The Complete Erato Recordings: Baroque & Renaissance Eras

Missa a 4 voci da capella, SV 190: I. Kyrie

Missa a 4 voci da capella, SV 190: II. Gloria

Missa a 4 voci da capella, SV 190: III. Credo

Missa a 4 voci da capella, SV 190: IV. Sanctus

Missa a 4 voci da capella, SV 190: V. Benedictus

Missa a 4 voci da capella, SV 190: VI. Agnus Dei

Tenebrae factae sunt, motet

Three Lamentations of Jeremiah: De Lamentatione Jeremiae

Three Responses for the Matins of Holy Saturday: Sicut ovis

Three Lamentations of Jeremiah: Aleph. Quomodo obscuratum est aurum

Three Responses for the Matins of Holy Saturday: Jerusalem surge

Three Lamentatione of Jeremiah: Incipit lamentatio Jeremiae

Three Responses for the Matins of Holy Saturday: Plange quasivirgo

Intellige clamorem meum

Salvum fac populum tuum

Exaltabo te Domine quoniam

Domine vivifica me

Ad te Domine levavi

Exsultate Deo adjutori

Missa ad usum Capellae Pontificiae: I. Kyrie

Missa ad usum Capellae Pontificiae: II. Gloria

Missa ad usum Capellae Pontificiae: III. Credo

Missa ad usum Capellae Pontificiae: IV. Sanctus

Missa ad usum Capellae Pontificiae: V. Benedictus

Missa ad usum Capellae Pontificiae: VI. Agnus Dei

Vespro della Beata Vergine, SV 206: I. Domine ad adjuvandum me (sex vocibus et sex instrumentis)

Vespro della Beata Vergine, SV 206: II. Dixit Dominus (Psalm 109) (sex vocibus et sex instrumentis)

Vespro della Beata Vergine, SV 206: III. Nigra sum (motetto ad una voce)

Vespro della Beata Vergine, SV 206: IV. Laudate pueri Dominum (Psalm 112) (octo vocibus)

Vespro della Beata Vergine, SV 206: V. Pulchra es (a due voci)

Vespro della Beata Vergine, SV 206: VI. Laetatus sum (Psalm 121) (a sei voci)

Vespro della Beata Vergine, SV 206: VII. Duo Seraphim (a tre voci)

Vespro della Beata Vergine, SV 206: VIII. Nisi Dominus (Psalm 126) (a dieci voci)

Vespro della Beata Vergine, SV 206: IX. Audi Coelum (sex vocibus)

Vespro della Beata Vergine, SV 206: X. Lauda, Jerusalem (Psalm 147) (septem vocibus)

Vespro della Beata Vergine, SV 206: XII. Sonata sopra Santa Maria pro nobis (a 8)

Vespro della Beata Vergine, SV 206: XIII. Ave maris stella Hymnis (octo vocibus)

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XIV. Magnificat

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XV. Anima mea Dominum (a 2 voci)

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XVI. Et exultavit (a 3 voci)

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XVII. Quia respexit (ad una voce sola)

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XVIII. Quia fecit (a 6 voci in dialogo)

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XIX. Et misericordia (a 3 voci)

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XX. Fecit potentiam (a 3 voci)

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXI. Deposuit, et cantano doi (soprani in echo)

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXII. Esurientes (a 2 voci)

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXIII. Suscepit Israel (a 2 voci)

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXIV. Sicut locutus est (a 5 voci in dialogo)

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXV. Gloria Patri (a 6 voci)

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXVI. Sicut erat in principio

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXVII. Magnificat

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXVIII. Anima mea Dominum (ad una voce sola)

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXIX. Et exultavit (a 3 voci)

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXX. Quia respexit (ad una voce et sei instrumenti)

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXI. Quia fecit (a 3 voici et doi instrumenti)

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXII. Et misericordia (a 6 voci sole in dialogo)

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXIII. Fecit potentiam (ad una voce et tre instrumenti)

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXIV. Deposuit potentes (ad una voce et tre instrumenti)

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXV. Et exultavit (ad una voce et tre instrumenti)

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXVI. Esurientes (a 2 voici et quattro instrumenti)

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXVII. Suscepit Israel (a 3 voci)

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXVIII. Sicut locutus est (ad una voce et sei instrumenti)

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXIX. Gloria Patri (a 3 voci due de le quali cantano in echo)

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XL. Sicut erat in principio (tutti gli instrumenti et voci)

Laetatus sum, SV 198 (a 5 strumenti e 6 voci)

Nisi Dominus, SV 200 (a 3 voci e due violini, B.C. - alto, baritono, basso)

Laudate pueri Dominum, SV 196 (a 5 voci e B.C.)

Laetaniae della Beata Virgine, SV 204 (a 5 voci e B.C. - soprano, alto)

Currite populi, SV 297 (a voce sola e B.C. - baritono)

O beatae viae, SV 312 (a 2 voci e B.C. - soprano, alto)

Gloria, SV 258 (a 7 voci concertate con strumenti)

Salve Regina, SV 284 (a 2 voci e B.C. - 2 soprani)

Laudate Dominum jomnes gentes, SV 272a (a 5 voci concerto con 2 violini e B.C.)

Confitebor, SV 266 (a 3 voci concerto con 2 violini e B.C. - soprano, tenore, basso)

Magnificat, SV 282 (a 4 voci in genere da capella)

Dixit Dominus, SV 264 (a 8 voci, coro, soli e orchestra)

O ciechi il tanto affaticar, SV 252 (coro e orchestra)

Voi ch'ascoltate, SV 253 (soli e orchestra)

E questa vita un lampo, SV 254 (coro e 5 voci)

Et iterum, SV 261 (2 tenori e baritono)

Deus tuorum militum, SV 280 (3 voci e 2 violini - alto, tenore, basso)

Laudate Dominum omnes gentes, SV 272 (voce sola)

Magnificat, SV 281 (a 8 voci, coro, soili e orchestra)

Fuge, fuge, anima mea, SV 305 (2 voci e violino)

Adoramus, SV 289 (coro a 6 voci)

Ego dormio, SV 300 (tenor e basso)

Venite, venite silientes, SV 335 (soprano e alto)

Confitebor, SV 267 (coro e soprano)

Spontava il di, SV 255 (alto, tenore, baritono)

Chi vol che m'innamori, SV 256 (alto, tenore, baritono e 2 violini)

Sanctorum meritis, SV 277 (voce sola e 2 violini)

Beatus vir, SV 269 (coro a 5 voci)

Laudate pueri Dominum, SV 271 (coro a 5 voci e 2 tenori)

Jubilet tota civitas, SV 286 (soprano)

Memento, SV 276 (coro a 8 voci)

Ab aeterno, SV 262 (basso)

Nisi Dominus, SV 201 (coro a 6)

Confitebor, SV 296 (soprano e orchestra)

Dixit Dominus, SV 192 (doppio coro)

Laudate Dominum, SV 197 (voce sola)

Cantate Domino, SV 292 (a 2 voci)

Christe adoramus te, SV 294 (coro a 5 voci)

Salve Regina, SV 327 (voce sola)

Domine, ne in furore, SV 298 (coro a 6 voci)

Sancta Maria, SV 328 (soprano e alto)

Lauda Jerusalem, SV 203 (coro a 5 voci)

Dixit Dominus, SV 263 (a 8 voci, coro, soli e orchestra)

Salve Regina, SV 285 (alto, tenore e basso)

Iste confessor, SV 279 (a 2 soprani e 2 violini)

Beatus vir, SV 268 (coro e orchestra)

Confitebor, SV 265 (contro-tenore, tenore, basso, coro)

Salve Regina, SV 283 (2 tenori e 2 violini)

Laudate Dominum, SV 273 (a 8 voci, coro e orchestra)

Et resurrexit, SV 260 (2 soprani e 2 violini)

Beatus vir, SV 195 (a 7 voci, coro, soli e orchestra)

Salve Regina, SV 326 (voce sola - soprano)

Confitebor, SV 194 (2 voci e orchestra - soprano, tenor)

Dixit Dominus, SV 191 (a 8 voci, coro e soli)

O bone Jesu, SV 313 (a 2 voci - soprano, alto)

O quam pulchra, SV 317 (voce sola - tenore)

En gratulemur hodie, SV 302 (1 voce e 2 violini - tenore)

Laetatus sum, SV 199 (coro a 5 voci)

Laudate pueri Dominum, SV 270 (a 5 voci, coro, basso solo e orchestra)

Pianto della Madonna sopra il Lamento dell'Ariana, SV 288 (voce sola - alto)

Crucifixus, SV 259 (coro a 4 voci)

Sanctorum meritis, SV 278 (1 voce e 2 violini - tenore)

Laudate Dominum, SV 274 (a 8, coro e soli - 2 soprani)

Cantate Domino, SV 293 (coro a 6 voci)

Lauda Jerusalem, SV 202 (contro-tenore, baritono e basso)

Ecce sacrum paratum, SV 299 (voce sola - tenore)

Ego flos campi, SV 301 (voce sola - alto)

Credidi procter, SV 275 (doppio coro)

Orfeo: Toccata

Orfeo: Prologo: Ritornello (La Musica)

Orfeo: Atto Primo. “In questo lieto e fortunato giorno”

Orfeo: Atto Primo. “Vieni Imeneo”

Orfeo: Atto Primo. “Muse, onor di Parnaso, amor del cielo” (Shepherd 1, Nymph, Chorus of Nymphs and Shepherds)

Orfeo: Atto Primo. “Lasciate i monti”

Orfeo: Atto Primo. “Ma tu, gentil cantor” - “Rosa del ciel, vita del mondo” / “Io non dirò qual sia” (Chorus of Nymphs and Shepherds, Shepherd 3, Orfeo, Euridice)

Orfeo: Atto Primo. “Vieni Imeneo, deh, vieni” (Chorus of Nymphs and Shepherds)

Orfeo: Atto Primo. “Ma s'il nostro gioir…” - Ritornello

Orfeo: Atto Primo. “Alcun non sia…” - Ritornello - “Chè, poichè nembo…” - Ritornello - “E dopo l'aspro…” - “Ecco Orfeo cui…” (Nymph, Shepherds, Chorus of Nymphs and Shepherds)

Orfeo: Atto Secondo. “Ecco pur ch'a voi ritorno” - “Mira ch'a sè n'alletta”

Orfeo: Atto Secondo. “In questo prato adorno” (Orfeo, Shepherd 1, Shepherd 2, Chorus of Nymphs and Shepherds)

Orfeo: Atto Secondo. “Vi ricorda, o bosch' ombrosi” (Orfeo)

Orfeo: Atto Secondo. “Mira, deh mira” - “Ahi caso acerbol ahi fat' empio e crudele!” - “Tu se' morta, mia vita, ed io respiro?” (Messenger, Orfeo, Shepherds)

Orfeo: Atto Secondo. “Ahi caso acerbo, ahi fat'empio e crudele!”

Orfeo: Atto Secondo. “Maio ch'in questa lingua” (Messenger, Chorus of Nymphs and Shepherds)

Orfeo: Atto Secondo. “Chi ne consola, ahi lassi?” - “Ahi caso acerbo…” - “Ma dove, ah, dove or sono” - “Ahi caso acerbo…” - Ritornello (Shepherd 1, Shepherd 2, Chorus of Nymphs and Shepherds)

Orfeo: Sinfonia - “Scorto da te, mio Nume” (Orfeo)

Orfeo: Atto Terzo. “Ecco l'astra palude, ecco il nocchiero” - “Dove, ah, dove te 'n vai” (La Speranza, Orfeo)

Orfeo: Atto Terzo. “O tu ch'innanzi mort' a queste rive” - Sinfonia (Caronte)

Orfeo: Atto Terzo. “Possente spirto e formidabil Nume” (Orfeo)

Orfeo: Atto Terzo. “Sol tu, nobile dio, puoi darmi aita” (Caronte, Orfeo)

Orfeo: Atto Terzo. “Ei dorme, e la mia cetra” (Orfeo)

Orfeo: Atto Terzo. Sinfonia - “Nulla impresa per uom si tenta invano” (Chorus of Infernal Spirits)

Orfeo: Atto Quarto. “Signor, quell'infelice” (Proserpina)

Orfeo: Atto Quarto. “Benchè severo ed”

Orfeo: Atto Quarto. “O degli abitator… Pietade oggi e Amore” (Plutone, Spirits, Proserpina, Chorus of Infernal Spirits)

Orfeo: Atto Quarto. “Qual onor di te fia degno” (Orfeo)

Orfeo: Atto Quarto. “Ahi, vista troppo dolce e troppo amara!” - “Torn'a l'ombre di morte” (Euridice, Spirit 1, Orfeo, Chorus of Infernal Spirits)

Orfeo: Atto Quarto. “E' la virtute un raggio” - Sinfonia (Chorus of Infernal Spirits)

Orfeo: Atto Quinto. Ritornello

Orfeo: Atto Quinto. “Questi i campi di Tracia…” - Sinfonia (Orfeo, Eco)

Orfeo: Atto Quinto. “Perch'a lo sdegno ed al dolor in preda” (Apollo, Orfeo)

Orfeo: Atto Quinto. “Saliam cantand' al cielo” (Apollo, Orfeo)

Orfeo: Atto Quinto. Ritornello - “Vanne, Orfeo, felice appieno” - Moresca (Chorus)

Il estoit une fillette: Chanson à quatre (1540)

Il estoit une fillette: Ronde (1551)

Il estoit une fillette: Chanson accompagnée

Mari je songeois l'aultre jour: Chanson à quatre (1532)

Mari je songeois l'aultre jour: Branle gay (1547)

Mari je songeois l'aultre jour: Branle gay (1564)

Pourquoi donc ne fringuerons-nous: Chanson à quatre (1533)

Pourquoi donc ne fringuerons-nous: Rondo (1551)

C'est grand plaisir: Chanson à trois (1529)

C'est grand plaisir: Chanson transcrite pour clavier (1531)

C'est grand plaisir: Tourdion (1547)

Mille regretz: Chanson à quatre (1520)

Mille regretz: Pavane (1551)

C'est à grand tort: Chanson à quatre (1520)

C'est à grand tort: Chanson transcrite pour clavier (1531)

C'est à grand tort: Chanson transcrite pour deux instruments (1552)

La Volonté: Basse danse (1547)

La Volonté: Chanson à quatre (1543)

Celle qui m'a le nom d'amy donné: Chanson à quatre (1543)

Celle qui m'a le nom d'amy donné: Basse danse (1547)

Ramonez-moi ma cheminée: Chanson à quatre (1539)

Jectez-moi sur l'herbette: Chanson à quatre (1533)

Suite de danseries, tirée du « Second livre » (1547): Pavane 47

Suite de danseries, tirée du « Second livre » (1547): Gaillarde 49

Suite de danseries, tirée du « Second livre » (1547): Gaillarde 50 (à cinq, sur La Romanesca)

Suite de danseries, tirée du « Second livre » (1547): Basse danse 19

Suite de danseries, tirée du « Second livre » (1547): Branle simple 21

Suite de danseries, tirée du « Second livre » (1547): Branle simple 35

Suite de danseries, tirée du « Second livre » (1547): Tourdion 9

Suite de danseries, tirée du « Second livre » (1547): Tourdion 10

Suite de danseries, tirée du « Second livre » (1547): Branle gay 36 “Que je chatouille ta fossette”

Suite de danseries, tirée du « Second livre » (1547): Branle gay 23

J'ay le rebours: Chanson à quatre (1562)

J'ay le rebours: Pavane (1571)

J'ay le rebours: Gaillarde (1571)

Dont viens cela: Chanson à quatre (1530)

Dont viens cela: Basse danse (1551)

Auprès de vous: Chanson à quatre (1530)

Auprès de vous: Basse danse (1547)

Auprès de vous: Chanson transcrite pour clavier (1531)

Fricassée: Chanson à quatre, accompagnée (1531)

La Chère Maison

Les Bonnes Dames de Saint‐Gervais

J’ai descendu au verger

Heureux celui qui revoit sa patrie

Oh ! que la vie est douce chose

La Jardinière du roy

La Moisson

Nous n’avons chez nous

Nouthra Dona di Maortsé

Trois jeunes tambours

C’est le joly mois de may

Gentil coqu’licot

Mon père tôt m’a mariée

La Marion

J’ai vu le loup, le renard, le lièvre

Rossignolet du bois

Le Vira do minho

Les Yeux de la Marianita

Berceuse polonaise

Le jour est là

Chanson dans le vent “Pisnicka”

“Or sus tous humains”

“Que Dieu se montre seulement”

“Laisse-moi désormais”

“Mon cœur rempli”

“O Seigneur”

“Du fond de ma pensée”

Mass “La Bien que j'ay”: I. Introit

Mass “La Bien que j'ay”: II. Kyrie

Mass “La Bien que j'ay”: III. Gloria

Mass “La Bien que j'ay”: IV. Alleluia

Mass “La Bien que j'ay”: V. Credo

Mass “La Bien que j'ay”: VI. Offertoire

Mass “La Bien que j'ay”: VII. Sanctus

Mass “La Bien que j'ay”: VIII. Benedictus

Mass “La Bien que j'ay”: IX. Communion

Mass “La Bien que j'ay”: X. Agnus Dei

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: I. Symphonie - Récit et chœur: “De profundis clamavi”

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: II. Quator: “Fiant aures tuae”

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: III. Récit: “Si iniquitates observaveris Domine”

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: IV. Trio: “Quia apud te apropriatio est”

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: V. Récit: “Sistinuit anima”

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: VI. Trio: “Sistinuit anima” - Récit: “A Custodia matutina”

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: VII. Due et chœur: “A Custodia matutina”

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: VIII. Récit: “Quia apud Dominum misericordia”

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: IX. Chœur: “Et ipse redimet Israel”

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: X. Chœur: “Requiem aeternam”

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: XI. Chœur: “Et lux perpetua”

Regina coeli, pour soli, chœur et orchestre, S. 53: I. Duo et chœur: “Regina coeli laetare”

Regina coeli, pour soli, chœur et orchestre, S. 53: II. Récit: “Quia quem meruisit” - Trio: “Resurrexit”

Regina coeli, pour soli, chœur et orchestre, S. 53: III. Chœur: “Ora pro nobis, Deum, Alleluia”

Ricercare per sonar (in 8 parts: brass instruments)

Risonanza di echo (8 solo voices)

L'Olica, canzon per sonar (in 4 parts: violas)

Non dispregiate i miserelli amanti (3 solo voices and violas da gamba)

Padre del ciel (in 5 parts: organ)

Boscareccia pastorale (12 voices triple chorus)

Hor che nel suo bel seno (8 voices double chorus)

Canone a l'unissono (in 8 parts: brass instruments and organ)

Lieti fieri e felici, e ben nate erbe (in 5 parts: mezzo-soprano and violas)

Sparve e ogni stella in cielo (in 6 parts: 2 trumpets and violas)

Pasce la pecorella (in 5 parts: soprano, tenor, violas and harpsichord)

Canzone prima: “La Spiratata” (in 4 parts: brass instruments, violas and continuo)

Io mi sento morire (in 8 parts: brass instruments)

Canzon fa-sol-la-ré (in 8 parts: double chorus, brass instruments, vioas da gamba and organ)

Niuna sconsolata (soprano and violas da gamba)

Canzon seconda (in 4 parts: organ)

Poi ch'il mio largo pianto (5 solo voices)

Tratto fuora del Mare (in 6 parts: recorder, violas da gamba and harpsichord)

Echo Vinegia bella (12 voices chorus)

Canzon per sonar (in 4 parts: brass instruments)

Battaglia (8 voices, first and second part)

Gravi pene in amor (in 5 parts: brass instruments)

Amor è gratiosa e dolce voglia (5 solo voices)

Canzon per sonar (in 4 parts: violas)

Non rumor di tamburi (7 solo voices)

Canzone (in 5 parts: recorder, violas da gamba and harpsichord)

A le guancie di rose (8 solo voices dialog)

Canzone quarta (in 4 parts: organ)

Plaudite omnis terra

Miserere mei, Deus

Domine exaudi orationem meam

Cantate Domino

Canzon noni toni

Diligam te Domine

Jubilate Deo

Missa: Kyrie

Missa: Gloria

Missa: Sanctus

Canzon primi toni

Ego rogabo patrem

Virtute magna

Magnificat

Magnificat

O Domine Jesu Christe

Hodie Christus natus est

Hoc tegitur

Sancta et immaculata Virginatas

Angelus Domini descendit

Nunc dimittis

Jam non dicam vos servos

Misericordias Domini

Jubilate Deo

O Jesu mi dulcissime

Regina coeli

Ego sum qui sum

Magnificat in D major, BWV 243: I. Magnificat (chorus)

Magnificat in D major, BWV 243: II. Et exultavit spiritus meus (soprano II)

Magnificat in D major, BWV 243: III. Quia respexit humilitatem (soprano I)

Magnificat in D major, BWV 243: IV. Omnes generationes (chorus)

Magnificat in D major, BWV 243: V. Quia fecit mihi magna (bass)

Magnificat in D major, BWV 243: VI. Et misericordia (alto, tenor)

Magnificat in D major, BWV 243: VII. Fecit potentiam (chorus)

Magnificat in D major, BWV 243: VIII. Deposuit potentes (chorus)

Magnificat in D major, BWV 243: IX. Esurientes implevit bonis (alto)

Magnificat in D major, BWV 243: X. Suscepit Israel (soprano I & II, alto)

Magnificat in D major, BWV 243: XI. Sicut locutus est (chorus)

Magnificat in D major, BWV 243: XII. Gloria Patri (chorus)

Cantata “Es wartet alles auf dich”, BWV 187: I. Chorus: “Es wartet alles auf dich”

Cantata “Es wartet alles auf dich”, BWV 187: II. Recitative: “Was Kreaturen häit, das große Rund der Welt” (bass)

Cantata “Es wartet alles auf dich”, BWV 187: III. Aria: “Du, Herr, du krönst allein das Jahr” (alto)

Cantata “Es wartet alles auf dich”, BWV 187: IV. Aria: “Darum sollt ihr nicht sorgen” (bass)

Cantata “Es wartet alles auf dich”, BWV 187: V. Aria: “Gott versorget alles Leben” (soprano)

Cantata “Es wartet alles auf dich”, BWV 187: VI. Recitative: “Halt ich nur fest an ihm” (soprano)

Cantata “Es wartet alles auf dich”, BWV 187: VII. Choral: “Gott hat die Erde zugericht” (chorus)

Mass in B minor, BWV 232: Kyrie. I. Kyrie eleison I (chorus)

Mass in B minor, BWV 232: Kyrie. II. Christe eleison (soprano, mezzo-soprano)

Mass in B minor, BWV 232: Kyrie. III. Kyrie eleison II (chorus)

Mass in B minor, BWV 232: Gloria. IV. Gloria in excelsis (chorus)

Mass in B minor, BWV 232: Gloria. V. Et in terra pax (chorus)

Mass in B minor, BWV 232: Gloria. VI. Laudamus te (soprano)

Mass in B minor, BWV 232: Gloria. VII. Gratias agimus tibi (chorus)

Mass in B minor, BWV 232: Gloria. VIII. Domine Deus (soprano, tenor)

Mass in B minor, BWV 232: Gloria. IX. Qui tollis peccata mundi (chorus)

Mass in B minor, BWV 232: Gloria. X. Qui sedes ad dexteram Patris (mezzo-soprano)

Mass in B minor, BWV 232: Gloria. XI. Quoniam tu solus sanctus (bass)

Mass in B minor, BWV 232: Gloria. XII. Cum Sancto Spiritu (chorus)

Mass in B minor, BWV 232: Credo. XII. Credo in unum Deum (chorus)

Mass in B minor, BWV 232: Credo. XIII. Patrem omnipotentem (chorus)

Mass in B minor, BWV 232: Credo. XIV. Et in unum Dominum (soprano, mezzo-soprano)

Mass in B minor, BWV 232: Credo. XV. Et incarnatus est (chorus)

Mass in B minor, BWV 232: Credo. XVI. Crucifixus (chorus)

Mass in B minor, BWV 232: Credo. XVII. Et resurrexit (chorus)

Mass in B minor, BWV 232: Credo. XVIII. Et in Spiritum Sanctum Dominum (baritone)

Mass in B minor, BWV 232: Credo. XIX. Confiteor

Mass in B minor, BWV 232: Credo. XX. Et expecto (chorus)

Mass in B minor, BWV 232: Sanctus. XXI. Sanctus (chorus)

Mass in B minor, BWV 232: Sanctus. XXII. Osanna in excelsis (chorus)

Mass in B minor, BWV 232: Sanctus. XXIII. Benedictus (tenor)

Mass in B minor, BWV 232: Sanctus. XXIV. Osanna repetirur (chorus)

Mass in B minor, BWV 232: Sanctus. XXV. Agnus Dei (mezzo-soprano)

Mass in B minor, BWV 232: Sanctus. XXVI. Dona nobis pacem (chorus)

Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum vocasset in proelium” (Historicus, Jephte, chorus)

Historia di Jephte, oratorio for soli, chorus and orchestra: “Et percussit Jephte” (Historicus)

Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum autem victor Jephte” (Historicus, Filia, chorus)

Historia di Jephte, oratorio for soli, chorus and orchestra: “Cantate mecum Domino” (Filia, chorus)

Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum vidisset Jephte” (Historicus, Jephte)

Historia di Jephte, oratorio for soli, chorus and orchestra: “Pater mi, si voviste votum Domino” (Filia, Jephte)

Historia di Jephte, oratorio for soli, chorus and orchestra: “Vade filia mea” (Jephte, Historicus a 4)

Historia di Jephte, oratorio for soli, chorus and orchestra: “Plorate colles” (Filia, Eccho)

Historia di Jephte, oratorio for soli, chorus and orchestra: “Plorate filii Israel” (chorus)

Motet “O qual pulchra es”, for soprano, strings and continuo

Motet “O vulnera dolorim”, for bass and organ

Motet “Salve, salve puellule”, for tenor, strings and continuo

Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Aegrotante Ezechia” (Angeli, Dominus)

Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Ezechia, hoc tibi dicit Dominus” (Isaias, Ezechias, Angeli)

Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Obsecro, Domine” (Ezechias)

Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Misertus est autem Dominus Ezechia et ait” (Angeli, Dominus, Ezechias)

Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Narrabimus omnes opera Domini” (chorus)

Tolle Sponsa for soprano, bass, chorus and continuo

Messa a otto voci, IGC 27: Kyrie

Messa a otto voci, IGC 27: Gloria

Messa a otto voci, IGC 27: Credo

Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Tentavit Deus Abraham” (Historicus, Deus)

Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Pater mi, ecce ignis” (Isaac, Historicus, Abraham)

Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Non extendas manum tuam super Isaac” (Angelus, Abraham, Isaac)

Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Vocavit et iterum Angelus Domini” (Historicus, Angelus, chorus)

Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Qui misit Angelum” (Abraham, chorus)

Messe pour les trépassés, H. 2: Symphonie - Kyrie

Messe pour les trépassés, H. 2: Dies irae (H. 12)

Messe pour les trépassés, H. 2: Liber scriptus

Messe pour les trépassés, H. 2: Juste judex

Messe pour les trépassés, H. 2: Oro supplex

Motet pour les trépassés, H. 311: Symphonie - Miseremini mei

Motet pour les trépassés, H. 311: Hei, hei mihi, Domine

Motet pour les trépassés, H. 311: Ritournelle - Ah, ah poenis crucior nimis asperis

Motet pour les trépassés, H. 311: Symphonie - Miseremini mei

Messe pour les trépassés, H. 2: Symphonie - Sanctus

Messe pour les trépassés, H. 2: Pie Jesu

Messe pour les trépassés, H. 2: Benedictus

Messe pour les trépassés, H. 2: Symphonie - Agnus Dei

Miserere des Jésuites, H. 193: Prélude

Miserere des Jésuites, H. 193: Miserere mei Deus (bass, chorus)

Miserere des Jésuites, H. 193: Amplius lava me (soli)

Miserere des Jésuites, H. 193: Ecce enim (soli, chorus)

Miserere des Jésuites, H. 193: Asperges me hysopo (tenor)

Miserere des Jésuites, H. 193: Auditui meo dabis gaudium (soli)

Miserere des Jésuites, H. 193: Averte faciem tuam a peccatis meis (soli, chorus)

Miserere des Jésuites, H. 193: Ne projicias me a facie tua (soprano, alto)

Miserere des Jésuites, H. 193: Docedo iniquos vias tuas (chorus)

Miserere des Jésuites, H. 193: Libera me de sanguinibus Deus (bass, tenor, chorus)

Miserere des Jésuites, H. 193: Sacrificium Deo spiritus contribulatus (soprano)

Miserere des Jésuites, H. 193: Benigne fac Domine (soprani)

Miserere des Jésuites, H. 193: Tunc acceptabilis sacrificium iusititiae oblationes (chorus)

Mass in F major, BWV 233: Kyrie (chorus)

Mass in F major, BWV 233: Gloria (chorus)

Mass in F major, BWV 233: Domine Deus (bass)

Mass in F major, BWV 233: Qui tollis (soprano)

Mass in F major, BWV 233: Quoniam (alto)

Mass in F major, BWV 233: Cum Sancto Spiritu (chorus)

Mass in A major, BWV 234: Kyrie (chorus)

Mass in A major, BWV 234: Gloria (chorus)

Mass in A major, BWV 234: Domine Deus (bass)

Mass in A major, BWV 234: Qui tollis (soprano)

Mass in A major, BWV 234: Quoniam (alto)

Mass in A major, BWV 234: Cum Sancto Spiritu (chorus)

Sanctus in D minor, BWV 239 (chorus)

Sanctus in G major, BWV 240 (chorus)

Sanctus in D major, BWV 241 (double chorus)

Mass in G major, BWV 236: Kyrie (chorus)

Mass in G major, BWV 236: Gloria (chorus)

Mass in G major, BWV 236: Gratias agimus tibi (bass)

Mass in G major, BWV 236: Domine Deus (soprano, alto)

Mass in G major, BWV 236: Quoniam (tenor)

Mass in G major, BWV 236: Cum Sancto Spiritu (chorus)

Mass in G minor, BWV 235: Kyrie (chorus)

Mass in G minor, BWV 235: Gloria (chorus)

Mass in G minor, BWV 235: Gratias agimus tibi (bass)

Mass in G minor, BWV 235: Domine fili (alto)

Mass in G minor, BWV 235: Qui tollis (tenor)

Mass in G minor, BWV 235: Cum Sancto Spiritu (chorus)

Sanctus in D major, BWV 238 (chorus)

Christe eleison, BWV 242 (soprano, alto)

Sanctus in C major, BWV 237 (chorus)

Un gay bergier: Vocal version

Un gay bergier: Instrumental version

Anchor che co'l partire: Lute version

Anchor che co'l partire: Vocal version

Anchor che co'l partire: Instrumental version

Ver'inferno: Vocal version

Ver'inferno: Lute version

Susanne un jour: Vocal version

Susanne un jour: Instrumental version

Frais et gaillart: Vocal version

Frais et gaillart: Instrumental version

Fantasia senza canto, for lute

Tirsi morir volea, vocal version

Salmo quarantesimosecondo “Judica me Deus” (Psalm 42), for bass and string orchestra

Salmo quarto “Cum invocarem exaudivit” (Psalm 4), for alto, soprano, women's chorus and continuo

Salmo vigesimonono “Exaltabo Te Domine” (Psalm 29), for tenor, baritone, chorus and orchestra

Salmo quarantesimosesto “Omnes gentes plaudite manibus” (Psalm 46), for soprano and continuo

Salmo decimo “In Domino confido” (Psalm 10), for soli, chorus, and orchestra

Salmo undecimo “Salvum me fac Domine” (Psalm 11), for two altos, chorus and continuo

Salmo trigesimosesto “Moli aemulari in malignantibus” (Psalm 36), for soli, chorus and continuo

Lamento della ninfa, SV 163 (Book VIII, Canti amorosi)

Ohimè ch'io cado, SV 316

Si ch'io vorrei morire, SV 89 (Book IV)

Bei pastor, SV 168 (Book IX)

Eccomi pronta ai baci, SV 135 (Book VII)

Ecco mormorar l'onde, SV 51 (Book II)

Hor che'l ciel e la terra, SV 147 (Book VIII, Canti guerrieri)

La mia turca, SV 310

Perchè fuggi tra salci, SV 128 (Book VII)

Presso un fiume tranquillo, SV 116 (Book VI)

Si dolce è il tormento, SV 332

Sfogava con le stelle, SV 78 (Book IV)

Di far sempre gioire, SV 89 (Book IV)

Maladetta sia l'aspetto, SV 246 (Scherzi musicali II)

Non è di gentil core, SV 118 (Book VII)

Io mi son giovinetta, SV 86 (Book IV)

Questi vaghi concenti, SV 106 (Book V)

Tirsi e Clori, SV 145 (Book VII)

Ardo e scoprir, SV 158 (Book VIII, Canti amorosi)

Vorei baciarti o Filli, SV 123 (Book VII)

Lasciatemi morire, from Lamento d'Arianna a 5, SV 107 (Book VI)

Keyboard Concerto in D minor, BWV 1052: I. Allegro

Keyboard Concerto in D minor, BWV 1052: II. Adagio

Keyboard Concerto in D minor, BWV 1052: III. Allegro

Keyboard Concerto in A major, BWV 1055: I. Allegro

Keyboard Concerto in A major, BWV 1055: II. Larghetto

Keyboard Concerto in A major, BWV 1055: III. Allegro ma non tanto

Keyboard Concerto in F minor, BWV 1056: I. Allegro

Keyboard Concerto in F minor, BWV 1056: II. Largo

Keyboard Concerto in F minor, BWV 1056: III. Presto

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: I. Gloria in excelsis Deo (chorus)

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: II. Et in terra pax (chorus)

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: III. Laudamus te (2 sopranos)

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: IV. Gratias agimus tibi (chorus)

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: V. Procter magnam gloriam (chorus)

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: VI. Domine Deus (soprano)

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: VII. Domine Fili unigenite (chorus)

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: VIII. Domine Deus, Agnus Dei (alto, chorus)

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: IX. Qui tollis peccata mundi (chorus)

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: X. Qui sedes ad dexteram Patris (alto)

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: XI. Quoniam tu solus sanctus (chorus)

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: XII. Cum Sancto Spiritu (chorus)

Kyrie in G minor, RV 587, for 2 sopranos, 2 altos, double chorus and double string orchestra: I. Kyrie eleison (double chorus)

Kyrie in G minor, RV 587, for 2 sopranos, 2 altos, double chorus and double string orchestra: II. Christe eleison (2 sopranos, 2 altos)

Kyrie in G minor, RV 587, for 2 sopranos, 2 altos, double chorus and double string orchestra: III. Kyrie eleison (double chorus)

Credo in E minor, RV 591, for chorus and string orchestra: I. Credo in unum Deum

Credo in E minor, RV 591, for chorus and string orchestra: II. Et in terra pax (chorus)

Credo in E minor, RV 591, for chorus and string orchestra: III. Laudamus te (2 sopranos)

Credo in E minor, RV 591, for chorus and string orchestra: IV. Gratias agimus tibi (chorus)

Altri canti d'amore, SV 146 (Book VIII, Canti guerrieri)

Io son pur vezzosetta pastorella, SV 121 (Book VII)

Gira il nemico insidioso amore, SV 148 (Book VIII, Canti guerrieri)

Qual si può, SV 1 (Canzonette)

Tempro la cetra, SV 117 (Book VII)

Soave libertate, SV 130 (Book VII)

Su, su, su, pastorelli vezzosi, SV 166 (Book VII, Canti amorosi)

La fiera vista, SV 3 (Canzonette)

O come sei gentile, SV 120 (Book VII)

Ardo avvampo mi struggo, SV 152 (Book VII, Canti guerrieri)

Non giacinti o narcisi, SV 43 (Book II)

Tornate, i cari baci, SV 129 (Book VII)

Zefiro torna, SV 108 (Book VI)

S'andasse amor a caccia, SV 49 (Book II)

Eri già tutta mia, SV 248 (Scherzi musicali II)

Quel sguardo sdegnosetto, SV 247 (Scherzi musicali II)

Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Incenerite spoglie, avara tomba

Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Ditelo, o fiume e voi ch'udiste

Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Darà la notte il sol

Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Ma te raccoglie, o ninfa

Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): O chiome d'or, neve gentil de seno

Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Dunque amate reliquie

Ninfa che scalza il piede, SV 160 (Book VIII, Canti amorosi): Ninfa che scalza il piede

Ninfa che scalza il piede, SV 160 (Book VIII, Canti amorosi): Qui deh meco t'arresta

Ninfa che scalza il piede, SV 160 (Book VIII, Canti amorosi): Dell'usate mie corde

Dolcissimo uscignolo, SV 161 (Book VIII, Canti amorosi)

Interrotte sepranze, SV 132 (Book VII)

Non sono in queste rive, SV 45 (Book II)

O viva fiamma, SV 122 (Book VII)

Alcun non mi consigli, SV 169 (Book IX)

Al lume delle stelle, SV 138 (Book VII)

Ohimè dovè il mio ben (Romanesca), SV 140 (Book VII)

S'el vostro cor madonna, SV 131 (Book VII)

Raggi dov'è il mio bene?, SV 4 (Canzonette)

Il mio martir, SV 6 (Canzonette)

Son questi i crespi crini, SV 7 (Canzonette)

Keyboard Concerto in C major, op. 7 no. 1: I. Allegretto

Keyboard Concerto in C major, op. 7 no. 1: II. Menuetto

Keyboard Concerto in F major, op. 7 no. 2: I. (Allegro)

Keyboard Concerto in F major, op. 7 no. 2: II. Tempo di menuetto

Keyboard Concerto in B-flat major, op. 7 no. 4: I. Allegro giusto

Keyboard Concerto in B-flat major, op. 7 no. 4: II. Allegro di molto

Keyboard Concerto in D major, op. 7 no. 3: I. Allegro con spirito

Keyboard Concerto in D major, op. 7 no. 3: II. Rondo: Allegretto

Beatus vir, RV 597, for soli, double chorus and orchestra: I. Beatus vir (chorus)

Beatus vir, RV 597, for soli, double chorus and orchestra: II. Potens in terra (bass)

Beatus vir, RV 597, for soli, double chorus and orchestra: III. Gloria e divitiae (2 sopranos)

Beatus vir, RV 597, for soli, double chorus and orchestra: IV. Exortum est (chorus)

Beatus vir, RV 597, for soli, double chorus and orchestra: V. Jucundus homo (soprano)

Beatus vir, RV 597, for soli, double chorus and orchestra: VI. In memoria aeterna (chorus)

Beatus vir, RV 597, for soli, double chorus and orchestra: VII. Paratum coe ejus (chorus)

Beatus vir, RV 597, for soli, double chorus and orchestra: VIII. Peccator videbit (bass)

Beatus vir, RV 597, for soli, double chorus and orchestra: IX. Gloria Patri (chorus)

Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: I. Nulla in mundo pax sincera

Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: II. Recitativo: Blanco colore oculos mundus decepit

Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: III. Spirat anguis

Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: IV. Alleluia

Lauda Jerusalem, RV 609, for 2 sopranos, double chorus and orchestra

Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: I. Magnificat (chorus)

Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: II. Et exultavit (soprano, alto, tenor, chorus)

Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: III. Et misericordia (chorus)

Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: IV. Fecit potentiam (chorus)

Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: V. Deposuit potentes (chorus)

Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: VI. Esurientes (2 sopranos)

Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: VII. Suscepit Israel (chorus)

Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: VIII. Sicut locutus est (chorus)

Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: IX. Gloria … Qui tollis (chorus)

Canta in prato, RV 623, motet for soprano, string orchestra and continuo: I. Canta in prato

Canta in prato, RV 623, motet for soprano, string orchestra and continuo: II. Recitativo: Saeva fulgescit nobis

Canta in prato, RV 623, motet for soprano, string orchestra and continuo: III. Avenae rusticae

Canta in prato, RV 623, motet for soprano, string orchestra and continuo: IV. Alleluia

In furore iustissimae irae, RV 626, motet for soprano, string orchestra and continuo: I. In furore

In furore iustissimae irae, RV 626, motet for soprano, string orchestra and continuo: II. Recitativo: Miserationum Pater piissime

In furore iustissimae irae, RV 626, motet for soprano, string orchestra and continuo: III. Tunc meus fletus evadet laetus

In furore iustissimae irae, RV 626, motet for soprano, string orchestra and continuo: IV. Alleluia

Beatus vir, RV 598, for 2 sopranos, chorus, string orchestra and continuo

Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: I. Dixit Dominus (chorus)

Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: II. Donec ponam inimicos tuos (chorus)

Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: III. Virgam virtutis tuae (soprano)

Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: IV. Tecum principium (soprano, alto)

Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: V. Juravit Dominus (chorus)

Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: VI. Dominus e dextris tuis (soprano)

Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: VII. Judicabit (alto, chorus)

Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: VIII. De torrente (alto)

Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: IX. Gloria Patri / X. Sicut erat in principio (alto, tenor, bass, chorus)

Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: XI. Et in saecula saeculorum

O qui coeli terraeque serenitas, RV 631, motet for soprano and string orchestra: I. O qui caeli

O qui coeli terraeque serenitas, RV 631, motet for soprano and string orchestra: II. Recitativo: Fac ut sordescat tellus

O qui coeli terraeque serenitas, RV 631, motet for soprano and string orchestra: III. Rosa quae moritur

O qui coeli terraeque serenitas, RV 631, motet for soprano and string orchestra: IV. Alleluia

Te Deum, H. 146, for soli, chorus, and orchestra: I. Prélude: Rondeau

Te Deum, H. 146, for soli, chorus, and orchestra: II. Te Deum laudamus (bass)

Te Deum, H. 146, for soli, chorus, and orchestra: III. Te aeternum Patrem (soprano I/II, altus, tenor, chorus)

Te Deum, H. 146, for soli, chorus, and orchestra: IV. Te per orbem terrarum (altus, tenor, bass)

Te Deum, H. 146, for soli, chorus, and orchestra: V. Tu devicto mortis aculeo (bass, chorus)

Te Deum, H. 146, for soli, chorus, and orchestra: VI. Te ergo quaesumus (soprano I)

Te Deum, H. 146, for soli, chorus, and orchestra: VII. Aeterna fac cum sanctus tuis (soprano II, altus, tenor, bass, chorus)

Te Deum, H. 146, for soli, chorus, and orchestra: VIII. Dignare, Domine, die isto (soprano I/II, bass)

Te Deum, H. 146, for soli, chorus, and orchestra: IX. Fiat misericordia tua, Domine, super nos (soprano I, bass)

Te Deum, H. 146, for soli, chorus, and orchestra: X. In te, Domine, speravi (altus, tenor, bass, chorus)

Salve Regina, H. 24, for 3 chorus and orchestra

Tenebrae factae sunt, H. 129, for bass and orchestra

In nativitatem Domini canticum, H. 416: III. Nuit (Orchestral interlude)

Seniores populi, H. 117, for altus and orchestra

Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: I. Dixit Dominus (chorus)

Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: II. Donec ponam inimicos tuos (chorus)

Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: III. Virgam virtutis tuae (sopranos)

Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: IV. Tecum principium (alto)

Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: V. Juravit Dominus (chorus)

Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: VI. Dominus a dextris tuis (tenor, bass)

Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: VII. Judicabit in nationibus (chorus)

Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: VIII. De torrente (soprano, chorus)

Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: IX. Gloria Patri (chorus)

Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: X. Sicut erat in principio (chorus)

Stabat Mater, RV 621, for alto and string orchestra: I. Stabat Mater dolorosa

Stabat Mater, RV 621, for alto and string orchestra: II. Cujus animam gementem

Stabat Mater, RV 621, for alto and string orchestra: III. O quam tristis

Stabat Mater, RV 621, for alto and string orchestra: IV. Quis est homo

Stabat Mater, RV 621, for alto and string orchestra: V. Quis non posset

Stabat Mater, RV 621, for alto and string orchestra: VI. Pro peccatis

Stabat Mater, RV 621, for alto and string orchestra: VII. Eja Mater

Stabat Mater, RV 621, for alto and string orchestra: VIII. Fac ut ardeat

Stabat Mater, RV 621, for alto and string orchestra: IX. Amen

“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. I. Chorus: “Lass, Fürstin, lass noch einen Strahl”

“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. II. Recitative (soprano): “Dein Sachsen, dein bestürzes Meissen”

“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. III. Aria (soprano): “Verstummt, verstummt, ihr holden Saiten!”

“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. IV. Recitative (alto): “Der Glocken bebendes Getön”

“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. V. Aria (alto): “Wie starb die Heldin so vergnügt!”

“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. VI. Recitative (tenor): “Ihr Leben liess die Kunst zu Sterben”

“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. VII. Chorus: “An Dir, du Fürbild grosser Frauen”

“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. VIII. Aria (tenor): “Der Ewigkeit saphirnes Haus”

“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. IX. Recitative - Arioso - Recitative (bass): “Was Wunder ist's?”

“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. X. Chorus: “Doch, Königin! du stirbest nicht”

“Ach Gott, wie manches Herzeleid”, BWV 58: Choral & Aria (soprano, bass): “Ach Gott, wie manches Herzeleid”

“Ach Gott, wie manches Herzeleid”, BWV 58: Recitative (bass): “Verfolgt dich gleich die arge Welt”

“Ach Gott, wie manches Herzeleid”, BWV 58: Aria (soprano): “Ich bin vergnügt in meinem Leiden”

“Ach Gott, wie manches Herzeleid”, BWV 58: Recitative (soprano): “Kann es die Welt nicht lassen”

“Ach Gott, wie manches Herzeleid”, BWV 58: Aria & Chorale (soprano, bass): “Ich hab' vor mir ein' schwere Reis”

“Jesu, der du meine Seele”, BWV 78: I. Chorus: “Jesu, der du meine Seele”

“Jesu, der du meine Seele”, BWV 78: II. Aria duetto (soprano, alto): “Wir eilen mit schwachen, doch emsigen Schritten”

“Jesu, der du meine Seele”, BWV 78: III. Recitative (tenor): “Ach! Ich bin eine Kind der Sünden”

“Jesu, der du meine Seele”, BWV 78: IV. Aria (tenor): “Das Blut, so meine Schuld durchstreicht”

“Jesu, der du meine Seele”, BWV 78: V. Recitative (bass): “Die Wunden, Nägen, Kron und Grab”

“Jesu, der du meine Seele”, BWV 78: VI. Aria (bass): “Nun du wirst mein Gewissen stillen”

“Jesu, der du meine Seele”, BWV 78: VII. Chorale: “Herr, ich glaube, hilf mir Schwachen”

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. I. Chorus: “Lobet Gott in seinen Reichen”

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. II. Recitative (tenor): “Der Herr Jesus hub seine Hände auf”

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. III. Recitative (bass): “Ach, Jesu, ist dein Abschied schon so nah?”

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. IV. Aria (alto): “Ach, bleibe doch, Mein liebstes Leben”

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. V. Recitative (tenor): “Und ward aufgehoben zusehends”

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. VI. Chorale: “Nun lieget alles unter dir”

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIIa. Recitative (tenor, bass): “Und da sie ihm nachsahen gen Himmel fahren”

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIIb. Recitative (alto): “Ach ja! So komme bald zurück”

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIIc. Recitative (tenor): “Sie aber beteten ihn an”

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIII. Aria (soprano): “Jesu, deine Gnadenblicke”

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. IX. Chorale: “Wenn soll es doch geschehen”

Johannes-Passion, BWV 245: No. 1. Chorus. “Herr, unser Herrscher” (chorus)

Johannes-Passion, BWV 245: No. 2a. Recitative. “Jesus ging mit seinen Jüngern” (Evangelist, Jesus)

Johannes-Passion, BWV 245: No. 2b. Chorus. “Jesum von Nazareth” (chorus)

Johannes-Passion, BWV 245: No. 2c. Recitative. “Jesus spricht zu ihnen” (Evangelist, Jesus)

Johannes-Passion, BWV 245: No. 2d. Chorus. “Jesus von Nazareth” (chorus)

Johannes-Passion, BWV 245: No. 2e. Recitative. “Jesus antwortete” (Evangelist, Jesus)

Johannes-Passion, BWV 245: No. 3. Chorale. “O große Lieb” (chorus)

Johannes-Passion, BWV 245: No. 4. Recitative. “Auf daß das Wort erfüllet würde” (Evangelist, Jesus)

Johannes-Passion, BWV 245: No. 5. Chorale. “Dein Will' gescheh” (chorus)

Johannes-Passion, BWV 245: No. 6. Recitative. “Die Schar aber und der Oberhauptmann” (Evangelist)

Johannes-Passion, BWV 245: No. 7. Aria. “Von den Stricken” (alto, 2 oboes and continuo)

Johannes-Passion, BWV 245: No. 8. Recitative. “Simon Petrus aber folgete Jesu nach” (Evangelist)

Johannes-Passion, BWV 245: No. 9. Aria. “Ich folge dir gleichfalls” (soprano, flute)

Johannes-Passion, BWV 245: No. 10. Recitative. “Derselbige Jünger war dem Hohenpriester bekannt” (Evangelist, Petrus, Jesus)

Johannes-Passion, BWV 245: No. 11. Chorale. “Wer hat dich so geschlagen” (chorus)

Johannes-Passion, BWV 245: No. 12a. Recitative. “Und Hannas sandte ihn gebunden” (Evangelist)

Johannes-Passion, BWV 245: No. 12b. Chorus. “Bist du nicht seiner Jünger einer” (chorus)

Johannes-Passion, BWV 245: No. 12c. Recitative. “Er leugnete aber und sprach” (Evangelist, Petrus)

Johannes-Passion, BWV 245: No. 13. Aria. “Ach, mein Sinn” (tenor)

Johannes-Passion, BWV 245: No. 14. Chorale. “Petrus, der nicht denkt zurück” (chorus)

Johannes-Passion, BWV 245: No. 15. Chorale. “Christus, der uns selig macht” (chorus)

Johannes-Passion, BWV 245: No. 16a. Recitative. “Da führeten sie Jesum” (Evangelist, Pilatus)

Johannes-Passion, BWV 245: No. 16b. Chorus. “Wäre dieser nicht ein Übeltäter” (chorus)

Johannes-Passion, BWV 245: No. 16c. Recitative. “Da sprach Pilatus zu ihnen” (Evangelist, Pilatus)

Johannes-Passion, BWV 245: No. 16d. Chorus. “Wir dürfen niemand töten” (chorus)

Johannes-Passion, BWV 245: No. 16e. Recitative. “Auf daß erfüllet würde das Wort” (Evangelist, Pilatus, Jesus)

Johannes-Passion, BWV 245: No. 17. Chorale. “Ach großer König” (chorus)

Johannes-Passion, BWV 245: No. 18a. Recitative. “Da sprach Pilatus zu ihm” (Evangelist, Pilatus, Jesus)

Johannes-Passion, BWV 245: No. 18b. Chorus. “Nicht diesen, sondern Barrabam” (chorus)

Johannes-Passion, BWV 245: No. 18c. Recitative. “Barrabas aber war ein Mörder” (Evangelist)

Johannes-Passion, BWV 245: No. 19. Arioso. “Betrachte, meine Seel', mit ängstlichem Vergnügen” (bass, 2 viole d'amore, lute)

Johannes-Passion, BWV 245: No. 20. Aria. “Erwäge, wie sien blutgefärbter Rücken” (tenor, 2 viole d'amore)

Johannes-Passion, BWV 245: No. 21a. Recitative. “Und die Kriegsknechte flochten eine Krone” (Evangelist)

Johannes-Passion, BWV 245: No. 21b. Chorus. “Sei gegrüsset, lieber Judenkönig” (chorus)

Johannes-Passion, BWV 245: No. 21c. Recitative. “Und gaben ihm Backenstreiche” (Evangelist, Pilatus)

Johannes-Passion, BWV 245: No. 21d. Chorus. “Kreuzige, Kreuzige” (chorus)

Johannes-Passion, BWV 245: No. 21e. Recitative. “Pilatus sprach zu ihnen” (Evangelist, Pilatus)

Johannes-Passion, BWV 245: No. 21f. Chorus. “Wir haben ein Gesetz” (chorus)

Johannes-Passion, BWV 245: No. 21g. Recitative: “Da Pilatus das Wort hörete” (Evangelist, Pilatus, Jesus)

Johannes-Passion, BWV 245: No. 22. Chorale. “Durch dein Gefängnis, Gottes Sohn” (chorus)

Johannes-Passion, BWV 245: No. 23a. Recitative. “Die Juden aber schrieen” (Evangelist)

Johannes-Passion, BWV 245: No. 23b. Chorus. “Lässest du diesen los” (chorus)

Johannes-Passion, BWV 245: No. 23c. Recitative. “Da Pilatus das Wort hörete” (Evangelist, Pilatus)

Johannes-Passion, BWV 245: No. 23d. Chorus. “Weg, weg mit dem, Kreuzige ihn!” (chorus)

Johannes-Passion, BWV 245: No. 23e. Recitative. “Spricht Pilatus zu ihnen” (Evangelist, Pilatus)

Johannes-Passion, BWV 245: No. 23f. Chorus. “Wir haben keiner König denn den Kaiser” (chorus)

Johannes-Passion, BWV 245: No. 23g. Recitative. “Da überantworte er ihn” (Evangelist)

Johannes-Passion, BWV 245: No. 24. Aria & Chorus. “Eilt, ihr angefocht'nen Seelen” (bass, chorus)

Johannes-Passion, BWV 245: No. 25a. Recitative. “Allda kreuzigten sie ihn” (Evangelist)

Johannes-Passion, BWV 245: No. 25b. Chorus. “Schreibe nicht” (chorus)

Johannes-Passion, BWV 245: No. 25c. Recitative. “Pilatus antwortet” (Evangelist, Pilatus)

Johannes-Passion, BWV 245: No. 26. Chorale. “In meines Herzens Grune” (chorus)

Johannes-Passion, BWV 245: No. 27a. Recitative. “Die Kriegsknechte aber” (Evangelist)

Johannes-Passion, BWV 245: No. 27b. Chorus. “Lasset uns den nicht zerteilen” (chorus)

Johannes-Passion, BWV 245: No. 27c. Recitative. “Auf daß erfüllet würde die Schrift” (Evangelist, Jesus)

Johannes-Passion, BWV 245: No. 28. Chorale. “Er nahm alles wohl in acht” (chorus)

Johannes-Passion, BWV 245: No. 29. Recitative. “Und von Stund an nahm sie der Jünger” (Evangelist, Jesus)

Johannes-Passion, BWV 245: No. 30. Aria. “Es ist vollbracht” (alto, viola da gamba)

Johannes-Passion, BWV 245: No. 31. Recitative. “Und neigt das Haupt und verschied” (Evangelist)

Johannes-Passion, BWV 245: No. 32. Aria & Chorus. “Mein teurer Heiland” (bass, chorus)

Johannes-Passion, BWV 245: No. 33. Recitative. “Und siehe da, der Vorhang im Tempel zerriß” (Evangelist)

Johannes-Passion, BWV 245: No. 34. Arioso. “Mein Herz, in dem die ganze Welt” (tenor, flute, 2 oboes)

Johannes-Passion, BWV 245: No. 35. Aria. “Zerfließe, mein Herze” (soprano, flute, cor anglais)

Johannes-Passion, BWV 245: No. 36. Recitative. “Die Juden aber dieweil es der Rüsttag war” (Evangelist)

Johannes-Passion, BWV 245: No. 37. Chorale. “O hilf, Christe, Gottes Sohn” (chorus)

Johannes-Passion, BWV 245: No. 38. Recitative. “Darnach bat Pilatum Joseph von Arimathia” (Evangelist)

Johannes-Passion, BWV 245: No. 39. Chorus. “Ruht wohl, ihr heiligen Gebeine” (chorus)

Johannes-Passion, BWV 245: No. 40. Chorale. “Ach Herr, laß dein lieb Engelein” (chorus)

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: I. Gloria in excelsis (chorus)

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: II. Et in terra pax (chorus)

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: III. Laudamus te (2 sopranos)

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: IV. Gratias agimus tibi (chorus)

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: V. Domine Deus (tenor)

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: VI. Domine Fili unigenite (chorus)

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: VII. Domine Deus, Agnus Dei (soprano)

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: VIII. Qui tollis peccata mundi (chorus)

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: IX. Qui sedes ad dexteram Patris (alto)

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: X. Quoniam tu solus sanctus (soprano)

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: XI. Cum Sancto Spriritu (chorus)

Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: I. Nisi Dominus

Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: II. Vanum est vobis

Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: III. Surgite

Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: IV. Cum dederit

Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: V. Sicut saggitae

Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: VI. Beatus vir

Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: VII. Gloria Patri

Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: VIII. Sicut erat in principio

Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: IX. Amen

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: I. Récit de Dieu: “Audit coeli quae loquor” (bass)

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: II. Chorus hominum: “O pavor, o tremor, o portentum” (soli, chorus)

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: III. Bruit de trompettes

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: IV. Duo des Anges: “Adeste omnes gentes” (countertenor, alto)

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: V. Bruit de trompettes

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: VI. Chorus hominum: “Et factus est subito sonus” (chorus)

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: VII. Récit de Dieu (Part I): “Venite benedicti” (bass)

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: VIII. Récit de Dieu (Part II): “Et vos maledicti” (bass)

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: IX. Chœur des damnés: “O justa punitio” (soli, chorus)

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: X. Les Anges: “Vos autem electi” (countertenor, alto)

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: XI. Chœur des élus: “Hymnum docamus Domine nostro” (soli, chorus)

Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: I. instrumental prelude

Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: II. Beatus vir (bass)

Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: III. Potens in terra (chorus)

Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: IV. Exortum est in tenebris (soprano I, countertenor, tenor, bass)

Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: V. In memoria aeterna (chorus)

Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: VI. Dispersit, dedit pauperibus (bass)

Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: VII. Peccator videbit (chorus)

Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: VIII. Gloria Patri (2 sopranos, chorus)

Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Tancredi, que Clorinda homo stima

Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Notte, che nei profondo oscuro seno

Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Torna l'ira nei cori

Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Amico, hai vinto

Chiome d'oro, bel tesoro, SV 143 (Book VII)

Altri canti di Marte, SV 155 (Book VIII, Canti amorosi): Altri canti di Marte e di sua schiera (Part I)

Altri canti di Marte, SV 155 (Book VIII, Canti amorosi): Due belli occhi (Part II)

Et è pur dunque verò, SV 250 (Scherzi musicali II)

Batto qui pianse Ergasto, SV 115 (Book VI)

Amorosa pupiletta, SV 238 (Scherzi musicali II)

Lamento d'Arianna, SV 22

Vago augelleto, SV 156 (Book VIII, Canti amorosi)

Ecco di dolci raggi, SV 249 (Scherzi musicali II)

Io che armato sin hor, SV 249a (Scherzi musicali II)

Fugge il verno dei dolori, SV 232 (Scherzi musicali I)

A dio Florida bella, SV 110 (Book VI)

Misero alceo, SV 114 (Book VI)

Il ballo (per l'imperatore Ferdinando), SV 154 (Book VIII, Canti guerrieri)

Miei lettera amorosa (Se i languidi), SV 141 (Book VII)

Lidia spina del mio core, SV 244 (Scherzi musicali I)

Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Sinfonia

Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): De l'implacabil Dio

Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Bella madre d'amor

Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): S'invan su l'arco tendi

Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Udite, udite

Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Ecco ver noi l'adolorate squadre

Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Entrata - Ballo

Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Dal tenebroso orror del mio gran regno

Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Ahi troppo è duro

Partenza amorosa (Se pur destina e vole), SV 142 (Book VII)

Dolci miei sospiri, SV 242 (Scherzi musicali I)

Damigella tutta bella, SV 235 (Scherzi musicali I)

Mass in B minor, BWV 232: Kyrie. I. Kyrie eleison I (chorus)

Mass in B minor, BWV 232: Kyrie. II. Christe eleison (soprano II, mezzo-soprano)

Mass in B minor, BWV 232: Kyrie. III. Kyrie eleison II (chorus)

Mass in B minor, BWV 232: Gloria. IV. Gloria in excelsis / V. Et in terra pax (chorus)

Mass in B minor, BWV 232: Gloria. VI. Laudamus te (soprano I)

Mass in B minor, BWV 232: Gloria. VII. Gratias agimus tibi (chorus)

Mass in B minor, BWV 232: Gloria. VIII. Domine Deus (soprano I, tenor)

Mass in B minor, BWV 232: Gloria. IX. Qui tollis peccata mundi (chorus)

Mass in B minor, BWV 232: Gloria. X. Qui sedes ad dexteram Patris (mezzo-soprano)

Mass in B minor, BWV 232: Gloria. XI. Quoniam tu solus sanctus (bass)

Mass in B minor, BWV 232: Gloria. XII. Cum Sancto Spiritu (chorus)

Mass in B minor, BWV 232: Credo. XII. Credo in unum Deum (chorus)

Mass in B minor, BWV 232: Credo. XIII. Patrem omnipotentem (chorus)

Mass in B minor, BWV 232: Credo. XIV. Et in unum Dominum (soprano I, mezzo-soprano)

Mass in B minor, BWV 232: Credo. XV. Et incarnatus est (chorus)

Mass in B minor, BWV 232: Credo. XVI. Crucifixus (chorus)

Mass in B minor, BWV 232: Credo. XVII. Et resurrexit (chorus)

Mass in B minor, BWV 232: Credo. XVIII. Et in Spiritum Sanctum Dominum (baritone)

Mass in B minor, BWV 232: Credo. XIX. Confiteor (chorus)

Mass in B minor, BWV 232: Credo. XX. Et expecto (chorus)

Mass in B minor, BWV 232: Sanctus. XXI. Sanctus (chorus)

Mass in B minor, BWV 232: Sanctus. XXII. Osanna in excelsis (chorus)

Mass in B minor, BWV 232: Sanctus. XXIII. Benedictus (tenor)

Mass in B minor, BWV 232: Sanctus. XXIV. Osanna repetirur (chorus)

Mass in B minor, BWV 232: Sanctus. XXV. Agnus Dei (mezzo-soprano)

Mass in B minor, BWV 232: Sanctus. XXVI. Dona nobis pacem (chorus)

Magnificat in D major, BWV 243: I. Magnificat (chorus)

Magnificat in D major, BWV 243: II. Et exultavit spiritus meus (soprano II)

Magnificat in D major, BWV 243: III. Quia respexit humilitatem (soprano I)

Magnificat in D major, BWV 243: IV. Omnes generationes (chorus)

Magnificat in D major, BWV 243: V. Quia fecit mihi magna (bass)

Magnificat in D major, BWV 243: VI. Et misericorida (alto, tenor)

Magnificat in D major, BWV 243: VII. Fecit potentiam (chorus)

Magnificat in D major, BWV 243: VIII. Deposuit potentes (tenor)

Magnificat in D major, BWV 243: IX. Esurientes implevit bonis (alto)

Magnificat in D major, BWV 243: X. Suscepit Israel (soprano I & II, alto)

Magnificat in D major, BWV 243: XI. Sicut locutus est (chorus)

Magnificat in D major, BWV 243: XII. Gloria Patri (chorus)

Ercole amante: Prologo. Sinfonia

Ercole amante: Prologo. “Qual concorso indonivo” (Coro di Fiumi)

Ercole amante: Prologo. “Ah ! che mentre la terra” (Il Tevere)

Ercole amante: Prologo. “Ai di lei veri accenti” (Coro di Fiumi)

Ercole amante: Prologo. Sinfonia

Ercole amante: Prologo. “Ed ecco, o Gallia invita” (Cinthia)

Ercole amante: Prologo. “Doppo belliche noie” (Coro di Fiumi)

Ercole amante: Prologo. “E poiche quai doppo guerrieri onori” (Cinthia)

Ercole amante: Prologo. “E veda ogn'un” (Coro di Fiumi)

Ercole amante: Prologo. “O Gallia fortunata” (Coro di Fiumi)

Ercole amante: Atto I. Sinfonia

Ercole amante: Atto I, Scene 1. “Come si beffa amor” (Ercole)

Ercole amante: Atto I, Scene 2. “Se Ninfa ai pianti” (Venere, le tre grazie)

Ercole amante: Atto I, Scene 2. “Ogn'impero ha ribelli” (Venere)

Ercole amante: Atto I, Scene 2. “Fugano a vo” (Ercole, Venere, le tre grazie)

Ercole amante: Atto I, Scene 2. “Infelice e disperato” (Giunone)

Ercole amante: Atto I, Scene 3. “E vuol dunque Ciprigna” (Giunone)

Ercole amante: Atto II. Sinfonia

Ercole amante: Atto II, Scene 1. “Amor ardo piu rari” (Hyllo, Jole)

Ercole amante: Atto II, Scene 1. “Pure alfine il rispetto di figlio” (Hole, Hyllo, Il Paggio)

Ercole amante: Atto II, Scene 2. “D'amore il foco” (Jole, Hyllo)

Ercole amante: Atto II, Scene 3. “E che cos' è quest'Amore” (Il Paggio)

Ercole amante: Atto II, Scene 4. “Buon di, gentil fanciullo” (Licco, il Paggio)

Ercole amante: Atto II, Scene 5. “Misera, ohime ch'ascolto” (Dejanira)

Ercole amante: Atto II, Scene 5. “Ah ! fu sempre in Amor” (Licco, Dejanira)

Ercole amante: Atto II, Scene 5. “Ah, Dejanira ! Dunque tu temi” (Dejanira, Licco)

Ercole amante: Atto II, Scene 6. “Mormorate, fiumicelli” (Pasitea)

Ercole amante: Atto II, Scene 6. Coro

Ercole amante: Atto II, Scene 7. “Sublime Dea” (Pasitea)

Ercole amante: Atto II, Scene 7. “Zelo dell' onor mio a cui” (Giunone, Pasitea)

Ercole amante: Atto II, Scene 7. “Le rugiade piu preziose” (Tutti)

Ercole amante: Atto II, Scene 7. “Vanne e fa breve dimora” (Pasitea, tutti)

Ercole amante: Atto III. Sinfonia

Ercole amante: Atto III, Scene 1. “Sol s'inarca gl'Emisferi per stupor” (Venere)

Ercole amante: Atto III, Scene 1. “E pe mi cangi o Dei” (Ercole, Venere)

Ercole amante: Atto III, Scene 2. “Amor, contar ben puoi” (Ercole)

Ercole amante: Atto III, Scene 2. “Sara com'hai disposo” (Il Paggio, Ercole)

Ercole amante: Atto III, Scene 3. “Bella Jole e quando” (Ercole, Jole)

Ercole amante: Atto III, Scene 3. “Ohime, che ascolto” (Hyllo, Ercole)

Ercole amante: Atto III, Scene 4. “A che pensi Jole” (Ercole, Jole)

Ercole amante: Atto III, Scene 5. “Sonno potente Nume” (Giunone)

Ercole amante: Atto III, Scene 5. “O qual sonno produgioso” (Jole, Giunone)

Ercole amante: Atto III, Scene 6. “D'Eutyro anima grande” (Jole, Hyllo)

Ercole amante: Atto III, Scene 7. “Svegliati, Alcide e mira” (Mercurio, Ercole, Jole)

Ercole amante: Atto III, Scene 8. “Piu di salvarlo tenti” (Ercole, Dejanira, Jole, Licco)

Ercole amante: Atto III, Scene 9. “Figlio, tu prigionero” (Dejanira, Hyllo)

Ercole amante: Atto III, Scene 10. “Addio paggio” (Licco, il Paggio)

Ercole amante: Atto IV. Sinfonia

Ercole amante: Atto IV, Scene 1. “Ahi che pena e gelosia” (Hyllo)

Ercole amante: Atto IV, Scene 2. “Zefri che gite” (Il Paggio)

Ercole amante: Atto IV, Scene 2. “Che novella m'arrechi” (Hyllo, Il Paggio)

Ercole amante: Atto IV, Scene 3. “E chi fia piu vieti” (Hyllo)

Ercole amante: Atto IV, Scene 4. “Salva, nettuno, ah! salva” (Giunone)

Ercole amante: Atto IV, Scene 4. “Eccoti o Dea contenta” (Nettuno, Hyllo, Giunone)

Ercole amante: Atto IV, Scene 5. “Congedo a gl'orridi” (Giunone)

Ercole amante: Atto IV, Scene 6. “Ed a che peggio” (Dejanira, Licco)

Ercole amante: Atto IV, Scene 6. “Ah Dejanira, io non son tanto accorto” (Licco)

Ercole amante: Atto IV, Scene 7. “Gradisci, o Re” (Coro)

Ercole amante: Atto IV, Scene 7. “E se pur negl' estinti” (Jole)

Ercole amante: Atto IV, Scene 7. “Che prieghi ingiurioso” (Ombra d'Eutyro, Jole, Dejanira)

Ercole amante: Atto IV, Scene 7. “Hyllo il mio bene è morto” (Jole)

Ercole amante: Atto IV, Scene 7. “Ferma ti prego” (Liggo, Dejanira, Jole)

Ercole amante: Atto V. Sinfonia

Ercole amante: Atto V, Scene 1. “Come solo ad un grido” (Ombra d'Eutyro)

Ercole amante: Atto V, Scene 1. “Pera, mora il crudel” (Coro, Ombra di Clerica)

Ercole amante: Atto V, Scene 1. “Pera, mora, il perverso” (Laomedonte, Coro)

Ercole amante: Atto V, Scene 1. “Pera, more l'iniquio” (Ombra di Bussiride, Coro)

Ercole amante: Atto V, Scene 1. “Su su dunque” (Ombra d'Eutyro, Coro)

Ercole amante: Atto V, Scene 1. Sinfonia

Ercole amante: Atto V, Scene 2. “Alfine il Ciel d'amor” (Ercole, Licco, Jole)

Ercole amante: Atto V, Scene 2. “Pronuba e casta Dea” (Coro, Ercole, Jole)

Ercole amante: Atto V, Scene 2. “Ma qual pungente arsura” (Ercole)

Ercole amante: Atto V, Scene 2. “Che dici” (Licco, Jole)

Ercole amante: Atto V, Scene 3. “Ah, Nesso mi tradi” (Dejanira, Jole, Licco, Hyllo)

Ercole amante: Atto V, Scene 4. “Su, su allegrezza” (Giunone)

Ercole amante: Atto V, Scene 4. “Oh Dea come n'arrequi” (Jole, Dejanira, Hyllo, Licco, Giunone)

Ercole amante: Atto V, Scene 5. “Quel grande Eroe” (Coro)

Ercole amante: Atto V, Scene 5. “Così un giorno” (Belezza, Ercole)

Ercole amante: Atto V, Scene 5. “Virtu che soffre” (Coro)

Muzio Scevola, opera in three acts, HWV 13: Overture

Rodrigo, opera in three acts, HWV 5: I. Overture

Rodrigo, opera in three acts, HWV 5: II. Gigue

Rodrigo, opera in three acts, HWV 5: III. Sarabande

Rodrigo, opera in three acts, HWV 5: IV. Matelot

Rodrigo, opera in three acts, HWV 5: V. Menuet

Rodrigo, opera in three acts, HWV 5: VI. Bourrée

Rodrigo, opera in three acts, HWV 5: VII. Menuet

Rodrigo, opera in three acts, HWV 5: VIII. Passacaille

Il pastor fido, opera in three acts, HWV 8: I. Overture

Il pastor fido, opera in three acts, HWV 8: II. Largo

Il pastor fido, opera in three acts, HWV 8: III. Allegro

Il pastor fido, opera in three acts, HWV 8: IV. Menuet

Il pastor fido, opera in three acts, HWV 8: V. Adagio

Il pastor fido, opera in three acts, HWV 8: VI. Allegro

Silla, opera in three acts, HWV 10: Overture

David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 1. “Où suis-je ? Qu'ai-je fait ?” (Saül)

David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 2. “Dois-je enfin épouver le secours de vos charmes ?” (Saül, La Pythonisse)

David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 3. “Retirez-vous affreux tonnerre” (La Pythonisse)

David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 4. “Quelle importune voix vient troubler mon repos ?” (L'ombre de Samuel, Saül)

David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 5. “Est-ce assez ? Ai-je enfin épuisé ta colère ?” (Saül, La Pythonisse)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 1. “Du plus grand des héros” (Un guerrier, Un du peuple, Bergers, Captifs, Chorus)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 2. “Allez, le ciel vous attend” (David)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 3. “Ciel ! Quel triste combat” (David)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 4. “Le ciel enfin favourable à mes vœux” (Achis, David, Captifs, Chorus)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 2, Scene 1. “Quel inutile soin” (Joabel, David, Chorus)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 2, Scene 2. “Dépit jaloux, haine cruelle” (Joabel, Chorus)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 2, Scene 3. “À vostre bras vanqueur” (Jonathas, David, Un de la suite de Jonathas, Chorus, Bergers)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 1. “Ah ! Je dois assurer et ma vie et l'empire ?” (Saül, Achis)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 2. “Objet d'une implacable haine” (Saül)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 3a. “David puet-il attendre un retour favorable ?” (Jonathas, Saül, David)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 3b. “Achevons, mon bonheur passe mon espérance” (Joabel)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 1. “Souverain juge des mortels” (David)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 2. “Vous me fuyez !” (Jonathas, David)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 3. “A-t-on jamais souffert une plus rude peine ?” (Jonathas, Chorus)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 4. “Venez, Seigneur, venez” (Saül, Achis)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 5. “Enfin vous m'écoutez, Seigneur” (Joabel, Achis, Chorus)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 1. “Courez, Saül attend un secours nécessaire” (Jonathas)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 2. “Que vois-je ? Que je perds et mon fils et l'empire” (Saül, Jonathas, Chorus)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 3. “Victoire ! Victoire !” (Chorus)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 4. “Qu'on sauve Jonathas” (David, Jonathas, Chorus)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 5. “Voi traitre, et reconnoi ta nouvelle victime” (Saül, David)

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 6. “Joignez à vos exploits l'honneur du diadème” (Achis, David, Chorus)

Vespro della Beata Vergine, SV 206: I. Domine ad adjuvandum me (sex vocibus et sex instrumentis)

Vespro della Beata Vergine, SV 206: II. Antiphon: Emmissiones tuae paradisus - Dixit Dominus (Psalm 109) (sex vocibus et sex instrumentis)

Vespro della Beata Vergine, SV 206: III. Nigra sum (Motetto ad una voce)

Vespro della Beata Vergine, SV 206: IV. Antiphon: Quae est ista - Laudate pueri Dominum (Psalm 112) (octo vocibus)

Vespro della Beata Vergine, SV 206: V. Pulchra es (a due voci)

Vespro della Beata Vergine, SV 206: VI. Antiphon: Sicut lilium inter spinas - Laetatus sum (Psalm 121) (a sei voci)

Vespro della Beata Vergine, SV 206: VII. Duo Seraphim (a tre voci)

Vespro della Beata Vergine, SV 206: VIII. Antiphon: veniat dilectus meus in hortum suum - Nisi Dominus (Psalm 126) (a dieci voci)

Vespro della Beata Vergine, SV 206: IX. Audi Coelum (sex vocibus)

Vespro della Beata Vergine, SV 206: X. Antiphon: Nigra sum - Lauda, Jerusalem (Psalm 147) (septem vocibus)

Vespro della Beata Vergine, SV 206: XI. Sonata sopra Santa Maria pro nobis (a 8)

Vespro della Beata Vergine, SV 206: XII. Ave maris stella Hymnis (octo vocibus)

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIII. Antiphon: Virgo prudentissima

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIII. Magnificat

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIV. Anima mea Dominum (a 2 voci)

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XV. Et exultavit (a 3 voci)

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XVI. Quia respexit (ad una voce sola)

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XVII. Quia fecit (a 6 voci in dialogo)

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XVIII. Et misericordia (a 3 voci)

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIX. Fecit potentiam (a 3 voci)

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XX. Deposuit, et cantano doi (tenore in echo)

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXI. Esurientes (a 2 voci)

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXII. Suscepit Israel (a 2 voci)

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXIII. Sicut locutus est (a 5 voci in dialogo)

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXIV. Gloria Patri (a 6 voci)

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXV. Sicut erat in principio

Matthäus-Passion, BWV 244: Part I. No. 1. Chorus. “Kommt, ihr Töchter helft mir klagen” (chorus I, II, soprano in ripieno)

Matthäus-Passion, BWV 244: Part I. No. 2. Recitative. “Da Jesus diese Rede vollendet hatte” (Evangelist, Jesus)

Matthäus-Passion, BWV 244: Part I. No. 3. Chorale. “Herzliebster Jesu, was hast du verbrochen” (chorus)

Matthäus-Passion, BWV 244: Part I. No. 4. Recitative & Chorus. “Da versammelten sich die Hohepriester” (Evangelist, Jesus, chorus I, II)

Matthäus-Passion, BWV 244: Part I. No. 5. Recitative. “Du lieber Heiland du” (alto)

Matthäus-Passion, BWV 244: Part I. No. 6. Aria. “Buß und Reu” (alto)

Matthäus-Passion, BWV 244: Part I. No. 7. Recitative. “Da ging hin der Zwölfen einer” (Evangelist, Judas)

Matthäus-Passion, BWV 244: Part I. No. 8. Aria. “Blute nur, du liebes Herz!” (soprano)

Matthäus-Passion, BWV 244: Part I. No. 9. Recitative & Chorus. “Aber am ersten Tage der süßen Brot” (Evangelist, Jesus, chorus I)

Matthäus-Passion, BWV 244: Part I. No. 10. Chorale. “Ich bin's, ich sollte büßen” (chorus)

Matthäus-Passion, BWV 244: Part I. No. 11. Recitative. “Er antwortete und sprach” (Evangelist, Jesus, Judas)

Matthäus-Passion, BWV 244: Part I. No. 12. Recitative. “Wiewohl mein Herz in Tränen schwimmt” (soprano)

Matthäus-Passion, BWV 244: Part I. No. 13. Aria. “Ich will dir mein Herz schenken” (soprano)

Matthäus-Passion, BWV 244: Part I. No. 14. Recitative. “Und da sie den Lobgesang gesprochen hatten” (Evangelist, Jesus)

Matthäus-Passion, BWV 244: Part I. No. 15. Chorale. “Erkenne mich, mein Hüter” (chorus)

Matthäus-Passion, BWV 244: Part I. No. 16. Recitative. “Petrus aber antwortete und sprach zu ihm” (Evangelist, Petrus, Jesus)

Matthäus-Passion, BWV 244: Part I. No. 17. Chorale. “Ich will hier bei dir stehen” (chorus)

Matthäus-Passion, BWV 244: Part I. No. 18. Recitative. “Da kam Jesus mit ihnen zu einem Hole” (Evangelist, Jesus)

Matthäus-Passion, BWV 244: Part I. No. 19. Recitative & Chorale. “O Schmerz! Hier zittert das gequälte Herz!” (tenor, chorus II)

Matthäus-Passion, BWV 244: Part I. No. 20. Aria & Chorus. “Ich will bei meinem Jesu wachen” (tenor, chorus II)

Matthäus-Passion, BWV 244: Part I. No. 21. Recitative. “Und ging hin ein wenig” (Evangelist, Jesus)

Matthäus-Passion, BWV 244: Part I. No. 22. Recitative. “Der Heiland fällt vor seinem Vater nieder” (bass)

Matthäus-Passion, BWV 244: Part I. No. 23. Aria. “Gerne will ich mich bequemen” (bass)

Matthäus-Passion, BWV 244: Part I. No. 24. Recitative. “Und er kam zu seinem Jüngen” (Evangelist, Jesus)

Matthäus-Passion, BWV 244: Part I. No. 25. Chorale. “Was emin Gott will, das g'scheh allzeit” (chorus)

Matthäus-Passion, BWV 244: Part I. No. 26. Recitative. “Und er kam und fand sie aber schlafen” (Evangelist, Jesus, Judas)

Matthäus-Passion, BWV 244: Part I. No. 27. Aria (Duet) & Chorus. “So ist mein Jesus nun gefangen” (soprano, alto, chorus I, II)

Matthäus-Passion, BWV 244: Part I. No. 28. Recitative. “Und siehe, einer aus denen” (Evangelist, Jesus)

Matthäus-Passion, BWV 244: Part I. No. 29. Chorale. “O Mensch, bewein' dein' Sünde groß” (chorus)

Matthäus-Passion, BWV 244: Part II. No. 30. Aria & Chorus. “Ach, nun ist mein Jesus hin!” (alto, chorus II)

Matthäus-Passion, BWV 244: Part II. No. 31. Recitative. “Die aber Jesum gegriffen hatten” (Evangelist)

Matthäus-Passion, BWV 244: Part II. No. 32. Chorale. “Mir hat die Welt trüglich gericht” (chorus)

Matthäus-Passion, BWV 244: Part II. No. 33. Recitative. “Und wiewohl viel falsche” (Evangelist, Witnesses, High Priest)

Matthäus-Passion, BWV 244: Part II. No. 34. Recitative. “Mein Jesus schweigt zu falschen Lügen stille” (tenor)

Matthäus-Passion, BWV 244: Part II. No. 35. Aria. “Geduld!” (tenor)

Matthäus-Passion, BWV 244: Part II. No. 36. Recitative & Chorus. “Und der Hohepriester antwort” (Evangelist, High Priest, Jesus, chorus I, II)

Matthäus-Passion, BWV 244: Part II. No. 37. Chorale. “Wer hat dich so geschlagen” (chorus)

Matthäus-Passion, BWV 244: Part II. No. 38. Recitative & Chorus. “Petrus aber saß draußen im Palast” (Evangelist, Maids I/II, Petrus, chorus II)

Matthäus-Passion, BWV 244: Part II. No. 39. Aria. “Erbarme dich” (alto)

Matthäus-Passion, BWV 244: Part II. No. 40. Chorale. “Bin ich gleich von dir gewichen” (chorus)

Matthäus-Passion, BWV 244: Part II. No. 41. Recitative & Chorus. “Des Morgens aber hielten alle Hohepriester” (Evangelist, Judas, High Priest I, II)

Matthäus-Passion, BWV 244: Part II. No. 42. Aria. “Gebt mir meinen Jesum wieder” (bass)

Matthäus-Passion, BWV 244: Part II. No. 43. Recitative. “Sie hielten aber einen Rat” (Evangelist, Pilatus, Jesus)

Matthäus-Passion, BWV 244: Part II. No. 44. Chorale. “Befiehl du deine Wege” (chorus)

Matthäus-Passion, BWV 244: Part II. No. 45. Recitative & Chorus. “Auf das Fest aber hatte der Landpfleger” (Evangelist, Pilatus, Pilatus' wife, chorus I, II)

Matthäus-Passion, BWV 244: Part II. No. 46. Chorale. “Wie wunderbarlich ist doch diese Strafe” (chorus)

Matthäus-Passion, BWV 244: Part II. No. 47. Recitative. “Der Landpfleger sagte” (Evangelist, Pilatus)

Matthäus-Passion, BWV 244: Part II. No. 48. Recitative. “Er hat uns allen wohlgetan” (soprano)

Matthäus-Passion, BWV 244: Part II. No. 49. Aria. “Aus Liebe will mein Heiland sterben” (soprano)

Matthäus-Passion, BWV 244: Part II. No. 50. Recitative & Chorus. “Sie schrien aber noch mehr” (Evangelist, Pilatus, chorus I, II)

Matthäus-Passion, BWV 244: Part II. No. 51. Recitative. “Erbarm' es Gott” (alto)

Matthäus-Passion, BWV 244: Part II. No. 52. Aria. “Können Tränen meinen Wangen” (alto)

Matthäus-Passion, BWV 244: Part II. No. 53. Recitative & Chorus. “Da nahmen die Kriegsknechte” (Evangelist, chorus I, II)

Matthäus-Passion, BWV 244: Part II. No. 54. Chorale. “O Haupt voll Blut und Wunden” (chorus)

Matthäus-Passion, BWV 244: Part II. No. 55. Recitative. “Und da sie ihn versottet hatten” (Evangelist)

Matthäus-Passion, BWV 244: Part II. No. 56. Recitative. “Ja freilich will in uns das Fleisch und Blut” (bass)

Matthäus-Passion, BWV 244: Part II. No. 57. Aria. “Komm, süßes Kreuz, so will ich sagen” (bass)

Matthäus-Passion, BWV 244: Part II. No. 58. Recitative & Chorus. “Und da sie an die Stätte kamen” (Evangelist, chorus I, II)

Matthäus-Passion, BWV 244: Part II. No. 59. Recitative. “Ach Golgotha” (alto)

Matthäus-Passion, BWV 244: Part II. No. 60. Aria & Chorus. “Sehet, Jesus hat die Hand” (alto, chorus II)

Matthäus-Passion, BWV 244: Part II. No. 61. Recitative & Chorus. “Und von der sechsten Stunde an” (Evangelist)

Matthäus-Passion, BWV 244: Part II. No. 62. Chorale. “Wenn ich einmal soll scheiden” (soprano, flute and continuo)

Matthäus-Passion, BWV 244: Part II. No. 63. Recitative & Chorus. “Und siehe da, der Vorhang im Tempel zerriß” (Evangelist, Jesus, chorus I, II)

Matthäus-Passion, BWV 244: Part II. No. 64. Recitative. “Am Abend, da es kühle war” (bass)

Matthäus-Passion, BWV 244: Part II. No. 65. Aria. “Mache dich, mein Herze, rein” (bass)

Matthäus-Passion, BWV 244: Part II. No. 66. Recitative & Chorus. “Und Joseph nahm den Leib” (Evangelist, Pilatus, chorus I, II)

Matthäus-Passion, BWV 244: Part II. No. 67. Recitative & Chorus. “Nun ist der Herr zur Ruh gebracht” (bass, tenor, alto, soprano, chorus II)

Matthäus-Passion, BWV 244: Part II. No. 68. Chorus. “Wir setzen uns mit Tränen nieder” (chorus I, II)

Weihnachtsoratorium, BWV 248: Part I. No. 1. Chorus “Jauchzet, frohlocket, auf, preiset die Tage” (chorus)

Weihnachtsoratorium, BWV 248: Part I. No. 2. Recitative. “Es begab sich aber zu der Zeit” (Evangelist)

Weihnachtsoratorium, BWV 248: Part I. No. 3. Recitative. “Nun wird mein liebster Bräutigam” (alto)

Weihnachtsoratorium, BWV 248: Part I. No. 4. Aria. “Bereite dich, Zion, mit zärtlichen Trieben” (alto)

Weihnachtsoratorium, BWV 248: Part I. No. 5. Chorale. “Wie soll ich dich empfangen” (chorus)

Weihnachtsoratorium, BWV 248: Part I. No. 6. Recitative. “Und sie gebar ihren ersten Sohn” (Evangelist)

Weihnachtsoratorium, BWV 248: Part I. No. 7. Chorale. “Er ist auf Erden kommen arm” (chorus) - Recitative. “Wer will die Liebe” (bass)

Weihnachtsoratorium, BWV 248: Part I. No. 8. Aria. “Großer Herr, o starker König” (bass)

Weihnachtsoratorium, BWV 248: Part I. No. 9. Chorale. “Ach mein herzliebes Jesulein” (chorus)

Weihnachtsoratorium, BWV 248: Part II. No. 10. Sinfonia

Weihnachtsoratorium, BWV 248: Part II. No. 11. Recitative. “Und es waren Hirten in derselben Gegend” (Evangelist)

Weihnachtsoratorium, BWV 248: Part II. No. 12. Chorale. “Brich an, o schönes Morgenlicht” (chorus)

Weihnachtsoratorium, BWV 248: Part II. No. 13. Recitative. “Und der Engel sprach zu ihnen” (Evangelist, Angelus)

Weihnachtsoratorium, BWV 248: Part II. No. 14. Recitative. “Was Gott dem Abraham verheißen” (bass)

Weihnachtsoratorium, BWV 248: Part II. No. 15. Aria. “Frohe Hirten, eilt, ach eilet” (tenor)

Weihnachtsoratorium, BWV 248: Part II. No. 16. Recitative. “Und das habt zum Zeichen” (Evangelist)

Weihnachtsoratorium, BWV 248: Part II. No. 17. Chorale. “Schaut hin, dort liegt im finstern Stall” (chorus)

Weihnachtsoratorium, BWV 248: Part II. No. 18. Recitative. “So geht denn hin” (bass)

Weihnachtsoratorium, BWV 248: Part II. No. 19. Aria. “Schlafe, mein Liebster” (alto)

Weihnachtsoratorium, BWV 248: Part II. No. 20. Recitative. “Und alsobald war da bei dem Engel” (Evangelist)

Weihnachtsoratorium, BWV 248: Part II. No. 21. Chorus. “Ehre sei Gott in der Höhe” (chorus)

Weihnachtsoratorium, BWV 248: Part II. No. 22. Recitative. “So recht, ihr Engel” (bass)

Weihnachtsoratorium, BWV 248: Part II. No. 23. Chorale. “Wir singen dir in deinem Heer” (chorus)

Weihnachtsoratorium, BWV 248: Part III. No. 24. Chorus. “Herrscher des Himmels, erhöre das Lallen” (chorus)

Weihnachtsoratorium, BWV 248: Part III. No. 25. Recitative. “Und da die Engel von ihnen gen Himmel führen” (Evangelist)

Weihnachtsoratorium, BWV 248: Part III. Nos. 26-27. Chorus & Recitative. “Lasset uns nun gehen gen Bethlehem” / No. 28. Chorale. “Dies hat er alles uns getan” (chorus, bass)

Weihnachtsoratorium, BWV 248: Part III. No. 29. Duet. “Herr, dein Mitleid, dein Erbarmen” (soprano, bass)

Weihnachtsoratorium, BWV 248: Part III. No. 30. Recitative. “Und sie kamen eilend” (Evangelist)

Weihnachtsoratorium, BWV 248: Part III. No. 31. Aria. “Schließe, mein Herze, dies selige Wunder” (alto)

Weihnachtsoratorium, BWV 248: Part III. No. 32. Recitative. “Ja, ja, mein Herz” (alto)

Weihnachtsoratorium, BWV 248: Part III. No. 33. Chorale. “Ich will dich mit Fleiß bewahren” / No. 34. Recitative. “Und die Hirten kehrten wieder um” (chorus, Evangelist)

Weihnachtsoratorium, BWV 248: Part III. No. 35. Chorale. “Seid froh dieweil” (chorus)

Weihnachtsoratorium, BWV 248: Part III. No. 24. Chorus da capo. “Herrscher des Himmels, erhöre das Lallen” (chorus)

Weihnachtsoratorium, BWV 248: Part IV. No. 36. Chorus. “Fallt mit Danken, fallt mit Loben” (chorus)

Weihnachtsoratorium, BWV 248: Part IV. No. 37. Recitative. “Und da acht Tage um waren” (Evangelist)

Weihnachtsoratorium, BWV 248: Part IV. No. 38. Recitative & Arioso-Chorale. “Immaneuel, o süßes Wort” (bass, soprano)

Weihnachtsoratorium, BWV 248: Part IV. No. 39. Aria. “Flößt, mein Heiland” (soprano, echo soprano)

Weihnachtsoratorium, BWV 248: Part IV. No. 40. Recitative & Arioso-Chorale. “Wohlan, dein Name soll allein” (bass, soprano)

Weihnachtsoratorium, BWV 248: Part IV. No. 41. Aria. “Ich will nur dir zu Ehren leben” (tenor)

Weihnachtsoratorium, BWV 248: Part IV. No. 42. Chorale. “Jesus richte mein Beginnen” (chorus)

Weihnachtsoratorium, BWV 248: Part V. No. 43. Chorus. “Ehre sei dir, Gott, gesungen” (chorus)

Weihnachtsoratorium, BWV 248: Part V. No. 44. Recitative. “Da Jesus geboren war zu Bethlehem” / No. 45. Chorus & Recitative. “Wo ist der neugeborne König der Juden” (Evangelist, alto, chorus)

Weihnachtsoratorium, BWV 248: Part V. No. 46. Chorale. “Dein Glanz all Finsternis verzehrt” (chorus)

Weihnachtsoratorium, BWV 248: Part V. No. 47. Aria. “Erleucht, auch meine finstre Sinnen” (bass)

Weihnachtsoratorium, BWV 248: Part V. No. 48. Recitative. “Da das der König” / No. 49. Recitative. “Warum wollt ihr erschrecken” / No. 50. Recitative. “Und ließ versammeln” (Evangelist, alto)

Weihnachtsoratorium, BWV 248: Part V. No. 51. Trio. “Ach, wenn wird die Zeit erscheinen?” (soprano, alto, tenor)

Weihnachtsoratorium, BWV 248: Part V. No. 52. Recitative. “Mein Liebster herrschet schon” (alto)

Weihnachtsoratorium, BWV 248: Part V. No. 53. Chorale. “Zwar ist solche Herzensstube” (chorus)

Weihnachtsoratorium, BWV 248: Part VI. No. 54. Chorus. “Herr, wenn die stolzen Feinde schnauben” (chorus)

Weihnachtsoratorium, BWV 248: Part VI. No. 55. Recitative. “Da bereif Herodes die Weisen heimlich” (Evangelist, bass)

Weihnachtsoratorium, BWV 248: Part VI. No. 56. Recitative. “Du Falscher, suche nur den Herrn zu fällen” (soprano)

Weihnachtsoratorium, BWV 248: Part VI. No. 57. Aria. “Nur ein Wink von seinen Händen” (soprano)

Weihnachtsoratorium, BWV 248: Part VI. No. 58. Recitative. “Als sie nun den König gehöret hatten” (Evangelist)

Weihnachtsoratorium, BWV 248: Part VI. No. 59. Chorale. “Ich steh an deiner Krippen hier” (chorus)

Weihnachtsoratorium, BWV 248: Part VI. No. 60. Recitative. “Und Gott befahl ihnen im Traum” (Evangelist)

Weihnachtsoratorium, BWV 248: Part VI. No. 61. Recitative. “So geht! Genug, mein Schatz geht nicht von hier” (tenor)

Weihnachtsoratorium, BWV 248: Part VI. No. 62. Aria. “Nun mögt ihr stolzen Feinde schrecken” (tenor)

Weihnachtsoratorium, BWV 248: Part VI. No. 63. Recitative. “Was will der Höllen Schrecken nun” (soprano, alto, tenor, bass)