Symphonies 2–4 / Harnasie

Concert Overture, Op. 12 (1904–05, rev. 1912–13) en mi majeur

Symphony No. 2, Op. 19 (1909–10, rev. 1936) en si bémol majeur: I. Allegro moderato: Grazioso — Meno mosso (quasi andante) — Più mosso (quasi tempo I) — Meno mosso (quasi andante) — Vivace — Poco meno (quasi tempo I) — Più mosso. Con passione - Poco meno mosso (Tranquillo)

Symphony No. 2, Op. 19 (1909–10, rev. 1936) en si bémol majeur: II. Tema: Lento — War. 1: L'istesso tempo — War. 2: L'istesso tempo — War. 3: Scherzando. Molto vivace — War. 4: Tempo di gavotte — War. 5: Tempo di minuetto — Finale Introduzione War. 5: Vivace e capriccioso — Fuga finale: Allegro moderato, molto energico — Lento - Tempo I

Symphony No. 3, Op. 27 "Pieśń o nocy" (1914–16): I. Moderato assai

Symphony No. 3, Op. 27 "Pieśń o nocy" (1914–16): II. Vivace scherzando

Symphony No. 3, Op. 27 "Pieśń o nocy" (1914–16): III. Largo

Harnasie, Op. 55 (ballet pantonime) (1923–31) – Scene I: In the mountains – 1. Prelude and rural scene

Harnasie, Op. 55 (ballet pantonime) (1923–31) – Scene I: In the mountains – 2. Mimed scene

Harnasie, Op. 55 (ballet pantonime) (1923–31) – Scene I: In the mountains – 3. Robbers' march

Harnasie, Op. 55 (ballet pantonime) (1923–31) – Scene I: In the mountains – 4. Mimed scene

Harnasie, Op. 55 (ballet pantonime) (1923–31) – Scene I: In the mountains – 5. Robbers dance

Harnasie, Op. 55 (ballet pantonime) (1923–31) – Scene II: Cottage interior – 6a. The wedding

Harnasie, Op. 55 (ballet pantonime) (1923–31) – Scene II: Cottage interior – 6b. Entry of the bride

Harnasie, Op. 55 (ballet pantonime) (1923–31) – Scene II: Cottage interior – 6c. Drinking song

Harnasie, Op. 55 (ballet pantonime) (1923–31) – Scene II: Cottage interior – 7. Highlanders' dance

Harnasie, Op. 55 (ballet pantonime) (1923–31) – Scene II: Cottage interior – 8. Entry and dance of the highland robbers

Harnasie, Op. 55 (ballet pantonime) (1923–31) – Scene III: In the mountains – 9. The mountain meadows

Symphony No. 4, Op. 60 "Symphonie concertante" for piano and orchestra (1932) – I. Moderato – Tempo commodo

Symphony No. 4, Op. 60 "Symphonie concertante" for piano and orchestra (1932) – II. Andante molto sostenuto

Symphony No. 4, Op. 60 "Symphonie concertante" for piano and orchestra (1932) – III. Allegro non troppo, ma agitato ed ansioso

Mazurka, Op. 50 No. 1 for solo piano (1924–25) en ut majeur

Mazurka, Op. 50 No. 2 for solo piano (1924–25) en la majeur

Variations, Op. 3 for solo piano (1903) en si bémol mineur