The Complete Wilhelm Furtwängler on Record

Der Freischütz, op. 77: Overture

Symphony no. 5 in C minor, op. 67: I. Allegro con brio

Symphony no. 5 in C minor, op. 67: II. Andante con moto

Symphony no. 5 in C minor, op. 67: III. Allegro

Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto

A Midsummer Night's Dream, op. 21: Overture

Orchestral Suite no. 3, BWV 1068: II. Air

Rosamunde, D. 797: Entracte no. 3

Rosamunde, D. 797: Ballet no. 2

Lohengrin: Act I. Prelude

Tristan und Isolde: Act I. Prelude

Tristan und Isolde: Act III. Isoldes Liebestod

Rosamunde, D. 797: Overture

Till Eulenspiegels lustige Streiche, op. 28

Till Eulenspiegels (Rehearsal)

The Hebrides, op. 26 “Fingal's Cave”

The Hebrides (Rehearsal)

La Damnation de Faust, op. 24: Marche hongroise

Slavonic Dance in A-flat major, op. 46 no. 3

Brandenburg Concerto no. 3 in G major, BWV 1048: I.

Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro

La gazza ladra: Overture

Hungarian Dances: No. 1 in G minor

Hungarian Dances: No. 10 in E major

Aufforderung zum Tanz (orch. Berlioz: “Invitation à la valse”)

Götterdämmerung: Act III. Siegfried's Funeral March

Egmont, op. 84: Overture

Le nozze di Figaro, K. 492: Overture

Die Entführung aus dem Serail, K. 384: Overture

Il barbiere di Siviglia: Overture

Der Freischütz, op. 77: Overture

Der Freischütz, op. 77: Act III. Prelude

Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro

Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: II. Romanze. Andante

Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: III. Menuetto. Allegretto - Trio

Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro

Die Fledermaus: Overture

Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso

Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace

Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile

Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Beginning

Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: “O Freunde, nicht diese Töne…”

Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Alla marcia (“Froh, froh…”)

Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Andante maestoso

Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: End

Die Walküre: Act III, Scene 1. “Hojotoho! Heiaha!” (Walkyries)

Die Walküre: Act III, Scene 1. “Schützt mich und helft in höchster Not!” (Brünnhilde, Sieglinde, Walkyries)

Die Walküre: Act III, Scene 2. “Wo ist Brünnhild', wo die Verbrecherin?” (Wotan, Brünnhilde)

Die Walküre: Act III, Scene 2. “Hörtet ihr nicht, was ich verhängt?” (Wotan, Walkyries)

Die Walküre: Act III, Scene 3. “War es so schmählich, was ich verbrach” (Wotan, Brünnhilde)

Die Walküre: Act III, Scene 3. “So tatest du, was so gern zu tun ich begehrt” (Wotan, Brünnhilde)

Die Walküre: Act III, Scene 3. “In festen Schlaf verschliess' ich dich” (Wotan, Brünnhilde)

Die Walküre: Act III, Scene 3. “Leb wohl, du kühnes, herrliches Kind!” (Wotan)

Die Walküre: Act III, Scene 3. “Loge, hör'! Lausche hieher!” (Wotan)

Götterdämmerung: Prologue. Orchestra (after the Norns)

Götterdämmerung: Prologue. “Zu neuen Taten, teurer Helde” (Brünnhilde)

Götterdämmerung: Prologue. “Mehr gabst du, Wunderfrau” (Brünnhilde)

Götterdämmerung: Prologue. “O heilige Götter” (Brünnhilde, Siegfried)

Götterdämmerung: Act I, Scene 3. “Altgewohntes Geräusch” (Brünnhilde, Waltraute)

Götterdämmerung: Act I, Scene 3. “Höre mit Sinn, was ich dir sage!” (Waltraute)

Götterdämmerung: Act I, Scene 3. “Welch banger Träume Mären” (Brünnhilde, Waltraute)

Götterdämmerung: Act I, Scene 3. “Blitz und Gewölk” (Brünnhilde)

Götterdämmerung: Act I, Scene 3. “Brünnhild'! Ein Freier kam” (Brünnhilde)

Götterdämmerung: Act I, Scene 3. “Jetzt bist du mein” (Siegfried, Brünnhilde)

Götterdämmerung: Act II, Scene 4. “Heil dir, Gunther!” (chorus)

Götterdämmerung: Act II, Scene 4. “Brünnhild', die hehrste Frau” (Gunther, chorus)

Götterdämmerung: Act II, Scene 4. “Gegrüßt sei, teurer Heid” (Gunther, Siegfried, Brünnhilde, Hagen, chorus)

Götterdämmerung: Act II, Scene 4. “Einen Ring sah ich an deiner Hand” (Gutrune, Gunther, Siegfried, Brünnhilde, Hagen)

Götterdämmerung: Act II, Scene 4. “Betrug! Betrug!” (Gutrune, Gunther, Siegfried, chorus)

Götterdämmerung: Act II, Scene 4. “Helle Wehr! Heilige Waffe!” (Siegfried, Brünnhilde chorus)

Götterdämmerung: Act II, Scene 4. “Glaub, mehr zümt es mich als dich” (Siegfried)

Götterdämmerung: Act II, Scene 5. “Welches Unholds List” (Brünnhilde)

Götterdämmerung: Act II, Scene 5. “Vertraue mir, betrog' ne Frau!” (Brünnhilde, Hagen)

Götterdämmerung: Act II, Scene 5. “Und dort trifft ihn mein Speer!” (Brünnhilde, Hagen)

Götterdämmerung: Act II, Scene 5. “So soll es sein!” (Gunther, Brünnhilde, Hagen)

Götterdämmerung: Act III, Scene 3. “Schweigt eures Jammers jauchzenden Schwall!” (Gutrune, Brünnhilde)

Götterdämmerung: Act III, Scene 3. “Starke Scheite schichtet mir dort” (Brünnhilde)

Götterdämmerung: Act III, Scene 3. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde)

Götterdämmerung: Act III, Scene 3. “O ihr, der Eide ewige Hüter!” (Brünnhilde)

Götterdämmerung: Act III, Scene 3. “Mein Erbe nun nehm' ich zu eigen” (Brünnhilde)

Götterdämmerung: Act III, Scene 3. “Fliegt heim, ihr Raben!” (Brünnhilde)

Götterdämmerung: Act III, Scene 3. “Grane, mein Ross, sei mir gegrüßt!” (Brünnhilde)

Symphony no. 5 in C minor, op. 67: I. Allegro con brio

Symphony no. 5 in C minor, op. 67: II. Andante con moto

Symphony no. 5 in C minor, op. 67: III. Allegro

Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto

Tristan und Isolde: Act I. Prelude

Tristan und Isolde: Act III. Isoldes Liebestod

Parsifal: Act I. Prelude

Parsifal: Act III. Karfreitagszauber

Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio - Allegro non troppo

Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia

Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace

Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso - Andante

Symphonic Concerto for Piano & Orchestra in B minor: II. Adagio solenne

Cavatina for String Orchestra (after String Quartet no. 13 in B-flat major, op. 130)

Symphony no. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam

Alceste: Overture

Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Theme. Andante

Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation I. Poco più animato

Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation II. Più vivace

Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation III. Con moto

Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation IV. Andante con moto

Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation V. Vivace

Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VI. Vivace

Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VII. Grazioso

Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VIII. Presto non troppo

Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Finale. Andante

Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro non troppo

Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach. Andante molto moto

Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro

Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro

Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm. Allegretto

Violin Concerto in D major, op. 61: I. Allegro ma non troppo

Violin Concerto in D major, op. 61: II. Larghetto

Violin Concerto in D major, op. 61: III. Rondo: Allegro (Cadenza: Fritz Kreisler)

Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio

Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai

Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo - Allegro vivace

Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto

Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai: first side (Take included in the first commercial release)

Coriolan Overture, op. 62

Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: I. Largo. Molto allegro

Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: II. Menuetto

Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: III. Adagio

Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: IV. Menuetto. Allegretto

Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: V. Romance. Adagio

Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: VI. Tema con variazioni

Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: VII. Finale: Molto allegro (Rondo)

Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro

Symphony no. 1 in C minor, op. 68: II. Andante sostenuto

Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso

Symphony no. 1 in C minor, op. 68: IV. Adagio - Allegro non troppo, ma con brio

Symphony no. 2 in D major, op. 73: I. Allegro non troppo

Symphony no. 2 in D major, op. 73: II. Adagio non troppo

Symphony no. 2 in D major, op. 73: III. Allegretto grazioso. Quasi andantino - Presto ma non assai

Symphony no. 2 in D major, op. 73: IV. Allegro con spirito

Symphony no. 2 in D major, op. 73: I. 12080-1 (alternate take)

Symphony no. 2 in D major, op. 73: I. 12082-1 (alternate take)

Symphony no. 2 in D major, op. 73: II. 12083-1 (alternate take)

Symphony no. 2 in D major, op. 73: III. 12086-1 (alternate take)

Götterdämmerung: Act III, Scene 3: Immolation Scene. “Starke Scheite schichtet mir dort” (Brünnhilde)

Götterdämmerung: Act III, Scene 3: Immolation Scene. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde)

Götterdämmerung: Act III, Scene 3: Immolation Scene. “O ihr, der Eide heilige Hüter!” (Brünnhilde)

Götterdämmerung: Act III, Scene 3: Immolation Scene. “Mein Erbe nun nehm' ich zu eigen” (Brünnhilde)

Götterdämmerung: Act III, Scene 3: Immolation Scene. “Fliegt heim, ihr Raben!” (Brünnhilde)

Götterdämmerung: Act III, Scene 3: Immolation Scene. “Grane, mein Ross, sei mir gegrüsst!” (Brünnhilde)

The Hebrides, op. 26 “Fingal's Cave”

Symphony no. 40 in G minor, K. 550: I. Molto allegro

Symphony no. 40 in G minor, K. 550: II. Andante

Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto

Symphony no. 40 in G minor, K. 550: IV. Allegro assai

Siegfried Idyll

Tannhäuser: Overture

Götterdämmerung: Siegfried's Rhine Journey

Der fliegende Holländer: Overture

Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Theme. Andante

Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation I. Poco più animato

Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation II. Più vivace

Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation III. Con moto

Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation IV. Andante con moto

Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation V. Vivace

Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VI. Vivace

Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VII. Grazioso

Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VIII. Presto non troppo

Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Finale. Andante

Die Walküre: Act III. Ride of the Walkyries

La Damnation de Faust, op. 24: Marche hongroise

Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro

Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: II. Romanze - Andante

Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: III. Menuetto - Allegretto

Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo - Allegro

Hungarian Dances: No. 1 in G major

Hungarian Dances: No. 3 in F major

Hungarian Dances: No. 10 in E major

Die Meistersinger von Nürnberg: Act I. Prelude

Die Meistersinger von Nürnberg: Act III. Dance of the Apprentices

Lohengrin: Act I. Prelude

Violin Concerto in D major, op. 77: I. Allegro non troppo

Violin Concerto in D major, op. 77: II. Adagio

Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto

Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace

Symphony no. 7 in A major, op. 92: II. Allegretto

Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto

Symphony no. 7 in A major, op. 92: IV. Allegro con brio

Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato

Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto

Death and Transfiguration, op. 24

Kaiser-Walzer, op. 437

Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace

Symphony no. 4 in B-flat major, op. 60: II. Adagio

Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio: Un poco meno allegro

Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo

Götterdämmerung: Act III. Siegfried's Funeral March

Die Meistersinger von Nürnberg: Act III. Prelude

Oberon, J. 306: Overture

Rosamunde: Entracte no. 3

Rosamunde: Ballet music no. 2

Serenade in C major, op. 48: II. Valse: Moderato

Serenade in C major, op. 48: IV. Finale: Tema russo

Pizzicato Polka (with glockenspiel)

Pizzicato Polka (without glockenspiel)

Die Zauberflöte (Arias of the Queen of the Night): Act I. “O zittre nicht, mein lieber Sohn!”

Die Zauberflöte (Arias of the Queen of the Night): Act II. “Der Hölle Rache”

Rosamunde: Overture

Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima

Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona

Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato, allegro

Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco

Anacréon: Overture

Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio - Allegro

Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante

Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet - Allegro - Trio - Menuet

Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale: Vivace

The Merry Wives of Windsor: Overture

Manfred, op. 115: Overture

Má Vlast: No. 2. Vltava “The Moldau”

Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro

Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio, un poco mosso

Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo (Allegro)

Violin Concerto in E minor, op. 64: I. Allegro molto appassionato

Violin Concerto in E minor, op. 64: II. Andante

Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace

Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience

Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso

Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience

Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace

Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience

Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile

Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Beginning

Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: “O Freunde, nicht diese Töne…”

Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Alla marcia (“Froh, froh…”)

Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Andante maestoso

Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: End and applause

Symphony no. 9 in C major, D. 944 “The Great”: I. Andante - Allegro ma non troppo

Symphony no. 9 in C major, D. 944 “The Great”: II. Andante con moto

Symphony no. 9 in C major, D. 944 “The Great”: III. Scherzo: Allegro vivace

Symphony no. 9 in C major, D. 944 “The Great”: IV. Finale: Allegro vivace

Symphony no. 2 in E minor: I. Assai moderato

Symphony no. 2 in E minor: II. Andante simplice

Symphony no. 2 in E minor: III. Allegro - Moderato - Allegro

Symphony no. 2 in E minor: IV. Langsam - Moderato andante

Symphony no. 88 in G major, Hob. I:88: I. Allegro

Symphony no. 88 in G major, Hob. I:88: II. Largo

Symphony no. 88 in G major, Hob. I:88: III. Menuetto

Symphony no. 88 in G major, Hob. I:88: IV. Allegro con spirito

Götterdämmerung: Act III, Scene 3: Immolation Scene. “Starke Scheite schichtet dort” (Brünnhilde)

Götterdämmerung: Act III, Scene 3: Immolation Scene. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde)

Götterdämmerung: Act III, Scene 3: Immolation Scene. “O ihr, der Eide heilige Huter!” (Brünnhilde)

Götterdämmerung: Act III, Scene 3: Immolation Scene. “Mein Erbe nun nehm'ich zu eigen” (Brünnhilde)

Götterdämmerung: Act III, Scene 3: Immolation Scene. “Fliegt heim, ihr Raben!” (Brünnhilde)

Götterdämmerung: Act III, Scene 3: Immolation Scene. “Grane, mein Ross, sei mir gegrüsst” (Brünnhilde)

Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht

Lieder eines fahrenden Gesellen: II. Ging heut' Morgen übers Feld

Lieder eines fahrenden Gesellen: III. Ich hab' ein glühend Messer

Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen

Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio

Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto

Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace

Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace

Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro non troppo

Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach. Andante molto moto

Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro

Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro

Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm. Allegretto

Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio

Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai

Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo - Allegro vivace

Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto

Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace

Symphony no. 4 in B-flat major, op. 60: II. Adagio

Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio: Un poco meno allegro

Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo

Tannhäuser: Overture

Violin Concerto in D major, op. 61: I. Allegro ma non troppo

Violin Concerto in D major, op. 61: II. Larghetto

Violin Concerto in D major, op. 61: III. Rondo: Allegro (Cadenza: Fritz Kreisler)

Romance no. 1 in G major, op. 40

Romance no. 2 in F major, op. 50

Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft

Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam

Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft - Etwas zurückhaltend

Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft

Symphony in D minor, FWV 48: I. Lento - Allegro non troppo

Symphony in D minor, FWV 48: II. Allegretto

Symphony in D minor, FWV 48: III. Allegro non troppo

Violin Concerto no. 2 in B minor, Sz. 112: I. Allegro non troppo

Violin Concerto no. 2 in B minor, Sz. 112: II. Andante tranquillo

Violin Concerto no. 2 in B minor, Sz. 112: III. Allegro molto

Symphony no. 5 in C minor, op. 67: I. Allegro con brio

Symphony no. 5 in C minor, op. 67: II. Andante con moto

Symphony no. 5 in C minor, op. 67: III. Allegro

Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto

Götterdämmerung: Act III. Siegfried's Funeral March

Götterdämmerung: Prologue. Siegfried's Rhine Journey

Don Juan, op. 20

Till Eulenspiegels lustige Streiche, op. 28

Les Préludes, S. 97

Lohengrin: Act I. Prelude

Der Freischütz, op. 77: Overture

Euryanthe, op. 81: Overture

Alceste: Overture

Iphigénie en Aulide: Overture

Leonore Overture no. 2, op. 72a

Matthäus-Passion, BWV 244: First Part. Hall ambience

Matthäus-Passion, BWV 244: First Part. No. 1 Chorus: “Kommt ihr Töchter” (chorus)

Matthäus-Passion, BWV 244: First Part. No. 2 Recitative: “Da Jesus diese Rede vollendat hatte” (Evangelist, Jesus)

Matthäus-Passion, BWV 244: First Part. No. 3 Chorus: “Herzliebster Jesu” (chorus)

Matthäus-Passion, BWV 244: First Part. No. 4 Recitative: “Da versammeleten sich die Hohepriester” (Evangelist)

Matthäus-Passion, BWV 244: First Part. No. 5 Chorus: “Ja nicht auf das Fest” (chorus)

Matthäus-Passion, BWV 244: First Part. No. 6 Recitative: “Da nun Jesus war zu Bethanien” (Evangelist)

Matthäus-Passion, BWV 244: First Part. No. 7 Chorus: “Wozu dienet dieser Unrat?” (chorus)

Matthäus-Passion, BWV 244: First Part. No. 8 Recitative: “Da das Jesus merkete, sprach er zu ihnen” (Evangelist, Jesus)

Matthäus-Passion, BWV 244: First Part. No. 9 Arioso: “Du lieber Heiland du” (alto)

Matthäus-Passion, BWV 244: First Part. No. 10 Aria: “Buß und Reu” (alto)

Matthäus-Passion, BWV 244: First Part. No. 11 Recitative: “Da ging hin der Zwölfen einer” (Evangelist, Judas)

Matthäus-Passion, BWV 244: First Part. No. 12 Aria: “Blute nur, du liebes Herz!” (soprano)

Matthäus-Passion, BWV 244: First Part. No. 13 Recitative: “Aber am ersten Tage der süßen Brot” (Evangelist, chorus)

Matthäus-Passion, BWV 244: First Part. No. 14 Chorus: “Wo willst du, dass wir dir bereiten” (chorus)

Matthäus-Passion, BWV 244: First Part. No. 15 Recitative: “Er sprach” (Evangelist, Jesus, chorus)

Matthäus-Passion, BWV 244: First Part. No. 16 Chorus: “Ich bin's, ich sollte büßen” (chorus)

Matthäus-Passion, BWV 244: First Part. No. 17 Recitative: “Er antwortete und sprach” (Evangelist, Jesus, Judas)

Matthäus-Passion, BWV 244: First Part. No. 18 Recitative: “Wiewohl mein Herz in Tränen schwimmt” (soprano)

Matthäus-Passion, BWV 244: First Part. No. 20 Recitative: “Und da sie den Lobgesang gesprochen hatten” (Evangelist, Jesus)

Matthäus-Passion, BWV 244: First Part. No. 21 Chorus: “Erkenne mich, mein Hüter” (chorus)

Matthäus-Passion, BWV 244: First Part. No. 22 Recitative: “Petrus aber antwortete und sprach zu ihm” (Evangelist, Jesus, Peter)

Matthäus-Passion, BWV 244: First Part. No. 24 Recitative: “Da kam Jesus mit ihnen zu einem Hofe” (Evangelist, Jesus)

Matthäus-Passion, BWV 244: First Part. No. 25 Recitative: “O Schmerz” (Evangelist, chorus)

Matthäus-Passion, BWV 244: First Part. No. 26 Aria: “Ich will bei meinem Jesu wachen” (tenor, chorus)

Matthäus-Passion, BWV 244: First Part. No. 27 Recitative: “Und ging hin ein wenig” (Evangelist, Jesus)

Matthäus-Passion, BWV 244: First Part. No. 28 Recitative: “Der Heiland fällt vor seinem Vater nieder” (bass)

Matthäus-Passion, BWV 244: First Part. No. 30 Recitative: “Und er kam zu seinen Jüngern” (Evangelist, Jesus)

Matthäus-Passion, BWV 244: First Part. No. 31 Chorus: “Was mein Gott will, das g'scheh allzeit” (chorus)

Matthäus-Passion, BWV 244: First Part. No. 32 Recitative: “Da kam er zu seinen Jüngern und sprach” (Evangelist, Jesus, Judas)

Matthäus-Passion, BWV 244: First Part. No. 33 Duo: “So ist mein Jesus nun gefangen” (soprano, alto, chorus)

Matthäus-Passion, BWV 244: First Part. No. 34 Recitative: “Zu der Stund sprach Jesus zu den Scharen” (Evangelist, Jesus)

Matthäus-Passion, BWV 244: First Part. No. 35 Chorus: “O Mensch, bewein dein Sünde groß” (chorus)

Matthäus-Passion, BWV 244: Second Part. No. 36 Aria: “Ach! nun ist mein Jesus hin!” (alto, chorus)

Matthäus-Passion, BWV 244: Second Part. No. 37 Recitative: “Die aber Jesum gegriffen hatten” (Evangelist)

Matthäus-Passion, BWV 244: Second Part. No. 39 Recitative: “Und der Hohepriester stund auf und sprach zu ihm” (Evangelist, High Priest)

Matthäus-Passion, BWV 244: Second Part. No. 42 Recitative: “Und der Hohepriester antwortete und sprach zu ihm” (Evangelist, Jesus, High Priest)

Matthäus-Passion, BWV 244: Second Part. No. 43 Recitative: “Da speieten sie aus in sein Angesicht” (Evangelist, chorus)

Matthäus-Passion, BWV 244: Second Part. No. 44 Chorus: “Wer hat dich so geschlagen” (chorus)

Matthäus-Passion, BWV 244: Second Part. No. 45 Recitative: “Petrus aber saß draußen im Palast” (Evangelist, First and second Maid)

Matthäus-Passion, BWV 244: Second Part. No. 46 Recitative: “Da hub er an, sich zu verfluchen und zu schwören” (Evangelist, Peter)

Matthäus-Passion, BWV 244: Second Part. No. 47 Aria: “Erbarme dich” (alto)

Matthäus-Passion, BWV 244: Second Part. No. 52 Recitative: “Jesus aber stund vor dem Landpfleger” (Evangelist, Jesus, Pilate)

Matthäus-Passion, BWV 244: Second Part. No. 53 Chorus: “Befiehl du deine Wege” (chorus)

Matthäus-Passion, BWV 244: Second Part. No. 54 Recitative: “Auf das Fest aber hatte der Landpfleger Gewohnheit” (Evangelist, Jesus, Pilate, Pilate's wife)

Matthäus-Passion, BWV 244: Second Part. No. 56 Recitative: “Der Landpfleger sagte” (Evangelist, Pilate)

Matthäus-Passion, BWV 244: Second Part. No. 57 Recitative: “Er hat uns allen wohlgetan” (soprano)

Matthäus-Passion, BWV 244: Second Part. No. 58 Aria: “Aus Liebe will mein Heiland sterben” (soprano)

Matthäus-Passion, BWV 244: Second Part. No. 59 Recitative: “Sie schrieen aber noch mehr und sprachen” (Evangelist, Pilate, chorus)

Matthäus-Passion, BWV 244: Second Part. No. 60 Recitative: “Erbarm es Gott!” (alto)

Matthäus-Passion, BWV 244: Second Part. No. 62 Recitative: “Da nahmen die Kriegsknechte des Landpflegers” (Evangelist, chorus)

Matthäus-Passion, BWV 244: Second Part. No. 63 Chorus: “O Haupt voll Blut und Wunden” (chorus)

Matthäus-Passion, BWV 244: Second Part. No. 64 Recitative: “Und da sie ihn verspottet hatten” (Evangelist)

Matthäus-Passion, BWV 244: Second Part. No. 65 Recitative: “Ja freilich will in uns das Fleisch und Blut” (bass)

Matthäus-Passion, BWV 244: Second Part. No. 66 Aria: “Komm, süßes Kreuz” (bass)

Matthäus-Passion, BWV 244: Second Part. No. 67 Recitative: “Und da wurden zween Mörder” (Evangelist, chorus)

Matthäus-Passion, BWV 244: Second Part. No. 68 Recitative: “Desgleichen schmäheten ihn auch die Mörder” (Evangelist)

Matthäus-Passion, BWV 244: Second Part. No. 69 Recitative: “Golgatha, unselges Golgatha!” (alto)

Matthäus-Passion, BWV 244: Second Part. No. 71 “Und von der sechsten Stunde an” (Evangelist, Jesus, chorus)

Matthäus-Passion, BWV 244: Second Part. No. 72 Chorus: “Wenn ich einmal soll scheiden” (chorus)

Matthäus-Passion, BWV 244: Second Part. No. 73 Recitative: “Und siehe da” (Evangelist, chorus)

Matthäus-Passion, BWV 244: Second Part. No. 74 Recitative: “Am Abend, da es kühle war” (bass)

Matthäus-Passion, BWV 244: Second Part. No. 76 Recitative: “Und Joseph nahm den Leib” (Evangelist)

Matthäus-Passion, BWV 244: Second Part. No. 77 Recitative: “Nun ist der Herr zur Ruh gebracht” (soprano, alto, tenor, bass, chorus)

Matthäus-Passion, BWV 244: Second Part. No. 78 Chorus: “Wir setzen uns mit Tränen nieder” (chorus)

Tristan und Isolde: Act I. Prelude

Tristan und Isolde: Act I, Scene 1. “Westwärts schweift der Blick” (Seeman, Isolde, Brangäne)

Tristan und Isolde: Act I, Scene 2. “Frisch weht er Wind der Heimat zu” (Seeman, Isolde, Brangäne, Tristan, Kurwenal)

Tristan und Isolde: Act I, Scene 3. “Weh, ach wehe! Dies zu dulden!” (Isolde, Brangäne)

Tristan und Isolde: Act I, Scene 3. “Da Friede, Sühn' und Freundschaft” (Isolde, Brangäne, chorus)

Tristan und Isolde: Act I, Scene 4. “Auf! Auf! Ihr Frauen!” (Kurwenal, Isolde, Brangäne)

Tristan und Isolde: Act I, Scene 5. “Herr Tristan trete nah!” (Tristan, Isolde)

Tristan und Isolde: Act I, Scene 5. “War Morold dir so wert” (Tristan, Isolde, chorus)

Tristan und Isolde: Act I, Scene 5. “Tristan! Isolde!” (Tristan, Isolde, Kurwenal, Brangäne, chorus)

Tristan und Isolde: Act II. Prelude

Tristan und Isolde: Act II, Scene 1. “Hörst du sie noch?” (Isolde, Brangäne)

Tristan und Isolde: Act II, Scene 2. “Isolde! Geliebte!…” (Tristan, Isolde)

Tristan und Isolde: Act II, Scene 2. “O eitler Tagesknecht” (Tristan, Isolde)

Tristan und Isolde: Act II, Scene 2. “O sink hernieder, Nacht der Liebe” (Tristan, Isolde)

Tristan und Isolde: Act II, Scene 2. “Einsam wachend in der Nacht” (Brangäne)

Tristan und Isolde: Act II, Scene 2. “Lausch, Geliebter!” (Tristan, Isolde)

Tristan und Isolde: Act II, Scene 2. “So starben wir, um ungetrennt” (Tristan, Isolde, Brangäne)

Tristan und Isolde: Act II, Scene 3. “Rette dich, Tristan!” (Tristan, Kurwenal, Melot)

Tristan und Isolde: Act II, Scene 3. “Tatest du's wirklich?” (Marke, Tristan)

Tristan und Isolde: Act II, Scene 3. “Dies wundervolle Weib” (Marke, Tristan)

Tristan und Isolde: Act II, Scene 3. “O König, dass kannich dir nicht sagen” (Tristan, Isolde, Melot)

Tristan und Isolde: Act III. Prelude

Tristan und Isolde: Act III, Scene 1. “Kurwenal! He! Sag, Kurwenal!” (Ein Hirt, Kurwenal, Tristan)

Tristan und Isolde: Act III, Scene 1. “Dünkt dich das? Ich weiß es anders” (Kurwenal, Tristan)

Tristan und Isolde: Act III, Scene 1. “Isolde kommt!” (Tristan)

Tristan und Isolde: Act III, Scene 1. “Noch ist kein Schiff zu sehn!” (Kurwenal, Tristan)

Tristan und Isolde: Act III, Scene 1. “Meine Herre! Tristan!” (Kurwenal, Tristan)

Tristan und Isolde: Act III, Scene 1. “O Wonne! Freunde!” (Tristan, Isolde)

Tristan und Isolde: Act III, Scene 2. “O diese Sonne!” (Tristan, Isolde)

Tristan und Isolde: Act III, Scene 3. “Ich bin's, ich bin's” (Isolde)

Tristan und Isolde: Act III, Scene 3. “Kurwenal! Hör! Ein zweites Schiff” (Kurwenal, Ein Hirt, Ein Steuermann, Melot, Brangäne, Marke)

Tristan und Isolde: Act III, Scene 3. “Mild und leise wie es lächelt” (Isolde)

Fidelio, op. 72: Act I. Overture

Fidelio, op. 72: Act I. Duet: “Jetzt, Schätzchen, sind wir allein” (Jaquino, Marzelline)

Fidelio, op. 72: Act I. Aria: “O wär'ich schon mit dir vereint” (Marzelline)

Fidelio, op. 72: Act I. Quartet: “Mir ist so wunderbar” (Marzelline, Leonore, Jaquino, Rocco)

Fidelio, op. 72: Act I. Aria: “Hat man nicht auch Gold beineben” (Rocco)

Fidelio, op. 72: Act I. Trio: “Gut, Söhnchen, gut” (Marzelline, Leonore, Rocco)

Fidelio, op. 72: Act I. March

Fidelio, op. 72: Act I. Aria: “Ha! Welch ein Augenblick!” (Pizarro, chorus)

Fidelio, op. 72: Act I. Duet: “Jetzt, Alter” (Pizarro, chorus)

Fidelio, op. 72: Act I. Recitative and aria: “Abscheulicher!” (Leonore)

Fidelio, op. 72: Act I, Finale. “O welche Lust” (chorus, 1st Prisoner, 2nd Prisoner)

Fidelio, op. 72: Act I, Finale. “Nun sprecht, wie ging's” (Leonore, Rocco)

Fidelio, op. 72: Act I, Finale. “Ach, Vater, Vater eilt” (Marzelline, Leonore, Jaquino, Rocco, Pizarro, chorus)

Fidelio, op. 72: Act I, Finale. “Leb'wohl, du warmest Sonnenlicht” (Marzelline, Leonore, Jaquino, Rocco, Pizarro, chorus)

Fidelio, op. 72: Act II. Introduction

Fidelio, op. 72: Act II. Aria: “Gott, welch Dunkel hier!” (Florestan)

Fidelio, op. 72: Act II. Melodram: “Wie kalt ist es” (Leonore, Rocco)

Fidelio, op. 72: Act II. Duet: “Nur hurtig fort, nur frisch gegraben” (Leonore, Rocco)

Fidelio, op. 72: Act II. Trio: “Euch werde Lohn in bessern Welten” (Leonore, Florestan, Rocco)

Fidelio, op. 72: Act II. Quartet: “Er sterbe!” (Leonore, Florestan, Pizarro, Rocco, Jaquino)

Fidelio, op. 72: Act II. Duet: “O namenlose Freude!” (Leonore, Florestan)

Fidelio, op. 72: Act II. Leonore Overture no. 3

Fidelio, op. 72: Act II. Finale: “Heil sei dem Tag!” (chorus)

Fidelio, op. 72: Act II. Finale: “Des besten Königs Wink und Wille” (Don Fernando, Leonore, Marzelline, Pizarro, Rocco, chorus)

Fidelio, op. 72: Act II. Finale: “O Gott! Welch'ein Augenblick!” (Leonore, Florestan, Marzelline, Don Fernando, Rocco, chorus)

Fidelio, op. 72: Act II. Finale: “Wer ein holdes Weib errungen” (Leonore, Florestan, Marzelline, Don Fernando, Rocco, chorus)

Die Walküre: Act I. Prelude

Die Walküre: Act I, Scene 1. “Was Herd dies auch sei” (Siegmund, Sieglinde)

Die Walküre: Act I, Scene 1. “Einen Unseligen labtest du” (Siegmund, Sieglinde)

Die Walküre: Act I, Scene 2. “Müde am Herd fand ich den Mann” (Siegmund, Sieglinde, Hunding)

Die Walküre: Act I, Scene 2. “Die so leidig Los dir beschied” (Siegmund, Sieglinde, Hunding)

Die Walküre: Act I, Scene 3. “Ein Schwert verhiess mir der Vater” (Siegmund)

Die Walküre: Act I, Scene 3. “Schläfst du, Gast?” (Siegmund, Sieglinde)

Die Walküre: Act I, Scene 3. “Winterstürme wichen dem Wonnemond” (Siegmund, Sieglinde)

Die Walküre: Act I, Scene 3. “Wehwalt heisst du fürwahr?” (Siegmund, Sieglinde)

Die Walküre: Act II. Prelude

Die Walküre: Act II, Scene 1. “Nun zaüme dein Ross, reisige Maid!” (Wotan, Brünnhilde)

Die Walküre: Act II, Scene 1. “Der alte Sturm, die alte Müh” (Wotan, Fricka)

Die Walküre: Act II, Scene 1. “Siegmund gewann es sich selbst in der Not” (Wotan, Fricka)

Die Walküre: Act II, Scene 2. “Schlimm, fürcht' ich, schloss der Streit” (Wotan, Brünnhilde)

Die Walküre: Act II, Scene 2. “Ein andres ist's” (Wotan, Brünnhilde)

Die Walküre: Act II, Scene 2. “O sag, künde, was soll nun dein Kind?” (Wotan, Brünnhilde)

Die Walküre: Act II, Scene 3. “Raste nun hier; gönne dir Ruh'!” (Siegmund, Sieglinde)

Die Walküre: Act II, Scene 4. “Siegmund! Sieh auf mich” (Siegmund, Brünnhilde)

Die Walküre: Act II, Scene 4. “So grüsse mir Walhall” (Siegmund, Brünnhilde)

Die Walküre: Act II, Scene 5. “Zauberfest bezähmt ein Schlaf” (Siegmund, Sieglinde, Brünnhilde, Hunding, Wotan)

Die Walküre: Act III, Scene 1. “Hojotoho! Heiaha!” (Walkyries)

Die Walküre: Act III, Scene 1. “Schützt mich, und helft in höchster Not!” (Walkyries, Brünnhilde, Sieglinde)

Die Walküre: Act III, Scene 2. “Wo ist Brünnhild', wo die Verbrecherin?” (Walkyries, Brünnhilde, Wotan)

Die Walküre: Act III, Scene 2. “Hörtet ihr nicht, was ich verhängt?” (Walkyries, Brünnhilde, Wotan)

Die Walküre: Act III, Scene 3. “War es so schmählich, was ich verbrach” (Wotan, Brünnhilde)

Die Walküre: Act III, Scene 3. “So tatest du, was so gern zu tun ich begehrt” (Wotan, Brünnhilde)

Die Walküre: Act III, Scene 3. “In festen Schlaf verschliess ich dich” (Wotan, Brünnhilde)

Die Walküre: Act III, Scene 3. “Lebwohl, du kühnes, herrliches Kind!” (Wotan)

Die Walküre: Act III, Scene 3. “Loge, hör'! Lausche hieher!” (Wotan)

Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato

Symphony no. 8 in B minor, D. 759 “Unfinished”: Hall ambience

Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto

Kaiser-Walzer, op. 437 (Play-through - test recording)

Götterdämmerung: Act III. Siegfried's Funeral March (Play-through - test recording)

Rosamunde: Entracte no. 3 (Play-through - test recording in the Grosser Saal, Musikverein)

Rosamunde: Entracte no. 3 (Single take made in the Grosser Saal, Musikverein)

Serenade in C major, op. 48: III. Elegia (Elegy). Larghetto elegiaco (Play-through - test recording)

Tuning, buzzers and false starts

Wilhelm Furtwängler - A Memoir: Introduction - Overview

Wilhelm Furtwängler - A Memoir: Berlin, 1930s

Wilhelm Furtwängler - A Memoir: Conducting Technique

Wilhelm Furtwängler - A Memoir: Europe, 1940s

Wilhelm Furtwängler - A Memoir: Demands in Rehearsal

Wilhelm Furtwängler - A Memoir: Philharmonia Orchestra - Methods, Impact and Results

Wilhelm Furtwängler - A Memoir: Artistic Relationships with Soloists

Wilhelm Furtwängler - A Memoir: Orchestra Balancing and Recording

Wilhelm Furtwängler - A Memoir: Vulnerability and Insecurity

Wilhelm Furtwängler - A Memoir: Final appearances