The Complete Columbia, CBS and Sony Recordings

Power of Love

Vision Is a Naked Sword

Smile of the Beyond

Wings of Karma

Hymn to Him

Elephant Steps: A Fearful Radio Show: Elephant Drone – Elephants

Elephant Steps: A Fearful Radio Show: Elephant Heartbeats

Elephant Steps: A Fearful Radio Show: Don’t You Believe? – My Ears

Elephant Steps: A Fearful Radio Show: All Shook Up

Elephant Steps: A Fearful Radio Show: Read My Palms – My Hands Are Inside the Wall – Gavotte

Elephant Steps: A Fearful Radio Show: Read My Palm – Watch Me Move – I’m No Closer – Look at My Hands

Elephant Steps: A Fearful Radio Show: Stop Seeing Reinhardt

Elephant Steps: A Fearful Radio Show: Entr’Acte – Watch Me Put My Right Foot

Elephant Steps: A Fearful Radio Show: I Am No Longer Beautiful – Beautiful as Is

Elephant Steps: A Fearful Radio Show: We Sit in the Window

Elephant Steps: A Fearful Radio Show: Gypsy Tango – Shoot Them

Elephant Steps: A Fearful Radio Show: You’re on the Radio – Radio Waves

Elephant Steps: A Fearful Radio Show: Dreaming of Reinhardt

Elephant Steps: A Fearful Radio Show: Midnight Sun

Elephant Steps: A Fearful Radio Show: Photograph Song

Elephant Steps: A Fearful Radio Show: Madrigals

Elephant Steps: A Fearful Radio Show: Vaudeville Chase – Stirring Soup – A Strange Thing

Elephant Steps: A Fearful Radio Show: Finale

Carmina Burana: Fortuna Imperatrix Mundi: no. 1 “O Fortuna”

Carmina Burana: Fortuna Imperatrix Mundi: no. 2 “Fortune plango vulnera”

Carmina Burana: I. Primo vere: no. 3 “Veris leta facies”

Carmina Burana: I. Primo vere: no. 4 “Omnia Sol temperat”

Carmina Burana: I. Primo vere: no. 5. “Ecce gratum”

Carmina Burana: Uf dem anger: no. 6 Dance

Carmina Burana: Uf dem anger: no. 7 “Floret silva nobilis”

Carmina Burana: Uf dem anger: no. 8 “Chramer, gip die varwe mir”

Carmina Burana: Uf dem anger: no. 9a Reie

Carmina Burana: Uf dem anger: no. 9b “Swaz hie gat umbe” – “Chume, chum geselle min” – “Swaz hie gat umbe”

Carmina Burana: Uf dem anger: no. 10 “Were diu werlt alle min”

Carmina Burana: II. In taberna: no. 11 “Estuans interius”

Carmina Burana: II. In taberna: no. 12 “Olim lacus colueram”

Carmina Burana: II. In taberna: no. 13 “Ego sum abbas”

Carmina Burana: II. In taberna: no. 14 “In taberna quando sumus”

Carmina Burana: III. Cour d’amours: no. 15 “Amor volat undique”

Carmina Burana: III. Cour d’amours: no. 16 “Dies, nox et omnia”

Carmina Burana: III. Cour d’amours: no. 17 “Stetit puella”

Carmina Burana: III. Cour d’amours: no. 18 “Circa mea pectora”

Carmina Burana: III. Cour d’amours: no. 19 “Si puer cum puellula”

Carmina Burana: III. Cour d’amours: no. 20 “Veni, veni, venias”

Carmina Burana: III. Cour d’amours: no. 21 “In trutina”

Carmina Burana: III. Cour d’amours: no. 22 “Tempus est iocundum”

Carmina Burana: III. Cour d’amours: no. 23 “Dulcissime”

Carmina Burana: Blanziflor et Helena: no. 24 “Ave, formosissima”

Carmina Burana: Fortuna Imperatrix Mundi: no. 25 “O Fortuna”

König Stephan, op. 117: Overture. Andante con moto – Presto

König Stephan, op. 117: Chorus: “Ruhen von seinen Thaten”

König Stephan, op. 117: Chorus: “Auf dunkelm Irrweg in finstern Hainen”

König Stephan, op. 117: Siegesmarsch

König Stephan, op. 117: Chorus: “Wo die Unschuld Blumen streute”

König Stephan, op. 117: Chorus: “Eine neue strahlende Sonne”

König Stephan, op. 117: Melodrama

König Stephan, op. 117: Geistlicher Marsch / Chorus: “Heil unserm Könige”

König Stephan, op. 117: Chorus: “Heil! Heil!”

Elegischer Gesang, op. 118

Opferlied, op. 121b

Bundeslied, op. 122

Meeresstille und glückliche Fahrt, op. 112

Rhapsody in Blue

An American in Paris

The American Flag, op. 102: I. The Colors of the Flag

The American Flag, op. 102: II. First Hymn to the Eagle

The American Flag, op. 102: III. Second Hymn to the Eagle

The American Flag, op. 102: IV. Orchestral Interlude: March

The American Flag, op. 102: V. First Address to the Flag [The Foot‐Soldier]

The American Flag, op. 102: VI. Second Address to the Flag [The Cavalryman]

The American Flag, op. 102: VII. Third Address to the Flag [The Sailor]

The American Flag, op. 102: VIII. Apotheosis [Prophetic]

Suite in A Major, op. 98a, B. 190 “American”: I. Andante con moto

Suite in A Major, op. 98a, B. 190 “American”: II. Allegro

Suite in A Major, op. 98a, B. 190 “American”: III. Moderato alla polacca

Suite in A Major, op. 98a, B. 190 “American”: IV. Andante

Suite in A Major, op. 98a, B. 190 “American”: V. Allegro

Overture to “Oh, Kay!”

Overture to “Funny Face”

Overture to “Girl Crazy”

Overture to “Strike Up the Band”

Overture to “Of Thee I Sing”

Overture to “Let ’em Eat Cake”

Toys (for voice and piano)

Vôx Clamans in Deserto (for chamber orchestra and mezzo-soprano): I. Parting at Morning

Vôx Clamans in Deserto (for chamber orchestra and mezzo-soprano): II. Son of Mine

Vôx Clamans in Deserto (for chamber orchestra and mezzo-soprano): III. A Clear Midnight

Men

Angels (original trumpet version)

Men and Mountains: I. Men

Men and Mountains: II. Lilacs

Men and Mountains: III. Marching Mountains

Angels (trumpet/trombone version)

Sun-Treader

Portals (for string orchestra)

Evocations (original piano version): I. Largo

Evocations (original piano version): II. Andante con fantasia

Evocations (original piano version): III. Moderato appassionato

Evocations (original piano version): IV. Adagio sostenuto

Evocations (orchestral version): I. Largo

Evocations (orchestral version): II. Andante con fantasia

Evocations (orchestral version): III. Moderato appassionato

Evocations (orchestral version): IV. Adagio sostenuto

Organum

Exaltation

Orchestral Suite no. 3 in G major, op. 55: I. Elégie. Andante molto cantabile

Orchestral Suite no. 3 in G major, op. 55: II. Valse mélancolique. Allegro moderato

Orchestral Suite no. 3 in G major, op. 55: III. Scherzo. Presto

Orchestral Suite no. 3 in G major, op. 55: IV. Tema con variazioni. Andante con moto

Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country”

Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook”

Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk”

Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm”

Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm”

Feste romane: I. Circenses

Feste romane: II. The Jubilee

Feste romane: III. The October Festival

Feste romane: IV. The Epiphany

Fountains of Rome: I. The Fountain of Valle Giulia at Dawn

Fountains of Rome: II. The Triton Fountain in the Morning

Fountains of Rome: III. The Fountain of Trevi at Midday

Fountains of Rome: IV. The Villa Medici Fountain at Sunset

Manfred Symphony in B minor, op. 58: I. Lento lugubre

Manfred Symphony in B minor, op. 58: II. Vivace con spirito

Manfred Symphony in B minor, op. 58: III. Andante con moto

Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco

Orchestral Suite no. 2 in C major, op. 53 "Suite caractéristique": I. Jeu de Sons

Orchestral Suite no. 2 in C major, op. 53 "Suite caractéristique": II. Valse

Orchestral Suite no. 2 in C major, op. 53 "Suite caractéristique": III. Scherzo burlesque

Orchestral Suite no. 2 in C major, op. 53 "Suite caractéristique": IV. Rêves d'enfant

Orchestral Suite no. 2 in C major, op. 53 "Suite caractéristique": V. Danse baroque

Orchestral Suite no. 4 in G major, op. 61 "Mozartiana": I. Gigue

Orchestral Suite no. 4 in G major, op. 61 "Mozartiana": II. Menuet

Orchestral Suite no. 4 in G major, op. 61 "Mozartiana": III. Preghiera

Orchestral Suite no. 4 in G major, op. 61 "Mozartiana": IV. Théme et variations

Petrouchka: Scene I. The Shrovetide Fair

Petrouchka: Scene I. The Magic Trick

Petrouchka: Scene I. Russian Dance

Petrouchka: Scene II. Petrouchka’s Room

Petrouchka: Scene III. The Moor’s Room

Petrouchka: Scene III. Dance of the Ballerina

Petrouchka: Scene III. Waltz. The Ballerina and the Moor

Petrouchka: Scene IV. The Shrovetide Fair

Petrouchka: Scene IV. The Wet Nurses’ Dance

Petrouchka: Scene IV. The Peasant and the Bear

Petrouchka: Scene IV. The Jovial Merchant with Two Gypsy Girls

Petrouchka: Scene IV. Dance of the Coachmen and the Grooms

Petrouchka: Scene IV. The Masqueraders

Petrouchka: Scene IV. The Fight. The Moor and Petrouchka

Petrouchka: Scene IV. Death of Petrouchka

Petrouchka: Scene IV. The Police and the Juggler

Petrouchka: Scene IV. Apparition of Petrouchka’s Ghost

Scherzo à la russe

Medley from Porgy and Bess: Introduction - Summertime - It Ain’t Necessarily So - I Loves You, Porgy

Medley: But Not for Me - Love Is Here to Stay - Embraceable You - Someone to Watch Over Me

Sweet and Low-Down

Fascinating Rhythm

Do It Again!

My Man’s Gone Now

The Man I Love

Medley: Nice Work If You Can Get It - They Can’t Take That Away From Me - ’S Wonderful - Swanee - Strike Up the Band

Encore: I’ve Got a Crush on You - A Foggy Day

Symphony no. 4 in B‐flat major, op. 60: I. Adagio – Allegro vivace

Symphony no. 4 in B‐flat major, op. 60: II. Adagio

Symphony no. 4 in B‐flat major, op. 60: III. Allegro vivace

Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo

Scene and Aria for Soprano and Orchestra, op. 65 “Ah! perfido!”

Symphony no. 2: I. Andante moderato

Symphony no. 2: II. Allegro

Symphony no. 2: III. Adagio cantabile - Andante

Symphony no. 2: IV. Lento maestoso

Symphony no. 2: V. Allegro molto vivace

Lieutenant Kijé Suite, op. 60: I. The Birth of Kijé

Lieutenant Kijé Suite, op. 60: II. Romance

Lieutenant Kijé Suite, op. 60: III. The Wedding of Kijé

Lieutenant Kijé Suite, op. 60: IV. Troika

Lieutenant Kijé Suite, op. 60: V. Burial of Kijé

Suite from "The Love for Three Oranges", op. 33a: I. Les ridicules

Suite from "The Love for Three Oranges", op. 33a: II. Le magicien Tchélo et Fata Morgana jouent aux cartes (Scène infernale)

Suite from "The Love for Three Oranges", op. 33a: III. Marche

Suite from "The Love for Three Oranges", op. 33a: IV. Scherzo

Suite from "The Love for Three Oranges", op. 33a: V. Le prince et la princesse

Suite from "The Love for Three Oranges", op. 33a: VI. La fuite

Overture in B-flat major, op. 42 “American”

Symphony no. 5 in C minor, op. 67: I. Allegro con brio

Symphony no. 5 in C minor, op. 67: II. Andante con moto

Symphony no. 5 in C minor, op. 67: III. Allegro

Symphony no. 5 in C minor, op. 67: IV. Allegro

Egmont Overture, op. 84

La Mer, L. 109 : I. De l'aube à midi sur la mer

La Mer, L. 109 : II. Jeux de vagues

La Mer, L. 109 : III. Dialogue du vent et de la mer

Nocturnes, L. 91 : I. Nuages

Nocturnes, L. 91 : II. Fêtes

Nocturnes, L. 91 : III. Sirènes

Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato

Concerto for Violin and Orchestra in E minor, op. 64: II. Andante

Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo – Allegro molto vivace

Concerto for Violin and Orchestra no. 3 in B minor, op. 61: I. Allegro non troppo

Concerto for Violin and Orchestra no. 3 in B minor, op. 61: II. Andantino quasi allegretto

Concerto for Violin and Orchestra no. 3 in B minor, op. 61: III. Molto moderato e maestoso – Allegro non troppo

Symphony no. 7 in A major, op. 92: I. Poco sostenuto, Vivace

Symphony no. 7 in A major, op. 92: II. Allegretto

Symphony no. 7 in A major, op. 92: III. Presto

Symphony no. 7 in A major, op. 92: IV. Allegro con brio

Symphony no. 3 “The Camp meeting”: I. Old Folks Gatherin’. Andante maestoso

Symphony no. 3 “The Camp meeting”: II. Children’s Day. Allegro

Symphony no. 3 “The Camp meeting”: III. Communion. Largo

Orchestral Set no. 2: I. An Elegy to Our Forefathers. Very slowly

Orchestral Set no. 2: II. The Rockstrewn Hills Join in the People’s Outdoor Meeting. Allegro

Orchestral Set no. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose. Very slowly

West Side Story: Prologue

West Side Story: Something’s Coming

West Side Story: Maria

West Side Story: Tonight (Balcony Scene)

West Side Story: Cool

West Side Story: One Hand, One Heart

West Side Story: I Feel Pretty

West Side Story: Somewhere

On the Town: Subway Ride

On the Town: Some Other Time

Mass: A Simple Song

Mass: Pax: Communion (“Secret Songs”)

Rhapsody in Blue

3 Preludes for Piano

Short Story

Melody no. 40 “Violin Piece”

Second Rhapsody for Orchestra with Piano

Melody no. 79 “For Lily Pons”

Melody no. 17 “Sleepless Night”

Promenade (“Walking the Dog”)

Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio

Symphony no. 2 in D major, op. 36: II. Larghetto

Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro – Trio

Symphony no. 2 in D major, op. 36: IV. Allegro molto

Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio

Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto

Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace – Trio

Symphony no. 1 in C major, op. 21: IV. Finale. Adagio – Allegro molto e vivace

Piano Quartet In G minor, op. 25: I. Allegro

Piano Quartet In G minor, op. 25: II. Intermezzo. Allegro ma non troppo

Piano Quartet In G minor, op. 25: III. Andante con moto

Piano Quartet In G minor, op. 25: IV. Rondo alla Zingarese. Presto

Chorale Prelude “Schmücke dich, o liebe Seele”, BWV 654

Chorale Prelude “Komm, Gott Schopfer, Heiliger Geist”, BWV 631

Symphony no. 8 in F major, op. 93: I. Allegro vivace con brio

Symphony no. 8 in F major, op. 93: II. Allegretto scherzando

Symphony no. 8 in F major, op. 93: III. Tempo di menuetto

Symphony no. 8 in F major, op. 93: IV. Allegro vivace

Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso

Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace

Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile

Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto -

Symphony no. 9 in D minor, op. 125 “Choral”: Rezitativo: "O Freunde, nicht diese Töne!"

Old American Songs, Set I: no. 1. The Boatmen’s Dance

Old American Songs, Set I: no. 2. The Dodger

Old American Songs, Set I: no. 3. Long Time Ago

Old American Songs, Set I: no. 4. Simple Gifts

Old American Songs, Set I: no. 5. I Bought Me a Cat

Old American Songs, Set II: no. 1. The Little Horses

Old American Songs, Set II: no. 2. Zion’s Walls

Old American Songs, Set II: no. 3. The Golden Willow Tree

Old American Songs, Set II: no. 4. At The River

Old American Songs, Set II: no. 5. Ching‐a‐ring Chaw

Canticle of Freedom

Four Motets: no. 1. Help Us, O Lord

Four Motets: no. 2. Thou, O Jehovah, Abideth Forever

Four Motets: no. 3. Have Mercy on Us, O my Lord

Four Motets: no. 4. Sing Ye Praises to Our King

Of Thee I Sing: Overture

Of Thee I Sing: Wintergreen for President

Of Thee I Sing: Who Is the Lucky Girl to Be?

Of Thee I Sing: The Dimple on My Knee

Of Thee I Sing: Because, Because

Of Thee I Sing: Never Was There a Girl So Fair

Of Thee I Sing: Some Girls Can Bake a Pie

Of Thee I Sing: Love Is Sweeping the Country

Of Thee I Sing: Of Thee I Sing

Of Thee I Sing: Supreme Court Judges

Of Thee I Sing: A Kiss for Cinderella – Some Girls Can Bake a Pie (Reprise) – Of Thee I Sing (Reprise)

Of Thee I Sing: Hello, Good Morning

Of Thee I Sing: Who Cares?

Of Thee I Sing: The Illegitimate Daughter – Because, Because (Reprise)

Of Thee I Sing: Who Cares? (Reprise)

Of Thee I Sing: The Senator from Minnesota

Of Thee I Sing: The Senate

Of Thee I Sing: Jilted – I’m About to Be a Mother

Of Thee I Sing: Posterity Is Just Around the Corner

Of Thee I Sing: Trumpeter Blow Your Golden Horn

Of Thee I Sing: Finale Ultimo

Of Thee I Sing: Of Thee I Sing (Reprise)

Let ’Em Eat Cake: Overture

Let ’Em Eat Cake: Tweedledee for President

Let ’Em Eat Cake: Union Square

Let ’Em Eat Cake: Store Scene: Shirts by the Millions

Let ’Em Eat Cake: Comes the Revolution

Let ’Em Eat Cake: Mine

Let ’Em Eat Cake: Climb Up the Social Ladder (The New Blue D.A.R.)

Let ’Em Eat Cake: The Union League (Cloistered from the City Noise)

Let ’Em Eat Cake: On and On and On

Let ’Em Eat Cake: Introduction

Let ’Em Eat Cake: I’ve Brushed My Teeth

Let ’Em Eat Cake: The General’s Gone to a Party

Let ’Em Eat Cake: Mothers of the Nation

Let ’Em Eat Cake: Let ’Em Eat Cake

Let ’Em Eat Cake: Blue, Blue, Blue

Let ’Em Eat Cake: Who’s the Greatest?

Let ’Em Eat Cake: The League of Nations

Let ’Em Eat Cake: No Comprenez, No Capish, No Versteh?

Let ’Em Eat Cake: When Nations Get Together

Let ’Em Eat Cake: Why Speak of Money? – Who’s the Greatest? (Reprise)

Let ’Em Eat Cake: Up and at ’Em

Let ’Em Eat Cake: The Trial of Throttlebottom: That’s What He Did

Let ’Em Eat Cake: I Know a Foul Ball

Let ’Em Eat Cake: Throttle Throttlebottom

Let ’Em Eat Cake: The Trial of Wintergreen: It Isn’t What You Did

Let ’Em Eat Cake: Mine (Reprise)

Let ’Em Eat Cake: First Lady and First Gent

Let ’Em Eat Cake: Hanging Throttlebottom in the Morning

Let ’Em Eat Cake: Fashion Show

Let ’Em Eat Cake: Finale Ultimo – Of Thee I Sing (Reprise)

A Symphony: New England Holidays, S. 5: I. Winter: Washington's Birthday

A Symphony: New England Holidays, S. 5: II. Spring: Decoration Day

A Symphony: New England Holidays, S. 5: III. Summer: The Fourth of July

A Symphony: New England Holidays, S. 5: IV. Autumn: Thanksgiving and Forefathers' Day

The Unanswered Question, S. 50 (revised version)

Central Park in the Dark, S. 34

The Unanswered Question, S. 50 (original version)

Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio

Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai

Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace – Trio

Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto – Poco Andante – Presto

12 Contredanses for Orchestra, WoO 14: no. 1 in C major

12 Contredanses for Orchestra, WoO 14: no. 2 in A major

12 Contredanses for Orchestra, WoO 14: no. 3 in D major

12 Contredanses for Orchestra, WoO 14: no. 4 in B‐flat major

12 Contredanses for Orchestra, WoO 14: no. 5 in E‐flat major

12 Contredanses for Orchestra, WoO 14: no. 6 in C major

12 Contredanses for Orchestra, WoO 14: no. 7 in E‐flat major

12 Contredanses for Orchestra, WoO 14: no. 8 in C major

12 Contredanses for Orchestra, WoO 14: no. 9 in A major

12 Contredanses for Orchestra, WoO 14: no. 10 in C major

12 Contredanses for Orchestra, WoO 14: no. 11 in G major

12 Contredanses for Orchestra, WoO 14: no. 12 in E‐flat major

Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden

Symphony no. 3 in D minor, Part I: I. Langsam. Schwer

Symphony no. 3 in D minor, Part I: I. Tempo I

Symphony no. 3 in D minor, Part I: I. A Tempo

Symphony no. 3 in D minor, Part I: I. Immer dasselbe Tempo (Marsch)

Symphony no. 3 in D minor, Part I: I. Allegro Moderato

Symphony no. 3 in D minor, Part I: I. Tempo I

Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto. Sehr mäßig

Symphony no. 3 in D minor, Part II: II. A Tempo.

Symphony no. 3 in D minor, Part II: II. Ganz plötzlich gemächlich. Tempo di Menuetto

Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando. Ohne Hast

Symphony no. 3 in D minor, Part II: III. Wieder sehr gemächlich, wie zu Anfang

Symphony no. 3 in D minor, Part II: III. Sehr gemächlich (Posthorn)

Symphony no. 3 in D minor, Part II: III. Tempo I

Symphony no. 3 in D minor, Part II: III. Wieder sehr gemächlich, beinahe langsam

Symphony no. 3 in D minor, Part II: IV. Sehr Langsam. Misterioso. Durchaus ppp “O Mensch! Gib Acht!”

Symphony no. 3 in D minor, Part II: IV. Più mosso subito

Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck Im Ausdruck “Es sungen drei Engel”

Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden

Symphony no. 3 in D minor, Part II: VI. Nicht mehr so breit

Symphony no. 3 in D minor, Part II: VI. Tempo I. Ruhevoll

Symphony no. 3 in D minor, Part II: VI. A Tempo (Etwas bewegter)

Symphony no. 3 in D minor, Part II: VI. Tempo I

Symphony no. 3 in D minor, Part II: VI. Langsam. Tempo I

Rückert‐Lieder: Ich atmet’ einen linden Druft

Rückert‐Lieder: Blicke mir nicht in die Lieder!

Rückert‐Lieder: Um Mitternacht

Rückert‐Lieder: Liebst du um Schönheit

Rückert‐Lieder: Ich bin der Welt abhanden gekommen

Die Sieben Todsünden: Prologue

Die Sieben Todsünden: I. Faulheit

Die Sieben Todsünden: II. Stolz

Die Sieben Todsünden: III. Zorn

Die Sieben Todsünden: IV. Völlerei

Die Sieben Todsünden: V. Unzucht

Die Sieben Todsünden: VI. Habsucht

Die Sieben Todsünden: VII. Neid

Die Sieben Todsünden: Epilogue

Kleine Dreigroschenmusik: I. Overture

Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer

Kleine Dreigroschenmusik: III. Anstatt-dass-Song

Kleine Dreigroschenmusik: IV. Die Ballade vom angenehmen Leben

Kleine Dreigroschenmusik: V. Pollys Lied

Kleine Dreigroschenmusik: VI. Tango-Ballade

Kleine Dreigroschenmusik: VII. Kanonen-Song

Kleine Dreigroschenmusik: VIII. Dreigroschen-Finale

Ma mère l’Oye, M. 60 : Prélude

Ma mère l’Oye, M. 60 : Tableau I : Danse du rouet et scène

Ma mère l’Oye, M. 60 : Tableau II : Pavane de la Belle au bois dormant

Ma mère l’Oye, M. 60 : Tableau III : Les Entretiens de la Belle et de la Bête

Ma mère l’Oye, M. 60 : Tableau IV : Petit Poucet

Ma mère l’Oye, M. 60 : Tableau V : Laideronnette, impératrice des pagodes

Ma mère l’Oye, M. 60 : Apothéose : Le Jadin féerique

Fanfare from ballet “L’Éventail de Jeanne”, M. 80/1

Rapsodie espagnole, M. 54 : I. Prélude à la nuit

Rapsodie espagnole, M. 54 : II. Malagueña

Rapsodie espagnole, M. 54 : III. Habanera

Rapsodie espagnole, M. 54 : IV. Feria

Vocalise‐étude en forme de habanera, M. 51

Boléro, M. 81

Ein Heldenleben, op. 40: I. Der Held

Ein Heldenleben, op. 40: II. Des Helden Widersacher

Ein Heldenleben, op. 40: III. Des Helden Gefährtin

Ein Heldenleben, op. 40: Mäßig langsam

Ein Heldenleben, op. 40: IV. Des Helden Walstatt

Ein Heldenleben, op. 40: V. Des Helden Friedenswerke

Ein Heldenleben, op. 40: VI. Des Helden Weltflucht und Vollendung

Till Eulenspiegels lustige Streiche, op. 28

Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: I. Allegro brioso

Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: II. Meno mosso

Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: III. Andante assai

Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: IV. Allegro scherzando

Concerto for Piano and Orchestra no. 2 in G minor, op. 16: I. Andantino

Concerto for Piano and Orchestra no. 2 in G minor, op. 16: II. Scherzo. Vivace

Concerto for Piano and Orchestra no. 2 in G minor, op. 16: III. Intermezzo. Allegro moderato

Concerto for Piano and Orchestra no. 2 in G minor, op. 16: IV. Finale. Allegro tempestoso

10 Pieces for Piano from “Romeo and Juliet”, op. 75: No. 10. Romeo and Juliet before Parting

Concerto for Guitar & Orchestra “The Mediterranean”: I. Rhythmic

Concerto for Guitar & Orchestra “The Mediterranean”: II. Slow & Sad

Concerto for Guitar & Orchestra “The Mediterranean”: III. Animato

5 Duos for Guitar and Piano: No. 1. Brise de cœur

5 Duos for Guitar and Piano: No. 2. Montana

5 Duos for Guitar and Piano: No. 3. Two Sisters

5 Duos for Guitar and Piano: No. 4. Until Such Time

5 Duos for Guitar and Piano: No. 5. Zakir

Tosca: Atto I. “Ah ! Finalmente!”

Tosca: Atto I. “È sempre lava!”

Tosca: Atto I. “Dammi i colori! Recondita armonia”

Tosca: Atto I. “Gente là dentro!“

Tosca: Atto I. “Mario! Mario! Mario!”

Tosca: Atto I. “Non la sospiri la nostra casetta”

Tosca: Atto I. “Ah, quegli occhi!“ … “Qual occhio al mondo”

Tosca: Atto I. “È buona la mia Tosca”

Tosca: Atto I. “Sommo giubilo, eccellenza!”

Tosca: Atto I. “Un tal baccano in chiesa!”

Tosca: Atto I. “Or tutto é chiaro” … “Tosca? Che non mi veda”

Tosca: Atto I. “Ed io venivo a lui tutta dogliosa”

Tosca: Atto I. Finale I: “Tre sbirri, una carrozza”

Tosca: Atto II. “Tosca è un buon falco!”

Tosca: Atto II. “Ha più forte sapore”

Tosca: Atto II. “O galantuomo, come andò la caccia?”

Tosca: Atto II. “Meno male!”

Tosca: Atto II. “Ov’è Angelotti?“

Tosca: Atto II. “Ed or fra noi parliam da buoni amici”

Tosca: Atto II. “Sciarrone: che dice il cavalier?”

Tosca: Atto II. “Orsù, Tosca, parlate”

Tosca: Atto II. “Nel pozzo, nel giardino!”

Tosca: Atto II. “Nel pozzo del giardino! Va’, Spoletta!”

Tosca: Atto II. “Salvatelo!” … “lo? Voi!”

Tosca: Atto II. “Se la giurata fede devo tradir”

Tosca: Atto II. “Vissi d’arte”

Tosca: Atto II. “Vedi" … "le man giunte io stendo”

Tosca: Atto II. “E qual via scegliete?”

Tosca: Atto III. “lo de’ sospiri te ne rimanno tanti”

Tosca: Atto III. “Mario Cavaradossi? A voi”

Tosca: Atto III. “E lucevan le stelle”

Tosca: Atto III. “Ah! Franchigia a Floria Tosca”

Tosca: Atto III. “Oh dolci mani mansuete e pure”

Tosca: Atto III. “Senti, l’ora è vicina”

Tosca: Atto III. “E non giungono”

Tosca: Atto III. “Come è lunga l’attesa!”

Tosca: Atto III. “Presto, su! Mario!”

Serenade no. 1 in D major, op. 11: I. Allegro molto

Serenade no. 1 in D major, op. 11: II. Scherzo. Allegro non troppo – Trio. Poco più moto

Serenade no. 1 in D major, op. 11: III. Adagio non troppo

Serenade no. 1 in D major, op. 11: IV. Menuetto I – Menuetto II

Serenade no. 1 in D major, op. 11: V. Scherzo. Allegro – Trio

Serenade no. 1 in D major, op. 11: VI. Rondo. Allegro

Tragische Ouvertüre, op. 81

Akademische Festouvertüre, op. 80

Symphony no. 1 in D minor, S. 1: I. Allegro

Symphony no. 1 in D minor, S. 1: II. Adagio molto (sostenuto)

Symphony no. 1 in D minor, S. 1: III. Scherzo: Vivace

Symphony no. 1 in D minor, S. 1: IV. Allegro molto

Sweet By and By

Beulah Land

Ye Christian Heralds

Jesus, Lover of My Soul

Nearer, My God, to Thee

Symphony no. 4, S. 4: I. Prelude: Maestoso

Symphony no. 4, S. 4: II. Comedy: Allegretto

Symphony no. 4, S. 4: III. Fugue: Andante moderato con moto

Symphony no. 4, S. 4: IV. Finale: Very slowly - Largo maestoso

Also sprach Zarathustra, op. 30: Introduction

Also sprach Zarathustra, op. 30: Of the Backworldsmen

Also sprach Zarathustra, op. 30: Of the Great Longing

Also sprach Zarathustra, op. 30: Of Joys and Passions

Also sprach Zarathustra, op. 30: The Song of the Grave

Also sprach Zarathustra, op. 30: Of Science and Learning

Also sprach Zarathustra, op. 30: The Convalescent

Also sprach Zarathustra, op. 30: Ziemlich langsam

Also sprach Zarathustra, op. 30: The Dance-Song

Also sprach Zarathustra, op. 30: Song of the Night Wanderer

Also sprach Zarathustra, op. 30: Langsam

Don Juan, op. 20

Swan Lake: Introduction: Moderato assai - Allegro non troppo - Tempo I

Swan Lake: Act I, I. Scène: Allegro giusto

Swan Lake: Act I, II. Valse: Tempo di valse

Swan Lake: Act I, III. Scène: Allegro moderato

Swan Lake: Act I, IV. Pas de trois: I. Intrada: Allegro

Swan Lake: Act I, IV. Pas de trois: II. Andante sostenuto

Swan Lake: Act I, IV. Pas de trois: III. Allegro simplice - Presto

Swan Lake: Act I, IV. Pas de trois: IV. Moderato

Swan Lake: Act I, IV. Pas de trois: V. Allegro

Swan Lake: Act I, IV. Pas de trois: VI. Coda: Allegro vivace

Swan Lake: Act I, V. Pas de deux: I. Tempo di valse ma non troppo vivo, quasi moderato

Swan Lake: Act I, V. Pas de deux: II. Andante - Allegro

Swan Lake: Act I, V. Pas de deux: III. Tempo di valse

Swan Lake: Act I, V. Pas de deux: IV. Coda: Allegro molto vivace

Swan Lake: Act I, VI. Pas d'action: Andantino quasi moderato - Allegro

Swan Lake: Act I, VII. Sujet

Swan Lake: Act I, VIII. Danse des coupes: Tempo di polacca

Swan Lake: Act I, IX. Finale: Sujet: Andante

Swan Lake: Act II, X. Scène: Moderato

Swan Lake: Act II, XI. Scène: Allegro moderato - Moderato - Allegro vivo

Swan Lake: Act II, XII. Scène: Allegro - Moderato assai quasi andante

Swan Lake: Act II, XIII. Danses des cygnes: I. Tempo di valse

Swan Lake: Act II, XIII. Danses des cygnes: II. Moderato assai

Swan Lake: Act II, XIII. Danses des cygnes: III. Tempo di valse

Swan Lake: Act II, XIII. Danses des cygnes: IV. Allegro moderato

Swan Lake: Act II, XIII. Danses des cygnes: V. Pas d'action: Andante - Andante non troppo - Tempo I - Allegro

Swan Lake: Act II, XIII. Danses des cygnes: VI. Tempo di valse

Swan Lake: Act II, XIII. Danses des cygnes: VII. Coda: Allegro vivo

Swan Lake: Act II, XIV. Scène: Moderato

Swan Lake: Act III, XV. Allegro giusto

Swan Lake: Act III, XVI. Danses du corps de ballet et des nains: Moderato assai - Allegro vivo

Swan Lake: Act III, XVII. Scène. Sortie des invites et valse: Allegro - Tempo di valse

Swan Lake: Act III, XVIII. Scène: Allegro - Allegro giusto

Swan Lake: Act III, XIX. Pas de six. Intrada: Moderato assai

Swan Lake: Act III, XIX. Pas de six: Variation I: Allegro

Swan Lake: Act III, XIX. Pas de six: Variation II: Andante con moto

Swan Lake: Act III, XIX. Pas de six: Variation III: Moderato

Swan Lake: Act III, XIX. Pas de six: Variation IV: Allegro

Swan Lake: Act III, XIX. Pas de six: Variation V: Moderato - Allegro simplice

Swan Lake: Act III, XIX. Pas de six: Coda: Allegro molto

Swan Lake: Act III, XX. Danse hongroise. Czardas: Moderato assai - Allegro moderato - Vivace

Swan Lake: Act III, XXa. Danse russe: Moderato - Andante simplice - Allegro vivo - Presto

Swan Lake: Act III, XXI. Danse espagnole: Allegro non troppo (Tempo di bolero)

Swan Lake: Act III, XXII. Danse napolitaine: Allegro moderato - Andantino quasi moderato - Presto

Swan Lake: Act III, XXIII. Mazurka: Tempo di mazurka

Swan Lake: Act III, XXIV. Scène: Allegro - Valse - Allegro vivo

Swan Lake: Act IV, XXV. Entr'acte: Moderato

Swan Lake: Act IV, XXVI. Scène: Allegro non troppo

Swan Lake: Act IV, XXVII. Danses des petits cygnes: Moderato

Swan Lake: Act IV, XXVIII. Scène: Allegro agitato - Molto meno mosso - Allegro vivace

Swan Lake: Act IV, XXIX. Scène finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso - Moderato

Giselle: 1. Act: no. 1. Introduction

Giselle: 1. Act: no. 2. Joyful entrance of the grape-pickers

Giselle: 1. Act: no. 3. Albrecht enters, accompanied by his squire Wilfried

Giselle: 1. Act: no. 4. Albrecht is left alone, Gisele enters

Giselle: 1. Act: no. 5. Love scene

Giselle: 1. Act: no. 6. The grape-pickers return

Giselle: 1. Act: no. 7. Valse

Giselle: 1. Act: no. 8. Pas de deux, Giselle and Albrecht

Giselle: 1. Act: no. 9. The hunt

Giselle: 1. Act: no. 10. The wine-pickers' march

Giselle: 1. Act: no. 11. Variation Giselle

Giselle: 1. Act: no. 12. Galop général

Giselle: 1. Act: no. 13. Hilarion rushes into the crowd

Giselle: 1. Act: no. 14. Scene of dilirium

Giselle: 1. Act: no. 15. Scene of dilirium

Giselle: 1. Act: no. 16. Memories return to Giselle, she dies

Giselle: 2. Act: no. 1. Introduction

Giselle: 2. Act: no. 2. Hilarion finds Giselle's grave

Giselle: 2. Act: no. 3. Myrtha makes her ghostly appearance

Giselle: 2. Act: no. 4. Myrtha plucks a branch of rosemary

Giselle: 2. Act: no. 5. Apparition of Giselle

Giselle: 2. Act: no. 6. The Wilis are startlet by sounds of men approaching and hide, Albrecht enters

Giselle: 2. Act: no. 7. Albrecht perceives the spectre of Giselle

Giselle: 2. Act: no. 8. Pas de deux, Giselle and Albrecht

Giselle: 2. Act: no. 9. Pas de deux, Giselle and Albrecht

Giselle: 2. Act: no. 10. Scene of the Wilis, Hilarion enters

Giselle: 2. Act: no. 11. The Wilis notice Albrecht

Giselle: 2. Act: no. 12. Grand Pas de deux, Giselle and Albrecht

Giselle: 2. Act: no. 13. Grand Pas de deux, Giselle and Albrecht

Giselle: 2. Act: no. 14. Variation Albrecht

Giselle: 2. Act: no. 15. Variation Giselle

Giselle: 2. Act: no. 16. Ensemble of the Wilis

Giselle: 2. Act: no. 17. Finale

Serenade no. 2 for Small Orchestra in A major, op. 16: I. Allegro moderato

Serenade no. 2 for Small Orchestra in A major, op. 16: II. Scherzo. Vivace - Trio

Serenade no. 2 for Small Orchestra in A major, op. 16: III. Adagio non troppo

Serenade no. 2 for Small Orchestra in A major, op. 16: IV. Quasi menuetto - Trio

Serenade no. 2 for Small Orchestra in A major, op. 16: V. Rondo. Allegro

Variations on a Theme by Joseph Haydn, op. 56a: Chorale St. Antoni. Andante

Variations on a Theme by Joseph Haydn, op. 56a: Variation I. Poco più animato

Variations on a Theme by Joseph Haydn, op. 56a: Variation II. Più vivace

Variations on a Theme by Joseph Haydn, op. 56a: Variation III. Con moto

Variations on a Theme by Joseph Haydn, op. 56a: Variation IV. Andante con moto

Variations on a Theme by Joseph Haydn, op. 56a: Variation V. Vivace

Variations on a Theme by Joseph Haydn, op. 56a: Variation VI. Vivace

Variations on a Theme by Joseph Haydn, op. 56a: Variation VII. Grazioso

Variations on a Theme by Joseph Haydn, op. 56a: Variation VIII: Presto non troppo

Variations on a Theme by Joseph Haydn, op. 56a: Finale. Andante

Hungarian Dance no. 1 in G minor: Allegro molto

Hungarian Dance no. 3 in F major: Allegretto

Hungarian Dance no. 10 in F major: Presto

Hungarian Dance no. 17 in F-sharp minor: Andantino

Hungarian Dance no. 18 in D major: Molto vivace

Hungarian Dance no. 19 in B minor: Allegretto

Hungarian Dance no. 20 in E minor: Poco Allegretto - Vivace

Hungarian Dance no. 21 in E minor: Vivace

Glagolitic Mass: I. Úvod (Introduction)

Glagolitic Mass: II. Gospodi pomiluj (Kyrie)

Glagolitic Mass: III. Slava (Gloria)

Glagolitic Mass: IV. Věruju (Credo)

Glagolitic Mass: V. Svet (Sanctus)

Glagolitic Mass: VI. Agneče Božij (Agnus Dei)

Glagolitic Mass: VII. Varhany solo (Organ)

Glagolitic Mass: VIII. Intrada

Sinfonietta: I. Allegretto

Sinfonietta: II. Andante - Allegretto

Sinfonietta: III. Moderato

Sinfonietta: IV. Allegretto

Sinfonietta: V. Andante con moto

Prélude à l’après‐midi d’un faune, L. 86

La boîte à joujoux, L. 128 : Prélude. Le Sommeil de la boîte

La boîte à joujoux, L. 128 : I. Le Magasin de jouets

La boîte à joujoux, L. 128 : II. Le Champ de bataille

La boîte à joujoux, L. 128 : III. La Bergerie à vendre

La boîte à joujoux, L. 128 : IV. Après fortune faite

La boîte à joujoux, L. 128 : Épilogue

Jeux, L. 126

Symphony no. 5 in B‐flat major, op. 100: I. Andante

Symphony no. 5 in B‐flat major, op. 100: II. Allegro marcato

Symphony no. 5 in B‐flat major, op. 100: III. Adagio

Symphony no. 5 in B‐flat major, op. 100: IV. Allegro giocoso

Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro

Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto

Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotta. Non troppo allegro

Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale. Molto vivace

Le Martyre de saint Sébastien, L. 124 : I. La cour des lys : No. 1. Prélude. Lent – “Frère, que sera‐t‐il le monde”

Le Martyre de saint Sébastien, L. 124 : I. La cour des lys : No. 2. “Sébastien! Sébastien! Sébastien!”

Le Martyre de saint Sébastien, L. 124 : I. La cour des lys : No. 3. “Danse extatique de Sébastien sur le charbons embrasés’”

Le Martyre de saint Sébastien, L. 124 : II. La chambre magique : No. 1. Prélude. Très modéré

Le Martyre de saint Sébastien, L. 124 : II. La chambre magique : No. 2. “Je fauchais l’épi de froment”

Le Martyre de saint Sébastien, L. 124 : II. La chambre magique : No. 3. “Qui pleure mon enfant si doux”

Le Martyre de saint Sébastien, L. 124 : III. Le concile des faux dieux : No. 1. Prélude – No. 2. Modéré

Le Martyre de saint Sébastien, L. 124 : III. Le concile des faux dieux : No. 3. “Paian, Lyre d’or, Arc d’argent!”

Le Martyre de saint Sébastien, L. 124 : III. Le concile des faux dieux : No. 4. “Avez‐vous vu celui que j’aime”

Le Martyre de saint Sébastien, L. 124 : III. Le concile des faux dieux : No. 5. “Ne pleurez plus!” – “Cessez! Ô pleureuses!”

Le Martyre de saint Sébastien, L. 124 : III. Le concile des faux dieux : No. 6. “Io! Io! Adoniastes!”

Le Martyre de saint Sébastien, L. 124 : III. Le concile des faux dieux : No. 7. “Il est mort, le bel Adonis”

Le Martyre de saint Sébastien, L. 124 : IV. Le laurier blessé : No. 1. Prélude. Sombre et Lent

Le Martyre de saint Sébastien, L. 124 : IV. Le laurier blessé : No. 2. “Il est là, le pasteur. Regardez”

Le Martyre de saint Sébastien, L. 124 : IV. Le laurier blessé : No. 3. “Hélas!”

Le Martyre de saint Sébastien, L. 124 : V. Le Paradis : No. 1. Interlude. Modéré

Le Martyre de saint Sébastien, L. 124 : V. Le Paradis : No. 2. “Gloire! sous nos armures”

Concerto for Violin and Orchestra no. 2 in B minor, Sz. 112: I. Allegro non troppo

Concerto for Violin and Orchestra no. 2 in B minor, Sz. 112: II. Andante tranquillo

Concerto for Violin and Orchestra no. 2 in B minor, Sz. 112: III. Allegro molto

Rhapsody for Violin and Orchestra no. 1, Sz. 87: I. “Lassù”. Moderato

Rhapsody for Violin and Orchestra no. 1, Sz. 87: II. “Friss”. Allegretto moderato

Rhapsody for Violin and Orchestra no. 2, Sz. 90: I. “Lassù”. Moderato

Rhapsody for Violin and Orchestra no. 2, Sz. 90: II. “Friss”. Allegro moderato

Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio

Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo

Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando

Concerto for Flute, Harp and Orchestra in C major, K. 299: I. Allegro

Concerto for Flute, Harp and Orchestra in C major, K. 299: II. Andantino

Concerto for Flute, Harp and Orchestra in C major, K. 299: III. Rondeau. Allegro

Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato

Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio sostenuto

Concerto for Piano and Orchestra no. 2 in C minor, op. 18: III. Allegro scherzando

Le Cygne from “Le Carnaval des animaux”, R. 125

Concerto for Cello and Orchestra no. 1, op. 33: I. Allegro non troppo

Concerto for Cello and Orchestra no. 1, op. 33: II. Allegretto con moto

Concerto for Cello and Orchestra no. 1, op. 33: III. Molto allegro

Concerto for Clarinet and String Orchestra

Goodbye (In Memory of Benny)

Symphony of Psalms: I. Exaudi orationem meam, Domine

Symphony of Psalms: II. Expectans expectavi Dominum

Symphony of Psalms: III. Alleluja, laudate Dominum

Symphony in C: I. Moderato alla breve

Symphony in C: II. Larghetto concertante

Symphony in C: III. Allegretto

Symphony in C: IV. Largo – Tempo giusto, alla breve

Symphony in Three Movements: I. Overature. Allegro

Symphony in Three Movements: II. Andante – Interlude. L’istesso tempo

Symphony in Three Movements: III. Con moto

Brentano‐Lieder, op. 68: No. 1. An die Nacht

Brentano‐Lieder, op. 68: No. 2. Ich wollt ein Sträußlein binden

Brentano‐Lieder, op. 68: No. 3. Säusle, lieb Myrthe!

Brentano‐Lieder, op. 68: No. 4. Als mir dein Lied erklang

Brentano‐Lieder, op. 68: No. 5. Amor

Brentano‐Lieder, op. 68: No. 6. Lied der Frauen

Zueignung, op. 10 no. 1

Muttertändelei, op. 43 no. 2

Meinem Kinde, op. 37 no. 3

Die heiligen drei Könige aus Morgenland, op. 56 no. 6

Frühlingsfeier, op. 56 no. 5

Vier letzte Lieder, TrV 296: No. 1. Frühling

Vier letzte Lieder, TrV 296: No. 2. September

Vier letzte Lieder, TrV 296: No. 3. Beim Schlafengehen

Vier letzte Lieder, TrV 296: No. 4. Im Abendrot

Romeo and Juliet, op. 64: No. 1. Introduction to Act I

Romeo and Juliet, op. 64: No. 2. Romeo (reflective). Andante

Romeo and Juliet, op. 64: No. 3. The Street Awakens. Allegretto

Romeo and Juliet, op. 64: No. 5. The Quarrel. Allegro brusco

Romeo and Juliet, op. 64: No. 6. The Fight. Presto

Romeo and Juliet, op. 64: No. 7. The Prince’s Decree. Andante

Romeo and Juliet, op. 64: No. 8. Interlude

Romeo and Juliet, op. 64: No. 9. Preparations for the Ball (Juliet and the Nurse). Andante assai. Scherzando

Romeo and Juliet, op. 64: No. 10. Juliet the Young Girl. Vivace

Romeo and Juliet, op. 64: No. 11. Arrival of the Guests (Minuet). Assai moderato

Romeo and Juliet, op. 64: No. 13. The Knights’ Dance (Juliet’s and Paris’s Dance). Allegro pesante

Romeo and Juliet, op. 64: No. 15. Mercutio. Allegro giocoso

Romeo and Juliet, op. 64: No. 16. Madrigal. Andante tenero

Romeo and Juliet, op. 64: No. 18. Gavotte (Departure of the Guests). Allegro

Romeo and Juliet, op. 64: No. 19. Balcony Scene. Larghetto

Romeo and Juliet, op. 64: No. 37. Introduction to Act III. Andante

Romeo and Juliet, op. 64: No. 22. Folk Dance (Introduction to Act II). Allegro giocoso

Romeo and Juliet, op. 64: No. 25. Dance with Mandolins. Vivace

Romeo and Juliet, op. 64: No. 30. The People Continue to Make Merry. Vivo

Romeo and Juliet, op. 64: No. 32. Tybalt Meets Mercutio. Moderato

Romeo and Juliet, op. 64: No. 33. Tybalt and Mercutio Fight. Precipitato

Romeo and Juliet, op. 64: No. 35. Romeo Resolves to Avenge Mercutio’s Death. Andante. Animato – Presto

Romeo and Juliet, op. 64: No. 36. Finale of Act III (Cortège with Tybalt’s Body). Adagio dramatico

Romeo and Juliet, op. 64: No. 38. Romeo and Juliet. Lento

Romeo and Juliet, op. 64: No. 39. The Last Farewell. Andante – Adagio

Romeo and Juliet, op. 64: No. 43. Interlude. Adagio (L’istesso tempo)

Romeo and Juliet, op. 64: No. 47. Juliet Alone. Andante – Adagio – Andante

Romeo and Juliet, op. 64: No. 51. Juliet’s Funeral (and Romeo’s death). Adagio funebre

Romeo and Juliet, op. 64: No. 52. Death of Juliet. Adagio (meno mosso del tempo precedente)

Bachianas Brasileiras no. 4: I. Prelúdio (Introdução). Lento

Bachianas Brasileiras no. 4: II. Coral (Canto do Sertão). Largo

Bachianas Brasileiras no. 4: III. Ária (Cantiga). Moderato

Bachianas Brasileiras no. 4: IV. Dansa (Miudinho). Molto animato

Bachianas Brasileiras no. 5: I. Ária (Cantilena). Adagio

Bachianas Brasileiras no. 5: II. Dança (Martelo). Allegretto

Bachianas Brasileiras no. 7: I. Prelúdio (Ponteio). Adagio

Bachianas Brasileiras no. 7: II. Giga (Quadrilha Caipira). Allegretto scherzando

Bachianas Brasileiras no. 7: III. Tocata (Desafío). Andantino quasi allegretto

Bachianas Brasileiras no. 7: IV. Fuga (Conversa). Andante

Bachianas Brasileiras no. 9: I. Prelúdio. Vagaroso e mistico

Bachianas Brasileiras no. 9: II. Fuga. Poco apressado

Chôros no. 10 “Rasga o coração”: Animé – Lent – Animé – Très peu animé

Concerto for Piano and Orchestra: I. Andante sostenuto

Concerto for Piano and Orchestra: II. Molto moderato – Allegro assai

Orchestral Variations

Symphony no. 2 “Short Symphony”: I. Incisivo

Symphony no. 2 “Short Symphony”: II. Espressivo

Symphony no. 2 “Short Symphony”: III. Preciso e ritmico

Symphonic Ode

The Star‐Spangled Banner

Circus Polka

Ode

Scherzo à la russe

Scènes de ballet

Concertino

Agon

Greeting Prelude

Canon on a Russian Popular Tune

Variations: Aldous Huxley in memoriam

Das Klagende Lied: I. Waldmärchen

Das Klagende Lied: II. Der Spielmann

Das Klagende Lied: III. Hochzeitsstück

Symphonie fantastique, op. 14 : I. Rêveries – Passions

Symphonie fantastique, op. 14 : II. Un bal

Symphonie fantastique, op. 14 : III. Scène aux champs

Symphonie fantastique, op. 14 : IV. Marche au supplice

Symphonie fantastique, op. 14 : V. Songe d’une nuit du sabbat

Lélio, ou Le Retour à la vie, op. 14b : II. Chœur d’ombres

Lélio, ou Le Retoiu à la vie, op. 14b : VI. Fantaisie sur La Tempête de Shakespeare

Catfish Row Suite With Scenes From Porgy and Bess: Catfish Row – Summertime

Catfish Row Suite With Scenes From Porgy and Bess: Porgy Sings

Catfish Row Suite With Scenes From Porgy and Bess: Fugue

Catfish Row Suite With Scenes From Porgy and Bess: Bess, You Is My Woman Now

Catfish Row Suite With Scenes From Porgy and Bess: Hurricane

Catfish Row Suite With Scenes From Porgy and Bess: My Man’s Gone Now

Catfish Row Suite With Scenes From Porgy and Bess: There’s a Boat Dat’s Leavin’ Soon

Catfish Row Suite With Scenes From Porgy and Bess: Good Mornin’ Sistuh!

Second Rhapsody for Orchestra with Piano

An American in Paris

Concerto in F for Piano and Orchestra: I. Allegro

Concerto in F for Piano and Orchestra: II. Adagio – Andante con moto

Concerto in F for Piano and Orchestra: III. Allegro agitato

Lollapalooza

Rhapsody in Blue

Prelude, Fugue and Riffs

La Création du monde

Ebony Concerto

Ragtime

A Jazz Symphony

Theme from The Bad and the Beautiful

Symphony no. 7: I. Langsam (Adagio) – Allegro risoluto, ma non troppo

Symphony no. 7: II. Nachtmusik. Allegro moderato

Symphony no. 7: III. Scherzo. Schattenhaft

Symphony no. 7: IV. Nachtmusik. Andante amoroso

Symphony no. 7: V. Rondo‐Finale. Tempo I (Allegro ordinario)

The Firebird: Introduction

The Firebird: The Enchanted Garden of Kashchei

The Firebird: Apparition of the Firebird followed by Ivan Tsarevitch

The Firebird: Dance of the Firebird

The Firebird: Capture of the Firebird by Ivan Tsarevitch

The Firebird: Plea of the Firebird / Apparition of the Thirteen Enchanted Princesses

The Firebird: Play of the Princesses With the Golden Apples

The Firebird: Sudden Apparition of Ivan Tsarevitch

The Firebird: Chorovod (Round) Of the Princesses

The Firebird: Sunrise / Ivan Tsarevitch Penetrates the Palace of Kashchei

The Firebird: Magical Chimes / Apparition of the Monsters / Guards of Kashchei and Capture of Ivan Tsarevitch

The Firebird: Dance of the Suite of Kashchei Enchanted by the Firebird

The Firebird: Infernal Dance of All the Subjects of Kashchei

The Firebird: Disappearance of the Palace and of the Magic Spells of Kashchei / Animation of the Petrified Knights / All Rejoice

The Rite of Spring: Part I (The Adoration of the Earth). Introduction

The Rite of Spring: Part I (The Adoration of the Earth). The Augurs of Spring (Dances of the Young Girls)

The Rite of Spring: Part I (The Adoration of the Earth). Ritual of Abduction

The Rite of Spring: Part I (The Adoration of the Earth). Spring Rounds

The Rite of Spring: Part I (The Adoration of the Earth). Ritual of the Rival Tribes

The Rite of Spring: Part I (The Adoration of the Earth). Procession of the Sage

The Rite of Spring: Part I (The Adoration of the Earth). The Sage

The Rite of Spring: Part I (The Adoration of the Earth). Dance of the Earth

The Rite of Spring: Part II (The Sacrifice). Introduction

The Rite of Spring: Part II (The Sacrifice). Mystic Circles of the Young Girls

The Rite of Spring: Part II (The Sacrifice). Glorification of the Chosen Victim

The Rite of Spring: Part II (The Sacrifice). Evocation of the Ancestors

The Rite of Spring: Part II (The Sacrifice). Ritual Action of the Ancestors

The Rite of Spring: Part II (The Sacrifice). Sacrificial Dance (Chosen One)

Perséphone: I. The Abduction of Perséphone

Perséphone: II. Perséphone in the Underworld

Perséphone: III. Perséphone Reborn

Billy the Kid Suite: I. Introduction. The Open Prairie

Billy the Kid Suite: II. Street in a Frontier Town

Billy the Kid Suite: III. Mexican Dance and Finale

Billy the Kid Suite: IV. Prairie Night (Card Game at Night)

Billy the Kid Suite: V. Gun Battle

Billy the Kid Suite: VI. Celebration (after Billy’s Capture)

Billy the Kid Suite: VII. Billy’s Death

Billy the Kid Suite: VIII. The Open Prairie Again

Appalachian Spring Suite: I. Very slowly

Appalachian Spring Suite: II. Allegro

Appalachian Spring Suite: III. Moderato

Appalachian Spring Suite: IV. Fast

Appalachian Spring Suite: V. Subito allegro

Appalachian Spring Suite: VI. As at first (slowly)

Appalachian Spring Suite: VIIa. Doppio movimento

Appalachian Spring Suite: VIIb. Rather Slow

Appalachian Spring Suite: VIIc. Molto allegro ed agitato

Appalachian Spring Suite: VIId. Meno mosso ancora

Appalachian Spring Suite: VIII. Moderato – Coda

4 Dance Episodes from “Rodeo”: I. Buckaroo Holiday

4 Dance Episodes from “Rodeo”: II. Corral Nocturne

4 Dance Episodes from “Rodeo”: III. Saturday Night Waltz

4 Dance Episodes from “Rodeo”: IV. Hoe Down

Fanfare for the Common Man

Tuck and Roll: I. Anthem

Tuck and Roll: IIa. Guitar Solo

Tuck and Roll: IIb. Dark Caprice

Tuck and Roll: III. Intrigue

Tuck and Roll: IV. Puffe

Lost and Found

Eating Greens: Part One: Religion, Food, Art: I. (Lethargical) Reformation

Eating Greens: Part One: Religion, Food, Art: II. Waffling (sic)

Eating Greens: Part One: Religion, Food, Art: III. Whim and Rigor (Homage to Henri Matisse)

Eating Greens: Part Two: Loose Ends: I. The Title Is Almost as Long as the Piece Itself

Eating Greens: Part Two: Loose Ends: II. Ouija (wee-gee) Baby

Eating Greens: Part Three: Five Chords: I. Bread and Wine

Eating Greens: Part Three: Five Chords: II. Drunk Monk (Tribute to Thelonius Monk)

From the Steeples and the Mountains, S. 65

The Things Our Fathers Loved, S. 372

The Pond (Remembrance), S. 40

Memories, S. 297

Charlie Rutlage, S. 14/iii

The Circus Band, S. 33

Three Places in New England, S. 7: I. The “St. Gaudens” in Boston Common

Three Places in New England, S. 7: II. Putnam’s Camp, Redding, Connecticut

Three Places in New England, S. 7: III. The Housatonic at Stockbridge

In Flanders Fields, S. 277

They Are There! (A War Song March), S. 188

Tom Sails Away, S. 378

Symphony no. 4, S. 4: III. Fugue

Psalm 100, S. 153

Serenity, S. 347

General William Booth Enters into Heaven, S. 181

The Unanswered Question, S. 50

Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato

Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante

Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo

Méditation, op. 42/1

“Dance russe” from Swan Lake, op. 20

Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato

Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio sostenuto

Concerto for Piano and Orchestra no. 2 in C minor, op. 18: III. Allegro scherzando

Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: I. Allegro maestoso

Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: II. Quasi adagio

Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: III. Allegretto vivace – Allegro animato

Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: IV. Allegro marziale animato – Presto

Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso

Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: II. Andantino semplice

Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: III. Allegro con fuoco

Pétrouchka : Tableau I. Fête populaire de la semaine grasse

Pétrouchka : Tableau I. Le Tour de passe-passe

Pétrouchka : Tableau I. Danse russe

Pétrouchka : Tableau II. Chez Pétrouchka

Pétrouchka : Tableau III. Chez le Maure

Pétrouchka : Tableau III. Danse de la ballerine

Pétrouchka : Tableau III. Valse de la ballerine et du Maure

Pétrouchka : Tableau IV. Fête populaire de la semaine grasse (vers le soir)

Pétrouchka : Tableau IV. Danse des nounous

Pétrouchka : Tableau IV. L'Ours et un paysan

Pétrouchka : Tableau IV. Un marchand fêtard avec deux tziganes

Pétrouchka : Tableau IV. Danse des cochers et des palefreniers

Pétrouchka : Tableau IV. Les Déguisés

Pétrouchka : Tableau IV. La Rixe. Le Maure et Pétrouchka

Pétrouchka : Tableau IV. Mort de Pétrouchka

Pétrouchka : Tableau IV. La Police et le charlatan

Pétrouchka : Tableau IV. Apparition du double de Pétrouchka