Exiles in Paradise: Émigré Composers in Hollywood

30 Moods & Scenes in Triple Measure “Triakontameron”, Vol. 3: no. 11, Alt‐Wien (Arr. J. Heifetz & B. A. Smith for Cello & Piano)

Morceaux de fantaisie, op. 3m: no. 5, Sérénade (Arr. B. A. Smith for Cello & Piano)

L’oiseau de feu: Berceuse (Arr. S. Dushkin & B. A. Smith for Cello & Piano)

Das Buch der hängenden Gärten, op. 15: no. 5, Saget mir, auf welchem Pfade (Arr. B. A. Smith for Cello & Piano)

Zwei Stimmungen, op. 32: no. 1 in D Minor (Arr. B. A. Smith for Cello & Piano)

Jazzettes, op. 26: no. 3, Allegro ritmico (Arr. B. A. Smith for Cello & Piano)

3 Impromptus, op. 90: no. 1, Andante cantabile

3 Impromptus, op. 90: no. 2, Allegretto grazioso

3 Impromptus, op. 90: no. 3, Adagio, con espressione

I nottambuli, op. 47 (Version for Cello & Piano)

Toccata capricciosa, op. 36

Much Ado About Nothing Suite, op. 11: I. Maiden in the Bridal Chamber (Arr. B. A. Smith for Cello & Piano)

Much Ado about Nothing Suite, op. 11: II. March of the Watch (Arr. B. A. Smith for Cello & Piano)

Much Ado about Nothing Suite, op. 11: III. Garden Scene (Arr. B. A. Smith for Cello & Piano)

Much Ado about Nothing Suite, op. 11: IV. Hornpipe (Arr. B. A. Smith for Cello & Piano)

Carmen Fantasie (Arr. D. Grigorian for Cello & Piano)

It Ain’t Necessarily So (From “Porgy and Bess”) [Arr. J. Heifetz & B. A. Smith for Cello & Piano]