Complete Recordings on Deutsche Grammophon & Decca

Symphony no. 1 in C major op. 21: I. Adagio molto – Allegro con brio

Symphony no. 1 in C major op. 21: II. Andante cantabile con moto

Symphony no. 1 in C major op. 21: III. Menuetto. Allegro molto e vivace

Symphony no. 1 in C major op. 21: IV. Finale: Adagio – Allegro molto e vivace

Symphony no. 3 in E flat major op. 55 "Eroica": I. Allegro con brio

Symphony no. 3 in E flat major op. 55 "Eroica": II. Marcia funebre. Adagio assai

Symphony no. 3 in E flat major op. 55 "Eroica": III. Scherzo. Allegro vivace

Symphony no. 3 in E flat major op. 55 "Eroica": IV. Finale: Allegro molto

Symphony no. 2 in D major op. 36: I. Adagio molto – Allegro con brio

Symphony no. 2 in D major op. 36: II. Larghetto

Symphony no. 2 in D major op. 36: III. Scherzo. Allegro

Symphony no. 2 in D major op. 36: IV. Allegro molto

Symphony no. 4 in B flat major op. 60: I. Adagio – Allegro vivace

Symphony no. 4 in B flat major op. 60: II. Adagio

Symphony no. 4 in B flat major op. 60: III. Allegro vivace

Symphony no. 4 in B flat major op. 60: IV. Allegro ma non troppo

Symphony no. 5 in C minor op. 67: I. Allegro con brio

Symphony no. 5 in C minor op. 67: II. Andante con moto

Symphony no. 5 in C minor op. 67: III. Allegro attacca

Symphony no. 5 in C minor op. 67: IV. Allegro

Symphony no. 6 in F major op. 68 "Pastorale": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo

Symphony no. 6 in F major op. 68 "Pastorale": II. Szene am Bach: Andante molto mosso

Symphony no. 6 in F major op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute: Allegro

Symphony no. 6 in F major op. 68 "Pastorale": IV. Gewitter – Sturm: Allegro

Symphony no. 6 in F major op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto

Symphony no. 7 in A major op. 92: I. Poco sostenuto – Vivace

Symphony no. 7 in A major op. 92: II. Allegretto

Symphony no. 7 in A major op. 92: III. Presto

Symphony no. 7 in A major op. 92: IV. Allegro con brio

Symphony no. 8 in F major op. 93: I. Allegro vivace e con brio

Symphony no. 8 in F major op. 93: II. Allegretto scherzando

Symphony no. 8 in F major op. 93: III. Tempo di menuetto

Symphony no. 8 in F major op. 93: IV. Allegro vivace

Symphony no. 9 in D minor op. 125 "Choral": I. Allegro ma non troppo, un poco Maestoso

Symphony no. 9 in D minor op. 125 "Choral": II. Molto vivace

Symphony no. 9 in D minor op. 125 "Choral": III. Adagio molto e cantabile

Symphony no. 9 in D minor op. 125 "Choral": IV. Presto

Symphony no. 9 in D minor op. 125 "Choral": Presto – Recitativo: "O Freunde, nicht diese Töne!" – Allegro assai / Final Chorus From Schiller's Ode "To Joy"

Overture "Egmont" op. 84

Overture "Coriolan" op. 62

Overture "König Stephan" op. 117

Overture "Fidelio" op. 72b

Overture "Leonore III" op. 72a

Ballet „Die Geschöpfe des Prometheus“ op. 43: Overture. Adagio – Allegro molto con brio – Attacca

Ballet „Die Geschöpfe des Prometheus“ op. 43: no. 14 Solo della Signora Cassentini. Andante – Adagio – Allegro – Allegretto

Ballet „Die Geschöpfe des Prometheus“ op. 43: no. 5 Adagio – Andante quasi allegretto

Ballet „Die Geschöpfe des Prometheus“ op. 43: no. 16 Finale: Allegretto – Allegro molto – Presto

Concerto for Piano and Orchestra no. 3 in C minor op. 37: I. Allegro con brio

Concerto for Piano and Orchestra no. 3 in C minor op. 37: II. Largo

Concerto for Piano and Orchestra no. 3 in C minor op. 37: III. Rondo. Allegro

Concerto for Piano and Orchestra no. 4 in G major op. 58: I. Allegro moderato

Concerto for Piano and Orchestra no. 4 in G major op. 58: II. Andante con moto

Concerto for Piano and Orchestra no. 4 in G major op. 58: III. Rondo. Vivace

Concerto for Piano and Orchestra no. 5 in E flat major "Emperor" op. 73: I. Allegro

Concerto for Piano and Orchestra no. 5 in E flat major "Emperor" op. 73: II. Adagio un poco mosso – Attacca

Concerto for Piano and Orchestra no. 5 in E flat major "Emperor" op. 73: III. Rondo. Allegro

String Quartet no. 14 in C sharp minor op. 131 (for string orchestra): I. Adagio, ma non troppo E Molto Espressivo

String Quartet no. 14 in C sharp minor op. 131 (for string orchestra): II. Allegretto

String Quartet no. 14 in C sharp minor op. 131 (for string orchestra): III. Allegro Moderato

String Quartet no. 14 in C sharp minor op. 131 (for string orchestra): IV. Andante, ma non troppo e molto cantabile – Andante moderato e lusinghiero – Adagio – Allegretto – Adagio, ma non troppo e semplice – Allegretto

String Quartet no. 14 in C sharp minor op. 131 (for string orchestra): V. Presto

String Quartet no. 14 in C sharp minor op. 131 (for string orchestra): VI. Adagio quasi un poco andante

String Quartet no. 14 in C sharp minor op. 131 (for string orchestra): VII. Allegro

String Quartet no. 16 in F major op. 135 (for string orchestra): I. Allegretto

String Quartet no. 16 in F major op. 135 (for string orchestra): II. Vivace

String Quartet no. 16 in F major op. 135 (for string orchestra): III. Lento Assai, Cantante E Tranquillo

String Quartet no. 16 in F major op. 135 (for string orchestra): IV. Der schwer gefaßte Entschluß: Grave. Muss es sein? – Allegro. Es muss sein! – Grave ma non troppo tratto – Allegro

Missa solemnis op. 123: I. Kyrie: Kyrie eleison

Missa solemnis op. 123: I. Kyrie: Christe eleison

Missa solemnis op. 123: I. Kyrie: Kyrie eleison

Missa solemnis op. 123: II. Gloria: Gloria in excelsis Deo

Missa solemnis op. 123: II. Gloria: Qui tollis peccata mundi

Missa solemnis op. 123: II. Gloria: Quoniam tu solus Sanctus

Missa solemnis op. 123: II. Gloria: in Gloria dei patris. amen

Missa solemnis op. 123: II. Gloria: Amen, in gloria Dei Patris / Quoniam tu solus Sanctus

Missa solemnis op. 123: III. Credo: Credo in unum Deum

Missa solemnis op. 123: III. Credo: Et incarnatus est

Missa solemnis op. 123: III. Credo: Et ascendit in coelum

Missa solemnis op. 123: III. Credo: Et vitam venturi saeculi

Missa solemnis op. 123: III. Credo: Amen, et vitam venturi saeculi

Missa solemnis op. 123: IV. Sanctus: Sanctus Dominus, Deus Sabaoth

Missa solemnis op. 123: IV. Sanctus: Pleni sunt coeli et terra

Missa solemnis op. 123: IV. Sanctus: Praeludium

Missa solemnis op. 123: IV. Sanctus: Benedictus qui venit in nomine Domini

Missa solemnis op. 123: V. Agnus Dei: Agnus Dei, qui tollis peccata mundi

Missa solemnis op. 123: V. Agnus Dei: Dona nobis pacem

Missa solemnis op. 123: V. Agnus Dei: Agnus Dei, qui tollis peccata mundi

Missa solemnis op. 123: V. Agnus Dei: Presto

Fidelio: Ouvertüre

Fidelio, Act I: No. 1 Duet: "Jetzt, Schätzchen, Jetzt Sind Wir Allein" (Jaquino, Marzelline)

Fidelio, Act I: "Armer Jaquino" (Marzelline)

Fidelio, Act I: No. 2 Aria: "O wär ich schon mit dir vereint" (Marzelline)

Fidelio, Act I: "Jaquino!" ... "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore)

Fidelio, Act I: No. 3 Quartet: "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)

Fidelio, Act I: "Höre, Fidelio!" (Rocco, Marzelline)

Fidelio, Act I: No. 4 Aria: "Hat man nicht auch Gold beineben" (Rocco)

Fidelio, Act I: "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline)

Fidelio, Act I: No. 5 Trio: "Gut Söhnchen, gut" (Rocco, Leonore, Marzelline)

Fidelio, Act I: No. 6 Marsch

Fidelio, Act I: "Drei Mann Schildwachen auf den Wall" (Pizarro, Rocco)

Fidelio, Act I: No. 7 Arie With Chorus: "Ha! Welch ein Augenblick!" (Pizarro, Chor)

Fidelio, Act I: "Hauptmann!" (Pizarro, Rocco)

Fidelio, Act I: No. 8 Duet: "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco)

Fidelio, Act I: No. 9 Rezitative and Aria: "Abscheulicher! Wo eilst du hin ... Komm, Hoffnung" (Leonore)

Fidelio, Act I: "Marzelline!" ... "Nein, ich will nicht..." (Jaquino, Marzelline)

Fidelio, Act I: No. 10 Finale: "O welche Lust" (Prisoners' Chorus)

Fidelio, Act I: "Nun sprecht, wie ging's ... Noch heute, noch heute!" (Leonore, Rocco) / "Ach Vater, eilt" (Marzelline, Jaquino) / "Verwegner Alter!" (Pizarro, Rocco)

Fidelio, Act I: "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco)

Fidelio, Act II: No. 11 Introduktion und Aria: "Gott! Welch Dunkel hier! ... in des Lebens Frühlingstagen" (Florestan)

Fidelio, Act II: No. 12 Melodram and Duet: "Wie kalt ist es" (Leonore, Rocco) "Nur hurtig fort"(Rocco, Leonore)

Fidelio, Act II: "Er erwacht" (Leonore, Rocco, Florestan)

Fidelio, Act II: No. 13 Trio: "Euch werde Lohn" (Florestan, Rocco, Leonore)

Fidelio, Act II: "Alles ist Bereit" (Rocco, Leonore, Florestan, Pizarro)

Fidelio, Act II: No. 14 Quartet: "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) / "Vater Rocco! Der Herr Minister" / "Es schlägt der Rache Stunde" (Leonore, Florestan, Pizarro, Rocco)

Fidelio, Act II: No. 15 Duet: "O namenlose Freude" (Leonore, Florestan)

Fidelio, Act II: Ouvertüre "Leonore III" op. 72a

Fidelio, Act II: No. 16 Finale: "Heil sei dem Tag" (Chor, Fernando, Rocco, Pizarro, Leonore, Marzelline, Jaquino)

Ouvertüre "Leonore III" op. 72a: Adagio – Allegro

Concerto for Piano and Orchestra no. 4 in G major op. 58: I. Allegro moderato

Concerto for Piano and Orchestra no. 4 in G major op. 58: II. Andante con moto

Concerto for Piano and Orchestra no. 4 in G major op. 58: III. Rondo. Vivace

Symphony no. 5 in C minor op. 67: I. Allegro con brio

Symphony no. 5 in C minor op. 67: II. Andante con moto

Symphony no. 5 in C minor op. 67: III. Allegro – attacca

Symphony no. 5 in C minor op. 67: IV. Allegro

Symphony no. 9 in D minor "Choral" op. 125: I. Allegro ma non troppo, un poco maestoso

Symphony no. 9 in D minor "Choral" op. 125: II. Molto vivace

Symphony no. 9 in D minor "Choral" op. 125: III. Adagio molto e cantabile

Symphony no. 9 in D minor "Choral" op. 125: Presto – Recitativo: "O Freunde, nicht diese Töne!" – Allegro assai / Final Chorus From Schiller's Ode "To Joy"

Four Sea Interludes op. 33a: I. Dawn. Lento e tranquillo

Four Sea Interludes op. 33a: II. Sunday Morning. Allegro spiritoso

Four Sea Interludes op. 33a: III. Moonlight. Andante comodo e rubato

Four Sea Interludes op. 33a: IV. Storm. Presto con fuoco

Symphony no. 7 in A major op. 92: I. Poco sostenuto – Vivace

Symphony no. 7 in A major op. 92: II. Allegretto

Symphony no. 7 in A major op. 92: III. Presto

Symphony no. 7 in A major op. 92: IV. Allegro con brio

Symphony no. 1 "Jeremiah": I. Lamentation. Lento

Symphony no. 1 "Jeremiah": II. Profanation. Vivace con brio

Symphony no. 1 "Jeremiah": III. Lamentation. Lento

Chichester Psalms: Psalm 108 (verse 2); Psalm 100. Maestoso ma energico – Molto

Chichester Psalms: Psalm 23; Psalm 2 (verses 1-4). Andante con moto, ma tranquillo – Allegro feroce

Chichester Psalms: Psalm 131; Psalm 133 (verse 1). Prelude – Sostenuto molto – Peacefully Flowing

The Song of Songs: I. Awake, O North Wind. Allegro ma non troppo

The Song of Songs: II. Aria. Come My Beloved. Allegretto Con Moto

The Song of Songs: III. By Night on my Bed. Grave

The Song of Songs: IV. Set Me as a Seal Upon Thine Heart. Lento

Symphony no. 2 "The Age of Anxiety": Part I. The Prologue. Lento moderato

Symphony no. 2 "The Age of Anxiety": Part I. The Seven Ages. Variations 1-7

Symphony no. 2 "The Age of Anxiety": Part I. The Seven Stages. Variations 8-14

Symphony no. 2 "The Age of Anxiety": Part II. The Dirge. Largo

Symphony no. 2 "The Age of Anxiety": Part II. The Masque. Extremely fast

Symphony no. 2 "The Age of Anxiety": Part II. The Epilogue. L'istesso Tempo – Adagio – Andante – Con moto

Symphony no. 3 "Kaddish": I. Invocation. Adagio

Symphony no. 3 "Kaddish": I. Kaddish 1. L'istesso Tempo – Allegro molto

Symphony no. 3 "Kaddish": II. Din-Torah. Di Nuovo Adagio

Symphony no. 3 "Kaddish": II. Kaddish 2: Andante con tenerezza / Kaddish 3

Symphony no. 3 "Kaddish": III. Scherzo – Presto scherzando, sempre pianissimo

Symphony no. 3 "Kaddish": III. Finale: Adagio come nel Din-Torah –

Symphony no. 3 "Kaddish": III. Allegro vivo, con gioia

Serenade after Plato's "Symposium": I. Phaedrus – Pausanias (Lento – Allegro Marcato)

Serenade after Plato's "Symposium": II. Aristophanes

Serenade after Plato's "Symposium": III. Erixymachus

Serenade after Plato's "Symposium": IV. Agathon

Serenade after Plato's "Symposium": V. Socrates – Alcibiades (Molto Tenuto – Allegro Molto Vivace)

Fancy Free: Big Stuff (Blues, beg.)

Fancy Free: I. Opening Dance. Enter Three Sailors

Fancy Free: II. Scene at the Bar

Fancy Free: III. Enter Two Girls

Fancy Free: IV. Pas de deux

Fancy Free: V. Competition Scene

Fancy Free: VI. Variation I: Galop

Fancy Free: VI. Variation II: Waltz

Fancy Free: VI. Variation III: Danzón

Fancy Free: VII. Finale

Fancy Free: Big Stuff (Blues)

Dybbuk – Suite no. 1: I. Invocation and Trance

Dybbuk – Suite no. 1: II. The Pledge

Dybbuk – Suite no. 1: III. Kabbalah

Dybbuk – Suite no. 1: IV. Possession

Dybbuk – Suite no. 1: V. Pas de deux

Dybbuk – Suite no. 1: VI. Exorcism

Dybbuk – Suite no. 2: I. The Messengers

Dybbuk – Suite no. 2: II. Leah

Dybbuk – Suite no. 2: III. 5 Kabbalah Variations

Dybbuk – Suite no. 2: IV. Dream

Songfest: I. Opening Hymn: To the Poem

Songfest: II. 3 Solos: The Pennycandystore Beyond the El

Songfest: II. 3 Solos: A Julia de Burgos

Songfest: II. 3 Solos: To What You Said ...

Songfest: III. 3 Ensembles: Duet: I, Too, Sing America / Okay "Negroes"

Songfest: III. 3 Ensembles: Trio: To My Dear and Loving Husband

Songfest: III. 3 Ensembles: Duet: Storyette H.M.

Songfest: IV. Sextet: "if you can't eat you got to"

Songfest: V. 3 Solos: Music I Heard With You

Songfest: V. 3 Solos: Zizi's Lament

Songfest: V. 3 Solos: What Lips My Lips Have Kissed ...

Songfest: VI. Closing Hymn: Israfel

Divertimento for Orchestra: I. Sennets and Tuckets. Allegro non troppo, ma con brio

Divertimento for Orchestra: II. Waltz. Allegretto, con grazia

Divertimento for Orchestra: III. Mazurka. Mesto (molto moderato)

Divertimento for Orchestra: IV. Samba. Allegro giusto

Divertimento for Orchestra: V. Turkey Trot. Allegretto, ben misurato

Divertimento for Orchestra: VI. Sphinxes. Adagio lugubre

Divertimento for Orchestra: VII. Blues. Slow Blues Tempo

Divertimento for Orchestra: VIII. March. The BSO Forever / Andante (In memoriam) – Doppio movimento (alla Marcia)

A Musical Toast. Allegro con brio

Slava! A Political Overture. Fast and Flamboyant

On the Town: 3 Dance Episodes: I. The Great Lover. Allegro pesante

On the Town: 3 Dance Episodes: II. Lonely Town: Pas de deux. Andante sostenuto

On the Town: 3 Dance Episodes: III. Times Square: 1944. Allegro

Facsimile. Molto adagio – Più andante – Moderate Waltz Tempo – Sostenuto assai – Allegretto – Subito allegro – Andante – Adagio

1. Halil, Nocturne for Solo Flute, String Orchestra and Percussion

Three Meditations from "Mass": 1. Lento assai, molto sostenuto

Three Meditations from "Mass": 2. Andante sostenuto - Var. I-IV - Coda

Three Meditations from "Mass": 3. Presto - Fast and primitive - Molto adagio

On the Waterfront (Symphonic Suite from the Film): Andante (with dignity) - Presto barbaro

On the Waterfront (Symphonic Suite from the Film): Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima

On the Waterfront (Symphonic Suite from the Film): Andante largamente - More flowing - Lento

On the Waterfront (Symphonic Suite from the Film): Moving forward - Largamente - Andante come prima

On the Waterfront (Symphonic Suite from the Film): Allegro non troppo, molto marcato - Poco più sostenuto

On the Waterfront (Symphonic Suite from the Film): a tempo (Poco più sostenuto)

Prelude, Fugue and Riffs for Clarinet and Jazz Ensemble: Prelude (for the Brass) Fast and exact

Prelude, Fugue and Riffs for Clarinet and Jazz Ensemble: Fugue (for the Saxes) Exactly the same beat

Prelude, Fugue and Riffs for Clarinet and Jazz Ensemble: Riffs (for Everyone)

Rhapsody in Blue

Prelude for Piano no. 2

West Side Story: Symphonic Dances: Prologue. Allegro Moderato

West Side Story: Symphonic Dances: Somewhere. Adagio

West Side Story: Symphonic Dances: Scherzo. Vivace Leggerio

West Side Story: Symphonic Dances: Mambo. Presto

West Side Story: Symphonic Dances: Cha-Cha. Meno Mosso

West Side Story: Symphonic Dances: Meeting Scene. Meno Mosso

West Side Story: Symphonic Dances: Cool. Fugue. Allegretto

West Side Story: Symphonic Dances: Rumble. Molto Allegro

West Side Story: Symphonic Dances: Finale: Allegro

Tattoo: Moderato Maestoso – Più Mosso, Piacevole – Con Brio – Meno Mosso

Tattoo: Omaggio A Nicolò Paganini. Meno Mosso, Flessibile – Allegro – Meno Mosso, Amoroso – Vivace – Doppio Mov. (Tempo Primo)

Violin Concerto: I. Twilight. Free and Spacious – Attacca

Violin Concerto: II. Toccata-Chaconne. Very fast

Violin Concerto: III. Romance Without Words. Hardly Moving

Violin Concerto: IV. Midnight. Slow

Violin Concerto: V. Toccata-Rondo. Very Fast

Violin Concerto: VI. Dawn. Wistful

Concerto for Orchestra "Jubilee Games": I. Free-Style Events: Allegro Con Brio, Giocoso

Concerto for Orchestra "Jubilee Games": II. Mixed Doubles. Theme and 7 Variations

Concerto for Orchestra "Jubilee Games": III. Diaspora Dances. Vivace

Concerto for Orchestra "Jubilee Games": IV. Benediction. Moderato, Invocando

Candide, Act I: 1 Overture

Candide, Act I: 1a. Westphalia Chorale (Chorus)

Candide, Act I: 2. Life Is Happiness Indeed (Candide, Maximilian, Cunegonde, Paquette)

Candide, Act I: 3. The Best of All Possible Worlds (Pangloss, Candide, Cunegonde, Maximilian, Paquette)

Candide, Act I: 3a. Universal Good (Cunegonde, Paquette, Candide, Cunegonde)

Candide, Act I: 4. Oh Happy We (Candide, Cunegonde)

Candide, Act I: 5. It Must Be So (Candide's Meditation) (Candide)

Candide, Act I: 6. Westphalia (Chorus)

Candide, Act I: 6a. Battle Music

Candide, Act I: 7. Candide's Lament (Candide)

Candide, Act I: 8. Dear Boy (Pangloss, Chorus)

Candide, Act I: Auto-Da-Fé (What a Day) (Chorus, Bear-Keeper, Cosmetic Merchant, Doctor, Junkman, Alchemist, Pangloss, Candide, Grand Inquisitor, Inquisitors)

Candide, Act I: Candide Begins his Travels / It Must Be Me (Candide's Second Meditation) (Candide)

Candide, Act I: 11. The Paris Waltz

Candide, Act I: 12. Glitter and Be Gay (Cunegonde)

Candide, Act I: 13. You Were Dead, You Know (Candide, Cunegonde)

Candide, Act I: 14. I. Am Easily Assimilated (Old Lady's Tango) (Old Lady, Chorus)

Candide, Act I: 15. Quartet Finale (Candide, Cunegonde, Old Lady, Captain, Chorus)

Candide, Act II: 16. Universal Good

Candide, Act II: 17. My Love (Governor's Serenade) (Governor, Cunegonde)

Candide, Act II: 18. We Are Women (Polka) (Cunegonde, Old Lady)

Candide, Act II: 19. The Pilgrim's Procession / Alleluia (Maximiliam, Paquette, Candide, Chorus)

Candide, Act II: 20. Quiet (Old Lady, Cunegonde, Governor)

Candide, Act II: 21. Introduction to Eldorado

Candide, Act II: 22. The Ballad of Eldorado (Candide, Chorus)

Candide, Act II: 23. Words, Words, Words (Martin's Laughing Song) (Martin)

Candide, Act II: 24. Bon Voyage (Vanderdendur, chorus)

Candide, Act II: 25. The Kings' Barcarolle (Charles Edward, Candide, Hermann Augustus, Pangloss, Sultan Achmet, Tsar Ican, Stanislaus)

Candide, Act II: 26. Money, Money, Money (Venice Gambling Scene) (Croupier, Ferone, Chorus)

Candide, Act II: 27. What's the Use (Old Lady, Ragotski, Maximilian, Crook, Chorus)

Candide, Act II: 28. The Venice Gavotte (Croupier, Pangloss, Old Lady, Candide, Cunegonde)

Candide, Act II: 29. Nothing More Than This (Candide)

Candide, Act II: 30. Universal Good (Chiorus)

Candide, Act II: 31. Make Our Garden Grow (Candide, Cunegonde, Old Lady, Paquette, Governor, Maximiliam, Pangloss, Chorus)

West Side Story: Act I: 1. Prologue

West Side Story: Act I: 2. Jet Song (Riff, Jets)

West Side Story: Act I: 3. Something's Coming (Tony)

West Side Story: Act I: 4. The Dance at the Gym | Blues

West Side Story: Act I: Promenade

West Side Story: Act I: Mambo

West Side Story: Act I: Cha-Cha

West Side Story: Act I: Meeting Scene (Tony, Maria)

West Side Story: Act I: Jump

West Side Story: Act I: 5. Maria (Tony) (Tony, Maria)

West Side Story: Act I: 6. Balcony Scene (Tonight) (Tony, Maria)

West Side Story: Act I: 7. America (Anita, Rosalia, Girls)

West Side Story: Act I: 8. Cool (Riff, Jets)

West Side Story: Act I: 9. One Hand, One Heart (Tony, Maria)

West Side Story: Act I: 10. Tonight (Ensemble) (Riff, Bernardo, Anta, Tony, Martia, Sharks, Jets)

West Side Story: Act I: 11. The Rumble

West Side Story: Act II: 12. I Feel Pretty (Maria, Girls)

West Side Story: Act II: 13. Ballet Sequence (Beg.) | (Tony, Maria)

West Side Story: Act II: Transition to Scherzo

West Side Story: Act II: Scherzo

West Side Story: Act II: Somewhere (A Girl)

West Side Story: Act II: Procession and Nightmare (Entire Company)

West Side Story: Act II: 14. Gee, Officer Krupke (Jets)

West Side Story: Act II: 15. A Boy Like That (Anita, Maria)

West Side Story: Act II: I Have A Love (Maria, Anita)

West Side Story: Act II: 16. Taunting Scene

West Side Story: Act II: 17. Finale (Maria, Tony)

A Quiet Place: Act I: Prologue. Chorale: The path of truth is plain and safe (chorus, voices in the darkness)

A Quiet Place: Act I: Scene. Dialogues: I'm sorry, Bill (Funeral Director, Bill, Susie, Analyst, Doc, chorus, Mrs. Doc, Dede, François)

A Quiet Place: Act I: Scene. Readings: "Who can find a virtuous woman?" (Doc, Mrs. Doc, Dede, Chorus, Bill, Susie, François, Junior, Funeral Director, Analyst) / Chorale: God Has His Ways (Chorus)

A Quiet Place: Act I: Scene. Aria: You're late (Sam)

A Quiet Place: Act I: Scene. Trio: Dear Daddy (Junior, Dede, François)

A Quiet Place: Act I: Scene. Finale: Merry Christmas to you too (Junior, Sam, Dede, François)

A Quiet Place: Act I: Postlude

A Quiet Place: Act II: Scene 1. I Wish I could sleep (Sam)

A Quiet Place: Act II: Scene 2: Trouble in Tahiiti (I). Doa – Daa – Day – Day – (Trio)

A Quiet Place: Act II: Scene 2: Trouble in Tahiiti (I). How could you say (Young Sam, Dinah)

A Quiet Place: Act II: Scene 2: Trouble in Tahiiti (I). Yes? Oh, Mr. Partridge! (Young Sam, Trio)

A Quiet Place: Act II: Scene 2: Trouble in Tahiiti (I). I was standing in a garden (Dinah, Young Sam)

A Quiet Place: Act II: Scene 2: Trouble in Tahiiti (I). Well, of all people (Young Sam, Dinah)

A Quiet Place: Act II: Scene 3. "June Twelfth" (Sam, Dede, François, Junior, Chorus)

A Quiet Place: Act II: Scene 3. But First I'd Like to Sing You a Little Song (Junior, François, Dede, Chorus, Sam)

A Quiet Place: Act II: Scene 3. Quartet: My God, Dinah (Sam, Dede, François, Junior)

A Quiet Place: Act II: Scene 3. Love Scene: There Is So Much. Too Much (François, Dede) / Chorale: The Path of Truth Is Plain and Safe (Chorus)

A Quiet Place: Act II: Scene 4: Trouble in Tahiti (II). Skid A Lit Day (Trio)

A Quiet Place: Act II: Scene 4: Trouble in Tahiti (II). There's A Law (Young Sam)

A Quiet Place: Act II: Scene 4: Trouble in Tahiti (II). What A Movie! (Dinah, Trio)

A Quiet Place: Act II: Scene 4: Trouble in Tahiti (II). There's A Law (Young Sam, Trio, Dinah, Chorus)

A Quiet Place: Act III: Prelude

A Quiet Place: Act III: Scene. Morning! Good Morning! (Dede)

A Quiet Place: Act III: Scene. "The One and Only Cereal" (Junior, Dede, Chorus)

A Quiet Place: Act III: Scene. Tag 1: You're ... It! (Junior, Dede, François) / Trio: ... Around. Happy Twenty-first Birthday (Junior, Dede, François, Chorus) / Tag 2: Come On, Dede, It's Your Turn! (Junior, Sam, Dede, François, Chorus)

A Quiet Place: Act III: Scene. Hmm. Bye Bye (Voice [Dinah], Sam, Junior, Dede, François, Chorus)

A Quiet Place: Act III: Scene. "My Heart Shall Be ... Thy ... Garden" (Dede, Junior, Sam, Chorus, François)

Carmen : Prelude

Carmen : Acte I. No. 1. Introduction: « Sur la place, chacun passe » (Chorus, Moralès, Micaëla)

Carmen : Acte I. No. 2. March and Chorus of Urchins « Allez, dépêchez‐vous ! » … « Avec la garde montante » (Moralès, Chorus of Urchins, Zuniga, Don José)

Carmen : Acte I. « Dites‐moi, brigadier ? » (Zuniga, Don José)

Carmen : Acte I. No. 3. Chorus and Scene « Voici la cloche qui sonne » … « La cloche a sonné » (Don José, Chorus)

Carmen : Acte I. « Mais nous ne voyons pas la Carmencita » (Chorus, Carmen)

Carmen : Acte I. No. 4. Habanera « L’amour est un oiseau rebelle » (Carmen, Chorus)

Carmen : Acte I. No. 5. Scene « Carmen, sur tes pas » (Chorus)

Carmen : Acte I. « Monsieur le brigadier ? » (Micaëla, Don José) / No. 6. Duet « Parle‐moi de ma mère ! » (Don José, Micaëla)

Carmen : Acte I. « Attends un peu maintenant » (Don José, Micaëla)

Carmen : Acte I. No. 7. Chorus « Eh bien ! Qu’est‐ce‐qui arrive ? » … « Au secours ! » (Chorus, Zuniga)

Carmen : Acte I. « Eh bien, brigadier ? » (Zuniga, Don José) / No. 8. Chanson and Melodrama « Tra la la la … » (Carmen, Zuniga, Chorus, Don José)

Carmen : Acte I. No. 9. Chanson and Duet « Près des remparts de Séville » (Carmen, Don José)

Carmen : Acte I. No. 10. Finale: « Le lieutenant ! Prenez garde ! » … « L’amour est enfant de bohème » (Don José, Zuniga, Carmen)

Carmen : Acte I. Entr’acte

Carmen : Acte II. No. 11. Chanson « Les tringles des sistres tintaient » (Carmen, Frasquita, Mercédès)

Carmen : Acte II. « Mon Dieu, messieurs, il commence à se faire tard » (Pastia, Zuniga, Mercédès, Carmen)

Carmen : Acte II. No. 12. Chorus and Ensemble « Vivat le toréro ! » (Chorus, Zuniga, Mercédès, Frasquita, Pastia)

Carmen : Acte II. No. 13. Couplets « Votre toast » (Escamillo, Chorus, Frasquita, Mercédès, Carmen)

Carmen : Acte II. « Dis‐moi ton nom » (Escamillo, Carmen, Pastia, Zuniga)

Carmen : Acte II. No. 13bis. Chorus « Toréador, en garde »

Carmen : Acte II. « Eh bien, vite, quelles nouvelles ? » (Frasquita, Dancaïre, Remendado, Mercédès)

Carmen : Acte II. No. 14. Quintet « Nous avons en tête une affaire ! » (Dancaïre, Frasquita, Mercédès, Carmen, Remendado)

Carmen : Acte II. « Amoureuse … ce n’est pas une raison, cela » (Dancaïre, Remendado, Frasquita, Mercédès, Carmen) / No. 15. Chanson: “Halte‐là! Qui va là?” (Don José) / “Écoutez, le voilà” (Carmen, Mercédès, Remendado, Dancaïre)

Carmen : Acte II. No. 16. Duet « Je vais danser en votre honneur » (Carmen, Don José)

Carmen : Acte II. « La fleur que tu m’avais jetée » (Don José)

Carmen : Acte II. « Non, tu ne m’aimes pas ! » (Carmen, Don José)

Carmen : Acte II. No. 17. Finale « Holà ! Carmen ! » (Zuniga, Don José, Carmen, Dancaïre, Remendado, Chorus)

Carmen : Acte II. Entr’acte

Carmen : Acte III. No. 18. Introduction « Écoute, compagnon … Notre métier est bon » (Chorus, Frasquita, Mercédès, Carmen, Don José, Dancaïre, Remendado)

Carmen : Acte III. « Voyons, Carmen … faisons la paix » (Don José, Carmen)

Carmen : Acte III. No. 19. Trio « Mêlons ! Coupons ! » (Frasquita, Mercédès, Carmen)

Carmen : Acte III. « Carreau, pique … la mort ! » … « En vain pour éviter les réponses amères » (Carmen)

Carmen : Acte III. « Parlez encore, parlez, mes belles » (Frasquita, Mercédès, Carmen)

Carmen : Acte III. « Holà, les belles ! » (Dancaïre, Carmen, Remendado, Frasquita, Mercédès, Don José)

Carmen : Acte III. No. 20. Ensemble « Quant au douanier » (Frasquita, Mercédès, Carmen, Chorus)

Carmen : Acte III. No. 21. Aria « Je dis que rien ne m’épouvante » (Micaëla)

Carmen : Acte III. « Qui va là ? » (Don José) / No. 22. Duet « Je suis Escamillo » (Escamillo, Don José)

Carmen : Acte III. No. 23. Finale « Holà ! Holà ! José! » (Carmen, Escamillo, Dancaïre, Don José, Chorus, Micaëla)

Carmen : Acte III. « Moi ? Je viens te chercher » (Micaëla, Carmen, Don José, Chorus, Escamillo

Carmen : Acte III. Entr’acte

Carmen : Acte IV. No. 24. Chorus « À deux cuartos ! »

Carmen : Acte IV. No. 25. Chorus and Scene « Les voici ! Voici la quadrille » (Chorus)

Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, Chorus)

Carmen : Acte IV. « Carmen, un bon conseil » (Frasquita, Carmen, Mercédès)

Carmen : Acte IV. No. 26. Final Duet « C’est toi ! » – « C’est moi ! » (Carmen, Don José, Chorus)

Symphony no. 1 in C minor op. 68: I. Un Poco Sostenuto – Allegro

Symphony no. 1 in C minor op. 68: II. Andante Sostenuto

Symphony no. 1 in C minor op. 68: III. Un Poco Allegretto E Grazioso

Symphony no. 1 in C minor op. 68: IV. Adagio – Allegro non troppo, ma Con Brio

Symphony no. 2 in D major op. 73: I. Allegro non troppo

Symphony no. 2 in D major op. 73: II. Adagio non troppo – L'istesso tempo, ma grazione

Symphony no. 2 in D major op. 73: III. Allegretto grazioso

Symphony no. 2 in D major op. 73: IV. Allegro con spirito

Academic Festival Overture op. 80. Allegro – L'istesso tempo, Un poco maestoso – Animato – Maestoso)

Symphony no. 3 in F major op. 90: I. Allegro con brio

Symphony no. 3 in F major op. 90: II. Andante

Symphony no. 3 in F major op. 90: III. Poco allegretto

Symphony no. 3 in F major op. 90: IV. Allegro

Variations in B flat major on a Theme by Joseph Haydn op. 56a

Symphony no. 4 in E minor op. 98: I. Allegro non troppo

Symphony no. 4 in E minor op. 98: II. Andante moderato

Symphony no. 4 in E minor op. 98: III. Allegro giocoso – Poco meno presto – Tempo I

Symphony no. 4 in E minor op. 98: IV. Allegro energico e passionato – Più allegro

Tragic Overture op. 81. Allegro non troppo – Molto più moderato – Tempo primo

Concerto for Piano and Orchestra no. 1 in D minor op. 15: I. Maestoso – Poco più moderato

Concerto for Piano and Orchestra no. 1 in D minor op. 15: II. Adagio

Concerto for Piano and Orchestra no. 1 in D minor op. 15: III. Rondo. Allegro non troppo

Concerto for Piano and Orchestra no. 2 in B flat major op. 83: I. Allegro non troppo

Concerto for Piano and Orchestra no. 2 in B flat major op. 83: II. Allegro Appassionato

Concerto for Piano and Orchestra no. 2 in B flat major op. 83: III. Andante

Concerto for Piano and Orchestra no. 2 in B flat major op. 83: IV. Allegretto Grazioso

Concerto for Violin and Orchestra in D major op. 77: I. Allegro non troppo

Concerto for Violin and Orchestra in D major op. 77: II. Adagio

Concerto for Violin and Orchestra in D major op. 77: III. Allegro Giocoso, ma non troppo Vivaceo – Poco Più Presto

Concerto for Violin, Violoncello and Orchestra in A minor op. 102 "Double": I. Allegro

Concerto for Violin, Violoncello and Orchestra in A minor op. 102 "Double": II. Andante

Concerto for Violin, Violoncello and Orchestra in A minor op. 102 "Double": III. Vivace non troppo

Symphony no. 9 in D minor: I. Feierlich. Misterioso

Symphony no. 9 in D minor: II. Scherz. Bewegt, Lebhaft – Trio. Schnell

Symphony no. 9 in D minor: III. Adagio. Langsam, Feierlich

Appalachian Spring: Suite for Orchestra

American Festival Overture: Allegro con spirito

Adagio for Strings: Molto adagio

"Candide" Overture: Allegro molto con brio

Symphony no. 3: I. Molto Moderato

Symphony no. 3: II. Allegro Molto

Symphony no. 3: III. Andantino Quasi Allegretto

Symphony no. 3: IV. Molto Deliberato (Fanfare) – Allegro Risoluto

Quiet City

El Salón México (Allegro vivace – Moderato – Allegro vivace – Moderato molto)

Concerto for Clarinet and String Orchestra with Harp and Piano: I. Slowly and Expressively

Concerto for Clarinet and String Orchestra with Harp and Piano: II. Rather Fast

Music for Theatre: I. Prologue: Molto moderato

Music for Theatre: II. Dance: Allegro molto

Music for Theatre: III. Interlude: Lento moderato

Music for Theatre: IV. Burlesque: Allegro vivo

Music for Theatre: V. Epilogue: Moderato – Molto moderato – Lento Molto

Connotations for Orchestra: Intenso, drammatico – Subito allegro – Moderato, liberamente (con incanto) – Moderato lirico e cantabile – Subito allegro – Subito a tempo come primo)

Images pour orchestre: I. Gigues

Images pour orchestre: III. Rondes de printemps

Images pour orchestre: II. Ibéria: a. Par les rues et par les chemins

Images pour orchestre: II. Ibéria: b. Les parfums de la nuit

Images pour orchestre: II. Ibéria: c. Le matin d'un jour de fête

Prélude à l'après-midi d'un faune

La Mer: I. De l'aube à midi sur la mer

La Mer: II. Jeux de vagues

La Mer: III. Dialogue du vent et de la mer

Symphony no. 9 in E minor "From the New World," op. 95: I. Adagio – Allegro molto

Symphony no. 9 in E minor "From the New World," op. 95: II. Largo

Symphony no. 9 in E minor "From the New World," op. 95: III. Scherzo. Molto vivace

Symphony no. 9 in E minor "From the New World," op. 95: IV. Allegro con fuoco

Slavonic Dances, op. 46: no. 1 in C major. Presto

Slavonic Dances, op. 46: no. 3 in A flat major. Poco allegro

Slavonic Dances, op. 46: no. 8 in G minor. Presto

Concerto for Violoncello and Orchestra in B minor, op. 104: I. Allegro

Concerto for Violoncello and Orchestra in B minor, op. 104: II. Adagio ma non troppo

Concerto for Violoncello and Orchestra in B minor, op. 104: III. Finale: Allegro moderato

Schelomo, Hebraic Rhapsody for Violoncello & Orchestra: Lento moderato – Andante moderato – Allegro moderato – Allegro – Andante moderato

Variations on an Original Theme "Enigma," op. 36: Enigma. Andante

Variations on an Original Theme "Enigma," op. 36: I. "C.A.E." L'istesso tempo

Variations on an Original Theme "Enigma," op. 36: II. "H.D.S.-P." Allegro

Variations on an Original Theme "Enigma," op. 36: III. "R.B.T." Allegretto

Variations on an Original Theme "Enigma," op. 36: IV. "W.M.B." Allegro di molto

Variations on an Original Theme "Enigma," op. 36: V. "R.P.A." Moderato

Variations on an Original Theme "Enigma," op. 36: VI. "Ysobel" Andantino

Variations on an Original Theme "Enigma," op. 36: VII. "Troyte" Presto

Variations on an Original Theme "Enigma," op. 36: VIII. "W.N." Allegretto

Variations on an Original Theme "Enigma," op. 36: IX. "Nimrod." Adagio

Variations on an Original Theme "Enigma," op. 36: X. "Dorabella." Intermezzo: Allegretto

Variations on an Original Theme "Enigma," op. 36: XI. "G.R.S." Allegro di molto

Variations on an Original Theme "Enigma," op. 36: XII. "B.G.N." Andante

Variations on an Original Theme "Enigma," op. 36: XIII. "***." Romanza: Moderato

Variations on an Original Theme "Enigma," op. 36: XIV. "E.D.U." Finale: Allegro – Presto

Pomp and Circumstance, op. 39: no. 1 in D major. Allegro, con molto fuoco – Trio. Largamente – Molto maestoso

Pomp and Circumstance, op. 39: no. 2 in A minor. Allegro molto

The Crown of India, op. 66: "March of the Mogul emperors." Moderato maestoso – Marziale – Pomposo pomposo

Symphony in D minor: I. Lento – Allegro non troppo

Symphony in D minor: II. Allegretto – attacca

Symphony in D minor: III. Allegro non troppo

Le Rouet d'Omphale (poème symphonique), op. 31: Andantino – Allegro – Tranquillo e scherzando

Symphony no. 3 in G minor, op. 42: I. Allegro vivo

Symphony no. 3 in G minor, op. 42: II. Adagio

Symphony no. 3 in G minor, op. 42: III. Vivace

Symphony no. 3 in G minor, op. 42: IV. Allegro con spirito

Symphony no. 3 (in one movement)

Symphony no. 3: Part I. Passacaglia

Symphony no. 3: Part I. Fugue

Symphony no. 3: Part II. Chorale

Symphony no. 3: Part II. Toccata

Symphony no. 88 in G major, hob. I:88: I. Adagio – Allegro

Symphony no. 88 in G major, hob. I:88: II. Largo

Symphony no. 88 in G major, hob. I:88: III. Menuetto – Trio

Symphony no. 88 in G major, hob. I:88: IV. Finale: Allegro con spirito

Symphony no. 92 in G major "Oxford," Hob. I:92: I. Adagio – Allegro spiritoso

Symphony no. 92 in G major "Oxford," Hob. I:92: II. Adagio

Symphony no. 92 in G major "Oxford," Hob. I:92: III. Menuet – Trio

Symphony no. 92 in G major "Oxford," Hob. I:92: IV. Finale: Presto

Symphony No. 94 in G major "Surprise" Hob. I: 94 - I. Adagio Cantabile – Vivace Assai

Symphony No. 94 in G major "Surprise" Hob. I: 94 - II. Andante

Symphony No. 94 in G major "Surprise" Hob. I: 94 - III. Menuett – Trio

Symphony No. 94 in G major "Surprise" Hob. I: 94 - IV. Finale

Sinfonia concertante in B flat major Hob. I: 105 - I. Allegro

Sinfonia concertante in B flat major Hob. I: 105 - II. Andante

Sinfonia concertante in B flat major Hob. I: 105 - III. Allegro Con Spirito

Die Schöpfung, Part I, The First Day: 1. The Representation of Chaos

Die Schöpfung, Part I, The First Day: 2. Recitative (Raphael, Uriel) & Chorus: „Im Anfange schuf Gott Himmel und Erde“ – „Und der Geist Gottes“

Die Schöpfung, Part I, The First Day: 3. Aria (Uriel) & Chorus: „Nun schwanden vor dem heiligen Strahle“ – „Verzweiflung, Wut und Schrecken“

Die Schöpfung, Part I, The Second Day: 4. Accompanied Recitative (Raphael): „Und Gott machte das Firmament“

Die Schöpfung, Part I, The Second Day: 5. Solo (Gabriel) with Chorus: „Mit Staunen sieht das Wunderwerk“ – „Und laut ertönt aus ihren Kehlen“

Die Schöpfung, Part I, The Third Day: 6. Recitative (Raphael): „Und Gott sprach: ‚Es sammle sich das Wasser‘“

Die Schöpfung, Part I, The Third Day: 7. Aria (Raphael): „Rollend in schäumenden Wellen“

Die Schöpfung, Part I, The Third Day: 8. Recitative (Gabriel): „Und Gott sprach: ‚Es bringe die Erde Gras hervor‘“

Die Schöpfung, Part I, The Third Day: 9. Aria (Gabriel): „Nun beut die Flur“

Die Schöpfung, Part I, The Third Day: 10. Recitative (Uriel): „Und die himmlischen Heerscharen verkündigten“

Die Schöpfung, Part I, The Third Day: 11. Chorus: „Stimmt an die Saiten“

Die Schöpfung, Part I, The Fourth Day: 12. Recitative (Uriel): „Und Gott sprach: ‚Es sei'n Lichter an der Feste des Himmels‘“

Die Schöpfung, Part I, The Fourth Day: 13. Accompanied Recitative (Uriel): „In vollem Glanze steiget jetzt“

Die Schöpfung, Part I, The Fourth Day: 14. Chorus & Trio (Gabriel, Uriel, Raphael): „Die Himmel erzählen die Ehre Gottes“ / „Dem kommenden Tage sagt es der Tag“

Die Schöpfung, Part II, The Fifth Day: 15. Recitative (Gabriel): „Und Gott sprach: ‚Es bringe das Wasser in der Fülle hervor‘“

Die Schöpfung, Part II, The Fifth Day: 16. Aria (Gabriel): „Auf starkem Fittiche schwinget sich der Adler stolz“

Die Schöpfung, Part II, The Fifth Day: 17. Accompanied Recitative (Raphael): „Und Gott schuf große Walfische“

Die Schöpfung, Part II, The Fifth Day: 18. Recitative (Raphael): „Und die Engel rührten ihr' unsterblichen Harfen“

Die Schöpfung, Part II, The Fifth Day: 19. Trio (Gabriel, Uriel, Raphael) & Chorus: „In holder Anmut stehn“ / „Der Herr ist groß in seiner Macht“

Die Schöpfung, Part III, The Sixth Day: Recitative (Gabriel): „Und Gott Sprach: Es Bringe Die Erde Hervor“

Die Schöpfung, Part III, The Sixth Day: Accompanied Recitative (Uriel): „Gleich Öffnet Sich Der Erde Schoß“

Die Schöpfung, Part III, The Sixth Day: Aria (Raphael): „Nun Scheint in Vollem Glanze Der Himmel“

Die Schöpfung, Part III, The Sixth Day: Recitative (Uriel): „Und Gott Schuf Den Menschen“

Die Schöpfung, Part III, The Sixth Day: Aria (Uriel): „Mit Würd' Und Hoheit Angetan“

Die Schöpfung, Part III, The Sixth Day: Recitative (Raphael): „Und Gott Sah Jedes Ding“

Die Schöpfung, Part III, The Sixth Day: Chorus and Trio (Gabriel, Uriel, Raphael): „Vollendet Ist Das Große Werk“ / "Zu Dir, O Herr, Blickt Alles Auf"

Die Schöpfung, Part III, The Sixth Day: Accompanied Recitative (Uriel): „Aus Rosenwolken Bricht“

Die Schöpfung, Part III, The Sixth Day: Duet (Eva, Adam) With Chorus: „Von Deiner Güt', O Herr Und Gott“ / "Gesegnet Sei Des Herren Macht"

Die Schöpfung, Part III, The Sixth Day: Recitative (Adam): „Nun Ist Die Erste Pflicht Erfüllt“

Die Schöpfung, Part III, The Sixth Day: Duet (Eva, Adam): „Holde Gattin, Dir Zur Seite“

Die Schöpfung, Part III, The Sixth Day: Recitative (Uriel): „O Glücklich Paar, Und Glücklich Immerfort“

Die Schöpfung, Part III, The Sixth Day: Chorus: „Singt Dem Herren Alle Stimmen“

Symphony no. 102 in B flat major Hob. I:102: I. Largo – Vivace

Symphony no. 102 in B flat major Hob. I:102: II. Adagio

Symphony no. 102 in B flat major Hob. I:102: III. Menuet. Allegro – Trio

Symphony no. 102 in B flat major Hob. I:102: IV. Finale: Presto

Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Kyrie. Largo – Allegro Moderato

Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Gloria: Gloria in Excelsis Deo. Vivace

Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Gloria: Qui Tollis Pecca Mundi. Adagio

Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Gloria: Quoniam tu solus sanctis. Allegro / Gloria: Cum Sancto Spiritu. Più stretto

Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Credo: Credo in unum Deum. Allegro

Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Credo: Et incarnatus est. Adagio

Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Credo: Et resurrexit tertia die. Allegro

Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Credo: Et vitam venturi saeculi. Vivace

Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Sanctus: Sanctus Dominus. Adagio / Sanctus: Pleni Sunt Coeli – Osanna in Excelsis. Allegro Con Spirito

Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Benedictus: Benedictus qui venit in nomine Domini – Osanna in excelsis. Andante

Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Agnus Dei: Agnus Dei, qui tollis peccata mundi. Adagio / Agnus Dei: Dona nobis pacem. Allegro con spirito

Symphony "Mathis Der Maler": I. Engelkonzert. Ruhig Bewegt

Symphony "Mathis Der Maler": II. Grabelgung. Sehr Langsam

Symphony "Mathis Der Maler": III. Versuchung Des Heiligen Antonius. Sehr Langsam, Frei Im Zeitmaß – Sehr Lebhaft

Concert Music for String Orchestra and Brass, op 50: Part I. | Mäßig Schnell, Mit Kraft

Concert Music for String Orchestra and Brass, op 50: Sehr Breit, Aber Stets Fließend

Concert Music for String Orchestra and Brass, op 50: Part II. | Lebhaft

Concert Music for String Orchestra and Brass, op 50: Langsam

Concert Music for String Orchestra and Brass, op 50: Im Ersten Zeitmaß – Lebhaft

Symphonic Metamorphoses On Themes By Carl Maria von Weber: I. Allegro

Symphonic Metamorphoses On Themes By Carl Maria von Weber: II. "Turandot, Scherzo". Moderato – Lebhaft

Symphonic Metamorphoses On Themes By Carl Maria von Weber: III. Andantino

Symphonic Metamorphoses On Themes By Carl Maria von Weber: IV. Marsch

Symphony no. 2: I. Andante Moderato

Symphony no. 2: II. Allegro

Symphony no. 2: III. Adagio Cantabile

Symphony no. 2: IV. Lento Maestoso

Symphony no. 2: V. Allegro Molto Vivace

The Gong On the Hook and Ladder Or Firemen's Parade On Main Street (Allegro)

Tone Roads no. 1 (Allegro)

Hymn. Largo Cantabile From A Set of 3 Short Pieces

Hallowe'en From 3 Outdoor Scenes (Allegretto to Presto)

Central Park in the Dark (Molto Adagio)

The Unanswered Question (Largo Molto Sempre)

A Faust Symphony S. 108: I. Faust

A Faust Symphony S. 108: II. Gretchen

A Faust Symphony S. 108: III Mephistopheles / Final Chorus „Alles Vergängliche Ist Nur Ein Gleichnis“

Mefistofele: Prologue in Cielo: I. Tempo. Preludio e coro

Mefistofele: Prologue in Cielo: II Tempo. Scherzio strumentale / "Ave, Signor"

Mefistofele: Prologue in Cielo: Intermezzo Drammatico / "T'è noto Faust?"

Mefistofele: Prologue in Cielo: III. Tempo. Scherzo vocale / "Siam nimbi volanti dai limbi"

Mefistofele: Prologue in Cielo: IV. Tempo. Salmodia finale / "Salve Regina! S'innalzi un'eco"

Symphony no. 1 "Titan": I. Langsam. Schleppend, Wie Ein Naturlaut – Immer Sehr Gemächlich

Symphony no. 1 "Titan": II. Kräftig Bewegt, Doch Nicht Zu Schnell – Trio. Recht Gemächlich

Symphony no. 1 "Titan": III. Feierlich Und Gemessen, Ohne Zu Schleppen

Symphony no. 1 "Titan": IV. Stürmisch Bewegt – Energisch – Sehr Gesangvoll – Wieder Wie Zu Anfang. Stürmisch Bewegt – Sehr Langsam – Höchste Kraft. Wieder Vorwärts Drängend – Triumphal (Nicht Eilen)

Symphony no. 2 "Resurrection": I. Allegro Maestoso (Totenfeier): Mit Durchaus Ernstem Und Feierlichem Ausdruck

Symphony no. 2 "Resurrection": I. Allegro Maestoso (Totenfeier): Sehr Mäßig Und Zurückhaltend

Symphony no. 2 "Resurrection": I. Allegro Maestoso (Totenfeier): Schnell

Symphony no. 2 "Resurrection": I. Allegro Maestoso (Totenfeier): Tempo I. - Gustav Mahler (6 Bars After Fig. 20)

Symphony no. 2 "Resurrection": I. Allegro Maestoso (Totenfeier): Tempo Sostenuto

Symphony no. 2 "Resurrection": II. Andante Moderato: Sehr Gemächlich

Symphony no. 2 "Resurrection": II. Andante Moderato: Nicht Eilen. Sehr Gemächlich - Gustav Mahler (1 Bar Before Fig. 3)

Symphony no. 2 "Resurrection": II. Andante Moderato: in Tempo I. Zurückkehren

Symphony no. 2 "Resurrection": II. Andante Moderato: Energisch Bewegt

Symphony no. 2 "Resurrection": II. Andante Moderato: Wieder Ins Tempo Zurückgehen. Tempo I.

Symphony no. 2 "Resurrection": III. [Scherzo]: In Ruhig Fließender Bewegung

Symphony no. 2 "Resurrection": III. [Scherzo]: Sehr Getragen Und Gesangvoll

Symphony no. 2 "Resurrection": III. [Scherzo]: Zum Tempo I. Zurückkehren

Symphony no. 2 "Resurrection": IV. "Urlicht." Sehr Feierlich, Aber Schlicht. Nicht Schleppen. "O Röschen Rot!"

Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Wild Herausfahrend

Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Langsam (Fig. 3)

Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Im Anfang Sehr Zurückgehalten (Fig. 7)

Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Wieder Sehr Breit

Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Molto Ritenuto. Maestoso - Gustav Mahler (3 Bars Before Fig. 14)

Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Wieder Zurückhaltend

Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Sehr Langsam Und Gedehnt

Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Langsam. Misterioso. "Auferstehn, Ja Auferstehn Wirst Du"

Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Langsam ppp. Nicht Schleppen. "Wieder Aufzublühen, Wirst Du Gesät!"

Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Etwas Bewegter: "O Glaube, Mein Herz, O Glaube" (Fig. 39)

Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Mit Aufschwung, Aber Nicht Eilen. "O Schmerz! Du Alldurchdringer"

Symphony no. 3: Part I. Kräftig. Entscheiden

Symphony no. 3: Part I. Immer Das Gleiche Tempo

Symphony no. 3: Part I. Tempo I.

Symphony no. 3: Part I. Zeit Lassen

Symphony no. 3: Part I. Zeit Lassen

Symphony no. 3: Part I. Immer Dasselbe Tempo. (Marsch.) Nicht Eilen

Symphony no. 3: Part I. Im Alten Marschtempo (Allegro Moderato)

Symphony no. 3: Part I. Tempo I

Symphony no. 3: Part II. Tempo Di Menuetto. Sehr Mäßig. Grazioso. Ja Nicht Eilen!

Symphony no. 3: Part II. L'istesso Tempo

Symphony no. 3: Part II. A Tempo. (Wie Im Anfang)

Symphony no. 3: Part II. Ganz Plõtzlich Gemächlich. Tempo Di Menuetto

Symphony no. 3: Part III. Comodo. Scherzando. Ohne Hast

Symphony no. 3: Part III. Wieder Sehr Gemächlich, Wie Zu Anfang

Symphony no. 3: Part III. Etwas Zurueckhaltend

Symphony no. 3: Part III. Schnell Und Schmetternd Wie Eine Fanfare – Tempo I. Mit Geheimnisvoller Hast

Symphony no. 3: Part III. Wieder Sehr Gemächlich, Beinahe Langsam

Symphony no. 3: IV. Sehr Langsam. Misterioso ppp "O Mensch! Gib Acht" (Alto Solo)

Symphony no. 3: IV. Più Mosso Subito

Symphony no. 3: V. Lustig Im Tempo Und Keck Im Ausdruck: "Bimm Bamm. Es Sungen Drei Engel" (Chorus, Alto Solo)

Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden

Symphony no. 3: VI. Nicht Mehr So Breit

Symphony no. 3: VI. Tempo I. Ruhevoll

Symphony no. 3: VI. Nicht Mehr So Breit

Symphony no. 3: VI. Tempo I.

Symphony no. 3: VI. Langsam. Tempo I.

Symphony no. 4: I. Bedächtig. Nicht Eilen – Recht Gemächlich

Symphony no. 4: II. in Gemächlicher Bewegung. Ohne Hast

Symphony no. 4: III. Ruhevoll (Poco Adagio) – Allegretto Subito (Nicht Eilen) – Allegro Subito – Andante Subito

Symphony no. 4: IV. Sehr Behaglich: "Wir Genießen Die Himmlischen Freuden" (Soprano Solo)

Symphony no. 5, Part I: I. Trauermarsch. in Gemessenem Schritt. Streng. Wie Ein Kondukt – Plötzlich Schneller. Leidenschaftlich. Wild – Tempo I.

Symphony no. 5, Part I: II. Stürmisch Bewegt. Mit Größter Vehemenz – Bedeutend Langsamer – Tempo I. Subito

Symphony no. 5, Part II: III. Scherzo. Kräftig, Nicht Zu Schnell

Symphony no. 5, Part III: IV. Adagietto. Sehr Langsam – Attacca

Symphony no. 5, Part III: V. Rondo-Finale: Allegro – Allegro Giocoso. Frisch – Allegro Comodo (Subito) – Allegro Molto

Symphony no. 6 "Tragic": I. Allegro Energico, ma non troppo. Heftig Aber Markig

Symphony no. 6 "Tragic": II. Scherzo. Wuchtig – [Trio.] Altväterisch. Grazioso

Symphony no. 6 "Tragic": III. Andante Moderato

Symphony no. 6 "Tragic": IV. Finale: Allegro Moderato – Allegro Energico

Symphony no. 7, I: Langsam (Adagio)

Symphony no. 7, I: Nicht Schleppen

Symphony no. 7, I: Allegro Risoluto, ma non troppo

Symphony no. 7, I: A Tempo (Sempre L'istesso)

Symphony no. 7, I: Moderato

Symphony no. 7, I: [...]

Symphony no. 7, I: Adagio (Tempo Der Einleitung)

Symphony no. 7, I: Allegro Come Prima

Symphony no. 7, I: Poco Ritenuto – A Tempo

Symphony no. 7, I: Nicht Eilen!

Symphony no. 7, II: Nachtmusik I. Allegro Moderato

Symphony no. 7, II: Sempre L'istesso Tempo

Symphony no. 7, II: Poco Meno Mosso

Symphony no. 7, II: Tempo

Symphony no. 7, II: [...]

Symphony no. 7, II: Sehr Gemessen

Symphony no. 7, III: Scherzo. Schattenhaft

Symphony no. 7, III: Trio

Symphony no. 7, III: Wieder Wie Zu Anfang

Symphony no. 7, IV: Nachtmusik II. Andante Amoroso

Symphony no. 7, IV: Nachtmusik II. [...]

Symphony no. 7, IV: Nachtmusik II. Tempo I. Poco Rit.

Symphony no. 7, V: Rondo-Finale. Tempo I. (Allegro Ordinario)

Symphony no. 7, V: Rondo-Finale. Sempre L'istesso Tempo

Symphony no. 7, V: Rondo-Finale. Tempo II. (Allegro Moderato ma Energico)

Symphony no. 7, V: Rondo-Finale. Tempo I.

Symphony no. 7, V: Rondo-Finale. [...]

Symphony no. 7, V: Rondo-Finale. Tempo I. Subito

Symphony no. 7, V: Rondo-Finale. Meno Mosso (Tempo II)

Symphony no. 7, V: Rondo-Finale. Accelerando

Symphony no. 10 (Unfinished): Adagio: Andante – Adagio

Symphony no. 10 (Unfinished): Adagio: Andante come prima [bar 40]

Symphony no. 10 (Unfinished): Adagio: [bar 105]

Symphony no. 10 (Unfinished): Adagio: [bar 178]

Symphony no. 10 (Unfinished): Adagio: A Tempo [bar 217]

Symphony no. 8 "Symphony of A Thousand": Part I. Hymnus Veni, Creator Spiritus | Allegro Impetuoso – "Veni, Creator Spiritus"

Symphony no. 8 "Symphony of A Thousand": A Tempo. Etwas (Aber Unmerklich) Gemäßigter; Immer Sehr Fließend – "Imple Superna Grauia"

Symphony no. 8 "Symphony of A Thousand": Tempo I. – "Infirma nostri Corporis"

Symphony no. 8 "Symphony of A Thousand": Tempo I. (Allegro, Etwas Hastig)

Symphony no. 8 "Symphony of A Thousand": Sehr Fließend – noch Einmal So Langsam Als Vorher – Nicht Schleppend – "Infirma nostri Corporis"

Symphony no. 8 "Symphony of A Thousand": Plötzlich Sehr Breit Und Leidenschaftlichen Ausdrucks – Mit Plötzlichem Aufschwung – "Accende Lumen Sensibus"

Symphony no. 8 "Symphony of A Thousand": "Veni, Creator Spiritus"

Symphony no. 8 "Symphony of A Thousand": A Tempo – "Gloria Sit Patri Domino"

Symphony no. 8 "Symphony of A Thousand": Part II. Final Scene From Goethe's Faust II. | Poco Adagio

Symphony no. 8 "Symphony of A Thousand": Più Mosso (Allegro Moderato)

Symphony no. 8 "Symphony of A Thousand": Wieder Langsam – "Waldung, Sie Schwankt Heran"

Symphony no. 8 "Symphony of A Thousand": Moderato – "Ewiger Wonnebrand"

Symphony no. 8 "Symphony of A Thousand": Allegro – "Wie Felsenabgrund Mir Zu Füßen"

Symphony no. 8 "Symphony of A Thousand": Allegro Deciso – Gerettet Is Das Edle Glied – Hände Verschlinget Euch

Symphony no. 8 "Symphony of A Thousand": Molto Leggiero – Scherzando – Jene Rosen Aus Den Händen

Symphony no. 8 "Symphony of A Thousand": Schon Etwas Langsamer Und Immer noch Mäßiger – "Uns Bleibt Ein Erdenrest"

Symphony no. 8 "Symphony of A Thousand": Im Anfang noch Etwas Gehalten – "Ich Spür' Soeben" – "Hier Ist Die Aussicht Frei" – "Freudig Empfagen Wi"r

Symphony no. 8 "Symphony of A Thousand": Sempre L'istesso Tempo – "Höchste Herrscherin Der Welt!"

Symphony no. 8 "Symphony of A Thousand": Äußerst Langsam. Adagissimo – "Dir, Der Unberührbaren" – "Du Schwebst Zu Höhen"

Symphony no. 8 "Symphony of A Thousand": Fließend – "Bei Der Liebe" – "Bei Dem Bronn" – "Bei Dem Hochgewitten Orte"

Symphony no. 8 "Symphony of A Thousand": "Neige, Neige, Du Ohnegleiche"

Symphony no. 8 "Symphony of A Thousand": Unmerklich Frischer Werden – "Er überwächtst Uns Schon"

Symphony no. 8 "Symphony of A Thousand": "Vom Edlen Geisterchor Umgeben" – "Komm! Hebe Dich Du Zu Höhern Spahären! "– Hymnenartig – "Blicket Auf Dem Retterblick"

Symphony no. 8 "Symphony of A Thousand": Sehr Langsam Beginnend. Chorus Mysticus: "Alles Vergängliche Ist Nur Ein Gleichnis"

Symphony no. 9: I. Andante Comodo

Symphony no. 9: [Entry of the Horns] – Schattenhaft – Etwas Fließender

Symphony no. 9: Bewegter

Symphony no. 9: [...]

Symphony no. 9: Wie Von Anfang

Symphony no. 9: Plötzlich Bedeutend Langsamer (Lento) Und Leise

Symphony no. 9: II. Im Tempo Eines Gemächlichen Ländlers. Etwas Täppisch Und Sehr Derb

Symphony no. 9: Poco Più Mosso Subito (Tempo II)

Symphony no. 9: Tempo III.

Symphony no. 9: A Tempo II.

Symphony no. 9: Tempo I.

Symphony no. 9: Tempo II.

Symphony no. 9: Tempo I. Subito

Symphony no. 9: III. Rondo-Burleske. Allegro Assai. Sehr Trotzig

Symphony no. 9: L'istesso Tempo

Symphony no. 9: Sempre L'istesso Tempo

Symphony no. 9: L'istesso Tempo

Symphony no. 9: [...]

Symphony no. 9: [Entry of the Clarinets]

Symphony no. 9: Tempo I. Subito

Symphony no. 9: Più Stretto

Symphony no. 9: IV. Adagio. Sehr Langsam Und noch Zurückhaltend

Symphony no. 9: Plötzlich Wieder Sehr Langsam (Wie Zu Anfang) Und Etwas Zögernd

Symphony no. 9: Molto Adagio Subito

Symphony no. 9: A Tempo (Molto Adagio)

Symphony no. 9: Stets Sehr Gehalten

Symphony no. 9: Fließender, Doch Durchaus Nicht Eilend

Symphony no. 9: Tempo I. Molto Adagio

Symphony no. 9: Adagissimo

Symphony no. 9: Symphony no. 9: I. Andante comodo

Symphony no. 9: Symphony no. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb

Symphony no. 9: Symphony no. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig

Symphony no. 9: Symphony no. 9: IV. Adagio. Sehr langsam und noch zurückhaltend

Das Lied von der Erde: Das Trinklied vom Jammer der Erde

Das Lied von der Erde: Der Einsame im Herbst

Das Lied von der Erde: Von der Jugend

Das Lied von der Erde: Von der Schönheit

Das Lied von der Erde: Der Trunkene im Frühling

Das Lied von der Erde: Der Abschied

Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Der Schildwache Nachtlied

Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Wer Hat Dies Liedlein Erdacht?

Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Der Tamboursg'sell

Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Das Irdische Leben

Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Verlorne Müh'

Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Des Antonius Von Padua Fischpredigt

Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Revelge

Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Rheinlegendchen

Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Lob Des Hohen Verstandes

Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Wo Die Schönen Trompeten Blasen

Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Lied Des Verfolgten Im Turm

Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Trost Im Unglück

Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Urlicht

Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht

Lieder eines fahrenden Gesellen: Ging heut morgen übers Feld

Lieder eines fahrenden Gesellen: Ich hab ein glühend Messer

Lieder eines fahrenden Gesellen: Die zwei blauen Augen

Kindertotenlieder: Nun will die Sonn' so hell aufgehn

Kindertotenlieder: Nun seh ich wohl, warum so dunkle Flammen

Kindertotenlieder: Wenn dein Mütterlein

Kindertotenlieder: Oft denk ich, sie sind nur ausgegangen

Kindertotenlieder: In diesem Wetter, in diesem Braus

5 Lieder nach Gedichten von Friedrich Rückert - Liebst du um Schönheit

5 Lieder nach Gedichten von Friedrich Rückert - Blicke mir nicht in die Lieder

5 Lieder nach Gedichten von Friedrich Rückert - Ich atmet' einen linden Duft

5 Lieder nach Gedichten von Friedrich Rückert - Um Mitternacht

5 Lieder nach Gedichten von Friedrich Rückert - Ich bin der Welt abhanden gekommen

Overture "The Hebrides", op. 26 ("Fingal's Cave"). Allegro moderato – Animato in tempo

Symphony no. 3 in A minor "Scottish", op. 56: I. Andante con moto – Allegro un poco agitato

Symphony no. 3 in A minor "Scottish", op. 56: II. Vivace non troppo

Symphony no. 3 in A minor "Scottish", op. 56: III. Adagio

Symphony no. 3 in A minor "Scottish", op. 56: IV. Allegro vivacissimo – Allegro maestoso assai

Symphony no. 4 in A major "Italian", op. 90: I. Allegro vivace

Symphony no. 4 in A major "Italian", op. 90: II. Andante con moto

Symphony no. 4 in A major "Italian", op. 90: III. Con moto moderato

Symphony no. 4 in A major "Italian", op. 90: IV. Saltarello. Presto

Symphony no. 5 in D major "Reformation", op. 107: I. Andante – Allegro con fuoco

Symphony no. 5 in D major "Reformation", op. 107: II. Allegro vivace

Symphony no. 5 in D major "Reformation", op. 107: III. Andante – attacca

Symphony no. 5 in D major "Reformation", op. 107: IV. Chorale „Ein' feste Burg ist unser Gott“. Andante con moto – Allegro vivace – Allegro maestoso

Symphony no. 25 in G minor K 183 (173dB): I. Allegro con brio

Symphony no. 25 in G minor K 183 (173dB): II. Andante

Symphony no. 25 in G minor K 183 (173dB): III. Menuetto – Trio

Symphony no. 25 in G minor K 183 (173dB): IV. Allegro

Symphony no. 29 in A major K 201 (186a): I. Allegro moderato

Symphony no. 29 in A major K 201 (186a): II. Andante

Symphony no. 29 in A major K 201 (186a): III. Menuetto – Trio

Symphony no. 29 in A major K 201 (186a): IV. Allegro con spirito

Concerto for Clarinet and Orchestra in A major K 622: I. Allegro

Concerto for Clarinet and Orchestra in A major K 622: II. Adagio

Concerto for Clarinet and Orchestra in A major K 622: III. Rondo. Allegro

Symphony no. 35 in D major "Haffner" K 385: I. Allegro con spirito

Symphony no. 35 in D major "Haffner" K 385: II. Andante

Symphony no. 35 in D major "Haffner" K 385: III. Menuetto – Trio

Symphony no. 35 in D major "Haffner" K 385: IV. Presto

Symphony no. 41 in C major "Jupiter" K 551: I. Allegro vivace

Symphony no. 41 in C major "Jupiter" K 551: II. Andante cantabile

Symphony no. 41 in C major "Jupiter" K 551: III. Menuetto. Allegretto – Trio

Symphony no. 41 in C major "Jupiter" K 551: IV. Molto allegro

Symphony no. 36 in C major "Linz" K 425: I. Adagio – Allegro spiritoso

Symphony no. 36 in C major "Linz" K 425: II. Andante

Symphony no. 36 in C major "Linz" K 425: III. Menuetto – Trio

Symphony no. 36 in C major "Linz" K 425: IV. Presto

Symphony no. 38 in D major "Prague" K 504: I. Adagio – Allegro

Symphony no. 38 in D major "Prague" K 504: II. Andante

Symphony no. 38 in D major "Prague" K 504: III. Presto

Symphony no. 39 in E flat major K 543: I. Adagio – Allegro

Symphony no. 39 in E flat major K 543: II. Andante con moto

Symphony no. 39 in E flat major K 543: III. Menuetto. Allegretto – Trio

Symphony no. 39 in E flat major K 543: IV. Finale. Allegro

Symphony no. 40 in G minor K 550: I. Molto allegro

Symphony no. 40 in G minor K 550: II. Andante

Symphony no. 40 in G minor K 550: III. Menuetto. Allegretto – Trio

Symphony no. 40 in G minor K 550: IV. Allegro assai

Concerto for Piano & Orchestra no. 15 in B flat major K 450: I. Allegro

Concerto for Piano & Orchestra no. 15 in B flat major K 450: II. Andante

Concerto for Piano & Orchestra no. 15 in B flat major K 450: III. Allegro

Symphony no. 36 in C major "Linz" K 425: I. Adagio – Allegro spiritoso

Symphony no. 36 in C major "Linz" K 425: II. Andante

Symphony no. 36 in C major "Linz" K 425: III. Menuetto – Trio

Symphony no. 36 in C major "Linz" K 425: IV. Presto

Concerto for Piano & Orchestra no. 17 in G major K 453: I. Allegro

Concerto for Piano & Orchestra no. 17 in G major K 453: II. Andante

Concerto for Piano & Orchestra no. 17 in G major K 453: III. Allegretto – Finale. Presto

Concerto for Piano & Orchestra in G major - I. Allegramente – Andante – Tempo I

Concerto for Piano & Orchestra in G major - II. Adagio assai

Concerto for Piano & Orchestra in G major - III. Presto

Ave verum corpus K618

Exsultate, jubilate K165 (158a)

Great Mass in C minor: I. Kyrie: Kyrie eleison (chorus, soprano)

Great Mass in C minor: II. Gloria: Gloria in excelsis Deo (chorus)

Great Mass in C minor: II. Gloria: Laudamus te (soprano)

Great Mass in C minor: II. Gloria: Gratias agimus tibi (soloists / chorus)

Great Mass in C minor: II. Gloria: Domine Deus (soprano, mezzo-soprano)

Great Mass in C minor: II. Gloria: Qui tollis peccata mundi (chorus)

Great Mass in C minor: II. Gloria: Quoniam tu solus sanctus (soprano, mezzo-soprano, tenor)

Great Mass in C minor: II. Gloria: Jesu Christe (soloists / chorus)

Great Mass in C minor: II. Gloria: Cum Sancto Spiritu (soloists / chorus)

Great Mass in C minor: III. Credo: Credo in unum Deum (chorus)

Great Mass in C minor: III. Credo: Et incarnatus est (soprano)

Great Mass in C minor: IV. Sanctus: Sanctus, sanctus, sanctus (chorus)

Great Mass in C minor: V. Benedictus: Benedictus qui venit in nomine Domini (soloists / chorus)

Requiem in D minor K 626: III. Sequenz: Confutatis (chorus)

Requiem in D minor K 626: III. Sequenz: Dies irae (chorus)

Requiem in D minor K 626: III. Sequenz: Lacrimosa (chorus)

Requiem in D minor K 626: III. Sequenz: Recordare (soloists)

Requiem in D minor K 626: III. Sequenz: Rex tremendae (chorus)

Requiem in D minor K 626: III. Sequenz: Tuba mirum (soloists)

Requiem in D minor K 626: II. Kyrie (chorus)

Requiem in D minor K 626 (Instrumentation: Franz Beyer) - I. Introitus: Requiem aeternam (chorus, soprano I)

Requiem in D minor K 626: IV. Offertorium: Domine Jesu Christe (chorus, soloists)

Requiem in D minor K 626: IV. Offertorium: Hostias (chorus)

Requiem in D minor K 626: VI. Benedictus (soloists, chorus)

Requiem in D minor K 626: VII. Agnus dei (chorus)

Requiem in D minor K 626: VIII. Communio: Lux aeterna (soprano I, chorus)

Requiem in D minor K 626: V. Sanctus (chorus)

La bohème: Atto I. “Questo Mar Rosso mi ammollisce e assidera” (Marcello, Rodolfo, Colline)

La bohème: Atto I. “Pensier profondo!” (Colline, Marcello, Rodolfo)

La bohème: Atto I. “Abbasso, abbasso l’autor!” (Marcello, Colline, Rodolfo, Schaunard)

La bohème: Atto I. “Si può?” (Benoit, Marcello, Schaunard, Colline, Rodolfo)

La bohème: Atto I. “Io resto” (Rodolfo, Marcello, Colline, Schaunard)

La bohème: Atto I. “Non sono in vena” (Rodolfo, Mimì)

La bohème: Atto I. “Si sente meglio?” (Rodolfo, Mimì)

La bohème: Atto I. “Che gelida manina” (Rodolfo)

La bohème: Atto I. “Sì. Mi chiamano Mimì” (Mimì, Rodolfo)

La bohème, act I: “Ehi! Rodolfo!” (Schaunard, Colline, Marcello, Rodolfo, Mimì)

La bohème, act I: “O soave fanciulla” (Rodolfo, Marcello, Mimì)

La bohème: Atto II. “Aranci, datteri! Caldi i marroni!” (Coro, Schaunard, Colline, Rodolfo, Mimì, Marcello)

La bohème: Atto II. “Chi guardi?” (Rodolfo, Colline, Mimì, Schaunard, Marcello, Parpignol)

La bohème: Atto II. “Questa è mimì” (Rodolfo, Marcello, Schaunard, Colline, Parpignol, coro, Mimì)

La bohème: Atto II. “Viva parpignol!” (Coro, Marcello, Mimì, Schaunard, Colline, Rodolfo)

La bohème: Atto II. “Allegri, e un toast!” (Schaunard, Colline, Marcello, Mimì, Rodolfo, coro, Alcindoro, Musetta)

La bohème: Atto II. “Quando men vo” (Musetta, Marcello, Alcindoro, Mimì, Rodolfo, Schaunard, Colline)

La bohème: Atto II. “Il conto?!” (Rodolfo, Schaunard, Colline, coro, Musetta, Marcello, Mimì)

La bohème: Atto III. “Ohè là, le guardie!” (Coro, Doganiere, Musetta)

La bohème: Atto III. “Sa dirmi, scusi, qual’è l’osteria” (Mimì, Sergente, Doganiere)

La bohème: Atto III. “Mimì!” – “Speravo di trovarvi qui” (Marcello, Mimì)

La bohème: Atto III. “Marcello. Finalmente!” (Rodolfo, Marcello, Mimì)

La bohème: Atto III. “Mimì è una civetta” (Rodolfo, Marcello)

La bohème: Atto III. “Mimì è tanto malata!” (Rodolfo, Marcello, Mimì)

La bohème: Atto III. “Mimì di serra è fiore” (Rodolfo, Mimì, Marcello)

La bohème: Atto III. “D’onde lieta uscì” (Mimì)

La bohème: Atto III. “Dunque è proprio finita!” (Rodolfo, Mimì, Marcello, Musetta)

La bohème: Atto IV. “In un coupè?” – “Con pariglia e livree” (Marcello, Rodolfo)

La bohème: Atto IV. “O Mimì, tu più non torni” (Rodolfo, Marcello)

La bohème: Atto IV. “Che ora sia?” (Rodolfo, Marcello, Schaunard, Colline)

La bohème: Atto IV. “Gavotta!” – “Minuetto!” (Colline, Marcello, Rodolfo, Schaunard)

La bohème: Atto IV. “C’è Mimì” (Musetta, Rodolfo, Schaunard, Mimì, Marcello, Colline)

La bohème: Atto IV. “Vecchia zimarra, senti” (Colline, Schaunard)

La bohème: Atto IV. “Sono andati? Fingevo di dormire” (Mimì, Rodolfo)

La bohème: Atto IV. “Oh dio! Mimì!” (Rodolfo, Schaunard, Mimì, Musetta, Marcello)

La bohème: Atto IV. “Che ha detto il medico?” (Rodolfo, Marcello, Musetta, Schaunard, Colline)

Symphony no. 8 in B minor "Unfinished" D 759: I. Allegro moderato

Symphony no. 8 in B minor "Unfinished" D 759: II. Andante con moto

Symphony no. 5 in B flat major D 485: I. Allegro

Symphony no. 5 in B flat major D 485: II. Andante con moto

Symphony no. 5 in B flat major D 485: III. Menuetto. Allegro molto – Trio

Symphony no. 5 in B flat major D 485: IV. Allegro vivace

Symphony no. 9 in C major "The Great" D 944: I. Andante – Allegro ma non troppo

Symphony no. 9 in C major "The Great" D 944: II. Andante con moto

Symphony no. 9 in C major "The Great" D 944: III. Scherzo. Allegro vivace – Trio

Symphony no. 9 in C major "The Great" D 944: IV. Allegro vivace

Symphony no. 1 in B flat major "Spring," op. 38: I. Andante un poco maestoso – Allegro molto vivace

Symphony no. 1 in B flat major "Spring," op. 38: II. Larghetto – attacca

Symphony no. 1 in B flat major "Spring," op. 38: III. Scherzo. Molto vivace – Trio I. Molto più vivace – Trio II

Symphony no. 1 in B flat major "Spring," op. 38: IV. Allegro animato e grazioso

Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam – Lebhaft – attacca

Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam – attacca

Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft – Trio – attacca

Symphony no. 4 in D minor, op. 120: IV. Langsam – Lebhaft – Schneller – Presto

Symphony no. 2 in C major, op. 61: III. Adagio espressivo

Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace – Trio I – Trio II

Symphony no. 2 in C major, op. 61: I. Sostenuto assai – Allegro ma non troppo

Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace

Concerto for Violoncello & Orchestra in A minor, op. 129: Langsam

Concerto for Violoncello & Orchestra in A minor, op. 129: Nicht zu schnell

Concerto for Violoncello & Orchestra in A minor, op. 129: Sehr lebhaft

Symphony no. 3 in E flat major "Rhenish," op. 97: I. Lebhaft

Symphony no. 3 in E flat major "Rhenish," op. 97: II. Scherzo. Sehr mäßig

Symphony no. 3 in E flat major "Rhenish," op. 97: III. Nicht schnell

Symphony no. 3 in E flat major "Rhenish," op. 97: IV. Feierlich

Symphony no. 3 in E flat major "Rhenish," op. 97: V. Lebhaft

Concerto for Piano & Orchestra in A minor, op. 54: I. Allegro affettuoso

Concerto for Piano & Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso – attacca

Concerto for Piano & Orchestra in A minor, op. 54: III. Allegro vivace

Symphony no. 1 in F minor, op. 10: I. Allegretto – Allegro non troppo

Symphony no. 1 in F minor, op. 10: II. Allegro

Symphony no. 1 in F minor, op. 10: III. Lento – Largo – [Lento] – attacca

Symphony no. 1 in F minor, op. 10: IV. Allegro molto – Lento – Allegro molto – Meno mosso – Allegro molto – Molto meno mosso – Adagio – Largo – Più mosso – Presto

Symphony no. 7 in C major "Leningrad," op. 60: I. Allegretto

Symphony no. 7 in C major "Leningrad," op. 60: II. Moderato (poco allegretto)

Symphony no. 7 in C major "Leningrad," op. 60: III. Adagio – attacca

Symphony no. 7 in C major "Leningrad," op. 60: IV. Allegro non troppo

Symphony no. 6 in B minor, op. 54: I. Largo

Symphony no. 6 in B minor, op. 54: II. Allegro

Symphony no. 6 in B minor, op. 54: III. Presto

Symphony no. 9 in E flat major, op. 70: I. Allegro

Symphony no. 9 in E flat major, op. 70: II. Moderato

Symphony no. 9 in E flat major, op. 70: III. Presto – attacca

Symphony no. 9 in E flat major, op. 70: IV. Largo – attacca

Symphony no. 9 in E flat major, op. 70: V. Allegretto

Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo – Allegro energico – Tranquillo – Tempo I [Allegro energico] – Tranquillo – a tempo

Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) – Molto tranquillo – Tempo I

Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro – Lento (ma non troppo) – Tempo I

Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una Fantasia). Andante – Allegro molto – Andante assai – Allegro molto come prima – Andante (ma non troppo) – Più largamente poco a poco

Symphony no. 2 in D major, op. 43: I. Allegretto

Symphony no. 2 in D major, op. 43: II. Tempo Andante, ma rubato

Symphony no. 2 in D major, op. 43: III. Vivacissimo – attacca

Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato

Symphony no. 5 in E flat major, op. 82: I. Tempo molto moderato – Largamente – Allegro moderato – Presto

Symphony no. 5 in E flat major, op. 82: II. Allegro moderato – Presto

Symphony no. 5 in E flat major, op. 82: III. Andante mosso, quasi allegretto

Symphony no. 5 in E flat major, op. 82: IV. Allegro molto – Misterioso – Un pochettino largamente – Largamente assai

Symphony no. 7 in C major, op. 105: Un pochettino meno adagio – Poco a poco affrettando il tempo al Vivacissimo

Symphony no. 7 in C major, op. 105: [5 bars before] Poco rallentando all'Adagio – Poco a poco meno lento all'

Symphony no. 7 in C major, op. 105: Allegro molto moderato – Poco a poco meno moderato-

Symphony no. 7 in C major, op. 105: [2 bars before] Vivace – Presto – Poco a poco rallentando all'Adagio – Largamente molto – Affettuoso – Tempo I

Symphony no. 7 in C major, op. 105: [2 bars before] Vivace – Presto – Poco a poco rallentando all'Adagio – Largamente molto – Affettuoso – Tempo I

Salome, op. 54 (selections): Final scene: „Es ist kein Laut zu vernehmen“

Salome, op. 54 (selections): Scene 4: Tanz der sieben Schleier

5 Songs for Voice & Orchestra: Cäcilie, op. 27/2 „Wenn du es wüsstest, was träumen heißt“

5 Songs for Voice & Orchestra: Wiegenlied, op. 41/1 „Träume, träume du, mein süßes Leben“

5 Songs for Voice & Orchestra: Ich liebe dich, op. 37/2 „Vier adlige Rosse voran unserm Wagen“

5 Songs for Voice & Orchestra: Morgen! op. 27/4 „Und morgen wird die Sonne wieder scheinen“

5 Songs for Voice & Orchestra: Zueignung, op. 10/1 „Ja, du weißt es, teure Seele“

L'oiseau de feu: Introduction

L'oiseau de feu: Danse de l'oiseau de feu et sa danse

L'oiseau de feu: Variation de l'oiseau de feu

L'oiseau de feu: Ronde des princesses

L'oiseau de feu: Danse infernale de Kachtcheï

L'oiseau de feu: Berceuse

L'oiseau de feu: Final

Pulcinella: I. Sinfonia (Ouverture). Allegro moderato

Pulcinella: II. Serenata. Larghetto

Pulcinella: III. a. Scherzino – b. Allegro – c. Andantino

Pulcinella: IV. Tarantella. 𝅗𝅥 = 88

Pulcinella: V. Toccata. Allegro

Pulcinella: VI. Gavotta con due variazioni. Allegro moderato. Var. I. Allegretto – Var. II. Allegro più tosto moderato

Pulcinella: VII. Vivo

Pulcinella: VIII. a. Minuetto. Molto moderato – b. Finale. Allegro assai

Pétrouchka: Scene I: Fête populaire de la semaine grasse

Pétrouchka: Scene I: Le tour de passe-passe – Danse russe

Pétrouchka: Scene II - Chez Pétrouchka

Pétrouchka: Scene III - Chez le maure – Danse de la Ballerine

Pétrouchka: Scene III - Valse: La ballerine et le maure

Pétrouchka: Scene IV - Fête populaire de la semaine grasse (vers le soir)

Pétrouchka: Scene IV - Danse des nounous

Pétrouchka: Scene IV - Le Paysan et l'ours

Pétrouchka: Scene IV - Un marchand fêtard avec deux tziganes

Pétrouchka: Scene IV - Danse des cochers et des palefreniers

Pétrouchka: Scene IV - Les Déguisés

Pétrouchka: Scene IV - La Rixe: Le Maure et Pétrouchka

Pétrouchka: Scene IV - Mort de Pétrouchka

Pétrouchka: Scene IV - La Police et le charlatan

Pétrouchka: Scene IV - Apparition du double de Pétrouchka

Scènes de ballet: Introduction. Andante

Scènes de ballet: Danses (Corps de ballet). Moderato

Scènes de ballet: Variation (Ballerine). Con moto

Scènes de ballet: Pantomime. Lento

Scènes de ballet: Pas de deux. Adagio

Scènes de ballet: Pantomime. Agitato ma tempo giusto

Scènes de ballet: Variation (Danseur). Risoluto

Scènes de ballet: Variation (Ballerine). Andantino

Scènes de ballet: Pantomime. Andantino

Scènes de ballet: Danses (Corps de ballet). Con moto

Scènes de ballet: Apothéose. Poco meno mosso

Le sacre du printemps, Part I «L'Adoration de la terre» : Introduction

Le sacre du printemps, Part I «L'Adoration de la terre» : Les Augures printaniers – Danses des adolescentes

Le sacre du printemps, Part I «L'Adoration de la terre» : Jeu du rapt

Le sacre du printemps, Part I «L'Adoration de la terre» : Rondes printanières

Le sacre du printemps, Part I «L'Adoration de la terre» : Jeux des cités rivales

Le sacre du printemps, Part I «L'Adoration de la terre» : Cortège du Sage – Le Sage

Le sacre du printemps, Part I «L'Adoration de la terre» : Adoration de la terre

Le sacre du printemps, Part I «L'Adoration de la terre» : Danse de la terre

Le sacre du printemps, Part II «Le Sacrifice» : Introduction

Le sacre du printemps, Part II «Le Sacrifice» : Cercles mystérieux des adolescentes

Le sacre du printemps, Part II «Le Sacrifice» : Glorification de l'Élue

Le sacre du printemps, Part II «Le Sacrifice» : Évocation des ancêtres

Le sacre du printemps, Part II «Le Sacrifice» : Action rituelle des ancêtres

Le sacre du printemps, Part II «Le Sacrifice» : Danse sacrale. L'Élue

Symphony in C: I. Moderato alla breve

Symphony in C: II. Larghetto concertante

Symphony in C: III. Allegretto

Symphony in C: IV. Largo – Tempo giusto, alla breve

Symphony in 3 Movements: I. ♩=160

Symphony in 3 Movements: II. Andante

Symphony in 3 Movements: Interlude. L'istesso tempo

Symphony in 3 Movements: III. Con moto

Les Noces : Part I: Scene 1: Chez la mariée (The Tresses)

Les Noces : Part I: Scene 2: Chez le marié (At the Bridegroom's house)

Les Noces : Part I: Scene 3: Le Départ de la mariée (The departure of the Bride)

Les Noces : Part II - Scene 4: Le Repas de noces (The wedding feast)

Mass (for mixed chorus & double wind quintet) - Kyrie

Mass (for mixed chorus & double wind quintet) - Gloria

Mass (for mixed chorus & double wind quintet) - Credo

Mass (for mixed chorus & double wind quintet) - Sanctus

Mass (for mixed chorus & double wind quintet) - Agnus Dei

Symphony no. 4 in F minor, op. 36: I. Andante sostenuto – Moderato con anima – Moderato assai, quasi andante – Allegro vivo

Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona

Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato – Allegro

Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco

Francesca da Rimini, op. 32. Andante lugubre – Allegro vivo – Andante cantabile non troppo – Allegro vivo

Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima

Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza – Moderato con anima – Andante mosso – Allegro non troppo – Tempo I

Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato

Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace – Molto vivace – Moderato assai e molto maestoso – Presto

Romeo and Juliet. Andante non tanto quasi moderato – Allegro giusto – Moderato assai

Symphony no. 6 in B minor "Pathétique," op. 74: I. Adagio – Allegro non troppo – Andante – Moderato mosso – Andante – Moderato assai – Allegro vivo – Andante come prima – Andante mosso

Symphony no. 6 in B minor "Pathétique," op. 74: II. Allegro con grazia

Symphony no. 6 in B minor "Pathétique," op. 74: III. Allegro molto vivace

Symphony no. 6 in B minor "Pathétique," op. 74: IV. Finale. Adagio lamentoso – Andante

Romeo and Juliet. Andante non tanto quasi moderato – Allegro giusto – Moderato assai

Francesca Da Rimini, op. 32 (Andante Lugubre – Allegro Vivo – Andante Cantabile non troppo – Allegro Vivo

Hamlet Overture op. 67 (Fantasy Overture After Shakespeare) (Lento Lugubre – Allegro Vivace)

Slavonich March op. 31 (Moderato in Moto Di Marcia Funebre – Piùmosso. Allegro – Andante Molto Maestoso – Allegro Risoluto)

Capriccio Italien op. 45 (Andante Un Poco Rubato – Allegro Moderato – Andante – Presto – Allegro Moderato – Presto – Prestissimo)

"1812" Festival Overture op. 49 (Largo – Andante – Allegro Giusto – Allegro Vivace)

Tristan und Isolde: Act I. Prelude

Tristan und Isolde: Act I. "Westwärts schweift der Blick" (Stimme Eines Jungen Seemanns, Isolde, Brangäne)

Tristan und Isolde: Act I. "Frisch weht der Wind der Heimat zu" (Stimme Eines Jungen Seemanns, Isolde, Brangäne)

Tristan und Isolde: Act I. "Hab Acht, Tristan!" (Kurnewaal, Tristan, Brangäne, Chor)

Tristan und Isolde: Act I. "Weh, ach wehe! Dies zu dulden!" (Isolde, Brangäne)

Tristan und Isolde: Act I. "Wie lachend sie mir Lieder singen" (Isolde, Brangäne)

Tristan und Isolde: Act I. "Auf! Auf! Ihr Frauen! Frisch und froh!" (Kurnewaal, Isolde, Brangäne)

Tristan und Isolde: Act I. "Herr Tristan trete nah!" – "Begehrt, Herrin, was Ihr wünscht" (Isolde, Tristan)

Tristan und Isolde: Act I. "War Morold dir so wert" (Tristan, Isolde, Chor)

Tristan und Isolde: Act I. "Tristan!" – "Isolde!" – "Treuloser Holder!" (Isolde, Tristan, Chor, Brangäne, Kurwenal)

Tristan und Isolde: Act II. Prelude

Tristan und Isolde: Act II. "Hörst du sie noch?" (Isolde, Brangäne)

Tristan und Isolde: Act II. "Isolde! Geliebte!" – "Tristan! Geliebter!" (Tristan, Isolde)

Tristan und Isolde: Act II. "O sink hernieder, Nacht der Liebe" – "Einsam wachend in der Nacht" (Tristan, Isolde, Brangäne Stiime)

Tristan und Isolde: Act II. "Lausch, Geliebter!" – "Lass mich sterben!" (Isolde, Tristan)

Tristan und Isolde: Act II. "So stürben wir, um getrennt" – "Habet Acht!" (Tristan, Isolde, Brangänes Stiime)

Tristan und Isolde: Act II. "Rette dich, Tristan!" (Kurwenal, Tristan, Melot)

Tristan und Isolde: Act II. "Tatest du's wirklich? Wähnst du das?" (Marke, Tristan)

Tristan und Isolde: Act II. "O König, das kann ich dir nicht sagen" (Tristan, Isolde, Melot)

Tristan und Isolde: Act III. Prelude

Tristan und Isolde: Act III. "Kurnewal! He! Sag, Kurnewal!" (Hirt, Kurwenal, Tristan)

Tristan und Isolde: Act III. "Wo ich erwacht, weilt' ich nicht" (Tristan)

Tristan und Isolde: Act III. "Der einst ich trotzt'" (Kurwenal, Tristan)

Tristan und Isolde: Act III. "Bist du nun tot? Lebst du noch?" (Kurwenal, Tristan)

Tristan und Isolde: Act III. "O Wonne! Freude!" (Kurwenal, Tristan)

Tristan und Isolde: Act III. "O diese Sonne! Ha, dieser Tag!" (Tristan, Isolde)

Tristan und Isolde: Act III. "Ha! ich bin's, ich bin's, süßester Freund!" (Isolde)

Tristan und Isolde: Act III. "Kurnewal! Hör! Ein zweites Schiff!" (Hirt, Kurwenal, Steuermann, Brangäne, Melot, Marke)

Tristan und Isolde: Act III. "Mild und leise wie er lächelt" (Isolde)

I Allegro Con Brio

II Marcia Funebre. Adagio Assai

III Scherzo. Allegro Vivace – Trio

IV Finale: Allegro Molto – Poco Andante – Presto

Musical Analysis: Simplicity Itself ...

Musical Analysis: I Always Feel This Gigantism ...

Musical Analysis: We Have Just Been Examining ...

Musical Analysis: All That We Have Said ...

Musical Analysis: The Study of the The "Eroica" Is A Lifetime Work ...

Symphony no. 9 in E minor "From the New World" op. 95: I. Adagio – Allegro molto

Symphony no. 9 in E minor "From the New World" op. 95: II. Largo

Symphony no. 9 in E minor "From the New World" op. 95: III. Scherzo. Molto vivace