⅲ. Minuet

“Unbegun” Symphony: Ⅳ. Andante – Allegro

Introduction

Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Allegro moulto

Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Romanze Ⅱ (Adagio sereno)

Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Minaret and Trio

Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Romanze Ⅰ (Chi largo)

Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Presto changio

Report From Hoople: Bright and Early Show: Signature Theme / Intro

Report From Hoople: Bright and Early Show: Echo Sonata for Two Unfriendly Groups of Instruments / Tag

Report From Hoople: Bright and Early Show: Station Break

Report From Hoople: Bright and Early Show: Commercial: “Do You Suffer?”

Report From Hoople: Bright and Early Show: Intro

Report From Hoople: Bright and Early Show: New Horizons in Music Appreciation: Beethoven’s Fifth Symphony

Report From Hoople: Bright and Early Show: Time / Weather / News

Report From Hoople: Bright and Early Show: Intro

Report From Hoople: Bright and Early Show: Traumarei for Unaccompanied Piano

Report From Hoople: Bright and Early Show: Station Break / Tag / Signature Theme

Report From Hoople: Dull and Late Show: Signature Theme / Intro

Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Larghissimo – Allegro boffo

Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Menuetto con brio ma senza trio

Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Adagio saccharino

Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Yehudi Menuetto

Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Presto hey nonny nonnio

Report From Hoople: Dull and Late Show: Tag / Station Break

Report From Hoople: Dull and Late Show: What’s My Melodic Line?

Report From Hoople: Dull and Late Show: Time / News / Intro

Report From Hoople: Dull and Late Show: Fugue in C minor (from the Toot Suite for Calliope Four Hands)

Report From Hoople: Dull and Late Show: Tag / Station Break

Report From Hoople: Dull and Late Show: What’s Happening in Home Economics (Beethoven’s Revenge)

Report From Hoople: Dull and Late Show: Commercial: “If You Have Never”

Report From Hoople: Dull and Late Show: Sign‐Off / Signature Theme

Introduction

The Stoned Guest, Part 1: Overture

The Stoned Guest, Part 1: Aria: “Let’s face it — I’m lost”

The Stoned Guest, Part 1: Recitative: “Boy!”

The Stoned Guest, Part 1: Aria: “Now is the season”

The Stoned Guest, Part 1: Recitative: “Gesundheit!”

The Stoned Guest, Part 1: Duet: “Woe”

The Stoned Guest, Part 1: Recitative: “Hark!”

The Stoned Guest, Part 1: Aria: “Look at me”

The Stoned Guest, Part 1: Recitative: “That’s the end”

The Stoned Guest, Part 1: Trio: “I’m sure I’d be”

Intermission Feature: Opera Whiz

Plot Synopsis

The Stoned Guest, Part 2: Recitative: “I hate to interrupt”

The Stoned Guest, Part 2: Quartet: “Don Octave”

The Stoned Guest, Part 2: Finale: “O saviour”

Announcement

Two Madrigals from The Triumphs of Thusnelda: “The queen to me a royal pain doth give”

Two Madrigals from The Triumphs of Thusnelda: “My bonnie lass she smelleth”

Final Announcement

Introduction

Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Overture

Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I am a quaint old innkeeper”

Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Like a lonely pilgrim”

Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “My name is Hansel Hunter”

Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I’m the village idiot”

Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Et expecto”

Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “There’s something about a monk”

Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Duet: “Do you love me?”

Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Interlude: Medical examination

Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I hope you’ll take this friendly advice”

Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Teddy Nice is my name”

Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Duet: “Jump not to conclusions”

Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Finale: “Just tell me what your name is”

The O.K. Chorale from the Toot Suite for calliope four hands, S. 212°

Introduction

“Erotica” Variations, S. 36EE, for banned instruments and piano: Theme: Windbreaker

“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅰ: Balloons

“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅱ: Slide Whistle

“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅲ: Slide Windbreaker

“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅳ: Lasso D’Amore

“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅴ: Foghorn, Bell, Kazoo, Gargle

Introduction

The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Loving is as easy

The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Please, kind sir

The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Jane, my Jane

The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Golly golly oh

The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Nelly is a nice girl

The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Encore (Nelly is a nice girl)

In the Vanguard Vault, Part 2

The “Sanka” Cantata

In the Vanguard Vault, Part 3