BTHVN 2020: The New Complete Edition

Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio

Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto

Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace

Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace

Overture “Die Geschopfe des Prometheus”, op. 43

Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio

Symphony no. 2 in D major, op. 36: II. Larghetto

Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro

Symphony no. 2 in D major, op. 36: IV. Allegro molto

Overture Leonore no. 3, op. 72b: Adagio - Allegro

Symphony no. 3 in E-flat, op. 55 "Eroica": I. Allegro con brio

Symphony no. 3 in E-flat, op. 55 "Eroica": II. Marcia funebre. Adagio assai

Symphony no. 3 in E-flat, op. 55 "Eroica": III. Scherzo. Allegro vivace

Symphony no. 3 in E-flat, op. 55 "Eroica": IV. Finale. Allegro molto

Symphony no. 4 in B-flat, op. 60: I. Adagio – Allegro vivace

Symphony no. 4 in B-flat, op. 60: II. Adagio

Symphony no. 4 in B-flat, op. 60: III. Allegro vivace

Symphony no. 4 in B-flat, op. 60: IV. Allegro ma non troppo

Overture “Coriolan”, op. 62: Allegro con brio

Symphony no. 5 in C, op. 67: I. Allegro con brio

Symphony no. 5 in C, op. 67: II. Andante con moto

Symphony no. 5 in C, op. 67: III. Allegro - attacca

Symphony no. 5 in C, op. 67: IV. Allegro

Symphony no. 6 in F, op. 68 “Pastoral”: I. Allegro ma non troppo “Erwachen heiterer Gefühle bei der Ankunft auf dem Lande”

Symphony no. 6 in F, op. 68 “Pastoral”: II. Andante molto mosso “Szene am Bach”

Symphony no. 6 in F, op. 68 “Pastoral”: III. Allegro “Lustiges Zusammensein der Landleute”

Symphony no. 6 in F, op. 68 “Pastoral”: IV. Allegro “Gewitter. Sturm”

Symphony no. 6 in F, op. 68 “Pastoral”: V. Allegretto “Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm”

Symphony no. 7 in A, op. 92: I. Poco sostenuto - Vivace

Symphony no. 7 in A, op. 92: II. Allegretto

Symphony no. 7 in A, op. 92: III. Presto

Symphony no. 7 in A, op. 92: IV. Allegro con brio

Symphony no. 8 in F, op. 93: I. Allegro vivace e con brio

Symphony no. 8 in F, op. 93: II. Allegretto scherzando

Symphony no. 8 in F, op. 93: III. Tempo di Menuetto

Symphony no. 8 in F, op. 93: IV. Allegro vivace

Overture (in C) "Zur Namensfeier", op. 115: Maestoso - Allegro assai

Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91

Symphony no. 9 in d, op. 125: I. Allegro ma non troppo, un poco maestoso

Symphony no. 9 in d, op. 125: II. Molto vivace

Symphony no. 9 in d, op. 125: III. Adagio molto e cantabile

Symphony no. 9 in d, op. 125: IV. Presto - Allegro assai -

Symphony no. 9 in d, op. 125: IV. Presto - “O Freunde, nicht diese Töne!” - Allegro assai: “Freude, schöner Götterfunken” - Allegro assai vivace. Alla marcia - Andante maestoso - Allegro energico, sempre ben marcato - Allegro ma non tanto - Prestissimo

Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio

Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto

Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace

Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace

Symphony no. 2 in D major, op. 36: I. Adagio – Allegro con brio

Symphony no. 2 in D major, op. 36: II. Larghetto

Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro

Symphony no. 2 in D major, op. 36: IV. Allegro molto

Music to Johann Wolfgang von Goethe’s Tragedy “Egmont”, op. 84 (excerpts): Overture. Sostenuto, ma non troppo – Allegro

Music to Johann Wolfgang von Goethe’s Tragedy “Egmont”, op. 84 (excerpts): No. 1 Lied: „Die Trommel gerühret!“ Vivace (Clärchen)

Music to Johann Wolfgang von Goethe’s Tragedy “Egmont”, op. 84 (excerpts): No. 2 Entr’acte I: Andante – Allegro con brio

Music to Johann Wolfgang von Goethe’s Tragedy “Egmont”, op. 84 (excerpts): No. 3 Entr’acte II: Larghetto

Music to Johann Wolfgang von Goethe’s Tragedy “Egmont”, op. 84 (excerpts): No. 4 Lied: „Freudvoll und leidvoll“ Andante con moto – Allegro assai vivace (Clärchen)

Music to Johann Wolfgang von Goethe’s Tragedy “Egmont”, op. 84 (excerpts): No. 9 Siegessymphonie (Victory Symphony). Allegro con brio

Symphony no. 3 in E-flat, op. 55 “Eroica”: I. Allegro con brio

Symphony no. 3 in E-flat, op. 55 “Eroica”: II. Marcia funebre. Adagio assai

Symphony no. 3 in E-flat, op. 55 “Eroica”: III. Scherzo. Allegro vivace

Symphony no. 3 in E-flat, op. 55 “Eroica”: IV. Finale. Allegro molto

Symphony no. 4 in B-flat, op. 60: I. Adagio - Allegro vivace

Symphony no. 4 in B-flat, op. 60: II. Adagio

Symphony no. 4 in B-flat, op. 60: III. Allegro vivace

Symphony no. 4 in B-flat, op. 60: IV. Allegro ma non troppo

Symphony no. 5 in c, op. 67: I. Allegro con brio

Symphony no. 5 in c, op. 67: II. Andante con moto

Symphony no. 5 in c, op. 67: III. Allegro -

Symphony no. 5 in c, op. 67: IV. Allegro

Symphony no. 7 in A, op. 92: I. Poco sostenuto – Vivace

Symphony no. 7 in A, op. 92: II. Allegretto

Symphony no. 7 in A, op. 92: III. Presto

Symphony no. 7 in A, op. 92: IV. Allegro con brio

Symphony no. 6 in F, op. 68 “Pastoral”: I. Allegro ma non troppo “Erwachen heiterer Gefühle bei der Ankunft auf dem Lande”

Symphony no. 6 in F, op. 68 “Pastoral”: II. Andante molto mosso “Szene am Bach”

Symphony no. 6 in F, op. 68 “Pastoral”: III. Allegro “Lustiges Zusammensein der Landleute”

Symphony no. 6 in F, op. 68 “Pastoral”: IV. Allegro “Gewitter. Sturm”

Symphony no. 6 in F, op. 68 “Pastoral”: V. Allegretto “Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm”

Symphony no. 8 in F, op. 93: I. Allegro vivace e con brio

Symphony no. 8 in F, op. 93: II. Allegretto scherzando

Symphony no. 8 in F, op. 93: III. Tempo di Menuetto

Symphony no. 8 in F, op. 93: IV. Allegro vivace

Symphony no. 9 in d, op. 125: I. Allegro ma non troppo, un poco maestoso

Symphony no. 9 in d, op. 125: II. Molto vivace

Symphony no. 9 in d, op. 125: III. Adagio molto e cantabile

Symphony no. 9 in d, op. 125: IV. Presto - Allegro assai -

Symphony no. 9 in d, op. 125: V. Presto - “O Freunde, nicht diese Töne!” – Allegro assai - Allegro assai: “Freude, schöner Götterfunken” - Allegro assai vivace. Alla marcia - Andante maestoso - Allegro energico, sempre ben marcato - Allegro ma non tanto - Prestissimo

Symphony no. 1 in C, op. 21: I. Adagio molto - Allegro con brio

Symphony no. 1 in C, op. 21: II. Andante cantabile con moto

Symphony no. 1 in C, op. 21: III. Menuetto. Allegro molto e vivace

Symphony no. 1 in C, op. 21: IV. Adagio - Allegro molto e vivace

Symphony no. 2 in D, op. 36: I. Adagio molto - Allegro con brio

Symphony no. 2 in D, op. 36: II. Larghetto

Symphony no. 2 in D, op. 36: III. Scherzo. Allegro

Symphony no. 2 in D, op. 36: IV. Allegro molto

Symphony no. 3 in E-flat, op. 55 “Eroica”: I. Allegro con brio

Symphony no. 3 in E-flat, op. 55 “Eroica”: II. Marcia funebre. Adagio assai

Symphony no. 3 in E-flat, op. 55 “Eroica”: III. Scherzo. Allegro vivace

Symphony no. 3 in E-flat, op. 55 “Eroica”: IV. Finale. Allegro molto

Symphony no. 4 in B-flat, op. 60: I. Adagio - Allegro vivace

Symphony no. 4 in B-flat, op. 60: II. Adagio

Symphony no. 4 in B-flat, op. 60: III. Allegro vivace

Symphony no. 4 in B-flat, op. 60: IV. Allegro ma non troppo

Symphony no. 5 in c, op. 67: I. Allegro con brio

Symphony no. 5 in c, op. 67: II. Andante con moto

Symphony no. 5 in c, op. 67: III. Allegro -

Symphony no. 5 in c, op. 67: IV. Allegro

Symphony no. 6 in F, op. 68 “Pastoral”: I. Allegro ma non troppo “Erwachen heiterer Gefühle bei der Ankunft auf dem Lande”

Symphony no. 6 in F, op. 68 “Pastoral”: II. Andante molto mosso “Szene am Bach”

Symphony no. 6 in F, op. 68 “Pastoral”: III. Allegro “Lustiges Zusammensein der Landleute”

Symphony no. 6 in F, op. 68 “Pastoral”: IV. Allegro “Gewitter. Sturm”

Symphony no. 6 in F, op. 68 “Pastoral”: V. Allegretto “Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm”

Symphony no. 7 in A, op. 92: I. Poco sostenuto - Vivace

Symphony no. 7 in A, op. 92: II. Allegretto

Symphony no. 7 in A, op. 92: III. Presto

Symphony no. 7 in A, op. 92: IV. Allegro con brio

Symphony no. 8 in F, op. 93: I. Allegro vivace e con brio

Symphony no. 8 in F, op. 93: II. Allegretto scherzando

Symphony no. 8 in F, op. 93: III. Tempo di Menuetto

Symphony no. 8 in F, op. 93: IV. Allegro vivace

Symphony no. 9 in d, op. 125: I. Allegro ma non troppo, un poco maestoso

Symphony no. 9 in d, op. 125: II. Molto vivace

Symphony no. 9 in d, op. 125: III. Adagio molto e cantabile

Symphony no. 9 in d, op. 125: IV. Presto - Allegro assai -

Symphony no. 9 in d, op. 125: V. Presto - “O Freunde! nicht diese Töne!” - Allegro assai: “Freude, schöner Götterfunken” - Allegro assai vivace. Alla marcia - Andante maestoso - Allegro energico, sempre ben marcato - Allegro ma non tanto - Prestissimo

Fantasia for Piano, Chorus and Orchestra in c, op. 80 (“Choral Fantasy”): Adagio

Fantasia for Piano, Chorus and Orchestra in c, op. 80 (“Choral Fantasy”): Finale. Allegro - Meno allegro (Allegretto) - Allegro molto - Adagio ma non troppo - Marcia assai vivace - Allegro - Allegretto ma non troppo quasi andante con moto “Schmeichelnd hold und lieblich klingen” - Presto

Piano Concerto E-flat, WoO 4: I. Allegro moderato

Piano Concerto E-flat, WoO 4: II. Larghetto

Piano Concerto E-flat, WoO 4: III. Rondo. Allegretto

Piano Concerto no. 2 in B-flat, op. 19: I. Allegro con brio

Piano Concerto no. 2 in B-flat, op. 19: II. Adagio

Piano Concerto no. 2 in B-flat, op. 19: III. Rondo. Molto allegro

Piano Concerto no. 1 in C, op. 15: I. Allegro con brio

Piano Concerto no. 1 in C, op. 15: II. Largo

Piano Concerto no. 1 in C, op. 15: III. Rondo. Allegro

Piano Concerto no. 3 in c, op. 37: I. Allegro con brio

Piano Concerto no. 3 in c, op. 37: II. Largo

Piano Concerto no. 3 in c, op. 37: III. Rondo. Allegro

Piano Concerto no. 4 in G, op. 58: I. Allegro moderato

Piano Concerto no. 4 in G, op. 58: II. Andante con moto

Piano Concerto no. 4 in G, op. 58: III. Rondo. Vivace

Piano Concerto no. 5 in E-flat, op. 73 “Emperor”: I. Allegro

Piano Concerto no. 5 in E-flat, op. 73 “Emperor”: II. Adagio un poco moto - attacca

Piano Concerto no. 5 in E-flat, op. 73 “Emperor”: III. Rondo. Allegro

Violin Concerto in D, op. 61: I. Allegro ma non troppo (cadenza: Fritz Kreisler)

Violin Concerto in D, op. 61: II. Larghetto - attacca

Violin Concerto in D, op. 61: III. Rondo. Allegro (cadenza: Fritz Kreisler)

Violin Concerto in D, op. 61: I. Allegro ma non troppo

Violin Concerto in D, op. 61: II. Larghetto - attacca

Violin Concerto in D, op. 61: III. Rondo. Allegro

Romance for Violin and Orchestra no. 1 in G, op. 40: Andante

Romance for Violin and Orchestra no. 2 in F, op. 50: Andante cantabile

Romance cantabile for Piano, Flute and Bassoon Accompanied by 2 Oboes and Strings in e, WoO 207: Andante cantabile

Piano Concerto no. 1 in C, op. 15: I. Allegro con brio

Piano Concerto no. 1 in C, op. 15: II. Largo

Piano Concerto no. 1 in C, op. 15: III. Rondo. Allegro scherzando

Piano Concerto no. 2 in B, op. 19: I. Allegro con brio

Piano Concerto no. 2 in B, op. 19: II. Adagio

Piano Concerto no. 2 in B, op. 19: I. Rondo. Molto allegro

Rondo for Piano and Orchestra in B, WoO 6: Allegro

Cadenza for Piano Concerto no. 1, Hess 76

Piano Concerto no. 3 in c, op. 37: I. Allegro con brio

Piano Concerto no. 3 in c, op. 37: II. Largo

Piano Concerto no. 3 in c, op. 37: III. Rondo. Allegro

Piano Concerto no. 4 in G, op. 58: I. Allegro moderato

Piano Concerto no. 4 in G, op. 58: II. Andante con moto

Piano Concerto no. 4 in G, op. 58: III. Rondo. Vivace

Fantasia for Piano, Chorus and Orchestra in c, op. 80: Adagio

Fantasia for Piano, Chorus and Orchestra in c, op. 80: Finale. Allegro - Meno allegro (Allegretto) - Allegro molto - Adagio ma non troppo - Marcia assai vivace - Allegro - Allegretto man non troppo quasi andante con moto “Schmeichelnd hold und lieblich klingen” - Presto

Piano Concerto no. 5 in E-flat, op. 73 “Emperor”: I. Allegro

Piano Concerto no. 5 in E-flat, op. 73 “Emperor”: II. Adagio un poco mosso - attacca

Piano Concerto no. 5 in E-flat, op. 73 “Emperor”: III. Rondo. Allegro

Piano Concerto in D, op. 61a: I. Allegro ma non troppo

Piano Concerto in D, op. 61a: II. Larghetto - attacca

Piano Concerto in D, op. 61a: III. Rondo. Allegro

Concerto for Piano, Violin, Cello, and Orchestra in C, op. 56 (“Triple Concerto”): I. Allegro

Concerto for Piano, Violin, Cello, and Orchestra in C, op. 56 (“Triple Concerto”): II. Largo – attacca

Concerto for Piano, Violin, Cello, and Orchestra in C, op. 56 (“Triple Concerto”): III. Rondo alla Polacca

Violin Concerto Movement in C, WoO 5

Wolfgang Amadeus Mozart Piano Concerto no. 20 in d, K. 466: I. Allegro

Wolfgang Amadeus Mozart Piano Concerto no. 20 in d, K. 466: II. Romance

Wolfgang Amadeus Mozart Piano Concerto no. 20 in d, K. 466: III. Rondo. Allegro assai

Ritterballett, WoO 1: No. 1 Marsch

Ritterballett, WoO 1: No. 2 Deutscher Gesang. Allegro moderato

Ritterballett, WoO 1: No. 3 Jagdlied. Allegretto

Ritterballett, WoO 1: Deutscher Gesang (da capo)

Ritterballett, WoO 1: No. 4 Romanze [Minnelied]. Andantino

Ritterballett, WoO 1: Deutscher Gesang (da capo)

Ritterballett, WoO 1: No. 5 Kriegslied. Allegro assai con brio

Ritterballett, WoO 1: Deutscher Gesang (da capo)

Ritterballett, WoO 1: No. 6 Trinklied [“Mihi est propositum”]. Allegro con brio

Ritterballett, WoO 1: Deutscher Gesang (da capo)

Ritterballett, WoO 1: No. 7 Deutscher Tanz [Tanzlied]. Walzer

Ritterballett, WoO 1: No. 8 Coda. Allegro vivace - Andantino - Tempo I

Die Geschöpfe des Prometheus, op. 43: Overtura: Adagio - Allegro molto e con brio - attacca

Die Geschöpfe des Prometheus, op. 43: [Introduzione] La Tempesta. Allegro non troppo - (attacca)

Die Geschöpfe des Prometheus, op. 43: No. 1 Poco Adagio - Allegro con brio - Poco Adagio - Allegro con brio

Die Geschöpfe des Prometheus, op. 43: No. 2 Adagio - Allegro con brio

Die Geschöpfe des Prometheus, op. 43: No. 3 Allegro vivace

Die Geschöpfe des Prometheus, op. 43: No. 4 Maestoso - Andante

Die Geschöpfe des Prometheus, op. 43: No. 5 Adagio - Andante quasi Allegretto

Die Geschöpfe des Prometheus, op. 43: No. 6 Un poco Adagio - Allegro - (attacca)

Die Geschöpfe des Prometheus, op. 43: No. 7 Grave - (attacca)

Die Geschöpfe des Prometheus, op. 43: No. 8 Allegro con brio - Presto

Die Geschöpfe des Prometheus, op. 43: No. 9 Adagio - Adagio - Allegro molto

Die Geschöpfe des Prometheus, op. 43: No. 10 Pastorale. Allegro

Die Geschöpfe des Prometheus, op. 43: No. 11 Coro di Gioja. Andante - (attacca)

Die Geschöpfe des Prometheus, op. 43: No. 12 Solo di Gioja. Maestoso - Adagio - Allegro

Die Geschöpfe des Prometheus, op. 43: No. 13 Terzettino - Grotteschi. Allegro - Comodo - Coda

Die Geschöpfe des Prometheus, op. 43: No. 14 Solo della Signora Cassentini. Andante - Adagio - Allegro - Allegretto

Die Geschöpfe des Prometheus, op. 43: No. 15 Coro (e) Solo de Viganzò. Andantino - Adagio - Allegro

Die Geschöpfe des Prometheus, op. 43: No. 16 Finale. Allegretto - Allegro molto - Presto

12 Minuets for Orchestra, WoO 7: No. 1 in D

12 Minuets for Orchestra, WoO 7: No. 2 in B‐flat

12 Minuets for Orchestra, WoO 7: No. 3 in G

12 Minuets for Orchestra, WoO 7: No. 4 in E‐flat

12 Minuets for Orchestra, WoO 7: No. 5 in C

12 Minuets for Orchestra, WoO 7: No. 6 in A

12 Minuets for Orchestra, WoO 7: No. 7 in D

12 Minuets for Orchestra, WoO 7: No. 8 in B‐flat

12 Minuets for Orchestra, WoO 7: No. 9 in G

12 Minuets for Orchestra, WoO 7: No. 10 in E‐flat

12 Minuets for Orchestra, WoO 7: No. 11 in C

12 Minuets for Orchestra, WoO 7: No. 12 in F

12 German Dances, WoO 8: No. 1 in C

12 German Dances, WoO 8: No. 2 in A

12 German Dances, WoO 8: No. 3 in F

12 German Dances, WoO 8: No. 4 in B‐flat

12 German Dances, WoO 8: No. 5 in E‐flat

12 German Dances, WoO 8: No. 6 in G

12 German Dances, WoO 8: No. 7 in C

12 German Dances, WoO 8: No. 8 in A

12 German Dances, WoO 8: No. 9 in F

12 German Dances, WoO 8: No. 10 in D

12 German Dances, WoO 8: No. 11 in G

12 German Dances, WoO 8: No. 12 in C - Coda

12 Contredances for Orchestra, WoO 14: No. 1 in C

12 Contredances for Orchestra, WoO 14: No. 2 in A

12 Contredances for Orchestra, WoO 14: No. 3 in D

12 Contredances for Orchestra, WoO 14: No. 4 in B‐flat

12 Contredances for Orchestra, WoO 14: No. 5 in E‐flat

12 Contredances for Orchestra, WoO 14: No. 6 in C

12 Contredances for Orchestra, WoO 14: No. 7 in E‐flat

12 Contredances for Orchestra, WoO 14: No. 8 in C

12 Contredances for Orchestra, WoO 14: No. 9 in A

12 Contredances for Orchestra, WoO 14: No. 10 in C

12 Contredances for Orchestra, WoO 14: No. 11 in G

12 Contredances for Orchestra, WoO 14: No. 12 in E‐flat

6 Ländler for 2 Violins and Bass, WoO 15: No. 1 in D

6 Ländler for 2 Violins and Bass, WoO 15: No. 2 in D

6 Ländler for 2 Violins and Bass, WoO 15: No. 3 in D

6 Ländler for 2 Violins and Bass, WoO 15: No. 4 in d

6 Ländler for 2 Violins and Bass, WoO 15: No. 5 in D

6 Ländler for 2 Violins and Bass, WoO 15: No. 6 in D

March no. 1 in F for Military Band, WoO 18 (“für die böhmische Landwehr” / “Yorck March”)

March no. 2 in F for Military Band, WoO 19 (with Trio in f, c. 1822)

March in C for Military Band, WoO 20 (“Zapfenstreich”; with Trio in F, c. 1822)

Polonaise in D for Military Band, WoO 21

Ecossaise in D for Military Band, WoO 22

March in D for Military Band, WoO 24

Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: Overture. Sostenuto, ma non troppo - Allegro

Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 1 Song: “Die Trommel gerühret” (Clärchen). Vivace

Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 2 Entr’acte I. Andante - Allegro con brio “Es ist keine falsche Ader an ihm” (Clärchen)

Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 3 Entr’acte II. Larghetto

Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 4 Song: “Freudvoll und leidvoll” (Clärchen). Andante con moto - Allegro assai vivace

Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 5 Entr’acte III. Allegro - Marcia. Vivace. “Der König meint” (Regent)

Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 6 Entr’acte IV. Poco sostenuto e risoluto - Larghetto - Andante agitato

Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 7 Clärchen’s Death. Larghetto. “Arme Seele!” (Egmont)

Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 8 Melodrama. “Süßer Schlaf! Du kommst wie ein reines Glück” (Egmont). Poco sostenuto

Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 9 Victory Symphony. Allegro con brio

Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: Overture. Andante con moto - Allegro ma non troppo

Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 1 Chorus: “Tochter des mächtigen Zeus”. Andante poco sostenuto

Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 2 Duet: “Ohne Verschulden Knechtschaft dulden”. Andante con moto - Poco più mosso (A Greek Man, a Greek Woman)

Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 3 Chorus of Dervishes: “Du hast in deines Ärmels Falten den Mond getragen”. Allegro ma non troppo

Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 4 Marcia alla turca. Vivace / [No. 5 Offstage Music: “Es wandelt schon das Volk im Feierkleide”. Allegro assai ma non troppo]

Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 6. March and Chorus: “Schmückt die Altäre!”. Assai moderato

Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: Recitative: “Mit reger Freude, die nie erkaltet”. Poco Adagio (High Priest)

Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 7 Chorus: “Wir tragen empfängliche Herzen im Busen”. Allegretto, ma non troppo

Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: Aria with Chorus: “Will unser Genius noch einen Wunsch gewähren”. Adagio

Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 8 Chorus: “Heil unserm König! Heil!”. Allegro con fuoco

Minuet for Orchestra in E‐flat, WoO 3 (“Gratulations-Menuett”): Tempo di menuetto quasi Allegretto

Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: Overture. Andante con moto - Presto

Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 1 Chorus: “Ruhend von seinen Taten”. Andante maestoso e con moto / “Seid mir gegrüßt an dieses Thrones Stufen” (Ling Stephen)

Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 2 Chorus: “Auf dunkelm Irrweg in finstern Hainen”. Allegro con brio / “Fürst! Mich sandten die Edlen im Heere” (A Warrior, King Stephen)

Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 3 Siegesmarsch / Feurig und stolz / “Ihr tapfern Krieger, Ungarns Stolz und Zierde” (King Stephen, Gyula, Bavarian Ambassador)

Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 4 Chorus: “Wo die Unschuld Blumen streute”. Andante con moto all’Ongarese

Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 5 Melodrama: “Du hast dein Vaterland, dein Fürstenhaus verlassen” (King Stephen, Gisela). Vivace

Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 6 Chorus: “Eine neue strahlende Sonne”. Vivace

Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 7 Melodrama: “Ihr edlen Ungarn! Hört meine Stimme! ... Empfanget sie aus eures Fürsten Händen” (King Stephen). Maestoso con moto - Andante maestoso - Maestoso con moto

Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 8 Ecclesiastical March, Chorus and Melodrama. March - Moderato / “In der schönsten deiner Lebensstunden” (An Elder) / Chorus: “Heil unsern Könige”. Allegro vivace e con brio / Melodrama: “Ich schmücke ehrfurchtsvoll mein Haupt” (King Stephen). Grave risoluto e ben marcato - Allegro - Andante moss - Presto

Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 9 Final Chorus: “Heil! Heil unsern Enkeln”. Presto

Triumphal March from Christoph Kuffner's Tragedy “Tarpeja”, WoO 2a: Marcia. Lebhaft und stolz

Music for Carl Meisl's Occasional Play “Die Weihe des Hauses”: Overture, op. 124. Maestoso e sostenuto - Allegro con brio

Music for Carl Meisl's Occasional Play “Die Weihe des Hauses”: [No. 5] Chorus with Soprano Solo, WoO 98: “Wo sich die Pulse jugendlich jagen ... Lasst uns im Tanze”. Allegro ma non troppo e un poco maestoso

Music for Carl Meisl's Occasional Play “Die Weihe des Hauses”: No. 6 March and Chorus, op. 114: “Schmückt die Altäre!”. Assai moderato

Music for Carl Meisl's Occasional Play “Die Weihe des Hauses”: No. 7 Offstage Music [Melodrama], op. 113 no. 5: “Es wandelt schon das Volk im Feierkleide” (High Priest). Allegro assai ma non troppo

Music to Johann Friedrich Duncker's Play “Leonore Prohaska”, WoO 96: No. 1 Chorus of Warriors: “Wir bauen und sterben”

Music to Johann Friedrich Duncker's Play “Leonore Prohaska”, WoO 96: No. 2 Romance: “Es blüht eine Blume im Garten mein” (soprano). In gehender Bewegung (Sopran)

Music to Johann Friedrich Duncker's Play “Leonore Prohaska”, WoO 96: No. 3 Melodrama: “Du, dem sie gewunden” (recitant). Feierlich, doch nicht schleppend

Music to Johann Friedrich Duncker's Play “Leonore Prohaska”, WoO 96: No. 4 Trauermarsch. In gehender, annehmlicher Bewegung

Leonore, Hess 109: Overture “Leonore” no. 2

Leonore, Hess 109: Act I. “Twas in truth an hour of universal ferment” (Erzähler)

Leonore, Hess 109: Act I. No. 1 Aria: “O wär’ ich schon mit dir vereint” (Marzelline)

Leonore, Hess 109: Act I. “Beharrlich bleibt auf dem Liebespfad” (Erzähler)

Leonore, Hess 109: Act I. No. 2 Duet: “Jetzt Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline)

Leonore, Hess 109: Act I. “Der Kerkermeister, Rocco, der Vater” (Erzähler)

Leonore, Hess 109: Act I. No. 3 Trio: “Ein Mann ist bald genommen” (Rocco, Marzelline, Jaquino)

Leonore, Hess 109: Act I. “Fidelio kam - und niemand weiß woher” (Erzähler)

Leonore, Hess 109: Act I. No. 4 Quartet: “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino)

Leonore, Hess 109: Act I. “Gefühl ist gut, doch Geld ist besser” (Erzähler)

Leonore, Hess 109: Act I. No. 5 Aria: “Hat man nicht auch Gold beineben” (Rocco)

Leonore, Hess 109: Act I. “Unantastbar klar birgt Leonores Brust” (Erzähler)

Leonore, Hess 109: Act I. No. 6 Trio: “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline)

Leonore, Hess 109: Act II. No. 7 Introduction, WoO 2b

Leonore, Hess 109: Act II. “Der Gouverneur ist da” (Erzähler)

Leonore, Hess 109: Act II. No. 8 Aria with Chorus: “Ha! Welch ein Augenblick!” (Pizarro, Guards)

Leonore, Hess 109: Act II. “Postiert eine Trompete auf dem Wachturm!” (Erzähler)

Leonore, Hess 109: Act II. No. 9 Duet: “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco)

Leonore, Hess 109: Act II. “Und Leonore begegnet Marzelline” (Erzähler)

Leonore, Hess 109: Act II. No. 10 Duet: “Um in der Ehe froh zu leben” (Marzelline, Leonore)

Leonore, Hess 109: Act II. “Die ernsten Steine des dumpfen Gemäuers” (Erzähler)

Leonore, Hess 109: Act II. No. 14 Recitative and Aria: “Ach, brich noch nicht, du mattes Herz! ... Komm, Hoffnung, lass den letzten Stern des Müden nicht erbleichen!” (Leonore)

Leonore, Hess 109: Act II. No. 12 Finale: “O welche Lust, in freier Luft den Atem leicht zu heben” (Prisoners, First Prisoner, Second Prisoner)

Leonore, Hess 109: Act II. No. 12 Finale: [Recitative]: “Entfernt euch jetzt! Nun, könnt ihr eilen?” (Rocco) / “Nun sprecht, wie ging’s?” (Leonore, Rocco) / [Duet]: “Noch heute, noch heute?” (Leonore, Rocco)

Leonore, Hess 109: Act II. No. 12 Finale: [Duet]: “Wir müssen gleich zu Werke schreiten” (Rocco, Leonore) / [Quartet]: “Ach Vater, eilt!” (Marzelline, Rocco, Leonore, Pizarro)

Leonore, Hess 109: Act II. No. 12 Finale: [Aria]: “Auf euch nur will ich bauen” (Pizarro, Officers and Soldiers)

Leonore, Hess 109: Act III. “Florestans Not im Dunkel tauber Einsamkeit” (Erzähler)

Leonore, Hess 109: Act III. No. 13 Recitative and Aria: “Gott! Welch Dunkel hier! ... In des Lebens Frühlingstagen” (Florestan)

Leonore, Hess 109: Act III. No. 14 Melodrama and Duet: “Wie kalt ist es in diesem unterirdischen Gewölbe!” (Leonore, Rocco)

Leonore, Hess 109: Act III. No. 14 Melodrama and Duet: [Duet]: “Nur hurtig fort, nur frisch gegraben” (Rocco, Leonore)

Leonore, Hess 109: Act III. “Dort, in der Tiefe” (Erzähler)

Leonore, Hess 109: Act III. No. 15 Trio: “Euch werde Lohn in bessern Welten” (Florestan, Rocco, Leonore)

Leonore, Hess 109: Act III. “Und Rocco eilt” (Erzähler)

Leonore, Hess 109: Act III. No. 16 Quartet: “Er sterbe! Doch er soll erst wissen” (Pizarro, Florestan, Leonore, Rocco)

Leonore, Hess 109: Act III. “Oh Leonore! Alles was dein Mut gewagt - verloren!” (Erzähler)

Leonore, Hess 109: Act III. No. 17 Recitative and Duet: “Ich kann mich noch nicht fassen ... O namenlose Freude!” (Leonore, Florestan)

Leonore, Hess 109: Act III. No. 18 Finale: “Zur Rache! Zur Rache!” (Don Fernando's Retinue, Guards, Prisoners, Townspeople, Leonore, Florestan, Rocco, Don Fernando, Jaquino, Marzelline)

Leonore, Hess 109: Act III. No. 18 Finale: “O Gott! O welch ein Augenblick!” (Leonore, Marzelline, Florestan, Jaquino, Don Fernando, Rocco, Don Fernando Retinue, Guards, Prisoners, Townspeople)

Leonore, Hess 109: Act III. No. 18 Finale: “So müssen endlich Aufgeklärte und Unaufgeklärte” (Erzähler)

Leonore, Hess 109: Act III. No. 18 Finale: “Doch höre erst, du Bösewicht” (Don Fernando, his Retinue, Guards, Prisoners, Townspeople)

Leonore, Hess 109: Act III. No. 18 Finale: “Dann herrscht allgemeine Freiheit und Gleichheit der Geister” (Erzähler)

Leonore, Hess 109: Act III. No. 18 Finale: “Nein, nein, nein! Er ist noch zu gering bestraft!” (Don Fernando's Retinue, Guards, Prisoners, Townspeople)

Leonore, Hess 109: Act III. No. 18 Finale: “Ein höherer Geist, vom Himmel gesandt” (Erzähler)

Leonore, Hess 109: Act III. No. 18 Finale: [Recitative]: “Der König wird dein Richter sein!” (Don Fernando, his Retinue, Guards, Prisoners, Townspeople)

Leonore, Hess 109: Act III. No. 18 Finale: “Wer ein holdes Weib errungen, stimm in unsern Jubel ein!” (Marzelline, Jaquino, Rocco, Don Fernando, his Retinue, Guards, Prisoners, Townspeople, Florestan, Leonore)

Leonore, Hess 109: Appendix. No. 7a March in B-flat (alternative version)

Fidelio, op. 72: Overture

Fidelio, op. 72: Act 1. No. 1 Duet: “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline)

Fidelio, op. 72: Act 1. Monologue: “Seit Fidelio bei uns ist, ist die Welt wie verwandelt” (Marzelline)

Fidelio, op. 72: Act 1. No. 2 Aria: “O wär' ich schon mit dir vereint” (Marzelline)

Fidelio, op. 72: Act 1. Monologue: “Ich täusche die Menschen, die mich ernähren” (Leonore, Rocco)

Fidelio, op. 72: Act 1. No. 3 Quartet: “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino)

Fidelio, op. 72: Act 1. Monologue: “Marzelline und Fidelio haben sich offensichtlich recht lieb” (Rocco)

Fidelio, op. 72: Act 1. No. 4 Aria: “Hat man nicht auch Gold beineben” (Rocco)

Fidelio, op. 72: Act 1. Monologue: “In den finstersten Gewölben sitzt ein Gefangener” (Rocco)

Fidelio, op. 72: Act 1. No. 5 Trio: “Gut, Söhnchen, gut”(Rocco, Leonore, Marzelline)

Fidelio, op. 72: Act 1. No. 6 Marsch

Fidelio, op. 72: Act 1. Dialogue: “Was Neues vorgefallen?” (Pizarro, Rocco)

Fidelio, op. 72: Act 1. No. 7 Aria with Chorus: “Ha! Welch ein Augenblick!” (Pizarro, Guards)

Fidelio, op. 72: Act 1. Dialogue: “Und nun zu dir mein lieber Rocco!” (Pizarro, Rocco)

Fidelio, op. 72: Act 1. No. 8 Duet: “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco)

Fidelio, op. 72: Act 1. No. 9 Recitative and Aria: “Abscheulicher! Wo eilst du hin? ... Komm, Hoffnung, lass den letzten Stern der Müden nicht erbleichen!” (Leonore)

Fidelio, op. 72: Act 1. Monologue: “Wie Fidelio das wieder geschafft hatte, war mir ein Rätsel” (Jaquino)

Fidelio, op. 72: Act 1. No. 10 Finale: “O welche Lust, in freier Luft den Atem leicht zu heben!” (Prisoners, First Prisoner, Second Prisoner)

Fidelio, op. 72: Act 1. No. 10 Finale: [Recitative and Duet]: “Nun sprecht, wie ging's? ... Noch heute, noch heute!” (Leonore, Rocco)

Fidelio, op. 72: Act 1. No. 10 Finale: “Ach, Vater, eilt!” (Marzelline, Rocco, Jaquino, Leonore)

Fidelio, op. 72: Act 1. No. 10 Finale: “Verwegener Alter! Welche Rechte legst du dir frevelnd selber bei?” (Pizarro, Rocco)

Fidelio, op. 72: Act 1. No. 10 Finale: “Leb wohl, du warmes Sonnenlicht” (Prisoners, Marzelline, Leonore, Jaquino, Pizarro, Rocco)

Fidelio op. 72: Act 2. No. 11 Introduction and Aria: “Gott! Welch Dunkel hier! ... In des Lebens Frühlingstagen” (Florestan)

Fidelio op. 72: Act 2. No. 12 Melodrama and Duet: “Wie kalt ist es diesem unterirdischen Gewölbe! ... Nur hurtig fort, nur frisch gegraben” (Leonore, Rocco)

Fidelio op. 72: Act 2. Dialogue: “Ihr habt wieder geruht?” (Rocco, Florestan, Leonore)

Fidelio op. 72: Act 2. No. 13 Trio: “Euch werde Lohn in bessern Welten” (Florestan, Rocco, Leonore)

Fidelio op. 72: Act 2. Dialogue: “Ist alles bereit?” (Pizarro, Rocco)

Fidelio op. 72: Act 2. No. 14 Quartet: “Er sterbe!” (Pizarro, Florestan, Leonore, Rocco)

Fidelio op. 72: Act 2. No. 15 Duet: “O namenlose Freude!” (Leonore, Florestan)

Fidelio op. 72: Act 2. No. 16 Finale: “Heil sei dem Tag ... Des besten Königs Wink und Wille ... Wer ein holdes Weib errungen, stimm in unsern Jubel ein!” (Prisoners and People, Fernando, Rocco, Pizarro, Leonore, Marzelline, Florestan, Jaquino)

Overture “Leonore” no. 1, op. 138

Two Insertion Arias for Ignaz Umlauf's Singspiel “Die schöne Schusterin, oder Die pücefarbenen Schuhe”, WoO 91: “O welch ein Leben!”

Two Insertion Arias for Ignaz Umlauf's Singspiel “Die schöne Schusterin, oder Die pücefarbenen Schuhe”, WoO 91: “Soll ein Schuh nicht drücken”

Scene [I] from “Vestas Feuer”, Unv 15 [Hess 115] for vocal quartet and orchestra: “Blick, o Herr, durch diese Bäume ... Liebe Freundin, lebe wohl!”

“Germania”, WoO 94: Final number from Friedrich Treitschke's Singspiel “Die gute Nachricht” for bass, chorus and orchestra

“Es ist vollbracht”, WoO 97: Final number from Friedrich Treitschke Singspiel “Die Ehrenpforten” for bass, chorus and orchestra

Sonata no. 1 in f, op. 2 no. 1: I. Allegro

Sonata no. 1 in f, op. 2 no. 1: II. Adagio

Sonata no. 1 in f, op. 2 no. 1: III. Menuetto. Allegretto

Sonata no. 1 in f, op. 2 no. 1: IV. Prestissimo

Sonata no. 2 in A, op. 2 no. 2: I. Allegro vivace

Sonata no. 2 in A, op. 2 no. 2: II. Largo appassionato

Sonata no. 2 in A, op. 2 no. 2: III. Scherzo. Allegretto

Sonata no. 2 in A, op. 2 no. 2: IV. Rondo. Grazioso

Sonata no. 3 in C, op. 2 no. 3: I. Allegro con brio

Sonata no. 3 in C, op. 2 no. 3: II. Adagio

Sonata no. 3 in C, op. 2 no. 3: III. Scherzo. Allegro

Sonata no. 3 in C, op. 2 no. 3: IV. Allegro assai

Sonata no. 4 in E-flat, op. 7: I. Allegro molto e con brio

Sonata no. 4 in E-flat, op. 7: II. Largo, con gran espressione

Sonata no. 4 in E-flat, op. 7: III. Allegro

Sonata no. 4 in E-flat, op. 7: IV. Rondo. Poco allegretto e grazioso

Sonata no. 5 in c, op. 10 no. 1: I. Allegro molto e con brio

Sonata no. 5 in c, op. 10 no. 1: II. Adagio molto

Sonata no. 5 in c, op. 10 no. 1: III. Finale. Prestissimo

Sonata no. 6 in F, op. 10 no. 2: I. Allegro

Sonata no. 6 in F, op. 10 no. 2: II. Allegretto

Sonata no. 6 in F, op. 10 no. 2: III. Presto

Sonata no. 8 in c, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio

Sonata no. 8 in c, op. 13 "Pathétique": II. Adagio cantabile

Sonata no. 8 in c, op. 13 "Pathétique": III. Rondo. Allegro

Sonata no. 7 in D, op. 10 no. 3: I. Presto

Sonata no. 7 in D, op. 10 no. 3: II. Largo e mesto

Sonata no. 7 in D, op. 10 no. 3: III. Menuetto. Allegro

Sonata no. 7 in D, op. 10 no. 3: IV. Rondo. Allegro

Sonata no. 9 in E, op. 14 no. 1: I. Allegro

Sonata no. 9 in E, op. 14 no. 1: II. Allegretto

Sonata no. 9 in E, op. 14 no. 1: III. Rondo. Allegro comodo

Sonata no. 10 in G, op. 14 no. 2: I. Allegro

Sonata no. 10 in G, op. 14 no. 2: II. Andante

Sonata no. 10 in G, op. 14 no. 2: III. Scherzo. Allegro assai

Sonata no. 11 in B-flat, op. 22: I. Allegro con brio

Sonata no. 11 in B-flat, op. 22: II. Adagio con molto espressione

Sonata no. 11 in B-flat, op. 22: III. Menuetto

Sonata no. 11 in B-flat, op. 22: IV. Rondo. Allegretto

Sonata no. 12 in A-flat, op. 26: I. Andante con variazioni

Sonata no. 12 in A-flat, op. 26: II. Scherzo. Allegro molto

Sonata no. 12 in A-flat, op. 26: III. Marcia funebre sulla morte d'un eroe

Sonata no. 12 in A-flat, op. 26: IV. Allegro

Sonata no. 13 in E-flat, op. 27 no. 1 (Sonata quasi una fantasia): I. Andante - Allegro - Tempo I

Sonata no. 13 in E-flat, op. 27 no. 1 (Sonata quasi una fantasia): II. Allegro molto e vivace -

Sonata no. 13 in E-flat, op. 27 no. 1 (Sonata quasi una fantasia): III. Adagio con espressione -

Sonata no. 13 in E-flat, op. 27 no. 1 (Sonata quasi una fantasia): IV. Allegro vivace - Tempo I - Presto

Sonata no. 14 in c-sharp, op. 27 no. 2 “Moonlight” (Sonata quasi una fantasia): I. Adagio sostenuto

Sonata no. 14 in c-sharp, op. 27 no. 2 “Moonlight” (Sonata quasi una fantasia): II. Allegretto

Sonata no. 14 in c-sharp, op. 27 no. 2 “Moonlight” (Sonata quasi una fantasia): III. Presto agitato

Sonata no. 15 in D, op. 28 (“Pastoral”): I. Allegro

Sonata no. 15 in D, op. 28 (“Pastoral”): II. Andante

Sonata no. 15 in D, op. 28 (“Pastoral”): III. Scherzo. Allegro vivace

Sonata no. 15 in D, op. 28 (“Pastoral”): IV. Rondo. Allegro ma non troppo

Sonata no. 19 in g, op. 49 no. 1: I. Andante

Sonata no. 19 in g, op. 49 no. 1: II. Rondo. Allegro

Sonata no. 16 in G, op. 31 no. 1: I. Allegro vivace

Sonata no. 16 in G, op. 31 no. 1: II. Adagio grazioso

Sonata no. 16 in G, op. 31 no. 1: III. Rondo. Allegretto

Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): I. Largo - Allegro

Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): II. Adagio

Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): III. Allegretto

Sonata no. 18 in E-flat, op. 31 no. 3: I. Allegro

Sonata no. 18 in E-flat, op. 31 no. 3: II. Scherzo. Allegretto vivace

Sonata no. 18 in E-flat, op. 31 no. 3: III. Menuetto. Moderato e grazioso

Sonata no. 18 in E-flat, op. 31 no. 3: IV. Presto con fuoco

Sonata no. 20 in G, op. 49 no. 2: I. Allegro ma non troppo

Sonata no. 20 in G, op. 49 no. 2: II. Tempo di menuetto

Sonata no. 21 in C, op. 53 “Waldstein”: I. Allegro con brio

Sonata no. 21 in C, op. 53 “Waldstein”: Introduzione. Adagio molto -

Sonata no. 21 in C, op. 53 “Waldstein”: Rondo. Allegretto moderato - Prestissimo

Sonata no. 22 in F, op. 54: I. In tempo d'un menuetto

Sonata no. 22 in F, op. 54: II. Allegretto

Sonata no. 23 in f, op. 57 “Appassionata”: I. Allegro assai

Sonata no. 23 in f, op. 57 “Appassionata”: II. Andante con moto

Sonata no. 23 in f, op. 57 “Appassionata”: III. Allegro ma non troppo

Sonata no. 24 in F-sharp, op. 78: I. Adagio cantabile - Allegro ma non troppo

Sonata no. 24 in F-sharp, op. 78: II. Allegro vivace

Sonata no. 25 in G, op. 79: I. Presto alla tedesca

Sonata no. 25 in G, op. 79: II. Andante

Sonata no. 25 in G, op. 79: III. Vivace

Sonata no. 26 in E-flat, op. 81a “Les Adieux”: I. Adagio - Allegro (Lebewohl)

Sonata no. 26 in E-flat, op. 81a “Les Adieux”: II. Andante espressivo (Abwesenheit)

Sonata no. 26 in E-flat, op. 81a “Les Adieux”: III. Vivacissimamente (Das Wiedersehn)

Sonata no. 27 in e, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck

Sonata no. 27 in e, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen

Sonata no. 29 in B-flat, op. 106 “Hammerklavier”: I. Allegro

Sonata no. 29 in B-flat, op. 106 “Hammerklavier”: II. Scherzo. Assai vivace

Sonata no. 29 in B-flat, op. 106 “Hammerklavier”: III. Adagio sostenuto, appassionato e con molto sentimento

Sonata no. 29 in B-flat, op. 106 “Hammerklavier”: IV. Largo - Allegro risoluto

Sonata no. 28 in A, op. 101: I. Erwas lebhaft und mit der innigsten Empfindung (allegro ma non troppo)

Sonata no. 28 in A, op. 101: II. Lebhaft. Marschmäßig (Vivace all marcia)

Sonata no. 28 in A, op. 101: III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) -

Sonata no. 28 in A, op. 101: IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit (Allegro)

Sonata no. 29 in B-flat, op. 106 “Hammerklavier”: I. Allegro

Sonata no. 29 in B-flat, op. 106 “Hammerklavier”: II. Scherzo. Assai vivace

Sonata no. 29 in B-flat, op. 106 “Hammerklavier”: III. Adagio sostenuto, appassionato e con molto sentimento

Sonata no. 29 in B-flat, op. 106 “Hammerklavier”: IV. Large - Allegro risoluto

Sonata no. 30 in E, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I

Sonata no. 30 in E, op. 109: II. Prestissimo

Sonata no. 30 in E, op. 109: III. Andante, molto cantabile ed espressivo (Gesangvoll, mit innigster Empfindung)

Sonata no. 31 in A-flat, op. 110: I. Moderato cantabile, molto espressivo

Sonata no. 31 in A-flat, op. 110: II. Allegro molto

Sonata no. 31 in A-flat, op. 110: III. Adagio, ma non troppo - Arioso dolente - Fuga. Allegro, ma non troppo - L'istesso tempo di Arioso - L'inversione della Fuga

Sonata no. 32 in c, op. 111: I. Maestoso - Allegro con brio ed appassionato

Sonata no. 32 in c, op. 111: II. Arietta. Adagio molto semplice e cantabile

Sonata no. 8 in c, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio

Sonata no. 8 in c, op. 13 “Pathétique”: II. Adagio cantabile

Sonata no. 8 in c, op. 13 “Pathétique”: III. Rondo. Allegro

Sonata no. 14 in c-sharp, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto

Sonata no. 14 in c-sharp, op. 27 no. 2 “Moonlight”: II. Allegretto

Sonata no. 14 in c-sharp, op. 27 no. 2 “Moonlight”: III. Presto agitato

Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): I. Largo - Allegro

Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): II. Adagio

Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): III. Allegretto

Sonata no. 21 in C, op. 53 “Waldstein”: I. Allegro con brio

Sonata no. 21 in C, op. 53 “Waldstein”: II. Introduzione. Adagio molto -

Sonata no. 21 in C, op. 53 “Waldstein”: III. Rondo. Allegretto moderato - Prestissimo

Sonata no. 23 in f, op. 57 “Appassionata”: I. Allegro

Sonata no. 23 in f, op. 57 “Appassionata”: II. Andante con moto

Sonata no. 23 in f, op. 57 “Appassionata”: III. Allegro ma non troppo

Sonata no. 26 in E-flat, op. 81a “Les Adieux”: I. Adagio - Allegro (Lebewohl)

Sonata no. 26 in E-flat, op. 81a “Les Adieux”: II. Andante espressivo (Abwesenheit)

Sonata no. 26 in E-flat, op. 81a “Les Adieux”: III. Vivacissimamente (Das Wiedersehn)

Sonata no. 29 in B-flat, op. 106 “Hammerklavier”: I. Allegro

Sonata no. 29 in B-flat, op. 106 “Hammerklavier”: II. Scherzo. Assai vivace

Sonata no. 29 in B-flat, op. 106 “Hammerklavier”: III. Adagio sostenuto, appassionato e con molto sentimento

Sonata no. 29 in B-flat, op. 106 “Hammerklavier”: IV. Largo - Allegro risoluto

Sonata no. 30 in E, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I

Sonata no. 30 in E, op. 109: II. Prestissimo

Sonata no. 30 in E, op. 109: III. Andante, molto cantabile ed espressivo (Gesangvoll, mit innigster Empfindung)

Sonata no. 30 in E, op. 109: III. Variation I: Molto espressivo

Sonata no. 30 in E, op. 109: III. Variation II: Leggiermente

Sonata no. 30 in E, op. 109: III. Variation III: Allegro vivace

Sonata no. 30 in E, op. 109: III. Variation IV: Erwas langsamer als das Thema

Sonata no. 30 in E, op. 109: III. Variation V: Allegro, ma non troppo

Sonata no. 30 in E, op. 109: III. Variation VI: Tempo I del tema

Sonata no. 31 in A-flat, op. 110: I. Moderato cantabile, molto espressivo

Sonata no. 31 in A-flat, op. 110: II. Allegro molto

Sonata no. 31 in A-flat, op. 110: III. Adagio, ma non troppo - Arioso dolente -

Sonata no. 31 in A-flat, op. 110: III. Fuga. Allegro, ma non troppo - L'istesso tempo di Arioso - L'inversione della Fuga

Sonata no. 32 in c, op. 111: I. Maestoso - Allegro con brio ed appassionato

Sonata no. 32 in c, op. 111: II. Arietta. Adagio molto semplice e cantabile

7 Bagatelles, op. 33: Andante grazioso, quasi Allegretto

7 Bagatelles, op. 33: Scherzo. Allegro

7 Bagatelles, op. 33: Allegretto

7 Bagatelles, op. 33: Andante

7 Bagatelles, op. 33: Allegro, ma non troppo

7 Bagatelles, op. 33: Allegretto quasi Andante

7 Bagatelles, op. 33: Presto

11 Bagatelles, op. 119: No. 1 Allegretto

11 Bagatelles, op. 119: No. 2 Andante con brio

11 Bagatelles, op. 119: No. 3 À l'allemande

11 Bagatelles, op. 119: No. 4 Andante cantabile

11 Bagatelles, op. 119: No. 5 Risoluto

11 Bagatelles, op. 119: No. 6 Andante - Allegretto Leggiermente

11 Bagatelles, op. 119: No. 7 Allegro ma non troppo

11 Bagatelles, op. 119: No. 8 Moderato cantabile

11 Bagatelles, op. 119: No. 9 Vivace moderato

11 Bagatelles, op. 119: No. 10 Allegramente

11 Bagatelles, op. 119: No. 11 Andante, ma non troppo

6 Bagatelles, op. 126: No. 1 Andante con moto

6 Bagatelles, op. 126: No. 2 Allegro

6 Bagatelles, op. 126: No. 3 Andante cantabile e grazioso

6 Bagatelles, op. 126: No. 4 Presto

6 Bagatelles, op. 126: No. 5 Quasi allegretto

6 Bagatelles, op. 126: No. 6 Presto - Andante amabile e con moto - Tempo I

Bagatelle in C, WoO 56: Allegretto

Bagatelle in a, WoO 59 “Für Elise”: Poco moto

“Lustig-traurig” in C/c, WoO 54

Klavierstück (Bagatelle) in B-flat, WoO 60: Ziemlich lebhaft

Allemande in A, WoO 81

Allegretto in c, WoO 214 [Hess 69]

Sonata no. 1 in E-flat, WoO 47 (“Kurfürstensonaten” / “Electoral Sonatas”): I. Allegro cantabile

Sonata no. 1 in E-flat, WoO 47 (“Kurfürstensonaten” / “Electoral Sonatas”): II. Andante

Sonata no. 1 in E-flat, WoO 47 (“Kurfürstensonaten” / “Electoral Sonatas”): III. Rondo vivace

Sonata no. 2 in f, WoO 47 (“Kurfürstensonaten” / “Electoral Sonatas”): I. Larghetto maestoso - Allegro assai

Sonata no. 2 in f, WoO 47 (“Kurfürstensonaten” / “Electoral Sonatas”): II. Andante

Sonata no. 2 in f, WoO 47 (“Kurfürstensonaten” / “Electoral Sonatas”): III. Presto

Sonata no. 3 in D, WoO 47 (“Kurfürstensonaten” / “Electoral Sonatas”): I. Allegro

Sonata no. 3 in D, WoO 47 (“Kurfürstensonaten” / “Electoral Sonatas”): II. Menuetto. Sostenuto - Var. I-VI

Sonata no. 3 in D, WoO 47 (“Kurfürstensonaten” / “Electoral Sonatas”): III. Scherzando. Allegro, ma non troppo

Rondo in C, WoO 48: Allegretto

Rondo in A, WoO 49: Allegretto

Sonatina in F, WoO 50: I.

Sonatina in F, WoO 50: II. Allegretto

Sonata in C, WoO 51: I. Allegro

Sonata in C, WoO 51: II. Adagio

Bagatelle in c, WoO 52: Presto

Allegretto in c, WoO 53

Andante in F, WoO 57 (“Andante favori”): Andante grazioso con moto

Rondo a capriccio in G, op. 129 (“Die Wut über den verlornen Groschen” / “The Rage over the Lost Penny”): Allegro vivace

Rondo in C, op. 51 no. 1: Moderato e grazioso

Rondo in G, op. 51 no. 2: Andante cantabile e grazioso

Fantasie in g, op. 77: Allegro - Poco adagio - Allegro ma non troppo - Allegro con brio - Adagio - Presto - Adagio - Allegretto - Adagio

Polonaise in C, op. 89: Alla polacca, vivace

6 Minuets, WoO 10: no. 1 in C,

6 Minuets, WoO 10: no. 2 in G

6 Minuets, WoO 10: no. 3 in E-flat

6 Minuets, WoO 10: no. 4 in B-flat

6 Minuets, WoO 10: no. 5 in D

6 Minuets, WoO 10: no. 6 in C

7 Ländler in D, WoO 11

12 Deutsche Tänze, WoO 13: no. 1 in D / no. 2 in B-flat / no. 3 in G / no. 4 in D / no. 5 in F / no. 6 B-flat / no. 7 in D / no. 8 in G / no. 9 in E-flat / no. 10 in D / no. 11 in A / no. 12 in D

Prelude in f, WoO 55

Klavierstück (Allegretto) in b, WoO 61

Allegretto quasi andante in g, WoO 61a

Minuet in E-flat, WoO 82: Moderato

6 Ecossaises in E-flat, WoO 83

Waltz in E-flat, WoO 84

Waltz in D, WoO 85

Ecossaise in E-flat, WoO 86

3-Part Fugue in C, WoO 215 [Hess 64]

Minuet in C, WoO 218 [Biamonti 74]

9 Variations (in c) on a March by Ernst Christoph Dressler, WoO 63: Thema. Maestoso / Var. I-VIII / Var. IX (in C) Allegro

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Thema. Allegretto

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. I

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. II

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. III

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. IV

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. V

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. VI

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. VII

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. VIII

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. IX

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. X

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XI

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XII

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XIII

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XIV Allegretto - Adagio

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XV

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XVI

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XVII

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XVIII

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XIX

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XX Scherzando

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XXI

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XXII

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XXIII Adagio sostenuto

24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XXIV Allegro - Allegro stringendo - Presto assai

13 Variations (in A) on the Arietta “Es war einmal ein alter Mann” from Ditterdorf's Singspiel “Das rote Käppchen”, WoO 66: Thema. Allegretto

6 Variations in F on a Swiss Song, WoO 64: Thema. Andante con moto / Var. I-VI

12 Variations (in C) on the “Menuett à la Viganò” from Jakob Haibel's Ballet “Le nozze disturbate”, WoO 68: Thema. Allegretto / Var. I-XI / Var. XII Allegro - Adagio

9 Variations (in A) on the Aria “Quant'è più bello” from Giovanni Paisiello's Opera “La molinara”, WoO 69: Thema. Allegretto / Var. I-III / Var. IV Minore / Var. V Maggiore / Var. VI-VIII / Var. IX Tempo di Minuetto

6 Variations (in G) on the Duet “Nel cor più non mi sento” from Giovanni Paisiello's Opera “La molinara”, WoO 70: Thema. Andantino / Var. I-VI

12 Variations (in A) on a Russian Dance from Paul Wranitzky's Ballet “Das Waldmädchen”, WoO 71: Thema. Allegretto

8 Variations (in C) on the Romance “Une fièvre brûlante” from Grétry's Opera “Richard Cœur de Lion”, WoO 72: Thema. Allegretto / Var. I-III / Var. IV Minore / Var. V Maggiore / Var. VI-VII / Var. VIII Allegro - Presto

10 Variations (in B-flat) on the Duet “La stessa, la stessissima” from Antonio Salieri's Opera “Falstaff”, WoO 73: Thema. Andante con moto / Var. I-IV / Var. V Minore / Var. VI Maggiore / Var. VII-IX / Var. X Allegretto, alla Austriaca - Tempo I

7 Variations (in F) on the Quartet “Kind, willst du ruhig schlafen?” from Peter Winter's Opera “Das unterbrochene Opferfest”, WoO 75: Thema. Allegretto / Var. I-V / Var. VI Minore / Var. VII Maggiore. Allegro - Allegro molto

8 Variations (in F) on the Trio “Tändeln und Scherzen” from Franz X. Süssmayr's Opera “Soliman II”, WoO 76: Thema. Andante, quasi Allegretto / Var. I-VI / Var. VII Adagio molto ed espressivo - attacca / Var. VIII Allegro vivace - Adagio

6 Variations (in G) on an Original Theme, WoO 77: Thema. Andante, quasi Allegretto / Var. I-III / Var. IV Minore / Var. V Maggiore / Var. VI

6 Variations (in F) on an Original Theme, op. 34: Thema. Adagio

6 Variations (in F) on an Original Theme, op. 34: Var. I

6 Variations (in F) on an Original Theme, op. 34: Var. II Allegro ma non troppo

6 Variations (in F) on an Original Theme, op. 34: Var. III Allegretto

6 Variations (in F) on an Original Theme, op. 34: Var. IV Tempo di Minuetto

6 Variations (in F) on an Original Theme, op. 34: Var. V Marcia. Allegretto

6 Variations (in F) on an Original Theme, op. 34: Var. VI Allegretto - Adagio molto

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Introduzione coil Basso del Tema. Allegretto vivace

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Tema

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. I

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. II

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. III

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. IV

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. V

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. VI

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. VII Canone all'ottava

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. VIII

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. IX

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. X

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. XI

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. XII

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. XIII

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. XIV Minore

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. XV Maggiore. Largo

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. Coda

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Finale. All Fuga. Allegro con brio - Andante con moto

32 Variations (in c) on an Original Theme, WoO 80: Thema. Allegretto / Var. I-XI / Var. XII-XVI Maggiore / Var. XVII-XXXII Minore

7 Variations (in C) on “God Save the King”, WoO 78: Thema / Var. I-V / Var. VI Allegro. Alla Marcia / Var. VII [Allegro] - Adagio - Allegro

5 Variations (in D) on “Rule, Britannia” (from Thomas Arne's Masque “Alfred”), WoO 79: Thema: Tempo moderato / Var. I-V

6 Variations (in D) on an Original Theme, op. 76: Thema. Allegro risoluto / Var. I-V / Var. VI. Presto - Tempo I

33 Variations (in C) on a Waltz by Diabelli, op. 120: Tema. Vivace / Var. I Alla Marcia maestoso

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. II Poco Allegro

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. III L'istesso tempo

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. IV Un poco più vivace

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. V Allegro vivace

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. VI Allegro ma non troppo e serioso

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. VII Un poco più Allegro

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. VIII Poco vivace

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. IX Allegro pesante e risoluto

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. X Presto

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XI Allegretto

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XII Un poco più moto

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XIII Vivace

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XIV Grave e maestoso

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XV Presto scherzando

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XVI Allegro

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XVII Allegro

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XVIII Poco moderato

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XIX Presto

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XX Andante

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXI Allegro con Brio - Meno Allegro

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXII Allegro molto (Alla “Notte e giorno faticar” di Mozart)

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXIII Allegro assai

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXIV Fughetta. Andante

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXV Allegro

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXVI (Piacevole)

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXVII Vivace

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXVIII Allegro

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXIX Adagio ma non troppo

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXX Andante, sempre cantabile

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXXI Largo, molto espressivo

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXXII Fuga. Allegro - Poco Adagio

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXXIII Tempo di Minuetto, moderato

33 Variations (in C) on a Waltz by Diabelli, op. 120: Tema. Vivace / Var. I Alla Marcia maestoso

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. II Poco allegro

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. III L'istesso tempo

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. IV Un poco più vivace

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. V Allegro vivace

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. VI Allegro ma non troppo e serioso

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. VII Un poco più Allegro

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. VIII Poco vivace

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. IX Allegro pesante e risoluto

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. X Presto

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XI Allegretto

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XII Un poco più moto

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XIII Vivace

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XIV Grave e maestoso

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XV Presto scherzando

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XVI Allegro

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XVII Allegro

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XVIII Poco moderato

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XIX Presto

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XX Andante

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXI Allegro con Brio - Meno Allegro

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXII Allegro molto (Alla “Notte e giorno faticar” di Mozart)

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXIII Allegro assai

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXIV Fughetta. Andante

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXV Allegro

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXVI (Piacevole)

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXVII Vivace

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXVIII Allegro

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXIX Adagio ma non troppo

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXX Andante, sempre cantabile

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXXI Largo, molto espressivo

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXXII Fuga. Allegro - Poco Adagio

33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXXIII Tempo di Minuetto, moderato

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Introduzione col Basso del Tema. Allegretto vivace

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. I

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. II

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. III

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. IV

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. V

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. VI

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. VII Canone all'ottava

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. VIII

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. IX

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. X

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. XI

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. XII

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. XIII

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. XIV Minore

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. XV Maggiore. Largo - Coda

15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35: Var. Finale. Alla Fuga. Allegro con brio - Andante con moto

8 Variations (in C) on a Theme by Count Waldstein, WoO 67: Thema. Andante con moto / Var. I-VII / Var. VIII Un poco Adagio - Capriccio - Allegro - Adagio - Allegro - Adagio - Allegretto - Allegro - Presto

Sonata in D, op. 6: I. Allegro molto

Sonata in D, op. 6: II. Ronda. Moderato

3 Marches, op. 45: no. 1 in C. Allegro ma non troppo

3 Marches, op. 45: no. 2 in E-flat. Vivace

3 Marches, op. 45: no. 3 in D. Vivace

Grosse Fuge in B-flat (Beethoven's Arrangement for Piano Duet of the “Grosse Fuge” for String Quartet, op. 133), op. 134: Overtura. Allegro - Meno mosso e moderato - Allegro - Fuga. [Allegro] - Meno mosso e moderato - Allegro (molton e con brio)

6 Variations (in D) on the Lied “Ich denke dein”, WoO 74: Lied. Andantino cantabile / Var. I-VI

2 Preludes Through All 12 Major Keys for piano or organ, op. 39 no. 1

2 Preludes Through All 12 Major Keys for piano or organ, op. 39 no. 2

Fugue in D for organ, WoO 31

5 Pieces for Mechanical Clock, WoO 33: no. 1 in F. Adagio assai

5 Pieces for Mechanical Clock, WoO 33: no. 2 in G. Scherzo. Allegro

5 Pieces for Mechanical Clock, WoO 33: no. 3 in G. Allegro

5 Pieces for Mechanical Clock, WoO 33: no. 4 in C. Allegro non più molto

5 Pieces for Mechanical Clock, WoO 33: no. 5 in C. Menuett. Allegretto

Grenadier March in F for Mechanical Clock, Hess 107

6 Variations in F on a Swiss Song for piano or harp, WoO 64: Thema. Andante con moto / Var. I-VI

Sonata no. 1 for Piano and Violin in D, op. 12 no. 1: I. Allegro con brio

Sonata no. 1 for Piano and Violin in D, op. 12 no. 1: II. Tema con Variazioni. Andante con moto

Sonata no. 1 for Piano and Violin in D, op. 12 no. 1: III. Rondo. Allegro

Sonata no. 2 for Piano and Violin in A. op. 12. no. 2: I. Allegro vivace

Sonata no. 2 for Piano and Violin in A. op. 12. no. 2: II. Andante più tosto Allegretto

Sonata no. 2 for Piano and Violin in A. op. 12. no. 2: III. Allegro piacevole

Sonata no. 3 for Piano and Violin in E-flat, op. 12 no. 3: I. Allegro con spirito

Sonata no. 3 for Piano and Violin in E-flat, op. 12 no. 3: II. Adagio con molta espressione

Sonata no. 3 for Piano and Violin in E-flat, op. 12 no. 3: III. Rondo. Allegro molto

Sonata no. 4 for Piano and Violin in a, op. 23: I. Presto

Sonata no. 4 for Piano and Violin in a, op. 23: II. Andante scherzoso più Allegretto

Sonata no. 4 for Piano and Violin in a, op. 23: III. Allegro molto

Sonata no. 5 for Piano and Violin in F, op. 24 “Spring”: I. Allegro

Sonata no. 5 for Piano and Violin in F, op. 24 “Spring”: II. Adagio molto espressivo

Sonata no. 5 for Piano and Violin in F, op. 24 “Spring”: III. Scherzo. Allegro molto

Sonata no. 5 for Piano and Violin in F, op. 24 “Spring”: IV. Rondo. Allegro ma non troppo

Sonata no. 6 for Piano and Violin in A, op. 30 no. 1: I. Allegro

Sonata no. 6 for Piano and Violin in A, op. 30 no. 1: II. Adagio molto espressivo

Sonata no. 6 for Piano and Violin in A, op. 30 no. 1: III. Allegretto con Variazioni (I-VI)

12 Variations for Piano and Violin in F on “Se vuol ballare” from Mozart's Opera “Le nozze di Figaro”, WoO 40: Thema. Allegretto - Var. I-XII - Coda

Rondo for Piano and Violin in G, WoO 41: Allegro

6 German Dances for Piano and Violin, WoO 42

Sonata no. 7 for Piano and Violin in c, op. 30 no. 2: I. Allegro con brio

Sonata no. 7 for Piano and Violin in c, op. 30 no. 2: II. Adagio cantabile

Sonata no. 7 for Piano and Violin in c, op. 30 no. 2: III. Scherzo. Allegro

Sonata no. 7 for Piano and Violin in c, op. 30 no. 2: IV. Finale. Allegro - Presto

Sonata no. 9 for Piano and Violin in A, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto

Sonata no. 9 for Piano and Violin in A, op. 47 “Kreutzer”: II. Andante con Variazioni I-IV

Sonata no. 9 for Piano and Violin in A, op. 47 “Kreutzer”: III. Finale. Presto

Sonata no. 8 for Piano and Violin in G, op. 30 no. 3: I. Allegro assai

Sonata no. 8 for Piano and Violin in G, op. 30 no. 3: II. Tempo di Minuetto, ma molto moderato e grazioso

Sonata no. 8 for Piano and Violin in G, op. 30 no. 3: III. Allegro vivace

Sonata no. 9 for Piano and Violin in A, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto

Sonata no. 9 for Piano and Violin in A, op. 47 “Kreutzer”: II. Andante con Variazioni I-IV

Sonata no. 9 for Piano and Violin in A, op. 47 “Kreutzer”: III. Finale. Presto

Sonata no. 10 for Piano and Violin in G, op. 96: I. Allegro moderato

Sonata no. 10 for Piano and Violin in G, op. 96: II. Adagio espressivo

Sonata no. 10 for Piano and Violin in G, op. 96: III. Scherzo. Allegro

Sonata no. 10 for Piano and Violin in G, op. 96: IV. Poco Allegretto

12 Variations for Piano and Cello on “Ein Mädchen oder Weibchen” from Mozart's Opera “Die Zauberflöte”, op. 66: Theme: Allegretto

12 Variations for Piano and Cello on “Ein Mädchen oder Weibchen” from Mozart's Opera “Die Zauberflöte”, op. 66: Variation I

12 Variations for Piano and Cello on “Ein Mädchen oder Weibchen” from Mozart's Opera “Die Zauberflöte”, op. 66: Variation II

12 Variations for Piano and Cello on “Ein Mädchen oder Weibchen” from Mozart's Opera “Die Zauberflöte”, op. 66: Variation III

12 Variations for Piano and Cello on “Ein Mädchen oder Weibchen” from Mozart's Opera “Die Zauberflöte”, op. 66: Variation IV

12 Variations for Piano and Cello on “Ein Mädchen oder Weibchen” from Mozart's Opera “Die Zauberflöte”, op. 66: Variation V

12 Variations for Piano and Cello on “Ein Mädchen oder Weibchen” from Mozart's Opera “Die Zauberflöte”, op. 66: Variation VI

12 Variations for Piano and Cello on “Ein Mädchen oder Weibchen” from Mozart's Opera “Die Zauberflöte”, op. 66: Variation VII

12 Variations for Piano and Cello on “Ein Mädchen oder Weibchen” from Mozart's Opera “Die Zauberflöte”, op. 66: Variation VIII

12 Variations for Piano and Cello on “Ein Mädchen oder Weibchen” from Mozart's Opera “Die Zauberflöte”, op. 66: Variation IX

12 Variations for Piano and Cello on “Ein Mädchen oder Weibchen” from Mozart's Opera “Die Zauberflöte”, op. 66: Variation X. Adagio

12 Variations for Piano and Cello on “Ein Mädchen oder Weibchen” from Mozart's Opera “Die Zauberflöte”, op. 66: Variation XI. Poco Adagio, quasi Andante - attacca subito:

12 Variations for Piano and Cello on “Ein Mädchen oder Weibchen” from Mozart's Opera “Die Zauberflöte”, op. 66: Variation XII. Allegro

Sonata no. 1 for Piano and Cello in F, op. 5 no. 1: I. Adagio sostenuto -

Sonata no. 1 for Piano and Cello in F, op. 5 no. 1: I. Allegro -

Sonata no. 1 for Piano and Cello in F, op. 5 no. 1: I. Adagio - Presto - Tempo primo

Sonata no. 1 for Piano and Cello in F, op. 5 no. 1: II. Allegro vivace

Sonata no. 2 for Piano and Cello in g, op. 5 no. 2: I. Adagio sostenutoed espressivo - attacca:

Sonata no. 2 for Piano and Cello in g, op. 5 no. 2: I. Allegro molto più tosto presto

Sonata no. 2 for Piano and Cello in g, op. 5 no. 2: II. Rondo. Allegro

7 Variations for Piano and Cello on “Bei Mäannern, welche Leibe fühlen” from Mozart's Opera “Die Zauberflöte”, WoO 46: Theme: Andante

7 Variations for Piano and Cello on “Bei Mäannern, welche Leibe fühlen” from Mozart's Opera “Die Zauberflöte”, WoO 46: Variation I

7 Variations for Piano and Cello on “Bei Mäannern, welche Leibe fühlen” from Mozart's Opera “Die Zauberflöte”, WoO 46: Variation II

7 Variations for Piano and Cello on “Bei Mäannern, welche Leibe fühlen” from Mozart's Opera “Die Zauberflöte”, WoO 46: Variation III

7 Variations for Piano and Cello on “Bei Mäannern, welche Leibe fühlen” from Mozart's Opera “Die Zauberflöte”, WoO 46: Variation IV

7 Variations for Piano and Cello on “Bei Mäannern, welche Leibe fühlen” from Mozart's Opera “Die Zauberflöte”, WoO 46: Variation V. Si prenda il tempo un poco più vivace

7 Variations for Piano and Cello on “Bei Mäannern, welche Leibe fühlen” from Mozart's Opera “Die Zauberflöte”, WoO 46: Variation VI. Adagio - attacca subito:

7 Variations for Piano and Cello on “Bei Mäannern, welche Leibe fühlen” from Mozart's Opera “Die Zauberflöte”, WoO 46: Variation VII. Allegro, ma non troppo

Sonata no. 3 for Piano and Cello in A, op. 69: I. Allegro ma non troppo

Sonata no. 3 for Piano and Cello in A, op. 69: II. Scherzo. Allegro molto

Sonata no. 3 for Piano and Cello in A, op. 69: III. Adagio cantabile -

Sonata no. 3 for Piano and Cello in A, op. 69: III. Allegro vivace

Sonata no. 4 for Piano and Cello in C, op. 102 no. 1: I. Andante -

Sonata no. 4 for Piano and Cello in C, op. 102 no. 1: I. Allegro vivace

Sonata no. 4 for Piano and Cello in C, op. 102 no. 1: II. Adagio - Tempo d'Andante -

Sonata no. 4 for Piano and Cello in C, op. 102 no. 1: II. Allegro vivace

Sonata no. 5 for Piano and Cello in D, op. 102 no. 2: I. Allegro con brio

Sonata no. 5 for Piano and Cello in D, op. 102 no. 2: II. Adagio con molto sentimento d'affetto - attacca:

Sonata no. 5 for Piano and Cello in D, op. 102 no. 2: III. Allegro - Allegro fugato

12 Variations for Piano and Cello on “See the conqu'ring hero comes” from Handel's Oratorio “Judas Maccabaeus”, WoO 45: Theme: Allegretto

12 Variations for Piano and Cello on “See the conqu'ring hero comes” from Handel's Oratorio “Judas Maccabaeus”, WoO 45: Variation I

12 Variations for Piano and Cello on “See the conqu'ring hero comes” from Handel's Oratorio “Judas Maccabaeus”, WoO 45: Variation II

12 Variations for Piano and Cello on “See the conqu'ring hero comes” from Handel's Oratorio “Judas Maccabaeus”, WoO 45: Variation III

12 Variations for Piano and Cello on “See the conqu'ring hero comes” from Handel's Oratorio “Judas Maccabaeus”, WoO 45: Variation IV

12 Variations for Piano and Cello on “See the conqu'ring hero comes” from Handel's Oratorio “Judas Maccabaeus”, WoO 45: Variation V

12 Variations for Piano and Cello on “See the conqu'ring hero comes” from Handel's Oratorio “Judas Maccabaeus”, WoO 45: Variation VI

12 Variations for Piano and Cello on “See the conqu'ring hero comes” from Handel's Oratorio “Judas Maccabaeus”, WoO 45: Variation VII

12 Variations for Piano and Cello on “See the conqu'ring hero comes” from Handel's Oratorio “Judas Maccabaeus”, WoO 45: Variation VIII

12 Variations for Piano and Cello on “See the conqu'ring hero comes” from Handel's Oratorio “Judas Maccabaeus”, WoO 45: Variation IX

12 Variations for Piano and Cello on “See the conqu'ring hero comes” from Handel's Oratorio “Judas Maccabaeus”, WoO 45: Variation X. Allegro

12 Variations for Piano and Cello on “See the conqu'ring hero comes” from Handel's Oratorio “Judas Maccabaeus”, WoO 45: Variation XI. Adagio

12 Variations for Piano and Cello on “See the conqu'ring hero comes” from Handel's Oratorio “Judas Maccabaeus”, WoO 45: Variation XII. Allegro3

6 Themes with Variations for Piano and Flute or Violin ad libitum, op. 105: 1. Air écossais: “The Cottage Maid”: Tema. Andantino quasi Allegretto - Var. I-II - Var. III. Allegro - Tempo I

6 Themes with Variations for Piano and Flute or Violin ad libitum, op. 105: 2. Air écossais: “Von edlem Geschlecht war Schinkin”: Tema. Allegretto scherzoso - Var. I-II - Var. III. Allegretto - Allegro

6 Themes with Variations for Piano and Flute or Violin ad libitum, op. 105: 3. Air autrichien: “A Schüsserl und a Reindl”: Tema. Andantino - Var. I-IV - Var. V. Adagio sostenuto, ma non troppo - Var. VI. Andante con moto

6 Themes with Variations for Piano and Flute or Violin ad libitum, op. 105: 4. Air écossais: “The Last Rose of Summer”: Tema. Andante espressive assai - Var. I-III

6 Themes with Variations for Piano and Flute or Violin ad libitum, op. 105: 5. Air écossais: “Chiling O'Guiry”: Tema. Allegretto spiritoso - Var. I-II - Var. III. Allegro assai

6 Themes with Variations for Piano and Flute or Violin ad libitum, op. 105: 6. Air écossais: “Paddy Whack”: Tema. Allegretto più tosto vivace - Var. I-IV

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 1. Air tirolien: “I bin a Tiroler Bua”: Tema. Moderato - Var. I-III - Var. IV. Allegro

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 2. Air écossais: “Bonnie Laddie, Highland Laddie”: Tema. Allegretto, quasi vivace - Var. I-III - Var. IV. Andante mosso, alla Siciliano - Allegro

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 3. Volkslied aus Kleinrussland: tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 4. Air écossais “St. Patrick's Day”: Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 5. Air tirolien: “A Madel, ja a Madel”: Tema. Moderato - Var. I-II - Var. III Maestoso - Allegro

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 6. Air écossais: “Peggy's Daughter”: Tema. Andante comodo - Var. I-III - Var. IV. Vivace

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 7. Air russe: “Schöne Minka”: Tema. Andante - Var. I-IV - Var. V . Andante moderato - Var. VI. Allegro - Adagio - Andante comodo - Poco vivace

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 8. Air écossais: “O Mary at thy window be”: Tema. Andantino quasi Allegretto - Var. I-III - Var. IV. Un poco più mosso - Allegro assai

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 9. Air écossais: “Oh, Thou art the Lad of my Heart”: Tema. Allegretto più tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 10. Air écossais: “The Highland Watch”: Tema. Spirituoso e marziale - Var. I-II - Var. III. Più moto - Var. IV. Adagio espressivo - Var. V. Allegro

Duo for 2 Flutes in G, WoO 26: Allegro con brio

Duo for 2 Flutes in G, WoO 26: Minuetto quasi Allegretto

Sonata for Piano and Horn (or Cello) in F, op. 17: I. Allegro moderato

Sonata for Piano and Horn (or Cello) in F, op. 17: II. Poco Adagio, quasi Andante

Sonata for Piano and Horn (or Cello) in F, op. 17: III. Rondo. Allegro moderato

Sonatina for Mandolin and Piano in c, WoO 43a: Adagio

Adagio for Mandolin and Piano in E-flat, WoO 43b: Adagio (ma non troppo)

Sonatina for Mandolin and Piano in C, WoO 44a: Allegro

Variations for Mandolin and Piano in D, WoO 44b: Andante con Variazioni

Duet for Viola and Cello in E-flat, WoO 32 “Duet with Two Obbligato Eyeglasses”: I. Allegro

Duet for Viola and Cello in E-flat, WoO 32 “Duet with Two Obbligato Eyeglasses”: II. Allegretto

Piece for 2 Violins in A, WoO 34

Small Piece in A (probably for 2 violins), WoO 35

Sonata for Piano and (Horn or) Cello in F, op. 17: I. Allegro moderato

Sonata for Piano and (Horn or) Cello in F, op. 17: II. Poco Adagio, quasi Andante

Sonata for Piano and (Horn or) Cello in F, op. 17: III. Rondo. Allegro moderato

Piano Trio no. 9 in E-flat, WoO 38: I. Allegro moderato

Piano Trio no. 9 in E-flat, WoO 38: II. Scherzo. Allegro ma non troppo

Piano Trio no. 9 in E-flat, WoO 38: III. Rondo. Allegretto

Piano Trio no. 1 in E-flat, op. 1 no. 1: I. Allegro

Piano Trio no. 1 in E-flat, op. 1 no. 1: II. Adagio cantabile

Piano Trio no. 1 in E-flat, op. 1 no. 1: III. Scherzo. Allegro assai

Piano Trio no. 1 in E-flat, op. 1 no. 1: IV. Finale. Presto

Piano Trio no. 2 in G, op. 1 no. 2: I. Adagio - Allegro vivace

Piano Trio no. 2 in G, op. 1 no. 2: II. Largo con espressione

Piano Trio no. 2 in G, op. 1 no. 2: III. Scherzo. Allegro

Piano Trio no. 2 in G, op. 1 no. 2: IV. Finale. Presto

Trio Movement in E-flat, Unv 9 [Hess 48]: Allegretto

Piano Trio no. 3 in c, op. 1 no. 3: I. Allegro con brio

Piano Trio no. 3 in c, op. 1 no. 3: II. Andante cantabile con variazioni

Piano Trio no. 3 in c, op. 1 no. 3: III. Menuetto. Quasi Allegro

Piano Trio no. 3 in c, op. 1 no. 3: IV. Finale. Prestissimo

Piano Trio no. 5 in D, op. 70 no. 1 “Ghost”: I. Allegro vivace e con brio

Piano Trio no. 5 in D, op. 70 no. 1 “Ghost”: II. Large assai ed espressivo

Piano Trio no. 5 in D, op. 70 no. 1 “Ghost”: III. Presto

Piano Trio no. 6 in E-flat, op. 70 no. 2: I. Poco sostenuto - Allegro ma non troppo

Piano Trio no. 6 in E-flat, op. 70 no. 2: II. Allegretto

Piano Trio no. 6 in E-flat, op. 70 no. 2: III. Allegretto ma non troppo

Piano Trio no. 6 in E-flat, op. 70 no. 2: IV. Finale. Allegro

14 Variations for Piano, Violin and Cello on “Ja, ich muss mich von ihr scheiden“ from the Opera “Das rote Käppchen” by Carl Ditters von Dittersdorf (Piano Trio no. 10 in E-flat), op. 44: Tema. Andante - Var. I-XIV - Andante

10 Variations for Piano, Violin and Cello on the Song “Ich bin der Schneider Kakadu” from Wenzel Müller's Singspiel “Die Schwestern von Prag” (Piano Trio no. 11 in G), op. 121a: Introduzione. Adagio assai - Tema. Allegretto - Var. I-VIII - Var. IX. Adagio espressivo - Var. X. Presto

Piano Trio no. 8 in B-flat, WoO 39: Allegretto

Piano Trio no. 7 in B-flat, op. 97 “Archduke”: I. Allegro moderato

Piano Trio no. 7 in B-flat, op. 97 “Archduke”: II. Scherzo. Allegro

Piano Trio no. 7 in B-flat, op. 97 “Archduke”: III. Andante cantabile - Poco più adagio - Tempo I

Piano Trio no. 7 in B-flat, op. 97 “Archduke”: IV. Allegro moderato

Piano Trio no. 4 in B-flat (for Piano, Violin and Cello), op. 11 “Gassenhauer”: I. Allegro con brio

Piano Trio no. 4 in B-flat (for Piano, Violin and Cello), op. 11 “Gassenhauer”: II. Adagio

Piano Trio no. 4 in B-flat (for Piano, Violin and Cello), op. 11 “Gassenhauer”: III. Tema “Pria ch'io l'impegno”. Allegretto - Allegro

Piano Trio in E-flat, op. 38 (after the Septet op. 20): I. Adagio - Allegro con brio

Piano Trio in E-flat, op. 38 (after the Septet op. 20): II. Adagio cantabile

Piano Trio in E-flat, op. 38 (after the Septet op. 20): III. Tempo di menuetto

Piano Trio in E-flat, op. 38 (after the Septet op. 20): IV. Andante con variazioni

Piano Trio in E-flat, op. 38 (after the Septet op. 20): V. Scherzo. Allegro molto e vivace

Piano Trio in E-flat, op. 38 (after the Septet op. 20): VI. Andante con moto alla marcia - Presto

Piano Trio no. 4 in B-flat (for Piano, Clarinet and Cello), op. 11 “Gassenhauer”: I. Allegro con brio

Piano Trio no. 4 in B-flat (for Piano, Clarinet and Cello), op. 11 “Gassenhauer”: II. Adagio

Piano Trio no. 4 in B-flat (for Piano, Clarinet and Cello), op. 11 “Gassenhauer”: III. Tema “Pria ch'io l'impegno”. Allegretto - Allegro

Trio for Piano, Flute and Bassoon in G, WoO 37: I. Allegro

Trio for Piano, Flute and Bassoon in G, WoO 37: II. Adagio

Trio for Piano, Flute and Bassoon in G, WoO 37: III. Tema andante con Variazioni

Trio for 2 Oboes and Cor anglais in C, op. 87: I. Allegro

Trio for 2 Oboes and Cor anglais in C, op. 87: II. Adagio cantabile

Trio for 2 Oboes and Cor anglais in C, op. 87: III. Menuetto. Allegro molto. Scherzo

Trio for 2 Oboes and Cor anglais in C, op. 87: IV. Finale. Presto

8 Variations for 2 Oboes and Cor anglais in C on “Là ci darem la mano” from Mozart's Opera “Don Giovanni”, WoO 28: Thema. Andante / Variation I. Allegretto / Variation II. L'istesso tempo / Variation III. Andante / Variation IV. Allegro moderato / Variation V. Moderato / Variation VI. Lento espressivo / Variation VII. Allegretto scherzando / Variation VIII. Allegretto giocoso / Coda. Vivace - Andante

String Trio no. 1 in E-flat, op. 3: I. Allegro con brio

String Trio no. 1 in E-flat, op. 3: II. Andante

String Trio no. 1 in E-flat, op. 3: III. Menuetto. Allegretto

String Trio no. 1 in E-flat, op. 3: IV. Adagio

String Trio no. 1 in E-flat, op. 3: V. Menuetto. Moderato

String Trio no. 1 in E-flat, op. 3: VI. Finale. Allegro

Serenade for Violin, Viola and Cello in D (String Trio no. 2), op. 8: I. Marcia. Allegro - Adagio

Serenade for Violin, Viola and Cello in D (String Trio no. 2), op. 8: II. Menuetto. Allegretto

Serenade for Violin, Viola and Cello in D (String Trio no. 2), op. 8: III. Adagio - Scherzo. Allegro molto - Adagio - Allegro molto - Adagio

Serenade for Violin, Viola and Cello in D (String Trio no. 2), op. 8: IV. Allegretto alla Polacca

Serenade for Violin, Viola and Cello in D (String Trio no. 2), op. 8: V. Thema con Variazioni. Andante quasi Allegretto - Variationen I-IV - Marcia. Allegro

String Trio no. 3 in G, op. 9 no. 1: I. Adagio - Allegro con brio

String Trio no. 3 in G, op. 9 no. 1: II. Adagio, ma non tanto, e cantabile

String Trio no. 3 in G, op. 9 no. 1: III. Scherzo. Allegro

String Trio no. 3 in G, op. 9 no. 1: IV. Presto

String Trio no. 4 in D, op. 9 no. 2: I. Allegretto

String Trio no. 4 in D, op. 9 no. 2: II. Andante quasi Allegretto

String Trio no. 4 in D, op. 9 no. 2: III. Menuetto. Allegro

String Trio no. 4 in D, op. 9 no. 2: IV. Rondo. Allegro

String Trio no. 5 in c, op. 9 no. 3: I. Allegro con spirito

String Trio no. 5 in c, op. 9 no. 3: II. Adagio con espressione

String Trio no. 5 in c, op. 9 no. 3: III. Scherzo. Allegro molto e vivace

String Trio no. 5 in c, op. 9 no. 3: IV. Finale. Presto

Serenade for Flute, Violin and Viola in D, op. 25: I. Entrada. Allegro

Serenade for Flute, Violin and Viola in D, op. 25: II. Tempo ordinario d'un Minuetto

Serenade for Flute, Violin and Viola in D, op. 25: III. Allegro molto

Serenade for Flute, Violin and Viola in D, op. 25: IV. Andante con Variazioni

Serenade for Flute, Violin and Viola in D, op. 25: V. Allegro scherzando e vivace

Serenade for Flute, Violin and Viola in D, op. 25: VI. Adagio - Allegro vivace e disinvolto

Prelude and Fugue for 2 Violins and Cello in e, Hess 29: I. Prelude

Prelude and Fugue for 2 Violins and Cello in e, Hess 29: II. Fugue

6 Minuets for 2 Violins and Bass, WoO 9: no. 1 in E-flat

6 Minuets for 2 Violins and Bass, WoO 9: no. 2 in G

6 Minuets for 2 Violins and Bass, WoO 9: no. 3 in C

6 Minuets for 2 Violins and Bass, WoO 9: no. 4 in F

6 Minuets for 2 Violins and Bass, WoO 9: no. 5 in D

6 Minuets for 2 Violins and Bass, WoO 9: no. 5 in G

6 Ländler for 2 Violins and Bass, WoO 15: no. 1 in D

6 Ländler for 2 Violins and Bass, WoO 15: no. 2 in D

6 Ländler for 2 Violins and Bass, WoO 15: no. 3 in D

6 Ländler for 2 Violins and Bass, WoO 15: no. 4 in d

6 Ländler for 2 Violins and Bass, WoO 15: no. 5 in D

6 Ländler for 2 Violins and Bass, WoO 15: no. 6 in D

String Quartet no. 1 in D, op. 18 no. 3: I. Allegro

String Quartet no. 1 in D, op. 18 no. 3: II. Andante con moto

String Quartet no. 1 in D, op. 18 no. 3: III. Allegro

String Quartet no. 1 in D, op. 18 no. 3: IV. Presto

String Quartet no. 2 in F, op. 18 no. 1: I. Allegro con brio

String Quartet no. 2 in F, op. 18 no. 1: II. Adagio affettuoso ed appassionato

String Quartet no. 2 in F, op. 18 no. 1: III. Scherzo. Allegro molto

String Quartet no. 2 in F, op. 18 no. 1: IV. Allegro

String Quartet no. 3 in G, op. 18 no. 2: I. Allegro

String Quartet no. 3 in G, op. 18 no. 2: II. Adagio cantabile - Allegro - Tempo I

String Quartet no. 3 in G, op. 18 no. 2: III. Scherzo. Allegro

String Quartet no. 3 in G, op. 18 no. 2: IV. Allegro molto, quasi Presto

String Quartet no. 4 in c, op. 18 no. 4: I. Allegro ma non tanto

String Quartet no. 4 in c, op. 18 no. 4: II. Andante scherzoso quasi Allegretto

String Quartet no. 4 in c, op. 18 no. 4: III. Menuetto. Allegretto

String Quartet no. 4 in c, op. 18 no. 4: IV. Allegro - Prestissimo

String Quartet no. 5 in A, op. 18 no. 5: I. Allegro

String Quartet no. 5 in A, op. 18 no. 5: II. Menuetto

String Quartet no. 5 in A, op. 18 no. 5: III. Andante cantabile

String Quaretet no. 5 in A, op. 18 no. 5: IV. Allegro

String Quartet no. 6 in B-flat, op. 18 no. 6: I. Allegro con brio

String Quartet no. 6 in B-flat, op. 18 no. 6: II. Adagio ma non troppo

String Quartet no. 6 in B-flat, op. 18 no. 6: III. Scherzo. Allegro

String Quartet no. 6 in B-flat, op. 18 no. 6: IV. La Malinconia. Adagio - Allegretto quasi Allegro

String Quartet no. 7 in F, op. 59 no. 1 “Razumovsky”: I. Allegro

String Quartet no. 7 in F, op. 59 no. 1 “Razumovsky”: II. Allegretto vivace e sempre scherzando

String Quartet no. 7 in F, op. 59 no. 1 “Razumovsky”: III. Adagio molto e mesto - attacca:

String Quartet no. 7 in F, op. 59 no. 1 “Razumovsky”: IV. Thème russe. Allegro

String Quartet no. 8 in e, op. 59 no. 2 “Razumovsky”: I. Allegro

String Quartet no. 8 in e, op. 59 no. 2 “Razumovsky”: II. Molto Adagio. Si tratta questo pezzo con molto di sentimento

String Quartet no. 8 in e, op. 59 no. 2 “Razumovsky”: III. Allegretto - Maggiore (Thème russe)

String Quartet no. 8 in e, op. 59 no. 2 “Razumovsky”: IV. Finale. Presto

String Quartet no. 9 in C, op. 59 no. 3 “Razumovsky”: I. Introduzione. Andante con moto - Allegro vivace

String Quartet no. 9 in C, op. 59 no. 3 “Razumovsky”: II. Andante con moto quasi Allegretto

String Quartet no. 9 in C, op. 59 no. 3 “Razumovsky”: III. Menuetto (grazioso) - attacca:

String Quartet no. 9 in C, op. 59 no. 3 “Razumovsky”: IV. Allegro molto

String Quartet no. 10 in E-flat, op. 74 “Harp”: I. Poco Adagio - Allegro

String Quartet no. 10 in E-flat, op. 74 “Harp”: II. Adagio ma non troppo

String Quartet no. 10 in E-flat, op. 74 “Harp”: III. Presto - Più presto quasi prestissimo - attacca:

String Quartet no. 10 in E-flat, op. 74 “Harp”: IV. Allegretto con Variazioni

String Quartet no. 11 in f, op. 95 “Quartett[o] serioso”: I. Allegro con brio

String Quartet no. 11 in f, op. 95 “Quartett[o] serioso”: II. Allegretto ma non troppo - attacca:

String Quartet no. 11 in f, op. 95 “Quartett[o] serioso”: III. Allegro assai vivacema serioso

String Quartet no. 11 in f, op. 95 “Quartett[o] serioso”: IV. Larghetto espressivo - Allegretto agitato - Allegro

String Quartet no. 13 iin B-flat, op. 130: I. Adagio ma non troppo - Allegro

String Quartet no. 13 iin B-flat, op. 130: II. Presto

String Quartet no. 13 iin B-flat, op. 130: III. Andante con moto, ma non troppo

String Quartet no. 13 iin B-flat, op. 130: IV. Alla danza tedesca. Allegro assai

String Quartet no. 13 iin B-flat, op. 130: V. Cavatina. Adagio molto espressivo

Grosse Fuge, op. 133 (Original Finale for op. 130): Overtura. Allegro - Meno mosso e moderato - Allegro - Fuga: Allegro - Meno mosso e moderato - Allegro molto e brio - Allegro

Grosse Fuge, op. 133 (Original Finale for op. 130): IV. Finale. Allegro / (Alternative Finale)

String Quartet no. 12 in E-flat, op. 127: I. Maestoso - Allegro

String Quartet no. 12 in E-flat, op. 127: II. Adagio, ma non troppo e molto cantabile - Andante con moto - Adagio molto espressivo - Tempo I

String Quartet no. 12 in E-flat, op. 127: III. Scherzando. Vivace

String Quartet no. 12 in E-flat, op. 127: IV. Allegro - Allegro comodo

String Quartet no. 14 in c-sharp, op. 131: I. Adagio, ma non troppo e molto espressivo - attacca:

String Quartet no. 14 in c-sharp, op. 131: II. Allegro molto vivace - attacca:

String Quartet no. 14 in c-sharp, op. 131: III. Allegro moderato - attacca:

String Quartet no. 14 in c-sharp, op. 131: IV. Andante, ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto - attacca:

String Quartet no. 14 in c-sharp, op. 131: V. Presto - Molto poco adagio - attacca:

String Quartet no. 14 in c-sharp, op. 131: VI. Adagio quasi un poco andante - attacca:

String Quartet no. 14 in c-sharp, op. 131: VII. Allegro

String Quartet no. 15 in a, op. 132: I. Assai sostenuto - Allegro

String Quartet no. 15 in a, op. 132: II. Allegro ma non tanto

String Quartet no. 15 in a, op. 132: III. Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart. Molto adagio - Neue Kraft fühlend. Andante - Molto adagio - Andante - Molto adagio (Mit innigster Empfindung)

String Quartet no. 15 in a, op. 132: IV. Alla marcia, assai vivace - Più allegro - attacca:

String Quartet no. 15 in a, op. 132: V. Allegro appassionato - Presto

String Quartet no. 16 in F, op. 135: I. Allegretto

String Quartet no. 16 in F, op. 135: II. Vivace

String Quartet no. 16 in F, op. 135: III. Lento assai, cantante e tranquillo

String Quartet no. 16 in F, op. 135: IV. Der schwer gefasste Entschluss. Grave, ma non troppo tratto (“Muss es sein?”) - Allegro (“Es muss sein!”) - Grave, ma non troppo tratto - Allegro

String Quartet no. 12 in E-flat, op. 127: I. Maestoso - Allegro

String Quartet no. 12 in E-flat, op. 127: II. Adagio, ma non troppo e cantabile - Andante con moto - Adagio molto espressivo - Tempo I

String Quartet no. 12 in E-flat, op. 127: III. Scherzando. Vivace

String Quartet no. 12 in E-flat, op. 127: IV. Allegro - Allegro comodo

String Quartet no. 15 in a, op. 132: I. Assai sostenuto - Allegro

String Quartet no. 15 in a, op. 132: II. Allegro ma non tanto

String Quartet no. 15 in a, op. 132: III. Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart. Molto adagio - Neue Kraft fühlend. Andante - Molto adagio - Andante - Molto adagio (Mit innigster Empfindung)

String Quartet no. 15 in a, op. 132: IV. Alla marcia, assai vivace - Più allegro - attacca:

String Quartet no. 15 in a, op. 132: V. Allegro appassionato - Presto

String Quartet no. 13 in B-flat, op. 130: I. Adagio ma non troppo - Allegro

String Quartet no. 13 in B-flat, op. 130: II. Presto

String Quartet no. 13 in B-flat, op. 130: III. Andante con moto, ma non troppo

String Quartet no. 13 in B-flat, op. 130: IV. Alla danza tedesca. Allegro assai

String Quartet no. 13 in B-flat, op. 130: V. Cavatina. Adagio molto espressivo

Grosse Fuge, op. 133 (Original Finale for op. 130): Overtura. Allegro - Meno mosso e moderato - Allegro - Fuga: Allegro - Meno mosso e moderato - Allegro molto e con brio - Allegro

String Quartet no. 14 in c-sharp, op. 131: I. Adagio, ma non troppo e molto espressivo - attacca:

String Quartet no. 14 in c-sharp, op. 131: II. Allegro molto vivace - attacca:

String Quartet no. 14 in c-sharp, op. 131: III. Allegro moderato - attacca:

String Quartet no. 14 in c-sharp, op. 131: IV. Andante, ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto - attacca:

String Quartet no. 14 in c-sharp, op. 131: V. Presto - Molto poco adagio - attacca:

String Quartet no. 14 in c-sharp, op. 131: VI. Adagio quasi un poco andante - attacca:

String Quartet no. 14 in c-sharp, op. 131: VII. Allegro

String Quartet no. 16 in F, op. 135: I. Allegretto

String Quartet no. 16 in F, op. 135: II. Vivace

String Quartet no. 16 in F, op. 135: III. Lento assai, cantante e tranquillo

String Quartet no. 16 in F, op. 135: IV. Der schwer gefasste Entschluss. Grave, ma non troppo tratto (“Muss es sein?”) - Allegro (“Es muss sein!”) - Grave, ma non troppo tratto - Allegro

String Quartet in F, Hess 32 (1st Version of op. 18 no. 1): I. Allegro con brio

String Quartet in F, Hess 32 (1st Version of op. 18 no. 1): II. Adagio molto

String Quartet in F, Hess 32 (1st Version of op. 18 no. 1): III. Scherzo. Allegro

String Quartet in F, Hess 32 (1st Version of op. 18 no. 1): IV. Allegretto

Minuet for String Quartet in A-flat, WoO 209

String Quartet in F, Hess 34 (after Piano Sonata in E, op. 14 no. 1): I. Allegro moderato

String Quartet in F, Hess 34 (after Piano Sonata in E, op. 14 no. 1): II. Allegretto

String Quartet in F, Hess 34 (after Piano Sonata in E, op. 14 no. 1): III. Allegro

Prelude and Fugue for String Quartet in F, Hess 30: Prelude

Prelude and Fugue for String Quartet in F, Hess 30: Fugue

Prelude and Fugue for String Quartet in C, Hess 31: Prelude

Prelude and Fugue for String Quartet in C, Hess 31: Fugue

Quartet for Piano, Violin, Viola and Cello in E-flat, WoO 36 no. 1: I. Adagio assai - attacca:

Quartet for Piano, Violin, Viola and Cello in E-flat, WoO 36 no. 1: II. Allegro con spirito

Quartet for Piano, Violin, Viola and Cello in E-flat, WoO 36 no. 1: III. Tema. Cantabile - Variazioni I-VI - Tema. Allegretto

Quartet for Piano, Violin, Viola and Cello in D, WoO 36 no. 2: I. Allegro moderato

Quartet for Piano, Violin, Viola and Cello in D, WoO 36 no. 2: II. Andante con moto

Quartet for Piano, Violin, Viola and Cello in D, WoO 36 no. 2: III. Rondo. Allegro

Quartet for Piano, Violin, Viola and Cello in C, WoO 36 no. 3: I. Allegro vivace

Quartet for Piano, Violin, Viola and Cello in C, WoO 36 no. 3: II. Adagio con espressione

Quartet for Piano, Violin, Viola and Cello in C, WoO 36 no. 3: III. Rondo. Allegro

3 Equali for 4 Trombones, WoO 30: no. 1 Andante in d

3 Equali for 4 Trombones, WoO 30: no. 2 Poco adagio in D

3 Equali for 4 Trombones, WoO 30: no. 3 Poco sostenuto in B-flat

Quintet for 2 Violins, 2 Violas and Cello in C, op. 29: I. Allegro

Quintet for 2 Violins, 2 Violas and Cello in C, op. 29: II. Adagio molto espressivo

Quintet for 2 Violins, 2 Violas and Cello in C, op. 29: III. Scherzo. Allegro

Quintet for 2 Violins, 2 Violas and Cello in C, op. 29: IV. Presto

Fugue for String Quintet in D, op. 137

Prelude for String Quintet in d, Unv 7 [Hess 40]

Fugue in b-flat for String Quintet, Hess 38 (Arranged from Bach's “Well-Tempered Clavier”)

Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat, op. 16: I. Grave - Allegro, ma non troppo

Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat, op. 16: II. Andante cantabile

Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat, op. 16: III. Rondo. Allegro, ma non troppo

Quintet for Oboe, 3 Horns and Bassoon in E-flat, WoO 208 [Hess 19] (Fragment, completed by Leopold Zellner): I. Allegro

Quintet for Oboe, 3 Horns and Bassoon in E-flat, WoO 208 [Hess 19] (Fragment, completed by Leopold Zellner): II. Adagio mesto