The Complete Recordings

A Sea Symphony: I. A Song for All Seas, All Ships (Moderato maestoso): Behold, the sea itself (chorus)

A Sea Symphony: I. A Song for All Seas, All Ships (Moderato maestoso): Today a brief recitative (baritone & chorus)

A Sea Symphony: I. A Song for All Seas, All Ships (Moderato maestoso): Flaunt out, O sea, your separate flags of nations! (soprano & chorus)

A Sea Symphony: I. A Song for All Seas, All Ships (Moderato maestoso): Token of all brave captains (chorus)

A Sea Symphony: I. A Song for All Seas, All Ships (Moderato maestoso): A pennant universal (baritone, soprano & chorus)

A Sea Symphony: II. On the Beach at Night, Alone (Largo sostenuto): On the beach at night, alone (baritone & semi-chorus)

A Sea Symphony: II. On the Beach at Night, Alone (Largo sostenuto): A vast similitude interlocks all (baritone & chorus)

A Sea Symphony: III. Scherzo: The Waves (Allegro brillante)

A Sea Symphony: IV. The Explorers (Grave e molto adagio – Andante con moto): O vast Rondure, swimming in Space (chorus)

A Sea Symphony: IV. The Explorers (Grave e molto adagio – Andante con moto): Down from the gardens of Asia descending (chorus)

A Sea Symphony: IV. The Explorers (Grave e molto adagio – Andante con moto): O we can wait no longer (baritone & soprano)

A Sea Symphony: IV. The Explorers (Grave e molto adagio – Andante con moto): O thou transcendent (soprano, baritone & chorus)

A Sea Symphony: IV. The Explorers (Grave e molto adagio – Andante con moto): Greater than stars or suns (chorus, soprano & baritone)

A Sea Symphony: IV. The Explorers (Grave e molto adagio – Andante con moto): Sail forth (chorus, soprano & baritone)

A Sea Symphony: IV. The Explorers (Grave e molto adagio – Andante con moto): O my brave Soul! (soprano, baritone & chorus)

A London Symphony: I. Lento – Allegro risoluto

A London Symphony: II. Lento

A London Symphony: III. Scherzo (Nocturne): Allegro vivace

A London Symphony: IV. Andante con moto – Maestoso alla marcia

A Pastoral Symphony: I. Molto moderato

A Pastoral Symphony: II. Lento moderato

A Pastoral Symphony: III. Moderato pesante

A Pastoral Symphony: IV. Lento

Symphony no. 4 in F minor: I. Allegro

Symphony no. 4 in F minor: II. Andante moderato

Symphony no. 4 in F minor: III. Scherzo: Allegro molto

Symphony no. 4 in F minor: IV. Finale con epilogo fugato: Allegro molto

Symphony no. 6 in E minor (1967): I. Allegro

Symphony no. 6 in E minor (1967): II. Moderato

Symphony no. 6 in E minor (1967): III. Scherzo: Allegro vivace

Symphony no. 6 in E minor (1967): IV. Epilogue: Moderato

Symphony no. 5 in D: I. Preludio: Moderato

Symphony no. 5 in D: II. Scherzo: Presto

Symphony no. 5 in D: III. Romanza: Lento

Symphony no. 5 in D: IV. Passacaglia: Moderato

Symphony no. 9 in E minor: I. Moderato maestoso

Symphony no. 9 in E minor: II. Andante sostenuto

Symphony no. 9 in E minor: III. Scherzo: Allegro pesante

Symphony no. 9 in E minor: IV. Andante tranquillo

Sinfonia antartica: I. Prelude: Andante maestoso

Sinfonia antartica: II. Scherzo: Moderato

Sinfonia antartica: III. Landscape: Lento

Sinfonia antartica: IV. Intermezzo: Andante sostenuto

Sinfonia antartica: V. Epilogue: Alla marcia

Symphony no. 8 in D minor: I. Fantasia (Variazioni senza tema)

Symphony no. 8 in D minor: II. Scherzo alla marcia

Symphony no. 8 in D minor: III. Cavatina

Symphony no. 8 in D minor: IV. Toccata

Norfolk Rhapsody no. 1

In the Fen Country

The Lark Ascending (1967)

“The Wasps” Aristophanic Suite: I. Overture

“The Wasps” Aristophanic Suite: II. Entr’acte

“The Wasps” Aristophanic Suite: III. March of the Kitchen Utensils

“The Wasps” Aristophanic Suite: IV. Entr’acte

“The Wasps” Aristophanic Suite: V. Ballet and Final Tableau

Fantasia on “Greensleeves”

English Folk Song Suite: I. March (Seventeen Come Sunday)

English Folk Song Suite: II. Intermezzo (My Bonny Boy)

English Folk Song Suite: III. March (Folk Songs of Somerset)

Fantasia on a Theme by Thomas Tallis (1975)

Serenade to Music (1969, original version)

Toward the Unknown Region

Partita (for double string orchestra): I. Prelude: Andante tranquillo –

Partita (for double string orchestra): II. Scherzo ostinato: Presto

Partita (for double string orchestra): III. Intermezzo (Homage to Henry Hall): Andante con moto

Partita (for double string orchestra): IV. Fantasia: Allegro

Concerto Grosso: I. Intrada: Largo

Concerto Grosso: II. Burlesca ostinata: Allegro moderato

Concerto Grosso: III. Sarabande: Lento

Concerto Grosso: IV. Scherzo: Allegro: tempo di valse

Concerto Grosso: V. March: A la marcia and Reprise

Concerto in C for Two Pianos and Orchestra: I. Toccata: Allegro moderato

Concerto in C for Two Pianos and Orchestra: II. Romanza: Lento

Concerto in C for Two Pianos and Orchestra: III. Fuga chromatica: Allegro

Concerto in C for Two Pianos and Orchestra: III. con finale alla tedesca

Job – A Masque for Dancing (1970): Scene I. Introduction –

Job – A Masque for Dancing (1970): Scene I. Saraband of the Sons of God

Job – A Masque for Dancing (1970): Scene II. Satan’s Dance of Triumph

Job – A Masque for Dancing (1970): Scene III. Minuet of the Sons of Job and Their Wives

Job – A Masque for Dancing (1970): Scene IV. Job’s Dream –

Job – A Masque for Dancing (1970): Scene V. Dance of the Three Messengers

Job – A Masque for Dancing (1970): Scene VI. Dance of Job’s Comforters

Job – A Masque for Dancing (1970): Scene VII. Elihu’s Dance of Youth and Beauty –

Job – A Masque for Dancing (1970): Scene VII. Pavane of the Sons of the Morning

Job – A Masque for Dancing (1970): Scene VIII. Galliard of the Sons of the Morning –

Job – A Masque for Dancing (1970): Scene VIII. Altar Dance –

Job – A Masque for Dancing (1970): Scene IX. Epilogue

Dona nobis pacem: I. Agnus Dei: Lento –

Dona nobis pacem: II. Beat! beat! drums!: Allegro moderato –

Dona nobis pacem: III. Reconciliation: Andantino –

Dona nobis pacem: IV. Dirge for Two Veterans: Moderato alla marcia

Dona nobis pacem: V. The Angel of Death has been abroad: L’istesso tempo –

Dona nobis pacem: VI. O man greatly beloved

Fantasia (quasi variazione) on the Old 104th

A Song of Thanksgiving

The Lark Ascending (1952)

Symphony no. 6 in E minor (1949–50): I. Allegro

Symphony no. 6 in E minor (1949–50): II. Moderato

Symphony no. 6 in E minor (1949–50): III. Scherzo: Allegro vivace (revised version)

Symphony no. 6 in E minor (1949–50): IV. Epilogue: Moderato

Symphony no. 6 in E minor (1949–50): III. Scherzo (original version)

Flos campi: I. Sicut Lilium inter spinas

Flos campi: II. Jam enim hiems transit

Flos campi: III. Quaesivi quem diligit anima mea

Flos campi: IV. En lectulum Salomonis

Flos campi: V. Revertere, revertere Sulamitis!

Flos campi: VI. Pone me ut signaculum

Violin Concerto in D minor “Concerto accademico”: I. Allegro pesante

Violin Concerto in D minor “Concerto accademico”: II. Adagio – Tranquillo

Violin Concerto in D minor “Concerto accademico”: III. Presto

Serenade to Music (1951, choral version)

Fantasia on a Theme by Thomas Tallis (1940)

Job – A Masque for Dancing (1946): Scene I. Introduction –

Job – A Masque for Dancing (1946): Scene I. Saraband of the Sons of God

Job – A Masque for Dancing (1946): Scene II. Satan’s Dance of Triumph

Job – A Masque for Dancing (1946): Scene III. Minuet of the Sons of Job and Their Wives

Job – A Masque for Dancing (1946): Scene IV. Job’s Dream –

Job – A Masque for Dancing (1946): Scene V. Dance of the Three Messengers

Job – A Masque for Dancing (1946): Scene VI. Dance of Job’s Comforters

Job – A Masque for Dancing (1946): Scene VII. Elihu’s Dance of Youth and Beauty –

Job – A Masque for Dancing (1946): Scene VII. Pavane of the Sons of the Morning

Job – A Masque for Dancing (1946): Scene VIII. Galliard of the Sons of the Morning –

Job – A Masque for Dancing (1946): Scene VIII. Altar Dance –

Job – A Masque for Dancing (1946): Scene IX. Epilogue

The Pilgrim’s Progress: Prologue. Bunyan in Prison

The Pilgrim’s Progress: Act I, Scene 1. The Pilgrim Meets Evangelist

The Pilgrim’s Progress: Act I, Scene 2. The House Beautiful

The Pilgrim’s Progress: Act I. Nocturne: Intermezzo

The Pilgrim’s Progress: Act II, Scene 1. The Arming of the Pilgrim

The Pilgrim’s Progress: Act II, Scene 2. The Pilgrim Meets Apollyon

The Pilgrim’s Progress: Act III, Scene 1. Vanity Fair. “Buy! What will ye buy?”

The Pilgrim’s Progress: Act III, Scene 1. Vanity Fair. “I buy the truth!”

The Pilgrim’s Progress: Act III, Scene 2. The Pilgrim in Prison

The Pilgrim’s Progress: Act IV, Scene 1. The Pilgrim Meets Mister By-Ends

The Pilgrim’s Progress: Act IV. Entr’acte

The Pilgrim’s Progress: Act IV, Scene 2. The Delectable Mountains. “Who so dwelleth”

The Pilgrim’s Progress: Act IV, Scene 2. The Delectable Mountains. “The Lord is my Shepherd”

The Pilgrim’s Progress: Act IV, Scene 3. The Pilgrim Reaches the End of his Journey

The Pilgrim’s Progress: Epilogue

The Pilgrim’s Progress: Sir Adrian Boult in rehearsal. Act III, Scene 1

The Pilgrim’s Progress: Sir Adrian Boult in rehearsal. Act I, Nocturne

The Pilgrim’s Progress: Sir Adrian Boult in rehearsal. Act IV, Scene 1

The Pilgrim’s Progress: Sir Adrian Boult in rehearsal. Act IV, Scene 2

The Pilgrim’s Progress: Sir Adrian Boult in rehearsal. Act II, Scene 1