How to Listen to and Understand Great Music, 3rd Edition

Music as a Mirror, Part 1

Music as a Mirror, Part 2

Music as a Mirror, Part 3

Music as a Mirror, Part 4

Music as a Mirror, Part 5

Music as a Mirror, Part 6

Music as a Mirror, Part 7

Music as a Mirror, Part 8

Music as a Mirror, Part 9

Sources—The Ancient World and the Early Church, Part 1

Sources—The Ancient World and the Early Church, Part 2

Sources—The Ancient World and the Early Church, Part 3

Sources—The Ancient World and the Early Church, Part 4

Sources—The Ancient World and the Early Church, Part 5

Sources—The Ancient World and the Early Church, Part 6

Sources—The Ancient World and the Early Church, Part 7

Sources—The Ancient World and the Early Church, Part 8

Sources—The Ancient World and the Early Church, Part 9

The Middle Ages, Part 1

The Middle Ages, Part 2

The Middle Ages, Part 3

The Middle Ages, Part 4

The Middle Ages, Part 5

The Middle Ages, Part 6

The Middle Ages, Part 7

The Middle Ages, Part 8

The Middle Ages, Part 9

Introduction to the Renaissance, Part 1

Introduction to the Renaissance, Part 2

Introduction to the Renaissance, Part 3

Introduction to the Renaissance, Part 4

Introduction to the Renaissance, Part 5

Introduction to the Renaissance, Part 6

Introduction to the Renaissance, Part 7

Introduction to the Renaissance, Part 8

Introduction to the Renaissance, Part 9

The Renaissance Mass, Part 1

The Renaissance Mass, Part 2

The Renaissance Mass, Part 3

The Renaissance Mass, Part 4

The Renaissance Mass, Part 5

The Renaissance Mass, Part 6

The Renaissance Mass, Part 7

The Renaissance Mass, Part 8

The Renaissance Mass, Part 9

The Madrigal, Part 1

The Madrigal, Part 2

The Madrigal, Part 3

The Madrigal, Part 4

The Madrigal, Part 5

The Madrigal, Part 6

The Madrigal, Part 7

The Madrigal, Part 8

The Madrigal, Part 9

An Introduction to the Baroque Era, Part 1

An Introduction to the Baroque Era, Part 2

An Introduction to the Baroque Era, Part 3

An Introduction to the Baroque Era, Part 4

An Introduction to the Baroque Era, Part 5

An Introduction to the Baroque Era, Part 6

An Introduction to the Baroque Era, Part 7

An Introduction to the Baroque Era, Part 8

An Introduction to the Baroque Era, Part 9

Style Features of Baroque-era Music, Part 1

Style Features of Baroque-era Music, Part 2

Style Features of Baroque-era Music, Part 3

Style Features of Baroque-era Music, Part 4

Style Features of Baroque-era Music, Part 5

Style Features of Baroque-era Music, Part 6

Style Features of Baroque-era Music, Part 7

Style Features of Baroque-era Music, Part 8

Style Features of Baroque-era Music, Part 9

National Styles—Italy and Germany, Part 1

National Styles—Italy and Germany, Part 2

National Styles—Italy and Germany, Part 3

National Styles—Italy and Germany, Part 4

National Styles—Italy and Germany, Part 5

National Styles—Italy and Germany, Part 6

National Styles—Italy and Germany, Part 7

National Styles—Italy and Germany, Part 8

National Styles—Italy and Germany, Part 9

Fugue, Part 1

Fugue, Part 2

Fugue, Part 3

Fugue, Part 4

Fugue, Part 5

Fugue, Part 6

Fugue, Part 7

Fugue, Part 8

Fugue, Part 9

Baroque Opera, Part 1, Part 1

Baroque Opera, Part 1, Part 2

Baroque Opera, Part 1, Part 3

Baroque Opera, Part 1, Part 4

Baroque Opera, Part 1, Part 5

Baroque Opera, Part 1, Part 6

Baroque Opera, Part 1, Part 7

Baroque Opera, Part 1, Part 8

Baroque Opera, Part 1, Part 9

Baroque Opera, Part 2, Part 1

Baroque Opera, Part 2, Part 2

Baroque Opera, Part 2, Part 3

Baroque Opera, Part 2, Part 4

Baroque Opera, Part 2, Part 5

Baroque Opera, Part 2, Part 6

Baroque Opera, Part 2, Part 7

Baroque Opera, Part 2, Part 8

Baroque Opera, Part 2, Part 9

The Oratorio, Part 1

The Oratorio, Part 2

The Oratorio, Part 3

The Oratorio, Part 4

The Oratorio, Part 5

The Oratorio, Part 6

The Oratorio, Part 7

The Oratorio, Part 8

The Oratorio, Part 9

The Lutheran Church Cantata, Part 1

The Lutheran Church Cantata, Part 2

The Lutheran Church Cantata, Part 3

The Lutheran Church Cantata, Part 4

The Lutheran Church Cantata, Part 5

The Lutheran Church Cantata, Part 6

The Lutheran Church Cantata, Part 7

The Lutheran Church Cantata, Part 8

The Lutheran Church Cantata, Part 9

Passacaglia, Part 1

Passacaglia, Part 2

Passacaglia, Part 3

Passacaglia, Part 4

Passacaglia, Part 5

Passacaglia, Part 6

Passacaglia, Part 7

Passacaglia, Part 8

Passacaglia, Part 9

Ritornello Form and the Baroque Concerto, Part 1

Ritornello Form and the Baroque Concerto, Part 2

Ritornello Form and the Baroque Concerto, Part 3

Ritornello Form and the Baroque Concerto, Part 4

Ritornello Form and the Baroque Concerto, Part 5

Ritornello Form and the Baroque Concerto, Part 6

Ritornello Form and the Baroque Concerto, Part 7

Ritornello Form and the Baroque Concerto, Part 8

Ritornello Form and the Baroque Concerto, Part 9

The Enlightenment and an Introduction to the Classical Era, Part 1

The Enlightenment and an Introduction to the Classical Era, Part 2

The Enlightenment and an Introduction to the Classical Era, Part 3

The Enlightenment and an Introduction to the Classical Era, Part 4

The Enlightenment and an Introduction to the Classical Era, Part 5

The Enlightenment and an Introduction to the Classical Era, Part 6

The Enlightenment and an Introduction to the Classical Era, Part 7

The Enlightenment and an Introduction to the Classical Era, Part 8

The Enlightenment and an Introduction to the Classical Era, Part 9

The Viennese Classical Style, Homophony, and the Cadence, Part 1

The Viennese Classical Style, Homophony, and the Cadence, Part 2

The Viennese Classical Style, Homophony, and the Cadence, Part 3

The Viennese Classical Style, Homophony, and the Cadence, Part 4

The Viennese Classical Style, Homophony, and the Cadence, Part 5

The Viennese Classical Style, Homophony, and the Cadence, Part 6

The Viennese Classical Style, Homophony, and the Cadence, Part 7

The Viennese Classical Style, Homophony, and the Cadence, Part 8

The Viennese Classical Style, Homophony, and the Cadence, Part 9

Classical-era Form—Theme and Variations, Part 1

Classical-era Form—Theme and Variations, Part 2

Classical-era Form—Theme and Variations, Part 3

Classical-era Form—Theme and Variations, Part 4

Classical-era Form—Theme and Variations, Part 5

Classical-era Form—Theme and Variations, Part 6

Classical-era Form—Theme and Variations, Part 7

Classical-era Form—Theme and Variations, Part 8

Classical-era Form—Theme and Variations, Part 9

Classical-era Form—Minuet and Trio: Baroque Antecedents, Part 1

Classical-era Form—Minuet and Trio: Baroque Antecedents, Part 2

Classical-era Form—Minuet and Trio: Baroque Antecedents, Part 3

Classical-era Form—Minuet and Trio: Baroque Antecedents, Part 4

Classical-era Form—Minuet and Trio: Baroque Antecedents, Part 5

Classical-era Form—Minuet and Trio: Baroque Antecedents, Part 6

Classical-era Form—Minuet and Trio: Baroque Antecedents, Part 7

Classical-era Form—Minuet and Trio: Baroque Antecedents, Part 8

Classical-era Form—Minuet and Trio: Baroque Antecedents, Part 9

Classical-era Form—Minuet and Trio Form, Part 1

Classical-era Form—Minuet and Trio Form, Part 2

Classical-era Form—Minuet and Trio Form, Part 3

Classical-era Form—Minuet and Trio Form, Part 4

Classical-era Form—Minuet and Trio Form, Part 5

Classical-era Form—Minuet and Trio Form, Part 6

Classical-era Form—Minuet and Trio Form, Part 7

Classical-era Form—Minuet and Trio Form, Part 8

Classical-era Form—Minuet and Trio Form, Part 9

Classical-era Form—Rondo Form, Part 1

Classical-era Form—Rondo Form, Part 2

Classical-era Form—Rondo Form, Part 3

Classical-era Form—Rondo Form, Part 4

Classical-era Form—Rondo Form, Part 5

Classical-era Form—Rondo Form, Part 6

Classical-era Form—Rondo Form, Part 7

Classical-era Form—Rondo Form, Part 8

Classical-era Form—Rondo Form, Part 9

Classical-era Form—Sonata Form, Part 1, Part 1

Classical-era Form—Sonata Form, Part 1, Part 2

Classical-era Form—Sonata Form, Part 1, Part 3

Classical-era Form—Sonata Form, Part 1, Part 4

Classical-era Form—Sonata Form, Part 1, Part 5

Classical-era Form—Sonata Form, Part 1, Part 6

Classical-era Form—Sonata Form, Part 1, Part 7

Classical-era Form—Sonata Form, Part 1, Part 8

Classical-era Form—Sonata Form, Part 1, Part 9

Classical-era Form—Sonata Form, Part 2, Part 1

Classical-era Form—Sonata Form, Part 2, Part 2

Classical-era Form—Sonata Form, Part 2, Part 3

Classical-era Form—Sonata Form, Part 2, Part 4

Classical-era Form—Sonata Form, Part 2, Part 5

Classical-era Form—Sonata Form, Part 2, Part 6

Classical-era Form—Sonata Form, Part 2, Part 7

Classical-era Form—Sonata Form, Part 2, Part 8

Classical-era Form—Sonata Form, Part 2, Part 9

Classical-era Form—Sonata Form, Part 3, Part 1

Classical-era Form—Sonata Form, Part 3, Part 2

Classical-era Form—Sonata Form, Part 3, Part 3

Classical-era Form—Sonata Form, Part 3, Part 4

Classical-era Form—Sonata Form, Part 3, Part 5

Classical-era Form—Sonata Form, Part 3, Part 6

Classical-era Form—Sonata Form, Part 3, Part 7

Classical-era Form—Sonata Form, Part 3, Part 8

Classical-era Form—Sonata Form, Part 3, Part 9

The Symphony—Music for Every Person, Part 1

The Symphony—Music for Every Person, Part 2

The Symphony—Music for Every Person, Part 3

The Symphony—Music for Every Person, Part 4

The Symphony—Music for Every Person, Part 5

The Symphony—Music for Every Person, Part 6

The Symphony—Music for Every Person, Part 7

The Symphony—Music for Every Person, Part 8

The Symphony—Music for Every Person, Part 9

The Solo Concerto, Part 1

The Solo Concerto, Part 2

The Solo Concerto, Part 3

The Solo Concerto, Part 4

The Solo Concerto, Part 5

The Solo Concerto, Part 6

The Solo Concerto, Part 7

The Solo Concerto, Part 8

The Solo Concerto, Part 9

Classical-era Opera—The Rise of Opera Buffa, Part 1

Classical-era Opera—The Rise of Opera Buffa, Part 2

Classical-era Opera—The Rise of Opera Buffa, Part 3

Classical-era Opera—The Rise of Opera Buffa, Part 4

Classical-era Opera—The Rise of Opera Buffa, Part 5

Classical-era Opera—The Rise of Opera Buffa, Part 6

Classical-era Opera—The Rise of Opera Buffa, Part 7

Classical-era Opera—The Rise of Opera Buffa, Part 8

Classical-era Opera—The Rise of Opera Buffa, Part 9

Classical-era Opera, Part 2—Mozart and the Operatic Ensemble, Part 1

Classical-era Opera, Part 2—Mozart and the Operatic Ensemble, Part 2

Classical-era Opera, Part 2—Mozart and the Operatic Ensemble, Part 3

Classical-era Opera, Part 2—Mozart and the Operatic Ensemble, Part 4

Classical-era Opera, Part 2—Mozart and the Operatic Ensemble, Part 5

Classical-era Opera, Part 2—Mozart and the Operatic Ensemble, Part 6

Classical-era Opera, Part 2—Mozart and the Operatic Ensemble, Part 7

Classical-era Opera, Part 2—Mozart and the Operatic Ensemble, Part 8

Classical-era Opera, Part 2—Mozart and the Operatic Ensemble, Part 9

The French Revolution and an Introduction to Beethoven, Part 1

The French Revolution and an Introduction to Beethoven, Part 2

The French Revolution and an Introduction to Beethoven, Part 3

The French Revolution and an Introduction to Beethoven, Part 4

The French Revolution and an Introduction to Beethoven, Part 5

The French Revolution and an Introduction to Beethoven, Part 6

The French Revolution and an Introduction to Beethoven, Part 7

The French Revolution and an Introduction to Beethoven, Part 8

The French Revolution and an Introduction to Beethoven, Part 9

Beethoven’s Symphony no. 5 in C Minor, op. 67, Part 1, Part 1

Beethoven’s Symphony no. 5 in C Minor, op. 67, Part 1, Part 2

Beethoven’s Symphony no. 5 in C Minor, op. 67, Part 1, Part 3

Beethoven’s Symphony no. 5 in C Minor, op. 67, Part 1, Part 4

Beethoven’s Symphony no. 5 in C Minor, op. 67, Part 1, Part 5

Beethoven’s Symphony no. 5 in C Minor, op. 67, Part 1, Part 6

Beethoven’s Symphony no. 5 in C Minor, op. 67, Part 1, Part 7

Beethoven’s Symphony no. 5 in C Minor, op. 67, Part 1, Part 8

Beethoven’s Symphony no. 5 in C Minor, op. 67, Part 1, Part 9

Beethoven’s Symphony no. 5 in C Minor, op. 67, Part 2, Part 1

Beethoven’s Symphony no. 5 in C Minor, op. 67, Part 2, Part 2

Beethoven’s Symphony no. 5 in C Minor, op. 67, Part 2, Part 3

Beethoven’s Symphony no. 5 in C Minor, op. 67, Part 2, Part 4

Beethoven’s Symphony no. 5 in C Minor, op. 67, Part 2, Part 5

Beethoven’s Symphony no. 5 in C Minor, op. 67, Part 2, Part 6

Beethoven’s Symphony no. 5 in C Minor, op. 67, Part 2, Part 7

Beethoven’s Symphony no. 5 in C Minor, op. 67, Part 2, Part 8

Beethoven’s Symphony no. 5 in C Minor, op. 67, Part 2, Part 9

Introduction to Romanticism, Part 1

Introduction to Romanticism, Part 2

Introduction to Romanticism, Part 3

Introduction to Romanticism, Part 4

Introduction to Romanticism, Part 5

Introduction to Romanticism, Part 6

Introduction to Romanticism, Part 7

Introduction to Romanticism, Part 8

Introduction to Romanticism, Part 9

Formal Challenges and Solutions in Early Romantic Music, Part 1

Formal Challenges and Solutions in Early Romantic Music, Part 2

Formal Challenges and Solutions in Early Romantic Music, Part 3

Formal Challenges and Solutions in Early Romantic Music, Part 4

Formal Challenges and Solutions in Early Romantic Music, Part 5

Formal Challenges and Solutions in Early Romantic Music, Part 6

Formal Challenges and Solutions in Early Romantic Music, Part 7

Formal Challenges and Solutions in Early Romantic Music, Part 8

Formal Challenges and Solutions in Early Romantic Music, Part 9

The Program Symphony—Berlioz’s Symphonie fantastique, Part 1, Part 1

The Program Symphony—Berlioz’s Symphonie fantastique, Part 1, Part 2

The Program Symphony—Berlioz’s Symphonie fantastique, Part 1, Part 3

The Program Symphony—Berlioz’s Symphonie fantastique, Part 1, Part 4

The Program Symphony—Berlioz’s Symphonie fantastique, Part 1, Part 5

The Program Symphony—Berlioz’s Symphonie fantastique, Part 1, Part 6

The Program Symphony—Berlioz’s Symphonie fantastique, Part 1, Part 7

The Program Symphony—Berlioz’s Symphonie fantastique, Part 1, Part 8

The Program Symphony—Berlioz’s Symphonie fantastique, Part 1, Part 9

The Program Symphony—Berlioz’s Symphonie fantastique, Part 2, Part 1

The Program Symphony—Berlioz’s Symphonie fantastique, Part 2, Part 2

The Program Symphony—Berlioz’s Symphonie fantastique, Part 2, Part 3

The Program Symphony—Berlioz’s Symphonie fantastique, Part 2, Part 4

The Program Symphony—Berlioz’s Symphonie fantastique, Part 2, Part 5

The Program Symphony—Berlioz’s Symphonie fantastique, Part 2, Part 6

The Program Symphony—Berlioz’s Symphonie fantastique, Part 2, Part 7

The Program Symphony—Berlioz’s Symphonie fantastique, Part 2, Part 8

The Program Symphony—Berlioz’s Symphonie fantastique, Part 2, Part 9

19th-Century Italian Opera—Bel Canto Opera, Part 1

19th-Century Italian Opera—Bel Canto Opera, Part 2

19th-Century Italian Opera—Bel Canto Opera, Part 3

19th-Century Italian Opera—Bel Canto Opera, Part 4

19th-Century Italian Opera—Bel Canto Opera, Part 5

19th-Century Italian Opera—Bel Canto Opera, Part 6

19th-Century Italian Opera—Bel Canto Opera, Part 7

19th-Century Italian Opera—Bel Canto Opera, Part 8

19th-Century Italian Opera—Bel Canto Opera, Part 9

19th-Century Italian Opera—Giuseppe Verdi, Part 1

19th-Century Italian Opera—Giuseppe Verdi, Part 2

19th-Century Italian Opera—Giuseppe Verdi, Part 3

19th-Century Italian Opera—Giuseppe Verdi, Part 4

19th-Century Italian Opera—Giuseppe Verdi, Part 5

19th-Century Italian Opera—Giuseppe Verdi, Part 6

19th-Century Italian Opera—Giuseppe Verdi, Part 7

19th-Century Italian Opera—Giuseppe Verdi, Part 8

19th-Century Italian Opera—Giuseppe Verdi, Part 9

19th-Century German Opera—Nationalism and Experimentation, Part 1

19th-Century German Opera—Nationalism and Experimentation, Part 2

19th-Century German Opera—Nationalism and Experimentation, Part 3

19th-Century German Opera—Nationalism and Experimentation, Part 4

19th-Century German Opera—Nationalism and Experimentation, Part 5

19th-Century German Opera—Nationalism and Experimentation, Part 6

19th-Century German Opera—Nationalism and Experimentation, Part 7

19th-Century German Opera—Nationalism and Experimentation, Part 8

19th-Century German Opera—Nationalism and Experimentation, Part 9

19th-Century German Opera—Richard Wagner, Part 1

19th-Century German Opera—Richard Wagner, Part 2

19th-Century German Opera—Richard Wagner, Part 3

19th-Century German Opera—Richard Wagner, Part 4

19th-Century German Opera—Richard Wagner, Part 5

19th-Century German Opera—Richard Wagner, Part 6

19th-Century German Opera—Richard Wagner, Part 7

19th-Century German Opera—Richard Wagner, Part 8

19th-Century German Opera—Richard Wagner, Part 9

The Concert Overture, Part 1, Part 1

The Concert Overture, Part 1, Part 2

The Concert Overture, Part 1, Part 3

The Concert Overture, Part 1, Part 4

The Concert Overture, Part 1, Part 5

The Concert Overture, Part 1, Part 6

The Concert Overture, Part 1, Part 7

The Concert Overture, Part 1, Part 8

The Concert Overture, Part 1, Part 9

The Concert Overture, Part 2, Part 1

The Concert Overture, Part 2, Part 2

The Concert Overture, Part 2, Part 3

The Concert Overture, Part 2, Part 4

The Concert Overture, Part 2, Part 5

The Concert Overture, Part 2, Part 6

The Concert Overture, Part 2, Part 7

The Concert Overture, Part 2, Part 8

The Concert Overture, Part 2, Part 9

Romantic-era Musical Nationalism, Part 1

Romantic-era Musical Nationalism, Part 2

Romantic-era Musical Nationalism, Part 3

Romantic-era Musical Nationalism, Part 4

Romantic-era Musical Nationalism, Part 5

Romantic-era Musical Nationalism, Part 6

Romantic-era Musical Nationalism, Part 7

Romantic-era Musical Nationalism, Part 8

Romantic-era Musical Nationalism, Part 9

Russian Nationalism, Part 1

Russian Nationalism, Part 2

Russian Nationalism, Part 3

Russian Nationalism, Part 4

Russian Nationalism, Part 5

Russian Nationalism, Part 6

Russian Nationalism, Part 7

Russian Nationalism, Part 8

Russian Nationalism, Part 9

An Introduction to Early 20th-Century Modernism, Part 1

An Introduction to Early 20th-Century Modernism, Part 2

An Introduction to Early 20th-Century Modernism, Part 3

An Introduction to Early 20th-Century Modernism, Part 4

An Introduction to Early 20th-Century Modernism, Part 5

An Introduction to Early 20th-Century Modernism, Part 6

An Introduction to Early 20th-Century Modernism, Part 7

An Introduction to Early 20th-Century Modernism, Part 8

An Introduction to Early 20th-Century Modernism, Part 9

Early 20th-Century Modernism—Claude Debussy, Part 1

Early 20th-Century Modernism—Claude Debussy, Part 2

Early 20th-Century Modernism—Claude Debussy, Part 3

Early 20th-Century Modernism—Claude Debussy, Part 4

Early 20th-Century Modernism—Claude Debussy, Part 5

Early 20th-Century Modernism—Claude Debussy, Part 6

Early 20th-Century Modernism—Claude Debussy, Part 7

Early 20th-Century Modernism—Claude Debussy, Part 8

Early 20th-Century Modernism—Claude Debussy, Part 9

Early 20th-Century Modernism—Igor Stravinsky, Part 1

Early 20th-Century Modernism—Igor Stravinsky, Part 2

Early 20th-Century Modernism—Igor Stravinsky, Part 3

Early 20th-Century Modernism—Igor Stravinsky, Part 4

Early 20th-Century Modernism—Igor Stravinsky, Part 5

Early 20th-Century Modernism—Igor Stravinsky, Part 6

Early 20th-Century Modernism—Igor Stravinsky, Part 7

Early 20th-Century Modernism—Igor Stravinsky, Part 8

Early 20th-Century Modernism—Igor Stravinsky, Part 9

Early 20th-Century Modernism—Arnold Schönberg, Part 1

Early 20th-Century Modernism—Arnold Schönberg, Part 2

Early 20th-Century Modernism—Arnold Schönberg, Part 3

Early 20th-Century Modernism—Arnold Schönberg, Part 4

Early 20th-Century Modernism—Arnold Schönberg, Part 5

Early 20th-Century Modernism—Arnold Schönberg, Part 6

Early 20th-Century Modernism—Arnold Schönberg, Part 7

Early 20th-Century Modernism—Arnold Schönberg, Part 8

Early 20th-Century Modernism—Arnold Schönberg, Part 9