The Complete Sony Recordings

Toccata & Fugue in D minor, BWV 565: Toccata

Toccata & Fugue in D minor, BWV 565: Fugue

Fantasy & Fugue in C minor, BWV 537: Fantasy

Fantasy & Fugue in C minor, BWV 537: Fugue

The Musical Offering: BWV 1079: Ricercare no. 2

Prelude & Fugue in E‐flat major, BWV 522 “St. Anne”: Prelude

Prelude & Fugue in E‐flat major, BWV 522 “St. Anne”: Fugue

Fugue in G minor, BWV 578 “Little”: Fugue

Suite For Organ, Harpsichord & Orchestra: I. Ouverture

Suite For Organ, Harpsichord & Orchestra: II. Rondeau -

Suite For Organ, Harpsichord & Orchestra: Badinerie

Suite For Organ, Harpsichord & Orchestra: III. Air

Suite For Organ, Harpsichord & Orchestra: IV. Gavotte I -

Suite For Organ, Harpsichord & Orchestra: Gavotte II

Concerto for Orchestra, Sz. 116: I. (Introduzione). Andante non troppo

Concerto for Orchestra, Sz. 116: II. (Giuco delle coppie). Allegro scherzando

Concerto for Orchestra, Sz. 116: III. (Elegia). Andante, non troppo

Concerto for Orchestra, Sz. 116: (Intermezzo interrotto). Allegretto

Concerto for Orchestra, Sz. 116: V. (Finale). Pesante – Presto

Music for Strings, Percussion, and Celesta, Sz. 106: I. Andante tranquillo

Music for Strings, Percussion, and Celesta, Sz. 106: II. Allegro

Music for Strings, Percussion, and Celesta, Sz. 106: III. Adagio

Music for Strings, Percussion, and Celesta, Sz. 106: IV. Allegro molto

Piano Concerto No. 2 in G major, Sz. 95: I. Allegro

Piano Concerto No. 2 in G major, Sz. 95: II. Adagio – Presto – Adagio

Piano Concerto No. 2 in G major, Sz. 95: III. Allegro molto

Piano Concerto No. 3 in E major (completed by Tibor Serly), Sz. 119: I. Allegretto

Piano Concerto No. 3 in E major (completed by Tibor Serly), Sz. 119: II. Adagio religioso – Poco più mosso – Tempo I

Piano Concerto No. 3 in E major (completed by Tibor Serly), Sz. 119: III. Allegro vivace

Piano Concerto No. 1 in A major, Sz. 83: I. Allegro moderato – Allegro – Allegro moderato

Piano Concerto No. 1 in A major, Sz. 83: II. Andante

Piano Concerto No. 1 in A major, Sz. 83: III. Allegro molto

Symphony no. 4 in E‐flat major “Romantic”: I. Bewegt, nicht zu schnell

Symphony no. 4 in E‐flat major “Romantic”: II. Andante quasi allegretto

Symphony no. 4 in E‐flat major “Romantic”: III. Scherzo. Bewegt – Trio. Nicht zu schnell. Keinesfalls schleppend

Symphony no. 4 in E‐flat major “Romantic”: IV. Finale. Bewegt, doch nicht zu schnell

Anna’s Theme

I. Cremona: Main Title

I. Cremona: Death of Anna

I. Cremona: Birth of the Red Violin

I. Cremona: The Red Violin

II. Vienna: The Monastery

II. Vienna: Kaspar’s Audition / Journey to Vienna

II. Vienna: Etudes

II. Vienna: Death of Kaspar / III. Oxford: The Gypsies / Journey Across Europe

III. Oxford: Pope’s Gypsy Cadenza

III. Oxford: Coitus Musicalis / Victoria’s Departure

III. Oxford: Pope’s Concert

III. Oxford: Pope’s Betrayal

IV. Shanghai: Journey to China

IV. Shanghai: People’s Revolution / Death of Chou Yuan

V. Montréal: Morritz Discovers the Red Violin

V. Montréal: Morritz’s Theme

V. Montréal: The Theft

V. Montréal: End Titles

“The Red Violin”: Chaconne for Violin and Orchestra

Il prigioniero: Prologue. “Ti rivedrò, mio figlio!” (La madre)

Il prigioniero: Prologue. Ballata “Vedo! Lo riconosco!” (La madre)

Il prigioniero: Prologue. Primo intermezzo corale “Fiat misericordia tua” (Chorus)

Il prigioniero: Act I, Scene 1. “Ero solo. Tutt’era bulio” (Il prigioniero, la madre)

Il prigioniero: Act I, Scene 2. “Solo. Son solo un’altra volta” (Il prigioniero, il carceriere)

Il prigioniero: Act I, Scene 2. Aria “Sull’Oceano, sulla Schelda” (Il carceriere, il prigioniero)

Il prigioniero: Act I, Scene 2. “Torna, sole, sulle città liberate!” (Il carceriere, il prigioniero)

Il prigioniero: Act I, Scene 2. “No, no… vaneggio” (Il carceriere, il prigioniero)

Il prigioniero: Act I, Scene 3. “Signore, aiutami a camminare” (Il prigioniero)

Il prigioniero: Act I, Scene 3. Ricercare primo super “Signore, aiutami a camminare”. “Bulo, Silenzio” (Il prigioniero)

Il prigioniero: Act I, Scene 3. Ricercare secondo super “Fratello”. “Non reggo” (Il prigioniero, due sacerdoti)

Il prigioniero: Act I, Scene 3. Ricercare terzo super Roelandt. “Quegli occhi mi guardavano” (Il prigioniero)

Il prigioniero: Act I. Secondo intermezzo corale “Domine, labia mea aperies” (Chorus)

Il prigioniero: Act I, Scene 4. “Alleluja!” (Il prigioniero, chorus, il grande inquisitore)

Canti di prigionia: I. Preghiera di Maria Stuarda

Canti di prigionia: II. Invocazione di Boezio

Canti di prigionia: III. Congedo di Girolamo Savonarola

Images pour orchestre: I. Gigues

Images pour orchestre: II. Iberia: Par les rues et par les chemins

Images pour orchestre: II. Iberia: Les parfums de la nuit

Images pour orchestre: II. Iberia: Le Matin d’un jour de fête

Images pour orchestre: III. Rondes de printemps

Prélude à l’après‐midi d’un faune

La Mer, trois esquisses symphoniques: I. De l’aube à midi sur la mer

La Mer, trois esquisses symphoniques: II. Jeux de vagues

La Mer, trois esquisses symphoniques: III. Dialogue du vent et de la mer

Nocturnes: I. Nuages

Nocturnes: II. Fêtes

Nocturnes: III. Sirènes

La Damoiselle élue

Le Martyre de Saint Sébastien: I. La Cour des lys. Prélude

Le Martyre de Saint Sébastien: II. Danse extatique et Final du 1er Acte

Le Martyre de Saint Sébastien: III. La Passion

Le Martyre de Saint Sébastien: IV. Le Bon Pasteur

Peer Gynt, op. 23: Act I. Prelude: In the Wedding Garden

Peer Gynt, op. 23: Act I. The Bridal Procession Passes

Peer Gynt, op. 23: Act I. Halling

Peer Gynt, op. 23: Act I. Springar

Peer Gynt, op. 23: Act II. Prelude: The Abduction of the Bride / Ingrid’s Lament

Peer Gynt, op. 23: Act II. In the Hall of the Mountain King

Peer Gynt, op. 23: Act II. Dance of the Mountain King’s Daughter

Peer Gynt, op. 23: Act III. Prelude: Deep in the Coniferous Forest

Peer Gynt, op. 23: Act III. Solveig’s Song

Peer Gynt, op. 23: Act III. Åse’s Death

Peer Gynt, op. 23: Act IV. Prelude: Morning Mood

Peer Gynt, op. 23: Act IV. Arabian Dance

Peer Gynt, op. 23: Act IV. Anitra’s Dance

Peer Gynt, op. 23: Act IV. Solveig’s Song

Peer Gynt, op. 23: Act V. Prelude: Peer Gynt’s Journey Home

Peer Gynt, op. 23: Act V. Solveig’s Song in the Hut

Peer Gynt, op. 23: Act V. Whitsun Hymn

Peer Gynt, op. 23: Act V. Solveig’s Lullaby

Symphony no. 82 in C major “The Bear”: I. Vivace

Symphony no. 82 in C major “The Bear”: II. Allegretto

Symphony no. 82 in C major “The Bear”: III. Menuetto & Trio

Symphony no. 82 in C major “The Bear”: IV. Finale. Vivace assai

Symphony no. 78 in C minor: I. Vivace

Symphony no. 78 in C minor: II. Adagio

Symphony no. 78 in C minor: III. Menuetto & Trio

Symphony no. 78 in C minor: IV. Finale. Presto

Symphony no. 22 in E‐flat major “The Philosopher”: I. Adagio

Symphony no. 22 in E‐flat major “The Philosopher”: II. Presto

Symphony no. 22 in E‐flat major “The Philosopher”: III. Menuetto & Trio

Symphony no. 22 in E‐flat major “The Philosopher”: IV. Finale. Presto

The Man Who Knew Too Much: Prelude

Psycho: A Suite for Strings: Prelude

Psycho: A Suite for Strings: The City

Psycho: A Suite for Strings: The Rainstorm

Psycho: A Suite for Strings: The Madhouse

Psycho: A Suite for Strings: The Murder

Psycho: A Suite for Strings: The Water

Psycho: A Suite for Strings: The Swamp

Psycho: A Suite for Strings: The Stairs

Psycho: A Suite for Strings: The Knife

Psycho: A Suite for Strings: The Cellar

Psycho: A Suite for Strings: Finale

Marnie: Suite: I. Prelude

Marnie: Suite: II. The Hunt

North by Northwest: Overture

Vertigo: Suite: I. Prelude

Vertigo: Suite: II. The Nightmare

Vertigo: Suite: III. Scène d’amour

Torn Curtain: I. Prelude

Torn Curtain: II. Gromek

Torn Curtain: III. The Killing

Fahrenheit 451: Suite for Strings, Harps, and Percussion: Prelude

Fahrenheit 451: Suite for Strings, Harps, and Percussion: Fire Engine

Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Bedroom

Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Reading

Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Garden

Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Nightmare

Fahrenheit 451: Suite for Strings, Harps, and Percussion: Flowers of Fire

Fahrenheit 451: Suite for Strings, Harps, and Percussion: Flamethrower

Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Captain’s Death

Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Road

Fahrenheit 451: Suite for Strings, Harps, and Percussion: Finale

Taxi Driver: A Night‐Piece for Orchestra with Obbligato Alto Saxophone: Prelude

Taxi Driver: A Night‐Piece for Orchestra with Obbligato Alto Saxophone: Blues

Taxi Driver: A Night‐Piece for Orchestra with Obbligato Alto Saxophone: Night Prowl

Taxi Driver: A Night‐Piece for Orchestra with Obbligato Alto Saxophone: Bloodbath

Taxi Driver: A Night‐Piece for Orchestra with Obbligato Alto Saxophone: Finale

Lava

Stenmannen

När en vild röd ros slår ut doftar hela skogen

Jorden är ett litet rum

En gul böjd banan

Kväll

Du som älskar

Innan kärleken kom

Vild i min mun

Sinfonische metamorphosen: I. Allegro

Sinfonische metamorphosen: II. Turandot. Scherzo. Moderato – Lebhaft

Sinfonische metamorphosen: III. Andantino

Sinfonische metamorphosen: IV. Marsch

Die vier temperamente: I. Thema

Die vier temperamente: II. Melancholisch. Langsam

Die vier temperamente: III. Sanguinisch. Walzer

Die vier temperamente: IV. Phlegmatisch. Moderato

Die vier temperamente: V. Cholerisch. Vivace

Mathis der maler: I. Engelkonzert. Ruhig bewegt

Mathis der maler: II. Grablegung. Sehr langsam

Mathis der maler: III. Versuchung des heiligen Antonius. Sehr langsam, frei im Zeitmaß – Sehr lebhaft

Förklädd gud, op. 24: Förspel

Förklädd gud, op. 24: Recitation: Ej för de starka…

Förklädd gud, op. 24: Recitation: Vem spelar på en pipa…

Förklädd gud, op. 24: Kör

Förklädd gud, op. 24: Recitation: Apollon bor…

Förklädd gud, op. 24: Recitation: Kring höstlig vaktelds bränder…

Förklädd gud, op. 24: Baryton och kör

Förklädd gud, op. 24: Recitation: Välsignelse följer…

Förklädd gud, op. 24: Kör

Förklädd gud, op. 24: Recitation: Husbonden må vi prisa säll…

Förklädd gud, op. 24: Recitation: Vad faller över träden…

Förklädd gud, op. 24: Sopran och kör

Förklädd gud, op. 24: Recitation: Än vandra gudar…

Förklädd gud, op. 24: Recitation: Tror du att fåren skulle…

Förklädd gud, op. 24: Recitation: Bjuder ett mänskoöga…

Förklädd gud, op. 24: Sopran, baryton och kör

Pastoralsvit, op. 19: I. Overture

Pastoralsvit, op. 19: II. Romance

Pastoralsvit, op. 19: III. Scherzo

Violinkonsert, op. 42: I. Moderato

Violinkonsert, op. 42: II. Andante pastorale

Violinkonsert, op. 42: III. Lento

Le Grand Macabre: Car Horn Prelude

Le Grand Macabre: Scene I. “Dies irae” (Piet, Amanda, Amando, Nekrotzar)

Le Grand Macabre: Scene I. “Away, you swagpot!” (Nekrotzar, Piet)

Le Grand Macabre: Scene I. “Shut up!” (Nekrotzar, Piet, Chorus)

Le Grand Macabre: Scene I. “Oh..! – Amanda! Can do no more!” (Amanda, Amando, Piet)

Le Grand Macabre: Scene I. “Ha‐ha‐ha‐ha! Hey! Give me my requisites” (Nekrotzar, Piet, Chorus)

Le Grand Macabre: Scene I. “Melting snow is thy breast” (Amando, Amanda)

Le Grand Macabre: Second Car Horn Prelude

Le Grand Macabre: Scene II. “One! Two! Three! Five!” (Mescalina, Astradamors)

Le Grand Macabre: Scene II. “Shapely and attractive figure” (Mescalina, Astradamors)

Le Grand Macabre: Scene II. “Venus! Venus!” (Mescalina, Astradamors)

Le Grand Macabre: Scene II. “Stop! – Sh!.. Quiet, for heaven’s sake!” (Astradamors, Nekrotzar, Piet, Mescalina, Venus, Chorus)

Le Grand Macabre: Scene II. “Who’s there? A man? – A man!” (Mescalina, Nekrotzar, Venus, Piet, Astradamors)

Le Grand Macabre: Scene II. Finale: “Fire and death I bring” (Nekrotzar, Piet, Astradamors)

Le Grand Macabre: Doorbell Prelude

Le Grand Macabre: Scene III. “Arse‐licker, arse‐kisser!” (White Minister, Black Minister, Prince Go‐Go)

Le Grand Macabre: Scene III. “Posture exercises!” (Black Minister, White Minister, Prince Go‐Go)

Le Grand Macabre: Scene III. “Tsk… – Psssst! – Ha! Head of my secret service!” (Chorus, Gepopo, Prince Go‐Go, White Minister, Black Minister)

Le Grand Macabre: Scene III. “Ahh!.. Secret cypher!” (Gepopo, Prince Go‐Go, White Minister, Black Minister)

Le Grand Macabre: Scene III. “Hurray, hurray! My wife is dead” (Astradamors, Prince Go‐Go, Chorus)

Le Grand Macabre: Scene III. Nekrotzar’s Entrance

Le Grand Macabre: Scene III. “Woe! Ooh! – For the day of wrath” (Nekrotzar, Astradamors, Chorus)

Le Grand Macabre: Scene III. “There’s no need to fear” (Astradamors, Piet, Nektrotzar)

Le Grand Macabre: Scene III. “Up! – Drink! – Up!” (Nekrotzar, Piet, Astradamors)

Le Grand Macabre: Scene III. Galimatius: “Hmm! It’s delicious!” (Nekrotzar, Piet, Astradamors, Prince Go‐Go)

Le Grand Macabre: Scene III. “Where am I? What time is it?” (Nekrotzar, Piet, Prince Go‐Go, Astradamors, Chorus)

Le Grand Macabre: Interlude

Le Grand Macabre: Scene IV. “Ghost Astradamors, are you dead?” (Piet, Astradamors, Prince Go‐Go, Ruffiack, Schobiack, Schabernack, Nektrotzar, Mescalina, White Minister, Black Minister)

Le Grand Macabre: Scene IV. Mirror Canon: Nekrotzar’s Death

Le Grand Macabre: Scene IV. Finale. Passacaglia: “Ah, it was good” (Amando, Amando, all without Nekrotzar)

Nonsense Madrigals: I. Two Dreams and Little Bat

Nonsense Madrigals: II. Cuckoo in the Pear‐Tree

Nonsense Madrigals: III. The Alphabet

Nonsense Madrigals: IV. Flying Robert

Nonsense Madrigals: V. The Lobster Quadrille

Nonsense Madrigals: VI. A Long, Sad Tale

Mysteries of the Macabre

Aventures

Nouvelles Aventures: I. Sostenuto

Nouvelles Aventures: II. Agitato molto

Der Sommer

Három Weöres‐dal: I. Tancol a Hold feher ingben

Három Weöres‐dal: II. Gyumolcs‐furt

Három Weöres‐dal: III. Kalmarjottnagy madarakkal

Öt Arany‐dal: I. Csalfa sugár

Öt Arany‐dal: II. A legszebb virág

Öt Arany‐dal: III. A csendes dalokból

Öt Arany‐dal: IV. A bujdosó

Öt Arany‐dal: V. Az ördög elvitte a fináncot

Négy lakodalmi tánc: I. A menyasszony szép virág

Négy lakodalmi tánc: II. A kapuban a szekér

Négy lakodalmi tánc: III. Hopp ide tisztán

Négy lakodalmi tánc: IV. Mikor kedves Laci bátyám

Cantigas

Cello Concerto

Parada

Fresco

Concerto for Piano and Orchestra, Op 42: I. Andante

Concerto for Piano and Orchestra, Op 42: II. Molto allegro

Concerto for Piano and Orchestra, Op 42: III. Adagio

Concerto for Piano and Orchestra, Op 42: IV. Giocoso [Moderato]

Concerto for Piano and Orchestra No. 2 in A major: I. Adagio sostenuto assai – Allegro agitato assai

Concerto for Piano and Orchestra No. 2 in A major: II. Allegro moderato

Concerto for Piano and Orchestra No. 2 in A major: III. Allegro deciso – Marziale un poco meno Allegro

Concerto for Piano and Orchestra No. 2 in A major: IV. Allegro animato

Concerto for Piano and Orchestra No. 1 in A‐flat major: I. Allegro maestoso

Concerto for Piano and Orchestra No. 1 in A‐flat major: II. Quasi Adagio

Concerto for Piano and Orchestra No. 1 in A‐flat major: III. Allegretto vivace – Allegro animato

Concerto for Piano and Orchestra No. 1 in A‐flat major: IV. Allegretto marziale animato

Fanfare for Los Angeles Philharmonic

Concerto for Piano & Orchestra: I. ♩. = ca 110

Concerto for Piano & Orchestra: II. Presto. ♩ = ca 160

Concerto for Piano & Orchestra: III. Largo. ♪ = ca 85

Concerto for Piano & Orchestra: IV. ♩ = ca 84

Chantefleurs et chantefables: I. La Belle‐de‐nuit

Chantefleurs et chantefables: II. La Sauterelle

Chantefleurs et chantefables: III. La Véronique

Chantefleurs et chantefables: IV. L’Églantine, l’aubépine et la glycine

Chantefleurs et chantefables: V. La Tortue

Chantefleurs et chantefables: VI. La Rose

Chantefleurs et chantefables: VII. L’Alligator

Chantefleurs et chantefables: VIII. L’Angélique

Chantefleurs et chantefables: IX. Le Papillon

Symphony no. 2: I. Hésitant

Symphony no. 2: II. Direct

Fanfare for Los Angeles Philharmonic

Symphony no. 1: I. Allegro giusto

Symphony no. 1: II. Poco adagio

Symphony no. 1: III. Allegretto misterioso

Symphony no. 1: IV. Allegro vivace

Symphony no. 2: I. Hésitant

Symphony no. 2: II. Direct

Symphony no. 4

Les Espaces du sommeil

Symphony no. 3

Symphony no. 3 in D minor: I. Kräftig. Entschieden

Symphony no. 3 in D minor: I. Langsam. Schwer

Symphony no. 3 in D minor: I. Tempo I

Symphony nn. 3 in D minor: I. A tempo

Symphony no. 3 in D minor: I. Immer dasselbe Tempo (Marsch) Nicht eilen

Symphony no. 3 in D minor: I. Tempo primo. Wie zu Anfang

Symphony no. 3 in D minor: I. Tempo I

Symphony no. 3 in D minor: II. Tempo di Menuetto. Sehr mässig

Symphony no. 3 in D minor: II. A tempo

Symphony no. 3 in D minor: II. Ganz plötzlich gemächlich. Tempo di Menuetto

Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast.

Symphony no. 3 in D minor: III. Wieder sehr gemächlich, wie zu Anfang

Symphony no. 3 in D minor: III. Sehr gemächlich

Symphony no. 3 in D minor: III. Tempo I

Symphony no. 3 in D minor: III. Wieder sehr gemächlich, beinahe langsam

Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus ppp

Symphony no. 3 in D minor: IV. Tempo I

Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck

Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden.

Symphony no. 3 in D minor: VI. Nicht mehr so breit

Symphony no. 3 in D minor: VI. Tempo I. Ruhevoll!

Symphony no. 3 in D minor: VI. A tempo (Etwas bewegter)

Symphony no. 3 in D minor: VI. Tempo I

Symphony no. 3 in D minor: VI. Langsam. Tempo I

Symphony no. 4: I. Bedächtig. Nicht eilen

Symphony no. 4: II. In gemälicher Bewegung. Ohne Hast

Symphony no. 4: III. Ruhevoll

Symphony no. 4: IV. Sehr behaglich (Soprano Solo: “Wir genießen die himmlischen Freuden”; from Des Knaben Wunderhorn)

Das Lied von der Erde – No. 1, -Das Trinklied vom Jammer der Erde- (The Drinking Song of Earth’s Sorrows)- -Schon winkt der

Das Lied von der Erde – No. 2, -Der Einsame im Herbst- (The Solitary Autumn)- -Herbstnebel wallen blaulich uberm See?

Das Lied von der Erde – No. 3, -Von der Jugend- (Of Youth)- -Mitten in dem kleinen Teiche?

Das Lied von der Erde – No. 4, -Von der Schonheit- (Of Beauty)- -Junge Madchen pflucken Blumen?

Das Lied von der Erde – No. 5, -Der Trunkene im Fruhling- (The Drunkard in Spring)- -Wenn nur ein Traum das Leben ist?

Das Lied von der Erde – No. 6, -Der Abschied- (The Farewell)- -Die Sonne scheidet hinter dem Gebirge?

All Rise: I. Jubal Step

All Rise: II. A Hundred and a Hundred, a Hundred and Twelve

All Rise: III. Go Slow (But Don’t Stop)

All Rise: IV. Wild Strumming of Fiddle

All Rise: V. Save Us

All Rise: VI. Cried, Shouted, Then Sung

All Rise: VII. Look Beyond

All Rise: VIII. The Hall of Erudition and Scholarship (Come Back Home)

All Rise: IX. El ‘Gran’ Baile de la Reina

All Rise: X. Expressbrown Local

All Rise: XI. Saturday Night Slow Drag

All Rise: XII. I Am (Don’t You Run From Me)

Turangalîla‐Symphonie: I. Introduction. Modéré, un peu vif

Turangalîla‐Symphonie: II. Chant d’amour 1. Modéré, lourd

Turangalîla‐Symphonie: III. Turangalîla 1. Presque lent, rêveur

Turangalîla‐Symphonie: IV. Chant d’amour 2. Bien modéré

Turangalîla‐Symphonie: V. Joie du sang des étoiles. Vif, passionné avec joie

Turangalîla‐Symphonie: VI. Jardin du Sommeil d’amour. Très modéré, très tendre

Turangalîla‐Symphonie: VII. Turangalîla 2. Un peu vif, bien modéré

Turangalîla‐Symphonie: VIII. Développement d’amour. Bien modéré

Turangalîla‐Symphonie: IX. Turangalîla 3. Bien modéré

Turangalîla‐Symphonie: X. Final. Modéré, presque vif, avec une grande joie

Des Canyons aux étoiles, I/51: I. Le désert

Des Canyons aux étoiles, I/51: II. Les orioles

Des Canyons aux étoiles, I/51: III. Ce qui est écrit sur les étoiles

Des Canyons aux étoiles, I/51: IV. Le cossyphe d’Heuglin

Des Canyons aux étoiles, I/51: V. Cedar Breaks et le don de crainte

Des Canyons aux étoiles, I/51: VI. Appel interstellaire

Des Canyons aux étoiles, I/51: VII. Bryce Canyon et les rochers rouge‐orange

Des Canyons aux étoiles, I/51: VIII. Les ressucités et le chant de l’étoile Aldebaran

Des Canyons aux étoiles, I/51: IX. Le moquer polyglotte

Des Canyons aux étoiles, I/51: X. La grive des bois

Des Canyons aux étoiles, I/51: XI. Des canyons aux etoiles: Omao, leiothrix, elapaio, shama

Des Canyons aux étoiles, I/51: XII. Des canyons aux etoiles: Zion Park et la cité céleste

Oiseaux exotiques, I/41

Couleurs de la cité céleste, I/46

Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso

Symphony no. 1 in G minor, op. 7: II. Andante

Symphony no. 1 in G minor, op. 7: III. Allegro comodo

Symphony no. 1 in G minor, op. 7: IV. Allegro con fuoco

Little Suite, op. 1: I. Präludium (Andante con moto)

Little Suite, op. 1: II. Intermezzo (Allegro moderato)

Little Suite, op. 1: III. Finale (Andante con moto – Allegro con brio)

Symphony no. 2, op. 16 “The Four Temperaments”: I. Allegro collerico

Symphony no. 2, op. 16 “The Four Temperaments”: II. Allegro comodo e flemmatico

Symphony no. 2, op. 16 “The Four Temperaments”: III. Andante malinconico

Symphony no. 2, op. 16 “The Four Temperaments”: IV. Allegro sanguineo

Pan & Syrinx, op. 49

Aladdin Suite, op. 34: I. Oriental March

Aladdin Suite, op. 34: II. Aladdins Dream and Dance of the Morning Mist

Aladdin Suite, op. 34: III. Hindu Dance

Aladdin Suite, op. 34: IV. Chinese Dance

Aladdin Suite, op. 34: V. The Market Place in Ispahan

Aladdin Suite, op. 34: VI. Dance of the Prisoners

Aladdin Suite, op. 34: VII. Dance of the Negroes

Symphony no. 3 “Sinfonia Espansiva”, op.27: I. Allegro espansivo

Symphony no. 3 “Sinfonia Espansiva”, op.27: II. Andante pastorale

Symphony no. 3 “Sinfonia Espansiva”, op.27: III. Allegretto un poco

Symphony no. 3 “Sinfonia Espansiva”, op.27: IV. Finale. Allegro

Symphony no. 6 “Sinfonia Semplice”, FS 116: I. Tempo giusto

Symphony no. 6 “Sinfonia Semplice”, FS 116: II. Humoreske – Allegretto

Symphony no. 6 “Sinfonia Semplice”, FS 116: III. Proposta seria – Adagio

Symphony no. 6 “Sinfonia Semplice”, FS 116: IV. Tema con variazioni – Allegro

Symphony no. 4 “The Inextinguishable”, op. 29: I. Allegro

Symphony no. 4 “The Inextinguishable”, op. 29: II. Poco allegretto

Symphony no. 4 “The Inextinguishable”, op. 29: III. Poco adagio quasi andante

Symphony no. 4 “The Inextinguishable”, op. 29: IV. Allegro

Helios Overture, op. 17

Symphony no. 5, op. 50: I. Tempo giusto

Symphony no. 5, op. 50: II. Adagio non troppo

Symphony no. 5, op. 50: III. Allegro

Symphony no. 5, op. 50: IV. Presto

Symphony no. 5, op. 50: V. Andante un poco tranquillo

Symphony no. 5, op. 50: VI. Allegro

Masquerade, FS 39 (excerpts): Overture

Masquerade, FS 39 (excerpts): Prelude to Act II

Masquerade, FS 39 (excerpts): Dance of Cockerel

Violin Concerto in D minor, op. 47: I. Allegro moderato

Violin Concerto in D minor, op. 47: II. Adagio di molto

Violin Concerto in D minor, op. 47: III. Allegro ma non tanto

Violin Concerto, op. 33: I. Praeludium. Largo – Allegro cavalleresco – Più presto

Violin Concerto, op. 33: IIa. Poco adagio

Violin Concerto, op. 33: IIb. Rondo. Allegretto scherzando

Saul og David (Saul and David), opera, FS 25- Prelude

Clarinet concerto, Op. 57 (FS 129)

En fantasirejse til Faerøene (An Imaginary Trip to the Faroe Islands), rhapsodic overture for orchestra, FS 123

Flute concerto, FS 119- Allegro moderato

Flute concerto, FS 119- Allegretto

Fynsk foraar (Springtime on Funen), for soloists, chorus & orchestra, FS 96 (Op. 42)- Som en Graesgron Plet

Fynsk foraar (Springtime on Funen), for soloists, chorus & orchestra, FS 96 (Op. 42)- A Se, Nu Kommer Varen

Fynsk foraar (Springtime on Funen), for soloists, chorus & orchestra, FS 96 (Op. 42)- Den Milde Dag Er Lys Og Lang

Fynsk foraar (Springtime on Funen), for soloists, chorus & orchestra, FS 96 (Op. 42)- Der Har Vi Den Aldrende Sol Igen

Fynsk foraar (Springtime on Funen), for soloists, chorus & orchestra, FS 96 (Op. 42)- Nu Kysser Solen Mit Ojelag

Fynsk foraar (Springtime on Funen), for soloists, chorus & orchestra, FS 96 (Op. 42)- Nu Vil Vi Ud Og Lege

Fynsk foraar (Springtime on Funen), for soloists, chorus & orchestra, FS 96 (Op. 42)- Sa Saetter Vi Piben I Ovnens Krog

Fynsk foraar (Springtime on Funen), for soloists, chorus & orchestra, FS 96 (Op. 42)- Kom Her, Fiol Og Klarinet

Romeo and Juliet, Act I: The Prince’s Decree

Romeo and Juliet, Act I: Interlude

Romeo and Juliet, Act I: Preparations for the Ball

Romeo and Juliet, Act I: Juliet, the Young Girl

Romeo and Juliet, Act I: Arrival of the guests

Romeo and Juliet, Act I: Masks

Romeo and Juliet, Act I: Dance of the Knights

Romeo and Juliet, Act I: The Balcony Scene

Romeo and Juliet, Act I: Romeo’s Variation

Romeo and Juliet, Act I: Love Dance

Romeo and Juliet, Act II: Folk Dance

Romeo and Juliet, Act II: Dance with Mandolins

Romeo and Juliet, Act II: Tybalt fights Mercutio

Romeo and Juliet, Act II: Romeo Resolves to Avenge the Death of Mercutio

Romeo and Juliet, Act II: Finale

Romeo and Juliet, Act III: Farewell before the Parting

Romeo and Juliet, Act III: Morning Serenade

Romeo and Juliet, Act IV: Juliet’s Burial

Romeo and Juliet, Act IV: Death of Juliet

Violin Concerto No. 1 in D Op. 19: I. Andantino

Violin Concerto No. 1 in D Op. 19: II. Scherzo. Vivacissimo

Violin Concerto No. 1 in D Op. 19: III. Moderato

Violin Concerto No. 2 in G minor Op. 63: I. Allegro moderato

Violin Concerto No. 2 in G minor Op. 63: II. Andante assai

Violin Concerto No. 2 in G minor Op. 63: III. Allegro, ben marcato

Violin Concerto in D: I. Toccata

Violin Concerto in D: II. Aria 1

Violin Concerto in D: III. Aria 2

Violin Concerto in D: IV. Capriccio

Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato

Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio sostenuto

Concerto for Piano and Orchestra no. 2 in C minor, op. 18: III. Allegro scherzando

Concerto for Piano and Orchestra no. 3 in D minor, op. 30: I. Allegro ma non tanto

Concerto for Piano and Orchestra no. 3 in D minor, op. 30: II. Intermezzo. Adagio

Concerto for Piano and Orchestra no. 3 in D minor, op. 30: III. Finale. Alla breve

Sensemayá

Ocho por radio

La noche de los mayas: I. La noche de los mayas. — Molto sostenuto

La noche de los mayas: II. La noche de jaranas. — Scherzo

La noche de los mayas: III. La noche de Yucatán. — Andante espressivo

La noche de los mayas: IV. La noche de encantamiento. — Tema y variaciones

Homenaje a Federico García Lorca for Chamber Orchestra: I. Baile — Lento (quasi recitativo) — Allegro

Homenaje a Federico García Lorca for Chamber Orchestra: II. Duelo

Homenaje a Federico García Lorca for Chamber Orchestra: III. Son

Ventanas for Large Orchestra

First Little Serious Piece

Second Little Serious Piece: Tempo di Valse — Lento

Graal théâtre: I. Delicato

Graal théâtre: II. Impetuoso

Château de l’âme: I. La liane

Château de l’âme: II. À la terre

Château de l’âme: III. La liane

Château de l’âme: IV. Pour repousser l’esprit

Château de l’âme: V. Les formules

Amers: Part 1: Libero, dolce, misterioso

Amers: Part 2: Sempre molto energico, ma espressivo

LA Variations

Five Images After Sappho: 1. Tell Everyone

Five Images After Sappho: 2. Without Warning

Five Images After Sappho: 3. It’s No Use

Five Images After Sappho: 4. The Evening Star

Five Images After Sappho: 5. Wedding

Giro, for orchestra

Mania for violoncello solo and ensemble

Gambit, for orchestra

Verklärte Nacht, op. 4: Prelude: Grave

Verklärte Nacht, op. 4: Bar 100: Molto Rallentando (Woman)

Verklärte Nacht, op. 4: Bar 201: Pesante‐Grave (Interlude)

Verklärte Nacht, op. 4: Bar 229: Adagio (Man)

Verklärte Nacht, op. 4: Bar 370: Adagio (Postlude)

String Quartet no. 2, op. 10: I. Massig (moderato)

String Quartet no. 2, op. 10: II. Sehr rasch (Scherzo)

String Quartet no. 2, op. 10: III. Litanei langsam

String Quartet no. 2, op. 10: IV. Entruckun. Sehr langsam

Piano Concerto no. 1, for Piano, Trumpet & Strings, in C minor, op. 35: Allegretto

Piano Concerto no. 1, for Piano, Trumpet & Strings, in C minor, op. 35: Lento

Piano Concerto no. 1, for Piano, Trumpet & Strings, in C minor, op. 35: Moderato

Piano Concerto no. 1, for Piano, Trumpet & Strings, in C minor, op. 35: Allegro con brio

Piano Concerto no. 2 in F major, op. 102: Allegro

Piano Concerto no. 2 in F major, op. 102: Andante

Piano Concerto no. 2 in F major, op. 102: Allegro

Quintet for Piano & Strings in G minor, op. 57: I. Prelude: Lento

Quintet for Piano & Strings in G minor, op. 57: II. Fugue: Adagio

Quintet for Piano & Strings in G minor, op. 57: III. Scherzo: Allegretto

Quintet for Piano & Strings in G minor, op. 57: IV. Intermezzo: Lento

Quintet for Piano & Strings in G minor, op. 57: V. Finale: Allegretto

Symphony no. 5, op. 82: I. Tempo molto moderato; Allegro moderato

Symphony no. 5, op. 82: II. Andante mosso, quasi allegretto

Symphony no. 5, op. 82: III. Allegro molto

Pohjolan Tytar, op. 49

Lemminkäinen Legends, op. 22: I. Lemminkäinen and the Maidens of Saari

Lemminkäinen Legends, op. 22: II. Lemminkäinen in Tuonela

Lemminkäinen Legends, op. 22: III. The Swan of Tuonela

Lemminkäinen Legends, op. 22: IV. Lemminkäinen’s Return

En Saga, op. 9

Kullervo, Op. 7: I. Introduction. Allegro moderato

Kullervo, Op. 7: II. Kullervo’s youth. Grave

Kullervo, Op. 7: III. Kullervo and his sister. Allegro vivace

Kullervo, Op. 7: IV. Kullervo goes to battle. Alla marcia

Kullervo, Op. 7: V. Kullervo’s death. Andante

Violin Concerto in D minor, op. 47: I. Allegro moderato

Violin Concerto in D minor, op. 47: II. Adagio di molto

Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto

Violin Concerto no. 1 in A minor, op. 28: I. Allegro moderato

Violin Concerto no. 1 in A minor, op. 28: II. Andante

Violin Concerto no. 1 in A minor, op. 28: III. Moderato – Allegretto

Metamorphosen

Duet‐Concertino for Clarinet & Bassoon with String Orchestra and Harp: Allegro moderato

Duet‐Concertino for Clarinet & Bassoon with String Orchestra and Harp: Andante

Duet‐Concertino for Clarinet & Bassoon with String Orchestra and Harp: Rondo: Allegro ma non troppo

Prelude to Cappriccio, Op. 85

Petrouchka: Scene I. The Shrovetide Fair

Petrouchka: Scene I. Russian Dance

Petrouchka: Scene II. Petrushka

Petrouchka: Scene III. The Blackamoor

Petrouchka: Scene III. Waltz

Petrouchka: Scene IV. The Shrovetide Fair (Towards Evening)

Petrouchka: Scene IV. Wet‐Nurses’ Dance

Petrouchka: Scene IV. Peasant with Bear

Petrouchka: Scene IV. Gypsies and a Rake Vendor

Petrouchka: Scene IV. Dance of the Coachmen

Petrouchka: Scene IV. Masqueraders

Petrouchka: Scene IV. The Scuffle

Petrouchka: Scene IV. Death of Petrushka

Petrouchka: Scene IV. Police and the Juggler

Petrouchka: Scene IV. Apparition of Petrushka’s Double

Orpheus: Scene I. Orpheus

Orpheus: Scene I. Air de danse

Orpheus: Scene I. Dance of the Angel of Death

Orpheus: Scene I. Interlude

Orpheus: Scene II. Dance of the Furies

Orpheus: Scene II. Air de danse

Orpheus: Scene II. Interlude

Orpheus: Scene II. Air de danse

Orpheus: Scene II. Pas d’action

Orpheus: Scene II. Pas de deux

Orpheus: Scene II. Interlude

Orpheus: Scene II. Pas d’action

Orpheus: Scene III. Orpheus’ Apotheosis

The Firebird: Introduction

The Firebird: Kashchei’s Enchanted Garden

The Firebird: The Firebird Appears, Pursued by Prince Ivan

The Firebird: Dance of the Firebird

The Firebird: The Firebird Is Captured by Prince Ivan

The Firebird: The Firebird’s Pleading

The Firebird: Appearance of the Thirteen Enchanted Princesses

The Firebird: The Princesses Play With the Golden Apples

The Firebird: Prince Ivan Suddenly Appears

The Firebird: Khorovod (Round dance) Of the Princesses

The Firebird: Daybreak

The Firebird: Prince Ivan Enters Kashchei’s Palace

The Firebird: Arrival of Kashchei the Immortal

The Firebird: Dialogue Between Kashchei and Prince Ivan

The Firebird: The Princesses’ Intercede

The Firebird: The Firebird Appears

The Firebird: Dance of Kashchei’s Court

Ithe Firebird: Infernal Dance of Kashchei’s Subjects

The Firebird: Lullaby (The Firebird)

The Firebird: Kashchei Awakens

The Firebird: Death of Kashchei

The Firebird: The Palace and Creatures of Kashchei Disappear

Jeu De Cartes: First Deal

Jeu De Cartes: Second Deal

Jeu De Cartes: Third Deal

Le Sacre du printemps: Part One: The Adoration of the Earth: Introduction

Le Sacre du printemps: Part One: The Adoration of the Earth: The Augurs of Spring (Dances of the Young Girls)

Le Sacre du printemps: Part One: The Adoration of the Earth: Ritual of Abduction

Le Sacre du printemps: Part One: The Adoration of the Earth: Spring Khorovod (Round Dance)

Le Sacre du printemps: Part One: The Adoration of the Earth: Ritual of the Rival Tribes

Le Sacre du printemps: Part One: The Adoration of the Earth: Procession of the Sage

Le Sacre du printemps: Part One: The Adoration of the Earth: Adoration of the Earth (The Sage)

Le Sacre du printemps: Part One: The Adoration of the Earth: Dance of the Earth

Le Sacre du printemps: Part Two: The Sacrifice: Introduction

Le Sacre du printemps: Part Two: The Sacrifice: Mystic Circles of the Young Girls

Le Sacre du printemps: Part Two: The Sacrifice: Glorification of the Chosen One

Le Sacre du printemps: Part Two: The Sacrifice: Evocation of the Ancestors

Le Sacre du printemps: Part Two: The Sacrifice: Ritual Action of the Ancestors

Le Sacre du printemps: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One)

Symphony in Three Movements: I. ♩ = 160; ♩ = 80

Symphony in Three Movements: II. Andante ♩ = 76

Symphony in Three Movements: Interlude ♩ = 76

Symphony in Three Movements: III. Con moto ♩ = 108

Pulcinella: Overture. Allegro moderato

Pulcinella: Serenata. Largehtto “Mentre l’erbetta”

Pulcinella: Scherzino. Allegro

Pulcinella: Ancora poco meno “Contento forse vivere”

Pulcinella: Allegro assai -

Pulcinella: Allegro alla breve “Con queste paroline”

Pulcinella: Andante “Sento dire no’ncè pace”

Pulcinella: Presto “Una falan zemprece”

Pulcinella: Allegro alla breve

Pulcinella: Tarantella

Pulcinella: Andantino “Se tu m’ami”

Pulcinella: Allegro

Pulcinella: Gavotta con due variazioni

Pulcinella: Vivo

Pulcinella: Tempo di minuetto “Pupillette, fiammette d’amore”

Pulcinella: Finale. Allegro assai

Ragtime

Renard: Marche (Entrance of the Actors)

Renard: Allegro

Renard: Meno mosso (Rehearsal Mark No. 9)

Renard: Salto mortale (Rehearsal Mark No. 19)

Renard: Con brio

Renard: Meno mosso (Rehearsal Mark No. 41)

Renard: Colla parte (Rehearsal Mark No. 52)

Renard: Moderato

Renard: Scherzando

Renard: Poco meno mosso

Renard: Vivo

Renard: Marche (Departure of the Actors)

Octet for Wind Instruments: I. Sinfonia. Lento – Allegro moderato

Octet for Wind Instruments: II. Tema con variazioni. Andantino

Octet for Wind Instruments: III. Finale. Tempo giusto

Capriccio for Piano and Orchestra (1949 version): I Presto

Capriccio for Piano and Orchestra (1949 version): II Andante rapsodico

Capriccio for Piano and Orchestra (1949 version): III Allegro capriccioso ma tempo giusto

Symphonies of Wind Instruments (1947 version)

Concerto for Piano and Wind Instruments (1950 version): I Largo; Allegro

Concerto for Piano and Wind Instruments (1950 version): II Largo

Concerto for Piano and Wind Instruments (1950 version): III Allegro

Movements for Piano and Orchestra: I Eighth Note = 110

Movements for Piano and Orchestra: II Quarter Note = 52

Movements for Piano and Orchestra: III Eighth Note = 72

Movements for Piano and Orchestra: IV Eighth Note = 80

Movements for Piano and Orchestra: V Eighth Note = 104

Apollon musagète: Scene I. Prologue: Birth of Apollo

Apollon musagète: Scene II. Variation of Apollo

Apollon musagète: Scene II. Pas d’action

Apollon musagète: Scene II. Variation of Calliope

Apollon musagète: Scene II. Variation of Polyhymnia

Apollon musagète: Scene II. Variation of Terpsichore

Apollon musagète: Scene II. Variation of Apollo

Apollon musagète: Scene II. Pas de deux

Apollon musagète: Scene II. Coda

Apollon musagète: Scene II. Apotheosis

Concerto in D major for String Orchestra: I. Vivace

Concerto in D major for String Orchestra: II. Arioso: Andantino

Concerto in D major for String Orchestra: III. Rondo: Allegro

Cantata: A Lyke‐Wake Dirge. Versus I. Prelude

Cantata: Ricercar I. The Maidens Came

Cantata: A Lyke‐Wake Dirge. Versus II. First Interlude

Cantata: Ricercar II. Sacred History

Cantata: A Lyke‐Wake Dirge. Versus III. Second Interlude

Cantata: Westron Wind

Cantata: A Lyke‐Wake Dirge. Versus IV. Postlude

Oedipus Rex: Prologue “Spectateurs! Vous allez entendre une version latine d’Oedipe‐Roi” (Narrator)

Oedipus Rex: Act I. “Caedit nos pestis”

Oedipus Rex: Act I. “Liberi, vos liberado” (Oedipus, Narrator)

Oedipus Rex: Act I. “Respondit deus” (Creon)

Oedipus Rex: Act I. “Non reperias vetus scelus” (Oedipus)

Oedipus Rex: Act I. Oedipe interroge la fontaine de vérité" (Narrator)

Oedipus Rex: Act I. “Dicere non possum” (Tirésias, Oedipus)

Oedipus Rex: Act I. “Rex peremptor regis est” / “Invidia fortunam odit” (Tirésias, Oedipus)

Oedipus Rex: Act I. “Gloria!” (Narrator)

Oedipus Rex: Act II. “La dispute des princes attire Jocaste” (Narrator)

Oedipus Rex: Act II. “Gloria!”

Oedipus Rex: Act II. “Nonn’ erubescite, reges” (Jocasta)

Oedipus Rex: Act II. “Ne probentur oracula” (Jocasta)

Oedipus Rex: Act II. “Cave oracula!” / “Trivium, trivium…” (Jocasta, Oedipus)

Oedipus Rex: Act II. “Oracula mentiuntur” (Jocasta, Oedipus)

Oedipus Rex: Act II. “Le témoin du meurtre sort de l’ombre” (Narrator)

Oedipus Rex: Act II. “Adest omniscius pastor” (Messenger)

Oedipus Rex: Act II. “Oportebat tacere” (Shepherd)

Oedipus Rex: Act II. “Nonne monstrum rescituri” (Oedipus)

Oedipus Rex: Act II. “In monte reppertus est” (Shepherd, Messenger)

Oedipus Rex: Act II. “Natus sum quo nefastum est” (Oedipus)

Oedipus Rex: Act II. “Et maintenant, vous allez entendre” (Narrator)

Oedipus Rex: Act II. “Divum Iocastae caput mortuum!” (Messenger)

Oedipus Rex: Act II. “Ecce! Regem Oedipoda”

To the Edge of Dream

Folios: I

Folios: II

Folios: III

Toward the Sea: I. The Night

Toward the Sea: II. Moby Dick

Toward the Sea: III. Cape Cod

Twelve Songs: Here, There and Everywhere

Twelve Songs: What a Friend

Twelve Songs: Amours perdues

Twelve Songs for Guitar: Summertime

Vers, L'arc-en-ciel, Palma

Concerto for Trumpet and Orchestra: I. Allegro; Cadenza

Concerto for Trumpet and Orchestra: II. Nocturne; Andantino

Concerto for Trumpet and Orchestra: III. Finale; Giocoso – Allegro

Concertino for Trumpet, String Orchestra and Piano

Concerto no. 2 for Trumpet: I. Mesto; Concitato

Concerto no. 2 for Trumpet: II. Grave

Concerto no. 2 for Trumpet: III. Giocoso

“Midsommarvaka” (Swedish Rhapsody no. 1, op. 19)

“Valse Triste”, op. 44,1

“Sigurd Jorsalfar”, op. 56 (Three Orchestral Pieces): 1. Prelude (In The King’s Hall)

“Sigurd Jorsalfar”, op. 56 (Three Orchestral Pieces): 2. Intermezzo (Borghild’s Dream)

“Sigurd Jorsalfar”, op. 56 (Three Orchestral Pieces): 3. Hyldings Marsch (Ceremonial March)

“Vallflickans dans” (from the Ballet‐Pantomime “Bergakungen”)

“Geysir” (Orchestral Prelude), op. 51

“Maskerade”: Overture

“Maskerade”: Dance of the Cockerels

“Berceuse”

“Finlandia” (Tone Poem), op. 26