The Complete Recordings

Cockaigne (In London Town), op. 40 — Concert Overture

Froissart, op. 19 — Concert Overture

Serenade in E minor, op. 20: I. Allegro piacevole

Serenade in E minor, op. 20: II. Larghetto

Serenade in E minor, op. 20: III. Allegretto — Come prima

Chanson de nuit, op. 15 no. 1

Chanson de matin, op. 15 no. 2

Three Bavarian Dances: I. The Dance (Sonnenbichl): Allegretto giocoso

Three Bavarian Dances: II. Lullaby (In Hammersbach): Moderato

Three Bavarian Dances: III. The Marksman (Bei Murnau): Allegro vivace

Meditation (from the Light of Life, op. 29)

Imperial March, op. 32

Triumphal March (from Caractacus, op. 35)

Variations on an Original Theme “Enigma”, op. 36: Theme

Variations on an Original Theme “Enigma”, op. 36: I. C.A.E. (the composer’s wife)

Variations on an Original Theme “Enigma”, op. 36: II. H.D.S.-P. (Hew David Steuart-Powell)

Variations on an Original Theme “Enigma”, op. 36: III. R.B.T (Richard Baxter Townshend)

Variations on an Original Theme “Enigma”, op. 36: IV. W.M.B (William Meath Baker)

Variations on an Original Theme “Enigma”, op. 36: V. R.P.A (Richard Penrose Arnold)

Variations on an Original Theme “Enigma”, op. 36: VI. Ysobel (Isabel Fitton)

Variations on an Original Theme “Enigma”, op. 36: VII. Troyte (Troyte Griffith)

Variations on an Original Theme “Enigma”, op. 36: VIII. W.N. (Winfred Norbury)

Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod (A.J. Jaeger)

Variations on an Original Theme “Enigma”, op. 36: X. Intermezzo: Dorabella (Dora Penny)

Variations on an Original Theme “Enigma”, op. 36: XI. G.R.S (George Robertson Sinclair)

Variations on an Original Theme “Enigma”, op. 36: XII. B.G.N (Basil G. Nevinson)

Variations on an Original Theme “Enigma”, op. 36: XIII. Romanza: *** (Lady Mary Lygon)

Variations on an Original Theme “Enigma”, op. 36: XIV. Finale: E.D.U (the composer)

Pomp and Circumstance, op. 39 — Military Marches: No. 1 in D

Pomp and Circumstance, op. 39 — Military Marches: No. 2 in A minor

Pomp and Circumstance, op. 39 — Military Marches: No. 3 in C minor

Pomp and Circumstance, op. 39 — Military Marches: No. 4 in G

Pomp and Circumstance, op. 39 — Military Marches: No. 5 in C

Grania and Diarmid, op. 42 — Incidental Music: I. Incidental Music

Grania and Diarmid, op. 42 — Incidental Music: II. Funeral March

Dream Children, op. 43: I. Andante

Dream Children, op. 43: II. Allegretto piacevole

Empire March

The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: I. Overture: Allegro molto

The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: II. Serenade: Andantino

The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: III. Minuet (Old Style): Andante

The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: IV. Sun Dance: Presto

The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: V. Fairy Pipers: Allegretto

The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: VI. Slumber Scene: Moderato

The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: VII. Fairies and Giants: Presto

The Wand of Youth — Music to a Child’s Play: Second Suite, op. 1b: I. March (Alla Marcia): Allegro moderato

The Wand of Youth — Music to a Child’s Play: Second Suite, op. 1b: II. The Little Bells (Scherzino): Allegro molto

The Wand of Youth — Music to a Child’s Play: Second Suite, op. 1b: III. Moths and Butterflies (Dance): Allegretto

The Wand of Youth — Music to a Child’s Play: Second Suite, op. 1b: IV. Fountain Dance: Allegretto comodo

The Wand of Youth — Music to a Child’s Play: Second Suite, op. 1b: V. The Tame Bear: Allegro moderato

The Wand of Youth — Music to a Child’s Play: Second Suite, op. 1b: VI. Wild Bears: Presto

Carillon, op. 75

Polonia, op. 76

Fantasia and Fugue in C minor, op. 86 (J.S. Bach BWV537): I. Fantasia

Fantasia and Fugue in C minor, op. 86 (J.S. Bach BWV537): II. Fugue

Overture in D minor

Funeral March (from Chopin: Piano Sonata no. 2, op. 35)

Symphony no. 1 in A flat, op. 55: I. Andante, nobilmente e semplice — Allegro

Symphony no. 1 in A flat, op. 55: II. Allegro molto —

Symphony no. 1 in A flat, op. 55: III. Adagio

Symphony no. 1 in A flat, op. 55: IV. Lento — Allegro

In the South (Alassio) op. 50 — Concert Overture: Vivace —

In the South (Alassio) op. 50 — Concert Overture: Grandioso (fig. 20) —

In the South (Alassio) op. 50 — Concert Overture: Meno mosso, molto tranquillo (canto popolare) (fig. 34) —

In the South (Alassio) op. 50 — Concert Overture: Tempo I (fig. 40) — Poco meno mosso

Elegy op. 58

Symphony no. 2 in E flat, op. 63: I. Allegro vivace e nobilmente

Symphony no. 2 in E flat, op. 63: II. Larghetto

Symphony no. 2 in E flat, op. 63: III. Rondo (Presto)

Symphony no. 2 in E flat, op. 63: IV. Moderato e maestoso

The Sanguine Fan, op. 81: I. (A Glade)

The Sanguine Fan, op. 81: II. Pan enters piping

The Sanguine Fan, op. 81: III. A young man enters, awaiting someone

The Sanguine Fan, op. 81: IV. Two girls enter gaily; the young man returns

The Sanguine Fan, op. 81: V. The young man declares his passion for the first girl

The Sanguine Fan, op. 81: VI. Echo awakes Pan, who falls in love with her

The Sanguine Fan, op. 81: VII. Three Shepherdesses bring gifts to Pan

The Sanguine Fan, op. 81: VIII. The first girl and the young man enter

The Sanguine Fan, op. 81: IX. Echo snatches Pan’s pipes and tempts the young man

The Sanguine Fan, op. 81: X. Echo, now disguised as a mortal, captivates the young man

The Sanguine Fan, op. 81: XI. Pan rouses and, full of jealous wrath, pursues the young man

The Sanguine Fan, op. 81: XII. Echo, sans disguise, runs back to Pan

Sospiri, op. 70

Introduction and Allegro, op. 47

Falstaff, op. 68 — Symphonic Study in C minor: I. Falstaff and Prince Henry

Falstaff, op. 68 — Symphonic Study in C minor: II. Eastcheap — Gadshill — The Boar’s Head, revelry and sleep

Falstaff, op. 68 — Symphonic Study in C minor: II. Dream Interlude: “Jack Falstaff, now Sir John, a boy, and a page to Thomas Mowbray, Duke of Norfolk”: Poco allegretto

Falstaff, op. 68 — Symphonic Study in C minor: III. Falstaff’s march — The return through Gloucestershire —

Falstaff, op. 68 — Symphonic Study in C minor: III. Interlude: Gloucestershire: Shallow’s orchard: Allegretto — The new king — The hurried trip to London

Falstaff, op. 68 — Symphonic Study in C minor: IV. King Henry V’s progress — The repudiation of Falstaff, and his death

Nursery Suite: I. Aubade (Awake): Allegretto

Nursery Suite: II. The Serious Doll: Andantino

Nursery Suite: III. Busy-ness: Allegro molto

Nursery Suite: IV. The Sad Doll: Andantino

Nursery Suite: V. The Wagon (Passes): Allegretto

Nursery Suite: VI. The Merry Doll: Allegro molto

Nursery Suite: VII. Dreaming: Lento — Envoy: Coda

Fantasia and Fugue in C minor (J.S. Bach BWV 537 orch. Elgar), op. 86: I. Fantasia

Fantasia and Fugue in C minor (J.S. Bach BWV 537 orch. Elgar), op. 86: II. Fugue

Violin Concerto in B minor, op. 61: I. Allegro

Violin Concerto in B minor, op. 61: II. Andante

Violin Concerto in B minor, op. 61: III. Allegro molto — Cadenza (accompagnata: Lento) — Allegro molto: Allegro molto —

Violin Concerto in B minor, op. 61: III. Allegro molto — Cadenza (accompagnata: Lento) — Allegro molto: Cadenza (accompagnata: Lento) — Allegro molto

Cello Concerto in E minor, op. 85: I. Adagio — Moderato —

Cello Concerto in E minor, op. 85: II. Lento — Allegro molto

Cello Concerto in E minor, op. 85: III. Adagio —

Cello Concerto in E minor, op. 85: IV. Allegro — Moderato — Cadenza — Allegro ma non troppo — Adagio — Allegro molto

The Music Makers op. 69 (Moderato e nobilmente)

The Music Makers op. 69: We are the music makers

The Music Makers op. 69: With wonderful deathless ditties

The Music Makers op. 69: We, in the ages lying

The Music Makers op. 69: A breath of our inspiration

The Music Makers op. 69: They had no vision amazing

The Music Makers op. 69: And therefore to-day is thrilling

The Music Makers op. 69: But we, with our dreaming and singing

The Music Makers op. 69: For we are afar with the dawning

The Music Makers op. 69: Great hail! we cry to the comers

The Dream of Gerontius op. 38: Part 1: Prelude (Lento, mistico — Moderato — Andantino — Come prima)

The Dream of Gerontius op. 38: Part 1: Jesu Maria — I am near to death (Gerontius)

The Dream of Gerontius op. 38: Part 1: Kyrie eleison…Holy Mary, pray for him (Chorus)

The Dream of Gerontius op. 38: Part 1: Rouse thee, my fainting soul (Gerontius)

The Dream of Gerontius op. 38: Part 1: Be merciful, be gracious (Chorus)

The Dream of Gerontius op. 38: Part 1: Sanctus fortis, Sanctus Deus (Gerontius)

The Dream of Gerontius op. 38: Part 1: I can no more (Gerontius)

The Dream of Gerontius op. 38: Part 1: Rescue him, O Lord (Chorus/Gerontius)

The Dream of Gerontius op. 38: Part 1: Novissima hora est (Gerontius)

The Dream of Gerontius op. 38: Part 1: Proficiscere, anima Christiana (Priest)

The Dream of Gerontius op. 38: Part 1: Go in the name of Angels (Chorus/Priest)

The Dream of Gerontius op. 38: Part 2: (Andantino) — I went to sleep (Soul of Gerontius)

The Dream of Gerontius op. 38: Part 2: My work is done (Angel/Soul of Gerontius)

The Dream of Gerontius op. 38: Part 2: All hail! My child (Angel/Soul of Gerontius)

The Dream of Gerontius op. 38: Part 2: Low-born clods of brute earth (Chorus)

The Dream of Gerontius op. 38: Part 2: It is the restless panting of their being (Angel)

The Dream of Gerontius op. 38: Part 2: The mind bold and independent (Chorus)

The Dream of Gerontius op. 38: Part 2: I see not those false spirits (Soul of Gerontius/Angel)

The Dream of Gerontius op. 38: Part 2: Praise to the Holiest (Chorus)

The Dream of Gerontius op. 38: Part 2: The sound is like the rushing of the wind (Soul/Chorus)

The Dream of Gerontius op. 38: Part 2: Glory to Him (Chorus)

The Dream of Gerontius op. 38: Part 2: They sing of thy approaching agony (Angel/Soul/Chorus)

The Dream of Gerontius op. 38: Part 2: But hark! a grand mysterious harmony (Soul)

The Dream of Gerontius op. 38: Part 2: And now the threshold (Angel)

The Dream of Gerontius op. 38: Part 2: Praise to the Holiest (Chorus)

The Dream of Gerontius op. 38: Part 2: Thy judgement now is near (Angel/Soul)

The Dream of Gerontius op. 38: Part 2: Jesu! by that shuddering dread (Angel of the Agony/Soul)

The Dream of Gerontius op. 38: Part 2: Be merciful, be gracious (Chorus)

The Dream of Gerontius op. 38: Part 2: Praise to His name! (Angel)

The Dream of Gerontius op. 38: Part 2: Take me away (Soul)

The Dream of Gerontius op. 38: Part 2: Lord, Thou hast been our refuge (Chorus)

The Dream of Gerontius op. 38: Part 2: Softly and gently (Angel/Chorus)

The Apostles, op. 49: Prologue

The Apostles, op. 49: Part 1: I. The Calling of the Apostles: And it came to pass in those days

The Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: The Dawn

The Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: Morning Psalm

The Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: The Lord hath chosen them

The Apostles, op. 49: Part 1: II. By the Wayside

The Apostles, op. 49: Part 1: III. By the Sea of Galilee: And straightaway Jesus constrained his disciples

The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In the Tower of Magdala

The Apostles, op. 49: Part 1: III. By the Sea of Galilee: Fantasy: This shall ye have of mine hand

The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Caesarea Philippi: When Jesus came into the parts of Caesarea Philippi

The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Caesarea Philippi: And I will give unto thee

The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Capernaum: Turn you to the stronghold

The Apostles, op. 49: Part 2: Introduction

The Apostles, op. 49: Part 2: IV. The Betrayal: And it came to pass

The Apostles, op. 49: Part 2: IV. The Betrayal: Then gathered the Chief Priests and Pharisees

The Apostles, op. 49: Part 2: IV. The Betrayal: Hail, Master!

The Apostles, op. 49: Part 2: IV. The Betrayal: In the Place of the High Priest: Then Judas, which had betrayed him

The Apostles, op. 49: Part 2: IV. The Betrayal: The Temple: Without the temple

The Apostles, op. 49: Part 2: V. Golgotha

The Apostles, op. 49: Part 2: VI. At the Sepulchre

The Apostles, op. 49: Part 2: VII. The Ascension: We trusted that it had been He

The Apostles, op. 49: Part 2: VII. The Ascension: Give us one heart

The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Elgar’s use of leitmotiv: General introduction

The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Elgar’s use of leitmotiv: Introduction to The Apostles and The Kingdom

The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Christ, the Man of Sorrows

The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: The Spirit of the Lord

The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Christ’s Loneliness

The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: The Beatitudes

The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Judas

The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: St. Peter

The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Gospel

The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Church

The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Fellowship of the Apostles

The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: The New Faith (Christianity)

The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: In the name of Jesus Christ

The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: The Real Presence (Christ)

The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: Motto theme quoted from The Light of Life

The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: Motto theme quoted from The Dream of Gerontius

The Kingdom, op. 51: Prelude

The Kingdom, op. 51: I. In the Upper Room: Seek first the Kingdom of God

The Kingdom, op. 51: I. In the Upper Room: Men and brethren

The Kingdom, op. 51: I. In the Upper Room: O ye priests!

The Kingdom, op. 51: II. At the Beautiful Gate

The Kingdom, op. 51: III. Pentecost: And when the day of Pentecost

The Kingdom, op. 51: III. Pentecost: And suddenly there came from Heaven

The Kingdom, op. 51: III. Pentecost: Repent, and be baptised

The Kingdom, op. 51: IV. The Sign of Healing: Then they that gladly received his word

The Kingdom, op. 51: IV. The Sign of Healing: And as they spake…The Sun goeth down

The Kingdom, op. 51: V. The Upper Room: The voice of joy

The Kingdom, op. 51: V. The Upper Room: Thou, Almighty God

The Kingdom, op. 51: V. The Upper Room: Our Father

(Bonus item) Coronation Ode, op. 44: I. Crown the King

(Bonus item) Coronation Ode, op. 44: IIa. The Queen

(Bonus item) Coronation Ode, op. 44: IIb. Daughter of ancient Kings

(Bonus item) Coronation Ode, op. 44: III. Britain, ask thyself

(Bonus item) Coronation Ode, op. 44: IV. Hark, upon the hallowed air…Only let the heart be pure

(Bonus item) Coronation Ode, op. 44: V. Peace, gentle Peace

(Bonus item) Coronation Ode, op. 44: VI. Land of Hope and Glory

Symphony no. 1 in A flat, op. 55: I. Andante, nobilmente e semplice — Allegro

Symphony no. 1 in A flat, op. 55: II. Allegro molto —

Symphony no. 1 in A flat, op. 55: III. Adagio

Symphony no. 1 in A flat, op. 55: IV. Lento — Allegro

Variations on an Original Theme “Enigma”, op. 36: Theme

Variations on an Original Theme “Enigma”, op. 36: I. C.A.E.

Variations on an Original Theme “Enigma”, op. 36: II. H.D.S.-P.

Variations on an Original Theme “Enigma”, op. 36: III. R.B.T

Variations on an Original Theme “Enigma”, op. 36: IV. W.M.B

Variations on an Original Theme “Enigma”, op. 36: V. R.P.A

Variations on an Original Theme “Enigma”, op. 36: VI. Ysobel

Variations on an Original Theme “Enigma”, op. 36: VII. Troyte

Variations on an Original Theme “Enigma”, op. 36: VIII. W.N.

Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod

Variations on an Original Theme “Enigma”, op. 36: X. Intermezzo: Dorabella

Variations on an Original Theme “Enigma”, op. 36: XI. G.R.S

Variations on an Original Theme “Enigma”, op. 36: XII. B.G.N

Variations on an Original Theme “Enigma”, op. 36: XIII. Romanza: ***

Variations on an Original Theme “Enigma”, op. 36: XIV. Finale: E.D.U

In the South (Alassio) op. 50 — Concert Overture: Vivace —

In the South (Alassio) op. 50 — Concert Overture: Grandioso (fig. 20) —

In the South (Alassio) op. 50 — Concert Overture: Meno mosso, molto tranquillo (canto popolare) (fig. 34) —

In the South (Alassio) op. 50 — Concert Overture: Tempo I (fig. 40) — Poco meno mosso

Falstaff, op. 68 — Symphonic Study in C minor: I. Falstaff and Prince Henry

Falstaff, op. 68 — Symphonic Study in C minor: II. Eastcheap — Gadshill — The Boar’s Head, revelry and sleep

Falstaff, op. 68 — Symphonic Study in C minor: II. Dream Interlude: “Jack Falstaff, now Sir John, a boy, and a page to Thomas Mowbray, Duke of Norfolk”: Poco allegretto

Falstaff, op. 68 — Symphonic Study in C minor: III. Falstaff’s march — The return through Gloucestershire —

Falstaff, op. 68 — Symphonic Study in C minor: III. Interlude: Gloucestershire: Shallow’s orchard: Allegretto — The new king — The hurried trip to London

Falstaff, op. 68 — Symphonic Study in C minor: IV. King Henry V’s progress — The repudiation of Falstaff, and his death

The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: I. Overture: Allegro molto

The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: II. Serenade: Andantino

The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: III. Minuet (Old Style): Andante

The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: IV. Sun Dance: Presto

The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: V. Fairy Pipers: Allegretto

The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: VI. Slumber Scene: Moderato

The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: VII. Fairies and Giants: Presto

Pomp and Circumstance, op. 39 — Military Marches: No. 1 in D

Pomp and Circumstance, op. 39 — Military Marches: No. 2 in A minor

Pomp and Circumstance, op. 39 — Military Marches: No. 3 in C minor

Pomp and Circumstance, op. 39 — Military Marches: No. 4 in G

Pomp and Circumstance, op. 39 — Military Marches: No. 5 in C

Froissart, op. 19 — Concert Overture

Dream Children, op. 43: I. Andante

Dream Children, op. 43: II. Allegro piacevole

Variations on an Original Theme “Enigma”, op. 36: Theme

Variations on an Original Theme “Enigma”, op. 36: I. C.A.E.

Variations on an Original Theme “Enigma”, op. 36: II. H.D.S.-P.

Variations on an Original Theme “Enigma”, op. 36: III. R.B.T

Variations on an Original Theme “Enigma”, op. 36: IV. W.M.B

Variations on an Original Theme “Enigma”, op. 36: V. R.P.A

Variations on an Original Theme “Enigma”, op. 36: VI. Ysobel

Variations on an Original Theme “Enigma”, op. 36: VII. Troyte

Variations on an Original Theme “Enigma”, op. 36: VIII. W.N.

Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod

Variations on an Original Theme “Enigma”, op. 36: X. Intermezzo: Dorabella

Variations on an Original Theme “Enigma”, op. 36: XI. G.R.S

Variations on an Original Theme “Enigma”, op. 36: XII. B.G.N

Variations on an Original Theme “Enigma”, op. 36: XIII. Romanza: ***

Variations on an Original Theme “Enigma”, op. 36: XIV. Finale: E.D.U

Pomp and Circumstance op. 39 — Military Marches: No. 3 in C minor

Introduction and Allegro, op. 47

Violin Concerto in B minor, op. 61: I. Allegro

Violin Concerto in B minor, op. 61: II. Andante

Violin Concerto in B minor, op. 61: III. Allegro molto — Cadenza (accompagnata: Lento) — Allegro molto: Allegro molto —

Violin Concerto in B minor, op. 61: III. Allegro molto — Cadenza (accompagnata: Lento) — Allegro molto: Cadenza (accompagnata: Lento) — Allegro molto

Symphony no. 2 in E flat, op. 63: I. Allegro vivace e nobilmente

Symphony no. 2 in E flat, op. 63: II. Larghetto

Symphony no. 2 in E flat, op. 63: III. Rondo (Presto)

Symphony no. 2 in E flat, op. 63: IV. Moderato e maestoso

Funeral March (from Chopin: Piano Sonato no. 2, op. 35 orch. Elgar)

The Dream of Gerontius — Prelude

Imperial March, op. 32

Introduction and Allegro, op. 47

Variations on an Original Theme “Enigma”, op. 36: Theme

Variations on an Original Theme “Enigma”, op. 36: I. C.A.E.

Variations on an Original Theme “Enigma”, op. 36: II. H.D.S.-P.

Variations on an Original Theme “Enigma”, op. 36: III. R.B.T

Variations on an Original Theme “Enigma”, op. 36: IV. W.M.B

Variations on an Original Theme “Enigma”, op. 36: V. R.P.A

Variations on an Original Theme “Enigma”, op. 36: VI. Ysobel

Variations on an Original Theme “Enigma”, op. 36: VII. Troyte

Variations on an Original Theme “Enigma”, op. 36: VIII. W.N.

Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod

Variations on an Original Theme “Enigma”, op. 36: X. Intermezzo: Dorabella

Variations on an Original Theme “Enigma”, op. 36: XI. G.R.S

Variations on an Original Theme “Enigma”, op. 36: XII. B.G.N

Variations on an Original Theme “Enigma”, op. 36: XIII. Romanza: ***

Variations on an Original Theme “Enigma”, op. 36: XIV. Finale: E.D.U

Cello Concerto in E minor, op. 85: I. Adagio — Moderato —

Cello Concerto in E minor, op. 85: II. Lento — Allegro molto

Cello Concerto in E minor, op. 85: III. Adagio —

Cello Concerto in E minor, op. 85: IV. Allegro — Moderato — Cadenza — Allegro ma non troppo — Adagio — Allegro molto