The Complete HMV Recordings

Il barbiere di Siviglia: Overture

La scala di seta: Overture

Guillaume Tell: Overture

La gazza ladra: Overture

L’italiana in Algeri: Overture

La Cenerentola: Overture

Symphony no. 4 in A op. 90 “Italian”: I. Allegro vivace

Symphony no. 4 in A op. 90 “Italian”: II. Andante con moto

Symphony no. 4 in A op. 90 “Italian”: III. Con moto moderato

Symphony no. 4 in A op. 90 “Italian”: IV. Saltarello: Presto

Le Bourgeois Gentilhomme op. 60: I. Overture

Le Bourgeois Gentilhomme op. 60: II. Jourdain Minuet

Le Bourgeois Gentilhomme op. 60: III. The Fencing Master

Le Bourgeois Gentilhomme op. 60: IV. Entrance and Dance of the Tailors

Le Bourgeois Gentilhomme op. 60: V. Minuet of Lully

Le Bourgeois Gentilhomme op. 60: VI. Courante

Le Bourgeois Gentilhomme op. 60: VII. Entrance of Cleonte (after Lully)

Le Bourgeois Gentilhomme op. 60: VIII. Intermezzo (Prelude to Act II)

Le Bourgeois Gentilhomme op. 60: IX. The Dinner

The Musical Offering BWV 1079 (orch. Markevitch): Ricercare a 3

The Musical Offering BWV 1079 (orch. Markevitch): Thema Regium

The Musical Offering BWV 1079 (orch. Markevitch): Canon a 2 “à l’écrevisse”

The Musical Offering BWV 1079 (orch. Markevitch): Canon perpetual

The Musical Offering BWV 1079 (orch. Markevitch): Canon a 2 “par mouvement contraire”

The Musical Offering BWV 1079 (orch. Markevitch): Canon a 2 “à l’unisson”

The Musical Offering BWV 1079 (orch. Markevitch): Canon a 2 “cherchez et vous trouverez”

The Musical Offering BWV 1079 (orch. Markevitch): Fuga canonical in Epidiapente

The Musical Offering BWV 1079 (orch. Markevitch): Canon a 2 par augmentation et mouvement contraire

The Musical Offering BWV 1079 (orch. Markevitch): Canon a 2 “par tous”

The Musical Offering BWV 1079 (orch. Markevitch): Canon circulaire a 4

The Musical Offering BWV 1079 (orch. Markevitch): Sonata a 4: I. Largo

The Musical Offering BWV 1079 (orch. Markevitch): Sonata a 4: II. Allegro (Tempo di giga)

The Musical Offering BWV 1079 (orch. Markevitch): Sonata a 4: III. Andante

The Musical Offering BWV 1079 (orch. Markevitch): Sonata a 4: IV. Allegro

The Musical Offering (orch. Markevitch): Ricercar a 6

Symphony no. 101 in D “The Clock”: I. Adagio – Presto

Symphony no. 101 in D “The Clock”: II. Andante

Symphony no. 101 in D “The Clock”: III. Menuetto: Allegretto

Symphony no. 101 in D “The Clock”: IV. Finale: Vivace

Symphony no. 102 in B‐flat: I. Largo – Vivace

Symphony no. 102 in B‐flat: II. Adagio

Symphony no. 102 in B‐flat: III. Menuetto: Allegro

Symphony no. 102 in B‐flat: IV. Finale: Presto

Symphony no. 8 in B minor D 759 “Unfinished”: I. Allegro moderato

Symphony no. 8 in B minor D 759 “Unfinished”: II. Andante con moto

Symphony no. 4 in F minor op. 36: I. Andante sostenuto

Symphony no. 4 in F minor op. 36: II. Andantino in modo di canzona

Symphony no. 4 in F minor op. 36: III. Scherzo: Pizzicato ostinato – Allegro

Symphony no. 4 in F minor op. 36: IV. Finale: Allegro con fuoco

Symphony no. 1 in F minor op. 10: I. Allegretto – Allegro non troppo

Symphony no. 1 in F minor op. 10: II. Allegro

Symphony no. 1 in F minor op. 10: III. Lento – Largo

Symphony no. 1 in F minor op. 10: IV. Allegro molto

Le Sacre du printemps (1951): Part I: Adoration of the Earth

Le Sacre du printemps (1951): Part II: The Sacrifice

Le Sacre du printemps (1951): Part I: Adoration of the Earth

Le Sacre du printemps (1951): Part II: The Sacrifice

Symphony no. 1 in D op. 25 “Classical”: I. Allegro

Symphony no. 1 in D op. 25 “Classical”: II. Larghetto

Symphony no. 1 in D op. 25 “Classical”: III. Gavotte: Non troppo allegro

Symphony no. 1 in D op. 25 “Classical”: IV. Finale: Molto vivace

Suite no. 2: II. Valse

The Nutcracker Suite op. 71a: I. Miniature Ouverture

The Nutcracker Suite op. 71a: II. March

The Nutcracker Suite op. 71a: III. Dance of the Sugarplum Fairy

The Nutcracker Suite op. 71a: IV. Russian dance “Trepak”

The Nutcracker Suite op. 71a: V. Arabian dance

The Nutcracker Suite op. 71a: VI. Chinese dance

The Nutcracker Suite op. 71a: VII. Dance of the Reed Flutes

The Nutcracker Suite op. 71a: VIII. Waltz of the Flowers

Swan Lake Suite op. 20a: No. 10 Scene: Moderato

Swan Lake Suite op. 20a: No. 11 Scene: Allegro moderato

Swan Lake no. 5: Pas de deux: b) Andante – Allegro

Swan Lake no. 5: Pas de deux: c) Tempo di valse

Swan Lake no. 5: Pas de deux: d) Coda (Allegro molto vivace)

Swan Lake no. 19 Pas de six: b) Variation 2 (Andante con moto)

Swan Lake no. 8 Dance with Goblets: Tempo di polacca

Swan Lake no. 13 Dance of the Swans: g) Coda (Allegro molto)

Romeo and Juliet (Fantasy Ouverture)

Dance Suite BB 86a: I. Moderato

Dance Suite BB 86a: II. Allegro molto

Dance Suite BB 86a: III. Allegro vivace

Dance Suite BB 86a: IV. Molto tranquillo

Dance Suite BB 86a: V. Comodo

Dance Suite BB 86a: VI. Finale

La Valse

Parade: I. Choral

Parade: Prélude du rideau rouge

Parade: Prestidigitateur chinois

Parade: II. Petite fille américaine

Parade: III. Acrobates

Parade: Final – Suite au “Prélude du rideau rouge”

Tanzwalzer op. 53

Kikimora op. 63

Le Roi malgré lui: Fête polonaise

Zwei Episoden aus Lenaus Faust S 110: No. 2 Der Tanz in der Dorfschenke

Aufforderung zum Tanze op. 65 (orch. Berlioz)

Les Sylphides. Mazurka in D op. 33 no. 2 (orch. Douglas)

Prélude à l’après‐midi d’un faune

L’Apprenti sorcier

El sombrero de tres picos (Suite no. 2): I. Danza de los vecinos

El sombrero de tres picos (Suite no. 2): II. Danza del molinero

El sombrero de tres picos (Suite no. 2): III. Danza final

Le donne di buon umore (Suite): I. Presto (from…

Le donne di buon umore (Suite): II. Allegro (from sonata in D K 435)

Le donne di buon umore (Suite): III. Andante (from sonata in b minor K 87)

Le donne di buon umore (Suite): IV. Non presto, in tempo di ballo (from sonata in D K 430)

Le donne di buon umore (Suite): V. Presto (from sonata in G K 455)

Daphnis et Chloé (Suite no. 2): I. Lever du jour

Daphnis et Chloé (Suite no. 2): II. Pantomime

Daphnis et Chloé (Suite no. 2): III. Danse générale

Giovanna d ’Arco: Overture

Macbeth: Act III: Ballet music

La battaglia di Legnano: Overture

Luisa Miller: Overture

La forza del destino: Overture

Aida: Prelude

Aufforderung zum Tanze op. 65

German Dance in C, K 605 no. 2 “Die Schlittenfahrt”

La Damnation de Faust op. 24: Ballet des sylphes

Danse macabre op. 40

Valse triste op. 44 no.1

The Carnival of the Animals: I. Introduction & Royal March of the Lion

The Carnival of the Animals: II. Hens and Roosters

The Carnival of the Animals: III. Wild Asses

The Carnival of the Animals: IV. Tortoises

The Carnival of the Animals: V. The Elephant

The Carnival of the Animals: VI. Kangaroos

The Carnival of the Animals: VII. Aquarium

The Carnival of the Animals: VIII. People with Long Ears

The Carnival of the Animals: IX. The Cuckoo in the Depths of the Woods

The Carnival of the Animals: X. Aviary

The Carnival of the Animals: XI. Pianists

The Carnival of the Animals: XII. Fossils

The Carnival of the Animals: XIII. The Swan

The Carnival of the Animals: XIV. Finale

Peter and the Wolf op. 67 (Wilfred Pickles – narrator)

The Young Person’s Guide to the Orchestra op. 34 (Peter Pears – narrator)

A Life for the Tsar: Overture

A Life for the Tsar: Act I. Introduction

A Life for the Tsar: Act I. Cavatina and Rondo (Antonida)

A Life for the Tsar: Act I. Scene and Chorus (Susanin, Choruses, Antonida)

A Life for the Tsar: Act I. Scene, Trio and Finale (Sobinin, Susanin, Antonida, Chorus)

A Life for the Tsar: Act II. Polonaise (Chorus of Polish countryfolk)

A Life for the Tsar: Act II. Krakowiak

A Life for the Tsar: Act II. Mazurka and Finale

A Life for the Tsar: Act III. Entr’acte

A Life for the Tsar: Act III. Aria and Duet (Vanya, Susanin)

A Life for the Tsar: Act III. Chorus

A Life for the Tsar: Act III. Quartet (Susanin, Sobinin, Vanya, Antonida)

A Life for the Tsar: Act III. Scene and Chorus

A Life for the Tsar: Act III. Nuptial Chorus and Scene (Chorus of young girls)

A Life for the Tsar: Act III. Romance and Chorus (Chorus of young girls)

A Life for the Tsar: Act III. Finale

A Life for the Tsar: Act IV. Entr’acte

A Life for the Tsar: Act IV. Chorus and Aria (Sobinin)

A Life for the Tsar: Act IV. Aria and Chorus (Vanya, Chorus of servants)

A Life for the Tsar: Act IV. Chorus (Chorus of Polish soldiers, Susanin)

A Life for the Tsar: Act IV. Aria (Susanin)

A Life for the Tsar: Act IV. Recitative and Finale (Susanin, Chorus of Polish soldiers)

A Life for the Tsar: Act IV. Epilogue (Chorus of celebrating Moscovites)

Romeo and Juliet (Fantasy Overture)

The Love for Three Oranges Suite op. 33bis: I. The Eccentrics

The Love for Three Oranges Suite op. 33bis: II. Chello the magician and Fata Morgana play cards

The Love for Three Oranges Suite op. 33bis: III. March

The Love for Three Oranges Suite op. 33bis: IV. Scherzo

The Love for Three Oranges Suite op. 33bis: V. The Prince and the Princess

The Love for Three Oranges Suite op. 33bis: VI. Flight

Ala i Lolli Suite Op. 20 “Scythian Suite”: I. The Adoration of …

Ala i Lolli Suite Op. 20 “Scythian Suite”: II. The Enemy God and Dance of the Black Spirits

Ala i Lolli Suite Op. 20 “Scythian Suite”: III. Night

Ala i Lolli Suite Op. 20 “Scythian Suite”: IV. The Glorious Departure of Lolli and Procession of the Sun

The Steel Step Suite op. 41bis: I. Entry of the People

The Steel Step Suite op. 41bis: I. II. The Officials

The Steel Step Suite op. 41bis: I. III. The Sailor and the Factory Worker

The Steel Step Suite op. 41bis: I. IV. The Factory

A Night on the Bare Mountain (orch. Rimsky‐Korsakov)

Divertimento (Suite after Le Baiser de la fée): I. Sinfonia

Divertimento (Suite after Le Baiser de la fée): II. Danses suisses

Divertimento (Suite after Le Baiser de la fée): III. Scherzo

Divertimento (Suite after Le Baiser de la fée): IV. Pas de deux – a) Adagio

Divertimento (Suite after Le Baiser de la fée): IV. Pas de deux – b) Variation

Divertimento (Suite after Le Baiser de la fée): IV. Pas de deux – c) Coda

Pulcinella (Suite after Pergolesi): I. Sinfonia

Pulcinella (Suite after Pergolesi): II. Serenata

Pulcinella (Suite after Pergolesi): III. Scherzino – Allegretto – Andantino

Pulcinella (Suite after Pergolesi): IV. Tarantella

Pulcinella (Suite after Pergolesi): V. Toccata

Pulcinella (Suite after Pergolesi): VI. Gavotte – Variation no.1 – Variation no.2

Pulcinella (Suite after Pergolesi): VII. Vivo

Pulcinella (Suite after Pergolesi): VIII. Minuetto

Pulcinella (Suite after Pergolesi): Finale

Petrushka (excerpts), Part I (The Shrovetide Fair): IV. Russia…

Petrushka (excerpts), Part II (Petrushka’s Cell)

Petrushka (excerpts), Part III (The Shrovetide Fair [Evening])

Till Eulenspiegels lustige Streiche op. 28

Prince Igor: Chorus and Dance of the Polovtsian Maidens

Polovtsian Dances

Peter and the Wolf op. 67

The Young Person Guide to the Orchestra op. 34

La Périchole: Overture

La Périchole: Acte I. Festival Chorus « Du Vice‐roi, c’est aujourd’hui la fête »

La Périchole: Acte I. Song of the three cousins « Promptes à servir la pratique »

La Périchole: Acte I. Chorus & Couplets of the disguised « C’est lui, c’est notre Vice‐roi ! »

La Périchole: Acte I. Text: The Viceroy tries his best to speak to the three cousins

La Périchole: Acte I. Romance of the Spaniard and the Indian Girl « Le conquérant dit à la jeune indienne »

La Périchole: Acte I. Text: They make a collection but without any success – Seguidilla

La Périchole: Acte I. Text: Alas how they prepare themselves to make a collection – Chorus of Monte…

La Périchole: Acte I. Text: Piquillo and La Périchole are annoyed

La Périchole: Acte I. La Périchole’s letter « Ô mon cher amant »

La Périchole: Acte I. Text: The regulations of the Court

La Périchole: Acte I. Chorus and Duet of the lawyers « Holà ! Oh ! Holà ! »

La Périchole: Acte I. Tipsy‐Arietta « Ah ! quel diner »

La Périchole: Acte I. Sung Recitative « C’est un ange, messieurs ! »

La Périchole: Acte I. Marriage Duet « Je dois vous prévenir, Madame »

La Périchole: Acte I. Text: Good gracious!… How fussy they are – Finale and March of the townspeople

La Périchole: Acte II. Introduction

La Périchole: Acte II. Text: We are now in the throne room of the Viceroy’s palace

La Périchole: Acte II. Dialogue « Ah ! je reprends mes esprits »

La Périchole: Acte II. Cancans‐Couplets « On vante partout son sourire »

La Périchole: Acte II. Text: The “Dames de la Cour” leave

La Périchole: Acte II. Courtiers’ Chorus « Quel marché de bassesse »

La Périchole: Acte II. Text: The courtiers disperse

La Périchole: Acte II. Couplets « Et là, maintenant que nous sommes seuls »

La Périchole: Acte II. Dialogue « Moi, Piquillo, je voudrais m’en aller »

La Périchole: Acte II. Finale: Présentation Chorus « Nous allons donc voir un mari »

La Périchole: Acte II. Récitative « De tout ce que j’ai dit »

La Périchole: Acte II. Couplets « Que veulent dire ces colères… »

La Périchole: Acte II. Text: You’re right, I should not lose my temper – Rondo « Écoute, ô Roi »

La Périchole: Acte II. Gallop of the arrest « Sautez dessus »

La Périchole: Acte II. Rondo des maris ré…cal…ci…trants ! : « Et maintenant, que faut‐il faire »

La Périchole: Acte III. Text: We are now in a dungeon

La Périchole: Acte III. Couplets‐Boléro « Les maris courbaient la tête »

La Périchole: Acte III. Text: And Piquillo laments his fate – Aria « On me proposait d’être infâme »

La Périchole: Acte III. Text: What will La Perichole do? – Duo & Couplets of confession

La Périchole: Acte III. Text: But how can it be done – Trio of the Pretty Jailer

La Périchole: Acte III. « Il est gentil, ce petit géôlier »

La Périchole: Acte III. Prison Trio « Roi pas plus haut qu’une botte »

La Périchole: Acte III. Dialogue « Oui, divine Périchole »

La Périchole: Acte III. Finale « Je t’adore, si je suis folle »

La Périchole: Acte III. Text: The Town Square of Lima – Patrols’ Chorus « En avant, en avant soldats »

La Périchole: Acte III. Three Cousins’ Arietta « Pauvres gens, où sont‐ils ? »

La Périchole: Acte III. Dialogue « Et voici qu’accourt le Vice‐roi »

La Périchole: Acte III. Finale – Lovers’ lament « Écoutez, peuple d’Amérique, de l’Espagne et du Pérou »

La Périchole: Acte III. Duo with chorus « Tous deux, au temps de peine et de misère »

Concerto Grosso in D op. 6 no. 5 HWV 323: I. Adagio (Larghetto e staccato)

Concerto Grosso in D op. 6 no. 5 HWV 323: II. Allegro

Concerto Grosso in D op. 6 no. 5 HWV 323: III. Presto

Concerto Grosso in D op. 6 no. 5 HWV 323: IV. Largo

Concerto Grosso in D op. 6 no. 5 HWV 323: V. Menuet: Un poco larghetto

Concerto Grosso in D op. 6 no. 5 HWV 323: VI. Allegro

Variations on a Theme by Haydn op. 56a: Theme: Andante

Variations on a Theme by Haydn op. 56a: I. Poco piu animato

Variations on a Theme by Haydn op. 56a: II. Piu vivace

Variations on a Theme by Haydn op. 56a: III. Con moto

Variations on a Theme by Haydn op. 56a: IV. Andante con moto

Variations on a Theme by Haydn op. 56a: V. Vivace

Variations on a Theme by Haydn op. 56a: VI. Vivace

Variations on a Theme by Haydn op. 56a: VII. Grazioso

Variations on a Theme by Haydn op. 56a: VIII. Presto non troppo

Variations on a Theme by Haydn op. 56a: IX. Finale: Andante

Canti di prigionia: No. 1. Preghiera di Maria Stuarda

Canti di prigionia: No. 2. Invocazione di Boezio

Canti di prigionia: No. 3. Congedo di Girolamo Savonarola

L’Envol d’Icare: I. Prélude

L’Envol d’Icare: II. Jeux des Adolescents

L’Envol d’Icare: III. Icare attrape deux colombes

L’Envol d’Icare: IV. Icare se fait fixer des ailes aux épaules

L’Envol d’Icare: V. L’Envol d’Icare

L’Envol d’Icare: VI. Ou I’on apprend la chute

L’Envol d’Icare: VII. La Mort d’Icare

Le Nouvel Age: I. Overture

Le Nouvel Age: II. Adagio

Le Nouvel Age: III. Hymne