Complete Beethoven Edition, Volume 3: Orchestral Works / Music for the Stage

The Creatures of Prometheus, op. 43: Overture. Adagio - Allegro molto e con brio

The Creatures of Prometheus, op. 43: Introduction. Allegro non troppo

The Creatures of Prometheus, op. 43: I. Poco adagio

The Creatures of Prometheus, op. 43: II. Adagio - Allegro con brio

The Creatures of Prometheus, op. 43: III. Allegro vivace

The Creatures of Prometheus, op. 43: IV. Maestoso - Andante

The Creatures of Prometheus, op. 43: V. Adagio - Andante quasi allegro

The Creatures of Prometheus, op. 43: VI. Un poco adagio - Allegro

The Creatures of Prometheus, op. 43: VII. Grave

The Creatures of Prometheus, op. 43: VIII. Marcia. Allegro con brio

The Creatures of Prometheus, op. 43: IX. Adagio

The Creatures of Prometheus, op. 43: X. Pastoral. Allegro

The Creatures of Prometheus, op. 43: XI. Chorus. Andante (Gioja)

The Creatures of Prometheus, op. 43: XII. Solo. Maestoso - Adagio (Gioja)

The Creatures of Prometheus, op. 43: XIII. Allegro

The Creatures of Prometheus, op. 43: XIV. Solo. Andante - Adagio (Signora Cassentini)

The Creatures of Prometheus, op. 43: XV. Coro e Solo. Andantino - Adagio (Vigano)

The Creatures of Prometheus, op. 43: XVI. Finale. Allegretto

Music for a Ballet on Horseback, WoO 1: I. March

Music for a Ballet on Horseback, WoO 1: II. German Song. Allegro moderato

Music for a Ballet on Horseback, WoO 1: IIIa. Hunting Song. Allegretto

Music for a Ballet on Horseback, WoO 1: IIIb. German Song (da capo)

Music for a Ballet on Horseback, WoO 1: IVa. Romance. Andantino

Music for a Ballet on Horseback, WoO 1: IVb. German Song (da capo)

Music for a Ballet on Horseback, WoO 1: Va. War Song. Allegro assai con brio

Music for a Ballet on Horseback, WoO 1: Vb. German Song (da capo)

Music for a Ballet on Horseback, WoO 1: VIa. Drinking Song. Allegro con brio “Mihi est propositum”

Music for a Ballet on Horseback, WoO 1: VIb. German Song (da capo)

Music for a Ballet on Horseback, WoO 1: VII. German Dance. Waltz

Music for a Ballet on Horseback, WoO 1: VIII. Coda. Allegro vivace

Congratulatory Minuet for Orchestra in E‐flat major, WoO 3: Tempo di menuetto quasi allegretto

12 Minuets for Orchestra, WoO 7 no. 1 in D major

12 Minuets for Orchestra, WoO 7 no. 2 in B‐flat major

12 Minuets for Orchestra, WoO 7 no. 3 in G major

12 Minuets for Orchestra, WoO 7 no. 4 in E‐flat major

12 Minuets for Orchestra, WoO 7 no. 5 in C major

12 Minuets for Orchestra, WoO 7 no. 6 in A major

12 Minuets for Orchestra, WoO 7 no. 7 in D major

12 Minuets for Orchestra, WoO 7 no. 8 in B‐flat major

12 Minuets for Orchestra, WoO 7 no. 9 in G major

12 Minuets for Orchestra, WoO 7 no. 10 in E‐flat major

12 Minuets for Orchestra, WoO 7 no. 11 in C major

12 Minuets for Orchestra, WoO 7 no. 12 in F major

12 German Dances, WoO 8 no. 1 in C major

12 German Dances, WoO 8 no. 2 in A major

12 German Dances, WoO 8 no. 3 in F major

12 German Dances, WoO 8 no. 4 in B‐flat major

12 German Dances, WoO 8 no. 5 in E‐flat major

12 German Dances, WoO 8 no. 6 in G major

12 German Dances, WoO 8 no. 7 in C major

12 German Dances, WoO 8 no. 8 in A major

12 German Dances, WoO 8 no. 9 in F major

12 German Dances, WoO 8 no. 10 in D major

12 German Dances, WoO 8 no. 11 in G major

12 German Dances, WoO 8 no. 12 in C major - Coda

12 Contredances for Orchestra, WoO 14 no. 1 in C major

12 Contredances for Orchestra, WoO 14 no. 2 in A major

12 Contredances for Orchestra, WoO 14 no. 3 in D major

12 Contredances for Orchestra, WoO 14 no. 4 in B‐flat major

12 Contredances for Orchestra, WoO 14 no. 5 in E‐flat major

12 Contredances for Orchestra, WoO 14 no. 6 in C major

12 Contredances for Orchestra, WoO 14 no. 7 in E‐flat major

12 Contredances for Orchestra, WoO 14 no. 8 in C major

12 Contredances for Orchestra, WoO 14 no. 9 in A major

12 Contredances for Orchestra, WoO 14 no. 10 in C major

12 Contredances for Orchestra, WoO 14 no. 11 in G major

12 Contredances for Orchestra, WoO 14 no. 12 in E‐flat major

Coriolan, op. 62: Overture. Allegro con brio

Name–Day, op. 115: Overture in C major. Maestoso - Allegro assai

Egmont, op. 84: Overture. Sostenuto, ma non troppo - Allegro

Egmont, op. 84: I. Lied: “Die Trommel gerühret!”. Vivace

Egmont, op. 84: II. Entr’acte Music I. Andante - Allegro con brio

Egmont, op. 84: III. Entr’acte Music II. Larghetto

Egmont, op. 84: IV. Lied: “Freudvoll und leidvoll”. Andante con moto - Allegro assai vivace

Egmont, op. 84: V. Entr’acte Music III. Allegro - Marcia. Vivace

Egmont, op. 84: VI. Entr’acte Music IV. Poco sostenuto e risoluto - Larghetto - Andante agitato

Egmont, op. 84: VII. Clärchen’s Death. Larghetto

Egmont, op. 84: VIII. Melodrama. Poco sostenuto

Egmont, op. 84: IX. Victory Symphony. Allegro con brio

Wellington’s Victory, or the Battle of Vitoria, op. 91 “Battle Symphony”

The Ruins of Athens, op. 113: Overture. Andante con moto - Allegro ma non troppo

The Ruins of Athens, op. 113: I. Chorus. Andante poco sostenuto “Tochter des mächtigen Zeus!”

The Ruins of Athens, op. 113: II. Duet. Andante con moto - Poco più mosso “Ohne Verschulden Knechtschaft dulden” (A Greek, A Greek Girl)

The Ruins of Athens, op. 113: III. Chorus of Dervishes. Allegro ma non troppo “Du hast in deines Ärmels Falten den Mond getragen”

The Ruins of Athens, op. 113: IV. Turkish March. Vivace

The Ruins of Athens, op. 113: VIa. March and Chorus. Assai moderato “Schmückt die Altäre!”

The Ruins of Athens, op. 113: VIb. Recitation. Poco Adagio “Mit reger Freude, die nie erkaltet”

The Ruins of Athens, op. 113: VIIa. Chorus. Allegretto, ma non troppo “Wir tragen empfängliche Herzen im Busen”

The Ruins of Athens, op. 113: VIIb. Aria with Chorus. Adagio “Will unser Genius noch einen Wunsch gewähren?”

The Ruins of Athens, op. 113: VIII. Chorus. Allegro con fuoco “Heil unserm König! Heil!”

The Consecration of the House, op. 124: Overture. Maestoso e sostenuto - Allegro con brio

The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) “Wo sich die Pulse jugendlich jagen” - “Laßt uns im Tanze”

The Consecration of the House, op. 114: VI. March and Chorus. Assai moderato “Schmückt die Altäre!”

The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo “Es wandelt schon das Volk im Feierkleide”

Eleonore Prohaska, WoO 96: I. Chorus of Warriors “Wir bauen und sterben”

Eleonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) “Es blüht eine Blume im Garten mein”

Eleonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend “Du, dem sie gewunden”

Eleonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung

Music to “King Stephen or Hungary’s First Benefactor”, op. 117: Ouvertüre. Andante con moto - Presto

Music to “King Stephen or Hungary’s First Benefactor”, op. 117: I. Chor: “Ruhend von seinen Taten”. Andante maestoso e con moto

Music to “King Stephen or Hungary’s First Benefactor”, op. 117: II. Chor: “Auf dunkelm Irrweg in finstern Hainen”. Allegro con brio

Music to “King Stephen or Hungary’s First Benefactor”, op. 117: III. Victory March

Music to “King Stephen or Hungary’s First Benefactor”, op. 117: IV. Chor: “Wo die Unschuld Blumen streute”. Andante con moto all’Ongarese

Music to “King Stephen or Hungary’s First Benefactor”, op. 117: V. Melodram: “Du hast dein Vaterland, dein Fürstenhaus verlassen”. Vivace

Music to “King Stephen or Hungary’s First Benefactor”, op. 117: VI. Chor: “Eine neue strahlende Sonne”. Vivace

Music to “King Stephen or Hungary’s First Benefactor”, op. 117: VII. Melodram: “Ihr edlen Ungarn! Hört meine Stimme!”. Maestoso con moto - Andante maestoso - Maestoso con moto

Music to “King Stephen or Hungary’s First Benefactor”, op. 117: VIII. Geistlicher Marsch, Chor und Melodram

Music to “King Stephen or Hungary’s First Benefactor”, op. 117: IX. Final Chorus. Presto

Two arias for “The Beautiful Shoemaker’s Wife, or The Puce‐Coloured Shoes”, WoO 91: “O welch ein Leben!”. Allegretto

Two arias for “The Beautiful Shoemaker’s Wife, or The Puce‐Coloured Shoes”, WoO 91: “Soll ein Schuh nicht drücken”. Andante con moto

Introduction to Act 2 (Entr’acte), WoO 2b (probably to “Tarpeja”). Alla marcia, ma non troppo presto

Triumphal March, WoO 2a: from “Tarpeja”. Alla marcia, ma non troppo presto

“Germania”, WoO 94: Final number from “The Good News” for bass, chorus and orchestra

“Es ist vollbracht”, WoO 97: Final number from “The Triumphal Arches” for bass, chorus and orchestra. Risoluto

Scene (One) from “Vesta’s Fire”, Hess 115