Complete Beethoven Recordings

Symphony No. 1 in C major, op. 21: Adagio molto - Allegro con brio

Symphony No. 1 in C major, op. 21: Andante cantabile con moto

Symphony No. 1 in C major, op. 21: Menuetto. Allegro molto e vivace - Trio

Symphony No. 1 in C major, op. 21: Finale. Adagio - Allegro molto e vivace

Symphony No. 2 in D major, op. 36: Adagio molto - Allegro con brio

Symphony No. 2 in D major, op. 36: Larghetto

Symphony No. 2 in D major, op. 36: Scherzo. Allegro - Trio

Symphony No. 2 in D major, op. 36: Allegro molto

Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio

Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai

Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace

Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto

Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace

Symphony No. 4 in B-flat major, Op. 60: II. Adagio

Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace

Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo

Symphony No. 5 in C minor, Op. 67: I. Allegro con brio

Symphony No. 5 in C minor, Op. 67: II. Andante con moto

Symphony No. 5 in C minor, Op. 67: III. Allegro

Symphony No. 5 in C minor, Op. 67: IV. Allegro

Symphony No. 6 in F major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo

Symphony No. 6 in F major, Op. 68 "Pastoral": II. Szene am Bach: Andante molto mosso

Symphony No. 6 in F major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute: Allegro

Symphony No. 6 in F major, Op. 68 "Pastoral": IV. Gewitter, Sturm: Allegro

Symphony No. 6 in F major, Op. 68 "Pastoral": V. Hirtengesang: Frohe und dankbare Gefühle nach dem Sturm: Allegretto

Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace

Symphony No. 7 in A major, Op. 92: II. Allegretto

Symphony No. 7 in A major, Op. 92: III. Presto

Symphony No. 7 in A major, Op. 92: IV. Allegro con brio

Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio

Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando

Symphony No. 8 in F major, Op. 93: III. Tempo di Menuetto

Symphony No. 8 in F major, Op. 93: IV. Allegro vivace

Symphony No. 9 in D minor, Op. 125: Allegro ma non troppo, un poco maestoso

Symphony No. 9 in D minor, Op. 125: Molto vivace

Symphony No. 9 in D minor, Op. 125: Adagio molto e cantabile

Symphony No. 9 in D minor, Op. 125: Presto

Symphony No. 9 in D minor, Op. 125: Presto: "O Freunde, nicht diese Töne!" Allegro assai

Concerto for Piano and Orchestra No. 2 in B-flat major, op. 19: I. Allegro con brio

Concerto for Piano and Orchestra No. 2 in B-flat major, op. 19: II. Adagio

Concerto for Piano and Orchestra No. 2 in B-flat major, op. 19: III. Rondo. Allegro molto

Rondo for Piano and Orchestra in B-flat major.. WoO 6: Allegro - Andante - (Tempo I)

Concerto for Piano and Orchestra No. 1 in C major, op. 15: I. Allegro con brio

Concerto for Piano and Orchestra No. 1 in C major, op. 15: II. Largo

Concerto for Piano and Orchestra No. 1 in C major, op. 15: III. Rondo. Allegro

Concerto for Piano and Orchestra No. 3 in C minor, op. 37: I. Allegro con brio

Concerto for Piano and Orchestra No. 3 in C minor, op. 37: II. Largo

Concerto for Piano and Orchestra No. 3 in C minor, op. 37: III. Rondo. Allegro

Concerto for Piano and Orchestra No. 4 in G major, op. 58: I. Allegro moderato

Concerto for Piano and Orchestra No. 4 in G major, op. 58: II. Andante con moto - attacca

Concerto for Piano and Orchestra No. 4 in G major, op. 58: III. Rondo. Vivace

Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro

Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto

Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo: Allegro a non troppo

Fantasy for Piano, Chorus and Orchestra in C minor, op. 80: Adagio

Fantasy for Piano, Chorus and Orchestra in C minor, op. 80: Finale: Allegro - Meno allegro (Allegretto) - Allegro molto - Adagio ma non troppo - Marcia assai vivace - Allegro - Allegretto ma non troppo quasi con moto - Presto

Choral Fantasy, op. 80 (alternative improvised introduction no. 1)

Choral Fantasy, op. 80 (alternative improvised introduction no. 2)

Piano Concerto No. 4 in G major, op. 58 (version for Piano and String Quintet): I. Allegro moderato

Piano Concerto No. 4 in G major, op. 58 (version for Piano and String Quintet): II. Andante con moto

Piano Concerto No. 4 in G major, op. 58 (version for Piano and String Quintet): III. Rondo. Vivace

Symphony No. 2 in D major, op. 36 (Chamber version for Piano, Violin, and Cello): I. Adagio molto - Allegro con brio

Symphony No. 2 in D major, op. 36 (Chamber version for Piano, Violin, and Cello): II. Larghetto

Symphony No. 2 in D major, op. 36 (Chamber version for Piano, Violin, and Cello): III. Scherzo. Allegro

Symphony No. 2 in D major, op. 36 (Chamber version for Piano, Violin, and Cello): IV. Allegro molto

Violin Concerto in D major, op. 61: I. Allegro ma non troppo (cadenza: Ottavio Dantone)

Violin Concerto in D major, op. 61: II. Larghetto

Violin Concerto in D major, op. 61: III. Rondo (cadenza: Ottavio Dantone)

Missa Solemnis, op. 123: I. Kyrie - Assai sostenuto

Missa Solemnis, op. 123: II. Gloria - Allegro vivace

Missa Solemnis, op. 123: III. Credo - Allegro ma non troppo

Missa Solemnis, op. 123: IV. Sanctus - Adagio

Missa Solemnis, op. 123: V. Agnus Dei - Adagio

Ah! perfido - Per pietà, Op. 65

Meeresstille und glückliche Fahrt, Op. 112

Mass in C major, op. 86: Kyrie

Mass in C major, op. 86: Gloria

Mass in C major, op. 86: Credo

Mass in C major, op. 86: Sanctus (Benedictus)

Mass in C major, op. 86: Agnus Dei

Leonore, Hess 109: Ouvertüre “Leonore II”

Leonore, Hess 109: …Twas in truth

Leonore, Hess 109: O wär’ ich schon mit dir vereint

Leonore, Hess 109: Beharrlich bleibt auf dem Liebespfad

Leonore, Hess 109: Jetzt Schätzchen, jetzt sind wir allein

Leonore, Hess 109: Der Kerkermeister, Rocco, der Vater

Leonore, Hess 109: Ein Mann ist bald genommen

Leonore, Hess 109: Fidelio kam - und niemand weiß woher

Leonore, Hess 109: Mir ist so wunderbar

Leonore, Hess 109: Gefühl ist gut, doch Geld ist besser

Leonore, Hess 109: Hat man nicht auch Gold beineben

Leonore, Hess 109: Unantastbar klar birgt Leonores Brust

Leonore, Hess 109: Gut, Söhnchen, gut

Leonore, Hess 109: Einleitung D‐dur

Leonore, Hess 109: Der Gouverneur ist da

Leonore, Hess 109: Ha! Welch ein Augenblick!

Leonore, Hess 109: Postiert eine Trompete auf dem Wachturm!

Leonore, Hess 109: Jetzt, Alter, hat es Eile!

Leonore, Hess 109: Und Leonore begegnet Marzelline

Leonore, Hess 109: Um in der Ehe froh zu leben

Leonore, Hess 109: Die ernsten Steine des dumpfen Gemäuers

Leonore, Hess 109: Ach, brich noch nicht, du mattes Herz! - Komm, Hoffnung

Leonore, Hess 109: O welche Lust, in freier Luft

Leonore, Hess 109: Entfernt euch jetzt! Nun, könnt ihr eilen?/Nun sprecht, wie ging’s?

Leonore, Hess 109: Wir müssen gleich zu Werke schreiten - Ach Vater, eilt!

Leonore, Hess 109: Auf euch nur will ich bauen

Leonore, Hess 109: Florestans Not im Dunkel tauber Einsamkeit

Leonore, Hess 109: Gott! Welch Dunkel hier! - In des Lebens Frühlingstagen

Leonore, Hess 109: Wie kalt ist es in diesem unterirdischen Gewölbe!

Leonore, Hess 109: Nur hurtig fort, nur frisch gegraben

Leonore, Hess 109: Dort, in der Tiefe

Leonore, Hess 109: Euch werde Lohn in bessern Welten

Leonore, Hess 109: Und Rocco eilt

Leonore, Hess 109: Er sterbe! Doch er soll erst wissen

Leonore, Hess 109: Oh Leonore! Alles was dein Mut gewagt - verloren!

Leonore, Hess 109: Ich kann mich noch nicht fassen - O namenlose Freude!

Leonore, Hess 109: Zur Rache! Zur Rache!

Leonore, Hess 109: O Gott! O welch ein Augenblick!

Leonore, Hess 109: So müssen endlich Aufgeklärte

Leonore, Hess 109: Doch höre erst, du Bösewicht

Leonore, Hess 109: Dann herrscht allgemeine Freiheit und Gleichheit der Geister

Leonore, Hess 109: Nein, nein, nein! Er ist noch zu gering bestraft!

Leonore, Hess 109: Ein höherer Geist, vom Himmel gesandt

Leonore, Hess 109: Der König wird dein Richter sein!

Leonore, Hess 109: Wer ein holdes Weib errungen

Leonore, Hess 109: Marsch (alternative version) B‐dur

Historical influences on Beethoven

The technical demands made of instrumentalists

Using period instruments

Beethoven's tempo markings

The political dimension of Beethoven's music

Summing up

Historischer Einfluss auf Beethoven

Technische Anforderungen an Instrumentalisten

Über den Einsatz historischer Instrumente

Beethovens Tempobezeichnungen

Politische Dimension in der Musik Beethovens

Zum Schluss

Influence historique sur Beethoven

Conditions pour les instrumentistes

Utilisation d'instruments historiques

Les marques de tempo de Beethoven

Dimension politique dans la musique de Beethoven

Les symphonies de Beethoven