Archiv Produktion 1947-2013

Trio Sonata no. 1 in E-flat major, BWV 525: 1. [without tempo indication]

Trio Sonata no. 1 in E-flat major, BWV 525: 2. Adagio

Trio Sonata no. 1 in E-flat major, BWV 525: 3. Allegro

Six Chorales of Diverse Kinds, "Schübler Chorales": Wachet auf, ruft uns die Stimme, BWV 645

Six Chorales of Diverse Kinds, "Schübler Chorales": Wo soll ich fliehen hin, oder: Auf meinen lieben Gott, BWV 646

Six Chorales of Diverse Kinds, "Schübler Chorales": Wer nur den lieben Gott lässt walten, BWV 647

Six Chorales of Diverse Kinds, "Schübler Chorales": Meine Seele erhebet den Herrn, BWV 648

Six Chorales of Diverse Kinds, "Schübler Chorales": Ach bleib bei uns, Herr Jesu Christ, BWV 649

Six Chorales of Diverse Kinds, "Schübler Chorales": Kommst du nun, Jesu, vom Himmel herunter, BWV 650

Partite diverse sopra: Sei gegrüßet, Jesu gütig, BWV 768

Trio Sonata no. 6 in G major, BWV 530: 1. Vivace

Trio Sonata no. 6 in G major, BWV 530: 2. Lento

Trio Sonata no. 6 in G major, BWV 530: 3. Allegro

Toccata and Fugue in D minor, BWV 565

Fugue in E-flat major, BWV 552

Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 1. Aria: Ich will den Kreuzstab gerne tragen

Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 2. Recitative: Mein Wandel auf der Welt

Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 3. Aria: Endlich, endlich wird mein Joch

Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 4. Recitative and Arioso: Ich stehe fertig und bereit

Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 5. Chorale: Komm, o Tod, du Schlafes Bruder

Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 1. Aria: Ich habe genug

Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 2. Recitative: Ich habe genug. Mein Trost ist nur allein

Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 3. Aria: Schlummert ein, ihr matten Augen

Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 4. Recitative: Mein Gott, wann kommt das schöne: Nun!

Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 5. Aria: Ich freue mich auf meinen Tod

Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Sinfonia

Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 1 (Chorus): Christ iag in Todesbanden

Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 2 (Chorus: Soprano/Contralto): Den Tod niemand zwingen kunnt

Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 3 (Chorus: Tenor): Jesus Christus, Gottes Sohn

Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 4 (Chorus): Es war ein wunderlicher Krieg

Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 5 (Bass): Hier ist das rechte Osterlamm

Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 6 (Chorus: Soprano/Tenor): So feiern wir das hohe Fest

Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 7 (Chorale): Wir essen und wir leben wohl

Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 1. Sinfonia

Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 2. Chorus: Ich hatte viel Bekümmernis

Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 3. Aria (Soprano): Seufzer, Tränen

Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 4. Recitative: Wie hast du dich

Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 5. Aria (Tenor): Bäche von gesalznen Zähren

Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 6. Chorus: Was betrübst du dich

Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 7. Recitative: Ach Jesu, meine Ruh

Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 8. Duet (Soprano and Bass): Komm, mein Jesu

Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 9. Chorus: Sei nun wieder zufrieden

Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 10. Aria (Tenor): Erfreue dich, Seele

Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 11. Chorus: Das Lamm

Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 1. Chorus: Es erhub sich ein Streit

Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 2. Recitative: Gottlob! der Drache liegt

Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 3. Aria (Soprano): Gott schickt uns

Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 4. Recitative: Lasst uns das Angesicht

Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 5. Aria (Tenor): Bleibt ihr Engel

Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 6. Recitative: Lasst uns das Angesicht

Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 7. Chorus: Lass dein Engel mit mir fahren

Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part I - Chorus: Gott der Herr ist Sonn' und Schild

Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part I - Aria (Contralto): Gott ist unsere Sonn'

Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part I - Chorale: Nun danket alle Gott

Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part II - Recitative: Gott Lob, wir wissen

Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part II - Duet (Soprano and Bass): Gott, ach Gott, verlass die Deinen nimmermehr

Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part II - Chorale: Erhalt uns in der Wahrheit

Primae vesperae in nativitate Domini nostri Jesu Christi: V. Deus in adiutorum

Primae vesperae in nativitate Domini nostri Jesu Christi: Antiphona 1: Rex pacificus - Psalm 109: Dixit Dominus

Primae vesperae in nativitate Domini nostri Jesu Christi: Antiphona 2: Magnificatus es Rex pacificus - Psalm 110: Confitebor tib

Primae vesperae in nativitate Domini nostri Jesu Christi: Antiphona 3: Scitote - Psalm 111: Beatus vir

Primae vesperae in nativitate Domini nostri Jesu Christi: Antiphona 4: Levate capita - Psalm 112: Laudate, pueri

Primae vesperae in nativitate Domini nostri Jesu Christi: Capitulum: Apparuit benignitas

Primae vesperae in nativitate Domini nostri Jesu Christi: Responsorium breve: Hodie scietis

Primae vesperae in nativitate Domini nostri Jesu Christi: Hymnus: Christe Redemptor omnium

Primae vesperae in nativitate Domini nostri Jesu Christi: V. Crastina die

Primae vesperae in nativitate Domini nostri Jesu Christi: Antiphona: Cum ortus fuerit - Magnificat

Primae vesperae in nativitate Domini nostri Jesu Christi: V. Kyrie eleison - Pater noster

Primae vesperae in nativitate Domini nostri Jesu Christi: V. Dominus vobiscum - Oratio: Oremus: concede

Primae vesperae in nativitate Domini nostri Jesu Christi: V. Dominus vobiscum - Benedicamus Domino

Primae vesperae in nativitate Domini nostri Jesu Christi: V. Dominus vobiscum - Antiphona BMV: Alma Redemptoris Virginis

Primae vesperae in nativitate Domini nostri Jesu Christi: V. Post partum - Oremus: Deus qui salutis - V. Divinum auxilium

Prima missa in commemoratione omnium fidelium defunctorum: Introitus: Requiem aeternam

Prima missa in commemoratione omnium fidelium defunctorum: Kyrie

Prima missa in commemoratione omnium fidelium defunctorum: Oratio: Fidelium Deus omnium

Prima missa in commemoratione omnium fidelium defunctorum: Epistola (1 Corinthians 15, 51-57)

Prima missa in commemoratione omnium fidelium defunctorum: Graduale: Requiem aeternam

Prima missa in commemoratione omnium fidelium defunctorum: Tractus: Absolve, Domine

Prima missa in commemoratione omnium fidelium defunctorum: Sequentia: Dies irae

Prima missa in commemoratione omnium fidelium defunctorum: Evangelium (John 5, 25-30)

Prima missa in commemoratione omnium fidelium defunctorum: Offertorium: Domine Jesu Christe

Prima missa in commemoratione omnium fidelium defunctorum: Praefatio Defunctorum

Prima missa in commemoratione omnium fidelium defunctorum: Sanctus

Prima missa in commemoratione omnium fidelium defunctorum: Pater noster

Prima missa in commemoratione omnium fidelium defunctorum: Agnus

Prima missa in commemoratione omnium fidelium defunctorum: Communio: Lux aeterna

Prima missa in commemoratione omnium fidelium defunctorum: Postcommunio: Animabus quaesumus

Prima missa in commemoratione omnium fidelium defunctorum: Requiescant in pace

Le Jeu de Robin et de Marion

13 Rondeaux: Li dous regars

13 Rondeaux: Je muir

13 Rondeaux: A jointes mains

13 Rondeaux: Ballade: Dieus soit en cheste maison

13 Rondeaux: Hé, Diex

13 Rondeaux: Or est Baiars

13 Rondeaux: Motet: A Dieu comant amouretes

13 Rondeaux: Bonne amourete

13 Rondeaux: Dame or suis trais

13 Rondeaux: Fi maris

13 Rondeaux: Trop désir

13 Rondeaux: Diex comment porroie

13 Rondeaux: Virelai: Fines amouretes

Dances of the 13th & 14th Centuries: La Septime Estampie réale

Dances of the 13th & 14th Centuries: Stantipes I

Dances of the 13th & 14th Centuries: Ronde: C'ést lá-gieus

Dances of the 13th & 14th Centuries: C'ést desoz l'olive

Dances of the 13th & 14th Centuries: Nota

Dances of the 13th & 14th Centuries: La Quarte Estampie réale

Dances of the 13th & 14th Centuries: Estampida: Kalenda maya

Dances of the 13th & 14th Centuries: Stantipes II

Dances of the 13th & 14th Centuries: Danse

Dances of the 13th & 14th Centuries: Rondeau: Prendés-y garde

Dances of the 13th & 14th Centuries: Saltarello

Dances of the 13th & 14th Centuries: Lamento di Tristano

Dances of the 13th & 14th Centuries: La Ballette de la Reine d'Avril: A l'entrade del temps clar

Dances of the 13th & 14th Centuries: Trotto

Dances of the 13th & 14th Centuries: Ronde: Ainsi doit entrer en ville

Dances of the 13th & 14th Centuries: Ronde: Main se levoit Aëlis

Dances of the 13th & 14th Centuries: La Rotta

Brandenburg Concerto no. 1 in F major, BWV 1046: 1. [without tempo indication]

Brandenburg Concerto no. 1 in F major, BWV 1046: 2. Adagio

Brandenburg Concerto no. 1 in F major, BWV 1046: 3. Allegro

Brandenburg Concerto no. 1 in F major, BWV 1046: 4. Menuetto - Trio I - Polacca - Trio II

Brandenburg Concerto no. 4 in G major, BWV 1049: 1. Allegro

Brandenburg Concerto no. 4 in G major, BWV 1049: 2. Andante

Brandenburg Concerto no. 4 in G major, BWV 1049: 3. Presto

Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 1. [without tempo indication]

Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 2. Adagio ma non tanto

Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 3. Allegro

Sonata for Viola da gamba and Harpsichord no. 1 in G major, BWV 1027: 1. Adagio

Sonata for Viola da gamba and Harpsichord no. 1 in G major, BWV 1027: 2. Allegro ma non tanto

Sonata for Viola da gamba and Harpsichord no. 1 in G major, BWV 1027: 3. Andante

Sonata for Viola da gamba and Harpsichord no. 1 in G major, BWV 1027: 4. Allegro moderato

Brandenburg Concerto no. 2 in F major, BWV 1047: 1. [without tempo indication]

Brandenburg Concerto no. 2 in F major, BWV 1047: 2. Andante

Brandenburg Concerto no. 2 in F major, BWV 1047: 3. Allegro assai

Brandenburg Concerto no. 3 in G major, BWV 1048: 1. [without tempo indication]

Brandenburg Concerto no. 3 in G major, BWV 1048: 2. Adagio

Brandenburg Concerto no. 3 in G major, BWV 1048: 3. Allegro

Brandenburg Concerto no. 5 in D major, BWV 1050: 1. [without tempo indication]

Brandenburg Concerto no. 5 in D major, BWV 1050: 2. Adagio

Brandenburg Concerto no. 5 in D major, BWV 1050: 3. Allegro

Sonata for Viola da gamba and Harpsichord no. 2 in D major, BWV 1028: 1. Adagio

Sonata for Viola da gamba and Harpsichord no. 2 in D major, BWV 1028: 2. Allegro

Sonata for Viola da gamba and Harpsichord no. 2 in D major, BWV 1028: 3. Andante

Sonata for Viola da gamba and Harpsichord no. 2 in D major, BWV 1028: 4. Allegro

Sonata for Viola da gamba and Harpsichord no. 3 in G minor, BWV 1029: 1. Vivace

Sonata for Viola da gamba and Harpsichord no. 3 in G minor, BWV 1029: 2. Adagio

Sonata for Viola da gamba and Harpsichord no. 3 in G minor, BWV 1029: 3. Allegro

Anthem a 5: O Lord, I lift my heart to Thee

Hymn a 4: Thus angels sung

Fantasia I a 3

Anthem a 4: Almighty and everlasting God

Hymn a 4: O my love, how comely now

Fantasia "In nomine" a 5

Anthem a 4: O Lord, increase my faith

Anthem a 5; treble viol, alto viol, tenor viol (2), bass viol: This is the record of John

Madrigal a 5; treble viol, alto viol, tenor viol (2), bass viol: What is our life?

Fantasia II a 3

Madrigal a 5: The silver swan

Fantasia a 4

Consort song a 5 "The Cries of London": God give you good morrow

Consort song a 5 "The Cries of London": A good Sausage, a good

Canzonet a 6: Good love, then fly thou to her

Canzonet a 3: Farewell, disdainful

Madrigal a 4: Hark, jolly shepherds, hark

Madrigal a 4: Now is the gentle season / The fields abroad

Ballett a 5: My lovely wanton jewel

Canzonet a 2: Sweet nymph, come to thy lover

Canzonet a 6: Stay, heart, run not so fast

Canzonet a 5: O grief, even on the bud

St Matthew Passion, BWV 244: Part I - 1. Chorus: Kommt, ihr Töchter, helft mir klagen / Chorale (boys' choir): O Lamm Gottes, unschuldig

St Matthew Passion, BWV 244: Part I - 2. Evangelist, Jesus: Da Jesus diese Rede vollendet hatte

St Matthew Passion, BWV 244: Part I - 3. Chorale: Herzliebster Jesu, was hast du verbrochen

St Matthew Passion, BWV 244: Part I - 4. Evengelist: Da versammelter sich die Hohepriester

St Matthew Passion, BWV 244: Part I - 5. Chorus: Ja nicht auf das Fest

St Matthew Passion, BWV 244: Part I - 6. Evangelist: Da nun Jesus war zu Bethanien

St Matthew Passion, BWV 244: Part I - 7. Chorus: Wozu dienet dieser Unrat

St Matthew Passion, BWV 244: Part I - 8. Evengelist, Jesus: Da das Jesus merkete

St Matthew Passion, BWV 244: Part I - 9. Recitative (Contralto): Du lieber Heiland du

St Matthew Passion, BWV 244: Part I - 10. Aria (Contralto): Buß und Reu

St Matthew Passion, BWV 244: Part I - 11. Evangelist, Judas: Da ging hin der Zwölfen einer

St Matthew Passion, BWV 244: Part I - 12. Aria (Soprano): Blute nur, du liebes Herz

St Matthew Passion, BWV 244: Part I - 13. Evangelist: Aber am ersten Tage der süßen Brot

St Matthew Passion, BWV 244: Part I - 14. Chorus: Wo willst du, dass wir dir bereiten

St Matthew Passion, BWV 244: Part I - 15. Evangelist, Judas: Gehet hin in die Stadt

St Matthew Passion, BWV 244: Part I - 16. Chorale: Ich bin's, ich sollte büßen

St Matthew Passion, BWV 244: Part I - 17. Evangelist, Jesus, Judas: Er antwortete und sprach

St Matthew Passion, BWV 244: Part I - 18. Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt

St Matthew Passion, BWV 244: Part I - 19. Aria (Soprano): Ich will dir mein Herze schenken

St Matthew Passion, BWV 244: Part I - 20. Evangelist, Jesus: Und da sie den Lobgesang gesprochen hatten

St Matthew Passion, BWV 244: Part I - 21. Chorale: Erkenne mich, mein Hüter

St Matthew Passion, BWV 244: Part I - 22. Evangelist, Petrus, Jesus: Petrus aber antwortete und sprach zu ihm

St Matthew Passion, BWV 244: Part I - 23. Chorale: Ich will hier bei dir stehen

St Matthew Passion, BWV 244: Part I - 24. Evangelist, Jesus: Da kam Jesus mit ihnen zu einem Hofe

St Matthew Passion, BWV 244: Part I - 25. Recitative (Tenor): O Schmerz! Hier zittert das gequälte Herz

St Matthew Passion, BWV 244: Part I - 26. Aria (Tenor): Ich will bei meinem Jesu wachen

St Matthew Passion, BWV 244: Part I - 27. Evangelist, Jesus: Und ging hin ein wenig

St Matthew Passion, BWV 244: Part I - 28. Recitative (Bass): Der Heiland fällt vor seinem Vater nieder

St Matthew Passion, BWV 244: Part I - 29. Aria (Bass): Gerne will ich mich bequemen

St Matthew Passion, BWV 244: Part I - 30. Evangelist, Jesus: Und er kam zu seinen Jüngern

St Matthew Passion, BWV 244: Part I - 31. Chorale: Was mein Gott will, das g'scheh allzeit

St Matthew Passion, BWV 244: Part I - 32. Evangelist, Jesus, Judas: Und er kam und fand sie aber schlafend

St Matthew Passion, BWV 244: Part I - 33. Aria (Soprano, Contralto): So ist mein Jesus nun gefangen / Chorus: Sind Blitze, sind Donner in Wolken verschwunden?

St Matthew Passion, BWV 244: Part I - 34. Evangelist, Jesus: Und siehe, einer aus denen, die mit Jesu waren

St Matthew Passion, BWV 244: Part I - 35. Chorale: O Mensch, bewein dein Sünde groß

St Matthew Passion, BWV 244: Part II - 36. Aria (Contralto): Ach, nun ist mein Jesus hin

St Matthew Passion, BWV 244: Part II - 37. Evangelist: Die aber Jesum gegriffen hatten

St Matthew Passion, BWV 244: Part II - 38. Chorale: Mir hat die Welt trüglich gericht'

St Matthew Passion, BWV 244: Part II - 39. Evangelist, Pontifex: Und wiewohl viel falsche Zeugen herzutraten

St Matthew Passion, BWV 244: Part II - 40. Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille

St Matthew Passion, BWV 244: Part II - 41. Aria (Tenor): Geduld! Wenn mich falsche Zungen stechen

St Matthew Passion, BWV 244: Part II - 42. Evangelist, Pontifex, Jesus: Und der Hohepriester antwortete

St Matthew Passion, BWV 244: Part II - 43. Evangelist: Da speieten sie aus

St Matthew Passion, BWV 244: Part II - 44. Chorale: Wer hat dich so geschlagen

St Matthew Passion, BWV 244: Part II - 45. Evangelist, Magd I & II, Petrus: Petrus aber saß draußen im Palast

St Matthew Passion, BWV 244: Part II - 46. Chorus: Wahrlich, du bist auch einer von denen

St Matthew Passion, BWV 244: Part II - 47. Aria (Contralto): Erbarme dich, mein Gott

St Matthew Passion, BWV 244: Part II - 48. Chorale: Bin ich gleich von dir gewichen

St Matthew Passion, BWV 244: Part II - 49. Evangelist, Judas: Des Morgens aber hielten alle Hohepriester

St Matthew Passion, BWV 244: Part II - 50. Evangelist, Pontifices: Und er warf die Silberlinge in den Tempel

St Matthew Passion, BWV 244: Part II - 51. Aria (Bass): Gebt mir meinen Jesum wieder

St Matthew Passion, BWV 244: Part II - 52. Evangelist, Pilatus, Jesus: Sie hielten aber einen Rat

St Matthew Passion, BWV 244: Part II - 53. Chorale: Befiehl du deine Wege

St Matthew Passion, BWV 244: Part II - 54. Evangelist, Pilatus, Pilati' Weib: Auf das Fest aber hatte der Landpfleger Gewohnheit

St Matthew Passion, BWV 244: Part II - 55. Chorale: Wie wunderbarlich ist doch diese Strafe

St Matthew Passion, BWV 244: Part II - 56. Evangelist, Pilatus: Der Landpfleger sagte

St Matthew Passion, BWV 244: Part II - 57. Recitative (Soprano): Er hat uns allen wohlgetan

St Matthew Passion, BWV 244: Part II - 58. Aria (Soprano): Aus Liebe will mein Heiland sterben

St Matthew Passion, BWV 244: Part II - 59. Evangelist, Pilatus: Sie schrieen aber noch mehr

St Matthew Passion, BWV 244: Part II - 60. Recitative (Contralto): Erbarm es Gott!

St Matthew Passion, BWV 244: Part II - 61. Aria (Contalto): Können Tränen meiner Wangen

St Matthew Passion, BWV 244: Part II - 62. Evangelist: Da nahmen die Kriegsknechte

St Matthew Passion, BWV 244: Part II - 63. Chorale: O Haupt voll Blut und Wunden

St Matthew Passion, BWV 244: Part II - 64. Evangelist: Und da sie ihn verspottet hatten

St Matthew Passion, BWV 244: Part II - 65. Recitative (Bass): Ja freilich will in uns das Fleisch und Blut

St Matthew Passion, BWV 244: Part II - 66. Aria (Bass): Komm, süßes Kreuz

St Matthew Passion, BWV 244: Part II - 67. Evangelist: Und da sie an die Stätte kamen

St Matthew Passion, BWV 244: Part II - 68. Evangelist: Desgleichen schmäheten sie auch die Mörder

St Matthew Passion, BWV 244: Part II - 69. Recitative (Contralto): Ach, Golgatha

St Matthew Passion, BWV 244: Part II - 70. (Contralto): Sehet, Jesus hat die Hand

St Matthew Passion, BWV 244: Part II - 71. Evangelist, JesusL Und von der sechsten Stunde an

St Matthew Passion, BWV 244: Part II - 72. Chorale: Wenn ich einmal soll scheiden

St Matthew Passion, BWV 244: Part II - 73a. Evangelist: Und siehe da, der Vorhang im Tempel zerriss

St Matthew Passion, BWV 244: Part II - 73b. Evangelist: Und es waren viel Weiber da

St Matthew Passion, BWV 244: Part II - 74. Recitative (Bass): Am Abend, da es kühle war

St Matthew Passion, BWV 244: Part II - 75. Aria (Bass): Mache dich, mein Herze, rein

St Matthew Passion, BWV 244: Part II - 76. Evangelist, Pilatus: Und Joseph nahm den Leib

St Matthew Passion, BWV 244: Part II - 77. Recitative (Soprano, Contralto, Tenor, Bass): Nun ist der Herr zur Ruh gebracht

St Matthew Passion, BWV 244: Part II - 78. Chorus: Wir setzen uns mit Tränen nieder

Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 1. Chorus: Liebster Gott, wann werd' ich sterben?

Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 2. Aria (Tenor): Was willst du dich, mein Geist, entsetzen

Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 3. Recitative (Contralto): Zwar fühlt mein schwaches Herz

Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 4. Aria (Bass): Doch weichet, ihr tollen, vergeblichen Sorgen!

Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 5. Recitative (Soprano): Behalte nur, o Welt, das Meine!

Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 6. Chorale: Herrscher über Tod und Leben

Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 1. Chorus: Es ist dir gesagt, Mensch, was gut ist

Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 2. Recitative (Tenor): Der Höchste lässt mich seinen Willen wissen

Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 3. Aria (Tenor): Weiß ich Gottes Rechte

Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 4. Arioso (Bass): Es weden viele zu mir sagen

Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 5. Aria (Contralto): Wer Gott bekennt aus wahrem Herzensgrund

Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 6. Recitative (Contralto): So wird denn Herz und Mund

Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 7. Chorale: Gib, dass ich tu' mit Fleiß

Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 1. Chorus: Jesu, der du meine Seele

Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 2. Aria (Soprano, Contralto): Wir eilen mit schwachen, doch emsigen Schritten

Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 3. Recitative (Tenor): Ach, ich bin ein Kind der Sünden

Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 4. Aria (Tenor): Das Blut, das meine Schuld durchstreicht

Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 5. Recitative (Bass): Die Wunden, Nägel, Kron und Grab

Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 6. Aria (Bass): Nun du wirst mein Gewissen stillen

Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 7. Chorale: Herr, ich glaube, hilf mir Schwachen

Six Dances from Terpsichore, musarum aoniarum quinta (1612): Entrée - Courante CLXXXIII/CXVII

Six Dances from Terpsichore, musarum aoniarum quinta (1612): Gavotte I, 1-3, 6

Six Dances from Terpsichore, musarum aoniarum quinta (1612): Spagnoletta XXVIII

Six Dances from Terpsichore, musarum aoniarum quinta (1612): La Bouree XXXII, 1/2

Six Dances from Terpsichore, musarum aoniarum quinta (1612): Ballet CCLXVIII

Six Dances from Terpsichore, musarum aoniarum quinta (1612): Volte CCI/CCX

Dances and Galliards from Musikalischer Tugendspiegel (1613): Sophia (no. 13) / Anna (no. 4)

Dances and Galliards from Musikalischer Tugendspiegel (1613): Clara (no. 16)

Dances and Galliards from Musikalischer Tugendspiegel (1613): Magdalena (no. 3)

Dances and Galliards from Musikalischer Tugendspiegel (1613): Agatha (no. 15)

Dances and Galliards from Musikalischer Tugendspiegel (1613): Regina (no. 12)

Three Suites from Banchetto Musicale (1617) - Suite no. 4 in D major: 1. Pavane

Three Suites from Banchetto Musicale (1617) - Suite no. 4 in D major: 2. Galliarde

Three Suites from Banchetto Musicale (1617) - Suite no. 4 in D major: 3. Courante

Three Suites from Banchetto Musicale (1617) - Suite no. 4 in D major: 4. Allemande - Tripla

Three Suites from Banchetto Musicale (1617) - Suite no. 5 in G major: 1. Pavane

Three Suites from Banchetto Musicale (1617) - Suite no. 5 in G major: 2. Galliarde

Three Suites from Banchetto Musicale (1617) - Suite no. 5 in G major: 3. Courante

Three Suites from Banchetto Musicale (1617) - Suite no. 5 in G major: 4. Allemande - Tripla

Three Suites from Banchetto Musicale (1617) - Suite no. 3 in A major: 1. Pavane

Three Suites from Banchetto Musicale (1617) - Suite no. 3 in A major: 2. Galliarde

Three Suites from Banchetto Musicale (1617) - Suite no. 3 in A major: 3. Courante

Three Suites from Banchetto Musicale (1617) - Suite no. 3 in A major: 4. Allemande - Tripla

Simphonies pour les soupers du Roy - Quatrième Suitte: 1. Simphonie du Te Deum

Simphonies pour les soupers du Roy - Quatrième Suitte: 2. 2e Air du « Concert de trompettes pour les festes sur le Canal de Versailles »

Simphonies pour les soupers du Roy - Quatrième Suitte: 3. 1er Air du Concert de trompettes / 3e Air pour les mêmes

Simphonies pour les soupers du Roy - Quatrième Suitte: 4. 1er Menuet pour les trompettes

Simphonies pour les soupers du Roy - Quatrième Suitte: 5. 2e Menuet

Simphonies pour les soupers du Roy - Quatrième Suitte: 6. Fanfare 0 Aur en écho

Simphonies pour les soupers du Roy - Quatrième Suitte: 7. Air grave de « L'Amour fléchy par la Constance » (1697)

Simphonies pour les soupers du Roy - Quatrième Suitte: 8. Sarabande

Simphonies pour les soupers du Roy - Quatrième Suitte: 9. Légèrement

Simphonies pour les soupers du Roy - Quatrième Suitte: 10. « Chantons ce héros ». Gayement

Simphonies pour les soupers du Roy - Quatrième Suitte: 11. Sarabande de « Cardenio » (1720) / Doucement. « Quitte icy tes ailes » (Soprano)

Simphonies pour les soupers du Roy - Quatrième Suitte: 12. Gay. Air du « Ballet de Mélicerte » à Fontainebleau au Mariage de M. de Lorraine (1698)

Simphonies pour les soupers du Roy - Quatrième Suitte: 13. Musette du « Ballet de L'Inconnue » (1720)

Simphonies pour les soupers du Roy - Quatrième Suitte: 14. Air. Gay

Simphonies pour les soupers du Roy - Quatrième Suitte: 15. Rondeau du « Ballet des Cléments » (1721)

Simphonies pour les soupers du Roy - Quatrième Suitte: 16. Rondeau du « Ballet de Cardenio »

Simphonies pour les soupers du Roy - Quatrième Suitte: 17. Doucement et pesamment

Simphonies pour les soupers du Roy - Quatrième Suitte: 18. « La Pagode ». Doucement et pesamment

Simphonies pour les soupers du Roy - Quatrième Suitte: 19. 7e Air du « Ballet de la Paix » (1713)

Simphonies pour les soupers du Roy - Quatrième Suitte: 20. Chaconne en écho avec les trompettes

Fanfares: Première Suitte: 1. [without tempo indication]

Fanfares: Première Suitte: 2. Gracieusement, sans lenteur

Fanfares: Première Suitte: 3. Allegro

Fanfares: Première Suitte: 4. Gay

Simphonies: Seconde Suitte: 1. Air ou Prélude

Simphonies: Seconde Suitte: 2. Allegro

Simphonies: Seconde Suitte: 3. Gracieusement

Simphonies: Seconde Suitte: 4. Première Gavotte I - Deuxième Gavotte

Simphonies: Seconde Suitte: 5. Fanfare - Air

Simphonies: Seconde Suitte: 6. Premier Menuet - Second Menuet

Simphonies: Seconde Suitte: 7. Allegro

Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 1. Ouverture

Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 2. Les Courtisans

Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 3. Rondeau

Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 4. Les Gendarmes

Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 5. Les Bossus

Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 6. Gavotte

Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 7. Sarabande pour le Génie de l'Amitié

Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 8. Gigue

Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 9. Menuet

Concerto I: Bona nova in D minor, from Exquisitioris harmoniae instrumentalis gravi jucundae (1689): 1. Sonata. Grave - Allegro

Concerto I: Bona nova in D minor, from Exquisitioris harmoniae instrumentalis gravi jucundae (1689): 2. Ballo. Allegro

Concerto I: Bona nova in D minor, from Exquisitioris harmoniae instrumentalis gravi jucundae (1689): 3. Grave

Concerto I: Bona nova in D minor, from Exquisitioris harmoniae instrumentalis gravi jucundae (1689): 4. Aria

Concerto I: Bona nova in D minor, from Exquisitioris harmoniae instrumentalis gravi jucundae (1689): 5. Giga

Sonata a 6 »die Pauern Kirchfahrt genandt« in B-flat major: 1. Sonata. Adagio - Presto

Sonata a 6 »die Pauern Kirchfahrt genandt« in B-flat major: 2. Die Pauern Kirchfahrt - Adagio

Sonata a 6 »die Pauern Kirchfahrt genandt« in B-flat major: 3. Aria

Sonata a 2 violini, trombone, violone in D minor: 1. [Allegro non troppo]

Sonata a 2 violini, trombone, violone in D minor: 2. [Poco allegro]

Sonata a 2 violini, trombone, violone in D minor: 3. [Adagio]

Sonata a 2 violini, trombone, violone in D minor: 4. [Allegro]

Sonata a 2 violini, trombone, violone in D minor: 5. [Adagio]

Sonata a 2 violini, trombone, violone in D minor: 6. [Poco allegro]

Sonata a 2 violini, trombone, violone in D minor: 7. [Adagio]

Sonata a 2 violini, trombone, violone in D minor: 8. [Allegro]

Sonata a 2 violini, trombone, violone in D minor: 9. [Allegro]

Sonata VIII in B-flat major, from Fidicinium sacro-profanum: 1. Allegro

Sonata VIII in B-flat major, from Fidicinium sacro-profanum: 2. [Presto]

Sonata VIII in B-flat major, from Fidicinium sacro-profanum: 3. Presto - Adagio

Battalia a 10 in D major: 1. Sonata. Allegro

Battalia a 10 in D major: 2. Allegro. Die liederliche Gesellschaft von allerley Humor

Battalia a 10 in D major: 3. Presto

Battalia a 10 in D major: 4. Der Mars

Battalia a 10 in D major: 5. Presto

Battalia a 10 in D major: 6. Aria

Battalia a 10 in D major: 7. Die Schlacht

Battalia a 10 in D major: 8. Adagio: Lamento der verwundeten Musquetierer

Musique de table - Tafelmusik, Production I, Quartet in G major for Flute, Oboe, Violin and Basso continuo, TWV 43:G2: 1. Largo - Allegro - Largo

Musique de table - Tafelmusik, Production I, Quartet in G major for Flute, Oboe, Violin and Basso continuo, TWV 43:G2: 2. Vivace - Moderato - Vivaceğ

Musique de table - Tafelmusik, Production I, Quartet in G major for Flute, Oboe, Violin and Basso continuo, TWV 43:G2: 3. Grave

Musique de table - Tafelmusik, Production I, Quartet in G major for Flute, Oboe, Violin and Basso continuo, TWV 43:G2: 4. Vivace

Musique de table - Tafelmusik, Production I, Concerto in A major for Flute, Violin, Violoncello, Strings and Basso continuo, TWV 53:A2: 1. Largo

Musique de table - Tafelmusik, Production I, Concerto in A major for Flute, Violin, Violoncello, Strings and Basso continuo, TWV 53:A2: 2. Allegro

Musique de table - Tafelmusik, Production I, Concerto in A major for Flute, Violin, Violoncello, Strings and Basso continuo, TWV 53:A2: 3. Gratioso

Musique de table - Tafelmusik, Production I, Concerto in A major for Flute, Violin, Violoncello, Strings and Basso continuo, TWV 53:A2: 4. Allegro

Musique de table - Tafelmusik, Production II, Ouverture - Suite in D major for Oboe, Trumpet, Strings and Basso continuo, TWV 55:D1: 1. Ouverture. Lentement - Vite - Lentement

Musique de table - Tafelmusik, Production II, Ouverture - Suite in D major for Oboe, Trumpet, Strings and Basso continuo, TWV 55:D1: 2. Air. Tempo giusto

Musique de table - Tafelmusik, Production II, Ouverture - Suite in D major for Oboe, Trumpet, Strings and Basso continuo, TWV 55:D1: 3. Air. Vivace

Musique de table - Tafelmusik, Production II, Ouverture - Suite in D major for Oboe, Trumpet, Strings and Basso continuo, TWV 55:D1: 4. Air. Presto

Musique de table - Tafelmusik, Production II, Ouverture - Suite in D major for Oboe, Trumpet, Strings and Basso continuo, TWV 55:D1: 5. Air. Allegro

Musique de table - Tafelmusik, Production II, Conclusion in D major for Oboe, Trumpet, Strings and Basso continuo, TWV 50:9: Allegro - Adagio - Allegro

Orchestral Sinfonia no. 1 in D major, Wq. 183: 1. Allegro di molto

Orchestral Sinfonia no. 1 in D major, Wq. 183: 2. Largo

Orchestral Sinfonia no. 1 in D major, Wq. 183: 3. Presto

Orchestral Sinfonia no. 2 in E-flat major, Wq. 183: 1. Allegro di molto

Orchestral Sinfonia no. 2 in E-flat major, Wq. 183: 2. Larghetto

Orchestral Sinfonia no. 2 in E-flat major, Wq. 183: 3. Allegretto

Orchestral Sinfonia no. 3 in F major, Wq. 183: 1. Allegro di molto

Orchestral Sinfonia no. 3 in F major, Wq. 183: 2. Larghetto

Orchestral Sinfonia no. 3 in F major, Wq. 183: 3. Presto

Orchestral Sinfonia no. 4 in G major, Wq. 183: 1. Allegro assai

Orchestral Sinfonia no. 4 in G major, Wq. 183: 2. Poco andante

Orchestral Sinfonia no. 4 in G major, Wq. 183: 3. Presto

Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: 1. Allegro

Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: 2. Adagio, ma non tanto, e dolce

Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: 3. Allabreve

Concerto for Oboe d'amore, Strings and Basso continuo in A major (Reconstruction after Harpsichord Concerto, BWV 1055): 1. [without tempo indication]

Concerto for Oboe d'amore, Strings and Basso continuo in A major (Reconstruction after Harpsichord Concerto, BWV 1055): 2. Larghetto

Concerto for Oboe d'amore, Strings and Basso continuo in A major (Reconstruction after Harpsichord Concerto, BWV 1055): 3. Allegro ma non tanto

Israel in Egypt, HWV 54: Overture [taken from Solomon]

Israel in Egypt, HWV 54, Part I - Exodus: 1. Recitative (Tenor): Now there arose a new king over Egypt

Israel in Egypt, HWV 54, Part I - Exodus: 2. Solo (Countertenor) and Chorus: And the children of Israel sigh'd

Israel in Egypt, HWV 54, Part I - Exodus: 3. Recitative (Tenor): Then sent He Moses

Israel in Egypt, HWV 54, Part I - Exodus: 4. Chorus: They loathed to drink of the river

Israel in Egypt, HWV 54, Part I - Exodus: 5. Air (Countertenor): Their land brought forth frogs

Israel in Egypt, HWV 54, Part I - Exodus: 6. Chorus: He spake the word

Israel in Egypt, HWV 54, Part I - Exodus: 7. Chorus: He gave them hailstones for rain

Israel in Egypt, HWV 54, Part I - Exodus: 8. Chorus: He sent a thick darkness

Israel in Egypt, HWV 54, Part I - Exodus: 9. Chorus: He smote all the first-born of Egypt

Israel in Egypt, HWV 54, Part I - Exodus: 10. Chorus: But as for His people

Israel in Egypt, HWV 54, Part I - Exodus: 11. Chorus: Egypt was glad when they departed

Israel in Egypt, HWV 54, Part I - Exodus: 12. Chorus: He rebuked the Red Sea

Israel in Egypt, HWV 54, Part I - Exodus: 13. Chorus: And Israel saw the great work

Israel in Egypt, HWV 54, Part II - Moses' Song: 14. Introitus (Chorus): Moses and the children of Israel

Israel in Egypt, HWV 54, Part II - Moses' Song: 15. Duet (Soprano I & II): The Lord is my strength and my song

Israel in Egypt, HWV 54, Part II - Moses' Song: 16. Chorus: He is my God

Israel in Egypt, HWV 54, Part II - Moses' Song: 17. Duet (Bass I & II): The Lord is a man of war

Israel in Egypt, HWV 54, Part II - Moses' Song: 18. Chorus: The depths have covered them

Israel in Egypt, HWV 54, Part II - Moses' Song: 19. Chorus: Thy right hand, O Lord

Israel in Egypt, HWV 54, Part II - Moses' Song: 20. Chorus: And with the blast of Thy nostrils

Israel in Egypt, HWV 54, Part II - Moses' Song: 21. Air (Tenor): The enemy said: "I will pursue"

Israel in Egypt, HWV 54, Part II - Moses' Song: 22. Air (Soprano): Thou didst blow with the wind

Israel in Egypt, HWV 54, Part II - Moses' Song: 23. Chorus: Who is like unto Thee

Israel in Egypt, HWV 54, Part II - Moses' Song: 24. Duet (Countertenor & Tenor): Thou in Thy mercy

Israel in Egypt, HWV 54, Part II - Moses' Song: 25. Chorus: The people shall hear

Israel in Egypt, HWV 54, Part II - Moses' Song: 26. Air (Countertenor): Thou shalt bring them in

Israel in Egypt, HWV 54, Part II - Moses' Song: 27a. Chorus: The Lord shall reign

Israel in Egypt, HWV 54, Part II - Moses' Song: 28. Recitative (Tenor): For the horse of Pharaoh

Israel in Egypt, HWV 54, Part II - Moses' Song: 27b. Chorus: The Lord shall reign

Israel in Egypt, HWV 54, Part II - Moses' Song: 29. Recitative (Tenor): And Miriam, the prophetess

Israel in Egypt, HWV 54, Part II - Moses' Song: 30. Soprano Solo and Chorus: Sing ye to the Lord

Ode for St Cecilia's Day (1692), Z. 328: Overture - Canzona

Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia! (Bass I)

Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia! (Chorus with solos)

Ode for St Cecilia's Day (1692), Z. 328: Hark, hark, each tree its silence breaks (Treble, Bass II)

Ode for St Cecilia's Day (1692), Z. 328: 'Tis Nature's voice (Countertenor I)

Ode for St Cecilia's Day (1692), Z. 328: Soul of the world (Chorus)

Ode for St Cecilia's Day (1692), Z. 328: Thou tun'st this world below, the spheres above (Treble, Chorus)

Ode for St Cecilia's Day (1692), Z. 328: With that sublime celestial lay (Countertenor I & II, Bass)

Ode for St Cecilia's Day (1692), Z. 328: Woundrous machine! (Bass II)

Ode for St Cecilia's Day (1692), Z. 328: The airy violin (Countertenor I)

Ode for St Cecilia's Day (1692), Z. 328: In vain the am'rous flute and soft guitar (Countertenor I, Tenor)

Ode for St Cecilia's Day (1692), Z. 328: The fife and all the harmony of war (Countertenor I)

Ode for St Cecilia's Day (1692), Z. 328: Let these amongst themselves contest (Bass I & II)

Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia, hail to thee! (Chorus)

Ode for St Cecilia's Day (1692), Z. 328: With rapture of delight (Countertenor I & II, Tenor, Bass I)

Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia, hail to thee! (Chorus)

Sonata in G minor, K. 347: Moderato e cantabile

Sonata in G major, K. 348: Prestissimo

Sonata in D minor, K. 213: Andante

Sonata in D minor, K. 214: Allegro vivo

Sonata in F-sharp major, K. 318: Andante

Sonata in F-sharp major, K. 319: Allegro

Sonata in E major, K. 380: Andante comodo

Sonata in E major, K. 381: Allegro

Sonata in C major, K. 356: Con spirito andante

Sonata in C major, K. 357: Allegro

Sonata in C minor, K. 526: Allegro comodo

Sonata in C major, K. 527: Allegro assai

Sonata in D major, K. 478: Andante e cantabile

Sonata in D major, K. 479: Allegrissimo

Sonata in F major, K. 524: Allegro

Sonata in F major, K. 525: Allegro

Sonata in G major, K. 454: Andante spiritoso

Sonata in G major, K. 455: Allegro

Sonata in B-flat major, K. 248: Allegro

Sonata in B-flat major, K. 249: Allegro

Sonata in D major, K. 436: Allegro

Se vittorie sì belle

Non voglio amare

Vaga su spina ascosa

O mio bene, o mia vita

Zefire torna e di soavi accenti (Ciaccona)

Mentre vaga Angioletta

Perfidissimo volto

Belle rose porporine

Cruda amarilli

Intenerite voi, lagrime mie, quel duro core

lo moro, ecco ch'io moro

Deh, come invan chiedete

Quest'amore, quest'arsura

O durezza di ferro e di diamante

Tra le donne onde s'onora

Udite, udite amanti

Amarilli mia bella

Valli profonde, al sol nemiche rupi

Giovinetta vezzosetta

Da te parto, cor mio

Bellissima regina

Indarno Febo il suo bell'oro eterno

Occhi belli e sia ver che in lungo pianto

Damigella tutta bella

Missa pro defunctis: 1. Introitus

Missa pro defunctis: 2. Kyrie

Missa pro defunctis: 3. Graduale

Missa pro defunctis: 4. Tractus

Missa pro defunctis: 5. Offertorium

Nymphes des bois (La Déploration de Johannes Ockeghem)

Huc me sydereo / Plangent eum

Motet: Salve, regina

Motet: Beata es, Maria

Motet: Salve crux, arbor vitae

Violin Sonata in D major, op. 5 no. 1: 1. Grave - Allegro

Violin Sonata in D major, op. 5 no. 1: 2. Allegro

Violin Sonata in D major, op. 5 no. 1: 3. Allegro

Violin Sonata in D major, op. 5 no. 1: 4. Adagio

Violin Sonata in D major, op. 5 no. 1: 5. Allegro

Violin Sonata in B-flat major, op. 5 no. 2: 1. Grave

Violin Sonata in B-flat major, op. 5 no. 2: 2. Allegro

Violin Sonata in B-flat major, op. 5 no. 2: 3. Vivace

Violin Sonata in B-flat major, op. 5 no. 2: 4. Adagio

Violin Sonata in B-flat major, op. 5 no. 2: 5. Vivace

Violin Sonata in C major, op. 5 no. 3: 1. Adagio

Violin Sonata in C major, op. 5 no. 3: 2. Allegro

Violin Sonata in C major, op. 5 no. 3: 3. Adagio

Violin Sonata in C major, op. 5 no. 3: 4. Allegro

Violin Sonata in C major, op. 5 no. 3: 5. Giga

Violin Sonata in D minor, op. 5 no. 7: 1. Preludio. Vivace

Violin Sonata in D minor, op. 5 no. 7: 2. Corrente. Allegro

Violin Sonata in D minor, op. 5 no. 7: 3. Sarabanda

Violin Sonata in D minor, op. 5 no. 7: 4. Giga. Allegro

Violin Sonata in E minor, op. 5 no. 8: 1. Preludio. Largo

Violin Sonata in E minor, op. 5 no. 8: 2. Allemanda. Allegro

Violin Sonata in E minor, op. 5 no. 8: 3. Sarabanda. Largo

Violin Sonata in E minor, op. 5 no. 8: 4. Giga. Allegro

Violin Sonata in A major, op. 5 no. 9: 1. Preludio. Largo

Violin Sonata in A major, op. 5 no. 9: 2. Giga. Allegro

Violin Sonata in A major, op. 5 no. 9: 3. Adagio

Violin Sonata in A major, op. 5 no. 9: 4. Tempo di Gavotta. Allegro

Violin Sonata in E major, op. 5 no. 11: 1. Prelude. Adagio

Violin Sonata in E major, op. 5 no. 11: 2. Allegro

Violin Sonata in E major, op. 5 no. 11: 3. Adagio

Violin Sonata in E major, op. 5 no. 11: 4. Vivace

Violin Sonata in E major, op. 5 no. 11: 5. Gavotta. Allegro

Violin Sonata in D minor, op 5 no. 12 "La Follia": Adagio - Allegro - Adagio - Vivace - Allegro - Andante - Allegro - Adagio - Allegro

Notre Dame Period (c.1160-c.1250), Organa: Viderunt omnes

Notre Dame Period (c.1160-c.1250), Organa: Viderunt omnes

Ars antique (c.1250-c.1320), Motetti: Alle, psallite cum luya

Ars antique (c.1250-c.1320), Motetti: Amor potest

Ars antique (c.1250-c.1320), Motetti: S'on me regarde

Ars antique (c.1250-c.1320), Motetti: In mari miserie

Ars antique (c.1250-c.1320), Motetti: O mitissima

Ars antique (c.1250-c.1320), Motetti: Aucun ont trouvé

Ars antique (c.1250-c.1320), Motetti: De ma dame vient

Ars antique (c.1250-c.1320), Motetti: J'os bien a m'amie parler

Ars nova (c.1320-c.1380), Motetti: La mesnie fauveline

Ars nova (c.1320-c.1380), Motetti: Impudenter circumivi

Ars nova (c.1320-c.1380), Motetti: Cum statua

Ars nova (c.1320-c.1380), Motetti: Clap, clap, par un matin

Ars nova (c.1320-c.1380), Motetti: Febus mundo oriens

Ars nova (c.1320-c.1380), Motetti: Qui es promesses

Ars nova (c.1320-c.1380), Motetti: Lasse ! comment oublieray

Ars nova (c.1320-c.1380), Motetti: Inter densas deserti meditans

Ars nova (c.1320-c.1380), Motetti: Hoquetus David

Pièces de Clavecin (1724): Le Rappel des oiseaux

Pièces de Clavecin (1724): La Villageoise (Rondeau)

Pièces de Clavecin (1724): Les Tendres Plaintes (Rondeau)

Pièces de Clavecin (1724): Les Niais de Sologne - Doubles des Niais (I & II)

Pièces de Clavecin (1724): La Follette (Rondeau)

Pièces de Clavecin (1724): L'Entretien des Muses

Pièces de Clavecin (1724): Les Tourbillons (Rondeau)

Pièces de Clavecin (1724): Les Cyclopes (Rondeau)

Nouvelles Suites de Pièces de Clavecin (1728): Sarabande

Nouvelles Suites de Pièces de Clavecin (1728): Les Trois Mains

Nouvelles Suites de Pièces de Clavecin (1728): Fanfarinette

Nouvelles Suites de Pièces de Clavecin (1728): Gavotte - Doubles de la Gavotte (I-VII)

Nouvelles Suites de Pièces de Clavecin (1728): La Poule

Nouvelles Suites de Pièces de Clavecin (1728): Les Sauvages

Nouvelles Suites de Pièces de Clavecin (1728): L'Enharmonique

Nouvelles Suites de Pièces de Clavecin (1728): L'Égyptienne

Sinfonia a 8 concertanti in A minor: 1. [Allegro]

Sinfonia a 8 concertanti in A minor: 2. Andante

Sinfonia a 8 concertanti in A minor: 3. Capriccio. Tempo di Gavotta

Sinfonia a 8 concertanti in A minor: 4. Aria da Capriccio. Andante - Allegro - Andante - Allegro

Sinfonia a 8 concertanti in A minor: 5. Minuetto I - II - I

Hipocondrie a 7 concertanti in A minor: 1. [Adagio] - Allegro - Lentement

Ouverture a 7 concertanti in F major: 1. [Grave - Allegro - Grave]

Ouverture a 7 concertanti in F major: 2. Aria

Ouverture a 7 concertanti in F major: 3. Minuetto I - II - I

Ouverture a 7 concertanti in F major: 4. Sicilliano

Ouverture a 7 concertanti in F major: 5. Folia

Trio Sonata no. 4 in G minor: 1. Andante

Trio Sonata no. 4 in G minor: 2. Allegro

Trio Sonata no. 4 in G minor: 3. Adagio

Trio Sonata no. 4 in G minor: 4. Adagio

Aria

Variatio 1. a 1 Clav.

Variatio 2. a 1 Clav.

Variatio 3. Canone all'Unisono. a 1 Clav.

Variatio 4. a 1 Clav.

Variatio 5. a 1 ovvero 2 Clav.

Variatio 6. Canone alla Seconda. a 1 Clav.

Variatio 7. a 1 ovvero 2 Clav. al tempo di Giga

Variatio 8. a 2 Clav.

Variatio 9. Canone alla Terza. a 1 Clav.

Variatio 10. Fughetta. a 1 Clav.

Variatio 11. a 2 Clav.

Variatio 12. Canone alla Quarta. a 1 Clav.

Variatio 13. a 2 Clav.

Variatio 14. a 2 Clav.

Variatio 15. Canone alla Quinta. a 1 Clav. andante

Variatio 16. Ouverture. a 1 Clav.

Variatio 17. a 2 Clav.

Variatio 18. Canone alla Sexta. a 1 Clav. (Sesta)

Variatio 19. a 1 Clav.

Variatio 20. a 2 Clav.

Variatio 21. Canone alla Settima. a 1 Clav.

Variatio 22. a 1 Clav. (Alla breve)

Variatio 23. a 2 Clav.

Variatio 24. Canone all'Ottava. a 1 Clav.

Variatio 25. a 2 Clav. adagio

Variatio 26. a 2 Clav.

Variatio 27. Canone alla Nona. a 2 Clav.

Variatio 28. a 2 Clav.

Variatio 29. a 1 ovvero 2 Clav.

Variatio 30. Quodlibet. a 1 Clav.

Aria da capo

Concerto in E major, op. 8 no. 1, RV 269 "La primavera": 1. Allegro: Giunt'è la Primavera - Canto degl'uccelli - Scorrono i fonti - Tuoni - Canto d'uccelli

Concerto in E major, op. 8 no. 1, RV 269 "La primavera": 2. Largo e pianissimo sempre: Il Capraro che dorme (violino principale) - Mormorio di fronde e piante (violini) - Il cane che grida (viola)

Concerto in E major, op. 8 no. 1, RV 269 "La primavera": 3. Danza pastorale. Allegro

Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": 1. Allegro non molto: Languidezza per il caldo - Il Cucco - La Tortorella - Il Gardellino - Zeffiretti dolci - Venti diversi - Vento Borea - Il pianto del Villanello

Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": 2. Adagio - Presto: Mosche e mosconi

Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": 3. Presto: Tempo impetuoso d'estate

Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": 1. Allegro: Ballo e canto de' Villanelli - L'ubriaco - L'ubriaco che dorme

Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": 2. Adagio: Dormienti ubriachi

Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": 3. Allegro: Lac caccia - La fiera che fugge - Schioppi e cani - La fiera fuggendo muore

Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": 1. Allegro non molto: Agghiacciato tremar tra nevi algenti - Orrido Vento - Correre e battere i piedi per il freddo - Venti - Battere i denti

Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": 2. Largo: La pioggia

Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": 3. Allegro: Camminar sopra il ghiaccio - Camminar piano e con timore - Cader a terra - Correr forte - Il vento Siroco - Il vento Borea e tutti i venti

Concerto grosso in D minor, op. 6 no. 10, HWV 328: 1. Ouverture. Allegro

Concerto grosso in D minor, op. 6 no. 10, HWV 328: 2. Aur. Lentement

Concerto grosso in D minor, op. 6 no. 10, HWV 328: 3. Allegro

Concerto grosso in D minor, op. 6 no. 10, HWV 328: 4. Allegro

Concerto grosso in D minor, op. 6 no. 10, HWV 328: 5. Allegro moderato

Concerto grosso in A major, op. 6 no. 11, HWV 329: 1. Andante larghetto e staccato

Concerto grosso in A major, op. 6 no. 11, HWV 329: 2. Allegro

Concerto grosso in A major, op. 6 no. 11, HWV 329: 3. Largo e staccato

Concerto grosso in A major, op. 6 no. 11, HWV 329: 4. Andante

Concerto grosso in A major, op. 6 no. 11, HWV 329: 5. Allegro

Concerto grosso in B minor, op. 6 no. 12, HWV 330: 1. Largo

Concerto grosso in B minor, op. 6 no. 12, HWV 330: 2. Allegro

Concerto grosso in B minor, op. 6 no. 12, HWV 330: 3. Aria. Larghetto e piano

Concerto grosso in B minor, op. 6 no. 12, HWV 330: 4. Largo

Concerto grosso in B minor, op. 6 no. 12, HWV 330: 5. Allegro

Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 1. Ouverture

Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 2. Sarabande. Die schlafende Thetis

Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 3. Bourrée. Die erwachende Thetis

Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 4. Loure. Der verliebte Neptunus

Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 5. Gavotte. Die spielenden Najaden

Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 6. Harlequinade. Der scherzende Tritonus

Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 7. Der stürmende Aeolus

Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 8. Menuet. Der angenehme Zephir

Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 9. Gigue. Ebbe und Flut

Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 10. Canarie. Die lustigen Bootsleute

Concerto in B-flat major for 2 Recorders, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 54:B2: 1. Andante

Concerto in B-flat major for 2 Recorders, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 54:B2: 2. Presto

Concerto in B-flat major for 2 Recorders, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 54:B2: 3. Cantabile

Concerto in B-flat major for 2 Recorders, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 54:B2: 4. Allegro

Concerto à 7 in F major for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:41: 1. Grave

Concerto à 7 in F major for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:41: 2. Vivace - attacca:

Concerto à 7 in F major for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:41: 3. Adagio

Concerto à 7 in F major for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:41: 4. Allegro

Concerto in A minor for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:42: 1. Adagio

Concerto in A minor for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:42: 2. Allegro

Concerto in A minor for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:42: 3. Affettuoso

Concerto in A minor for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:42: 4. Allegro

Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 1. Allegro

Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 2. Largo

Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 3. Allegro

Concerto in D minor for 2 Chalumeaux, Strings and Basso continuo, TWV 52:d1: 1. Largo

Concerto in D minor for 2 Chalumeaux, Strings and Basso continuo, TWV 52:d1: 2. Allegro

Concerto in D minor for 2 Chalumeaux, Strings and Basso continuo, TWV 52:d1: 3. Adagio

Concerto in D minor for 2 Chalumeaux, Strings and Basso continuo, TWV 52:d1: 4. [Vivace]

Mass in B minor, BWV 232, Kyrie: 1. Chorus: Kyrie eleison

Mass in B minor, BWV 232, Kyrie: 2. Duet: Christe eleison

Mass in B minor, BWV 232, Kyrie: 3. Chorus: Kyrie eleison

Mass in B minor, BWV 232, Gloria: 4. Chorus: Gloria in excelsis

Mass in B minor, BWV 232, Gloria: 5. Chorus: Et in terra pax

Mass in B minor, BWV 232, Gloria: 6. Aria: Laudamus te

Mass in B minor, BWV 232, Gloria: 7. Crhous: Gratias agimus tibi

Mass in B minor, BWV 232, Gloria: 8. Duet: Domine Deus

Mass in B minor, BWV 232, Gloria: 9. Chorus: Qui tollis peccata mundi

Mass in B minor, BWV 232, Gloria: 10. Aria: Qui sedes ad dextram Patris

Mass in B minor, BWV 232, Gloria: 11. Aria: Quoniam tu solus Sanctus

Mass in B minor, BWV 232, Gloria: 12. Chorus: Cum Sancto Spiritu

Mass in B minor, BWV 232, Credo: 13. Chorus: Credo in unum Deum

Mass in B minor, BWV 232, Credo: 14. Chorus: Credo in unum Deum, Patrem omnipotentem

Mass in B minor, BWV 232, Credo: 15. Duet: Et in unum Dominum

Mass in B minor, BWV 232, Credo: 16. Chorus: Et incarnatus est

Mass in B minor, BWV 232, Credo: 17. Chorus: Crucifixus

Mass in B minor, BWV 232, Credo: 18. Chorus: Et resurrexit

Mass in B minor, BWV 232, Credo: 19. Aria: Et in Spiritum Sanctum

Mass in B minor, BWV 232, Credo: 20. Chorus: Confiteor

Mass in B minor, BWV 232, Credo: 21. Chorus: Et exspecto resurrectionem

Mass in B minor, BWV 232, Sanctus: 22. Chorus: Sanctus

Mass in B minor, BWV 232, Sanctus: 23. Chorus I & II: Osanna in excelsis

Mass in B minor, BWV 232, Sanctus: 24. Aria: Benedictus, qui venit

Mass in B minor, BWV 232, Sanctus: 25: Chorus I & II: Osanna in excelsis

Mass in B minor, BWV 232, Agnus Dei: 26. Aria: Agnus Dei

Mass in B minor, BWV 232, Agnus Dei: 27. Chorus I & II: Osanna in excelsis

Missa Papae Marcelli: Kyrie

Missa Papae Marcelli: Gloria

Missa Papae Marcelli: Credo

Missa Papae Marcelli: Sanctus

Missa Papae Marcelli: Benedictus

Missa Papae Marcelli: Agnus Dei I & II

Tu es Petrus

Miserere

Venite ad me omnes

Haec dies

Jubilate Deo

Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: 1. Allegro vivace

Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: 2. Andante un poco sostenuto

Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: 3. Allegro vivace

Concerto for Piano and Orchestra no. 19 in F major, K. 459: 1. Allegro

Concerto for Piano and Orchestra no. 19 in F major, K. 459: 2. Allegretto

Concerto for Piano and Orchestra no. 19 in F major, K. 459: 3. Allegro assai

Vespro della Beata Vergine (1610): 1. Deus in adiutorium - Domine ad adiuvandum (Sex vocibus et sex instrumentis)

Vespro della Beata Vergine (1610): 2. Dixit Dominus (Sex vocibus et sex instrumentis)

Vespro della Beata Vergine (1610): 3. Nigra sum (Motetto ad una voce)

Vespro della Beata Vergine (1610): 4. Laudate pueri (a 8 voci sole nel organo)

Vespro della Beata Vergine (1610): 5. Pulchra es (a due voci)

Vespro della Beata Vergine (1610): 6. Laetatus sum (a sei voci)

Vespro della Beata Vergine (1610): 7. Duo Seraphim (a due voci / a tre voci)

Vespro della Beata Vergine (1610): 8. Nisi Dominus (a dieci voci)

Vespro della Beata Vergine (1610): 9. Audi coelum (Prima ad una voce sola, poi nella fine a 6 voci)

Vespro della Beata Vergine (1610): 10. Lauda Jerusalem (a sette voci)

Vespro della Beata Vergine (1610): 11. Sonata sopra Sancta Maria (a 8)

Vespro della Beata Vergine (1610): 12. Ave maris stella (a 8)

Vespro della Beata Vergine (1610): 13a. Magnificat a 7 (a sette voci & sei instrumenti)

Vespro della Beata Vergine (1610): 13b. Magnificat a 6

Symphony no. 39 in G minor, Hob. I: 39: 1. Allegro assai

Symphony no. 39 in G minor, Hob. I: 39: 2. Andante

Symphony no. 39 in G minor, Hob. I: 39: 3. Menuet

Symphony no. 39 in G minor, Hob. I: 39: 4. Finale. Allegro di molto

Symphony no. 41 in C major, Hob. I: 41: 1. Allegro con spirito

Symphony no. 41 in C major, Hob. I: 41: 2. Un poco Andante

Symphony no. 41 in C major, Hob. I: 41: 3. Menuet

Symphony no. 41 in C major, Hob. I: 41: 4. Finale. Presto

Symphony no. 48 in C major, Hob. I: 48 "Maria Theresia": 1. Allegro

Symphony no. 48 in C major, Hob. I: 48 "Maria Theresia": 2. Adagio

Symphony no. 48 in C major, Hob. I: 48 "Maria Theresia": 3. Menuet. Allegretto

Symphony no. 48 in C major, Hob. I: 48 "Maria Theresia": 4. Finale. Allegro

Symphony no. 65 in A major, Hob. I: 65: 1. Vivace e con spirito

Symphony no. 65 in A major, Hob. I: 65: 2. Andante

Symphony no. 65 in A major, Hob. I: 65: 3. Menuetto

Symphony no. 65 in A major, Hob. I: 65: 4. Finale. Presto

Symphony no. 5 in C minor, op. 67: 1. Allegro con brio

Symphony no. 5 in C minor, op. 67: 2. Andante con moto

Symphony no. 5 in C minor, op. 67: 3. Allegro

Symphony no. 5 in C minor, op. 67: 4. Allegro

Symphony no. 6 in F major, op. 68 "Pastoral": 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo

Symphony no. 6 in F major, op. 68 "Pastoral": 2. Szene am Bach: Andante molto mosso

Symphony no. 6 in F major, op. 68 "Pastoral": 3. Lustiges Zusammensein der Landleute: Allegro

Symphony no. 6 in F major, op. 68 "Pastoral": 4. Gewitter - Sturm: Allegro

Symphony no. 6 in F major, op. 68 "Pastoral": 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto

Suite pour ochestre, "Les Elémens": 1. Le Cahos

Suite pour ochestre, "Les Elémens": 2. Air pour les violons (La terre et l'eau)

Suite pour ochestre, "Les Elémens": 3. Chaconne (Le feu)

Suite pour ochestre, "Les Elémens": 4. Air. Ramage

Suite pour ochestre, "Les Elémens": 5. Rossignois

Suite pour ochestre, "Les Elémens": 9. Rondeau. Air pour l'Amour

Suite pour ochestre, "Les Elémens": 6. Loure

Suite pour ochestre, "Les Elémens": 8. Sicilienne

Suite pour ochestre, "Les Elémens": 10. Caprice

Suite pour ochestre, "Les Elémens": 7. Tambourins I & II

Sonata in E minor: 1. Gravement

Sonata in E minor: 2. Allabreve

Sonata in E minor: 3. Air

Sonata in E minor: 4. Tendrement

Sonata in E minor: 5. Gay

Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": Ballo. Sinfonia

Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": 1. Marche

Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": 2. Andantino

Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": 3. Allegretto

Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": 4. Moderato

Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": 5. Menuetto - (Trio) - Menuetto

Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": 6. Antipoisino

Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": 7. Chaconne

La Resurrezione, HWV 47: Part I. Sonata

La Resurrezione, HWV 47: Part I. Aria: Disserratevi, o porte d'Averno (Angelo)

La Resurrezione, HWV 47: Part I. Recitative: Qual'insolita luce (Lucifero)

La Resurrezione, HWV 47: Part I. Aria: Caddi, è ver, ma nel cadere (Lucifero)

La Resurrezione, HWV 47: Part I. Recitative: Ma, che veggio? (Lucifero, Angelo)

La Resurrezione, HWV 47: Part I. Recitative: Che sei? Chi è questo rè (Lucifero, Angelo)

La Resurrezione, HWV 47: Part I. Aria: D'amor fu consiglio (Angelo)

La Resurrezione, HWV 47: Part I. Recitative: E ben, questo tuo Nume (Lucifero, Angelo)

La Resurrezione, HWV 47: Part I. Aria: O voi, dell'Erebo (Lucifero)

La Resurrezione, HWV 47: Part I. Recitative: Notte, notte funesta (Maddalena)

La Resurrezione, HWV 47: Part I. Aria: Ferma l'ali, e sui miei lumi (Maddalena)

La Resurrezione, HWV 47: Part I. Recitative: Concedi, o Maddalena (Cleofe, Maddalena)

La Resurrezione, HWV 47: Part I. Aria: Piangete, si, piangete (Cleofe)

La Resurrezione, HWV 47: Part I. Recitative: Ahi, dolce mio Signore (Maddalena, Cleofe)

La Resurrezione, HWV 47: Part I. Aria: Dolci chiodi, amate spine (Maddalena, Cleofe)

La Resurrezione, HWV 47: Part I. Recitative: O Cleofe, o Maddalena (San Giovanni, Maddalena)

La Resurrezione, HWV 47: Part I. Aria: Quando è parto dell'affetto (San Giovanni)

La Resurrezione, HWV 47: Part I. Recitative: Ma dinne, e sarà vero (Cleofe, San Giovanni, Maddalena)

La Resurrezione, HWV 47: Part I. Aria: Naufragando va per l'onde (Cleofe)

La Resurrezione, HWV 47: Part I. Recitative: Itene pure, o fide (San Giovanni, Maddalena)

La Resurrezione, HWV 47: Part I. Aria: Così la tortorella (San Giovanni)

La Resurrezione, HWV 47: Part I. Recitative: Se Maria dunque spera (Maddalena)

La Resurrezione, HWV 47: Part I. Aria: Ho un non so che nel cor (Maddalena)

La Resurrezione, HWV 47: Part I. Recitative: Uscite pur, uscite (Angelo)

La Resurrezione, HWV 47: Part I. Coro: Il Nume vuncitor (Angelo, Coro di Angeli)

La Resurrezione, HWV 47: Part II. Introduction - Einleitung

La Resurrezione, HWV 47: Part II. Recitative: Di quai nuovi portenti (San Giovanni)

La Resurrezione, HWV 47: Part II. Aria: Ecco il sol, ch'esce dal mar (San Giovanni)

La Resurrezione, HWV 47: Part II. Recitative: Ma ove Maria dimora (San Giovanni)

La Resurrezione, HWV 47: Part II. Aria: Risorga il mondo (Angelo)

La Resurrezione, HWV 47: Part II. Recitative: Di rabbia indarno freme (Angelo)

La Resurrezione, HWV 47: Part II. Recitative: Misero! ho pure udito? (Lucifero, Angelo)

La Resurrezione, HWV 47: Part II. Aria: Per celare il nuovo scorno (Lucifero)

La Resurrezione, HWV 47: Part II. Recitative: O come cieco il tuo furor delira! (Angelo)

La Resurrezione, HWV 47: Part II. Aria: Impedirlo io saprò (Lucifero, Angelo)

La Resurrezione, HWV 47: Part II. Recitative: Amica, troppo tardo (Maddalena, Cleofe)

La Resurrezione, HWV 47: Part II. Aria: Per me già di morire (Maddalena)

La Resurrezione, HWV 47: Part II. Recitative: Ahi, abborrito nome (Lucifero)

La Resurrezione, HWV 47: Part II. Aria: Vedo il Ciel che più sereno (Cleofe)

La Resurrezione, HWV 47: Part II. Recitative: Cleofe, siam giunte al luogo (Maddalena, Cleofe, Angelo)

La Resurrezione, HWV 47: Part II. Aria: Se per colpa di donna infelice (Angelo)

La Resurrezione, HWV 47: Part II. Recitative: Mio Gesù, mio Signore (Maddalena)

La Resurrezione, HWV 47: Part II. Aria: Del ciglio dolente (Maddalena)

La Resurrezione, HWV 47: Part II. Recitative: Sì, sì, cerchiamo pure (Cleofe)

La Resurrezione, HWV 47: Part II. Aria: Augelletti, ruscelletti (Cleofe)

La Resurrezione, HWV 47: Part II. Recitative: Dove sì frettolosi (San Giovanni, Cleofe)

La Resurrezione, HWV 47: Part II. Aria: Caro Figlio! (San Giovanni)

La Resurrezione, HWV 47: Part II. Recitative: Cleofe, Giovanni, udite (Maddalena, San Giovanni, Cleofe)

La Resurrezione, HWV 47: Part II. Aria: Se impassibile, immortale (Maddalena)

La Resurrezione, HWV 47: Part II. Recitative: Sì, sì, col Redentore (San Giovanni, Cleofe, Maddalena)

La Resurrezione, HWV 47: Part II. Coro: Diasi lode in Cielo, in terra

Music for San Rocco (1608): Toccata a 4 (C237)

Music for San Rocco (1608): In ecclesiis a 14 (C78)

Music for San Rocco (1608): Sonata no. 19 a 15 (C212)

Music for San Rocco (1608): Suscipe, clementissime Deus a 12 (C70)

Music for San Rocco (1608): Canzona no. 14 a 10 (C207)

Music for San Rocco (1608): Buccinate in neomenia tuba a 19 (C84)

Music for San Rocco (1608): Intonazione del nono tono (C247) trasportato alla quinta bassa

Music for San Rocco (1608): Domine Deus meus a 6 (C127)

Audi, dulcis amica mea

Sonata no. 21 con tre violini (C224)

Ardens est cor meum

Timor et tremor a 6 (C142)

Intonazione duodecimo tono (C250) trasportato alla quinta bassa

Jubilate Deo a 10 (C65)

Sonata no. 18 a 14 (C211)

Misericordia tua, Domine a 12 (C69)

Sonata no. 20 a 22 (C213)

Magnificat a 33 (C151; arr. Hugh Keyte)

Messiah, HWV 56: Part I. Sinfony (Grave - Allegro moderato)

Messiah, HWV 56: Part I. Recitative, accompanied (Tenor): Confort ye, comfort ye my people

Messiah, HWV 56: Part I. Song (Tenor): Ev'ry valley shall be exalted

Messiah, HWV 56: Part I. Chorus: And the glory of the Lord shall be revealed

Messiah, HWV 56: Part I. Recitative, accompanied (Bass): Thus saith the Lord of hosts

Messiah, HWV 56: Part I. Song (Soprano II): But who may abide the day of his coming?

Messiah, HWV 56: Part I. Chorus: And He shall purify the sons of Levi

Messiah, HWV 56: Part I. Recitative (Contralto): Behold, a virgin shall conceive

Messiah, HWV 56: Part I. Song (Contralto) & Chorus: O thou that tellest good tidings to Zion

Messiah, HWV 56: Part I. Recitative, accompanied (Bass): For behold, darkness shall cover the earth

Messiah, HWV 56: Part I. Song (Bass): The people that walked in darkness

Messiah, HWV 56: Part I. Chorus: For unto us a Child is born

Messiah, HWV 56: Part I. Pifa (Pastoral Symphony)

Messiah, HWV 56: Part I. Recitative (Soprano I): There were shepherds abiding in the field / Recitative (Soprano I): And lo, the angel of the Lord came upon them / Recitative (Soprano I): And the angel said unto them / Recitative (Soprano I): And suddenly there was with the angel

Messiah, HWV 56: Part I. Chorus: Glory to God in the highest

Messiah, HWV 56: Part I. Song (Soprano I): Rejoice greatly, O daughter of Zion

Messiah, HWV 56: Part I. Recitative (Soprano II): Then shall the eyes of the blind be open'd

Messiah, HWV 56: Part I. Song (Soprano II): He shall feed his flock

Messiah, HWV 56: Part I. Chorus: His yoke is easy, his burden is light

Messiah, HWV 56: Part II. Chorus: Behold the Lamb of God

Messiah, HWV 56: Part II. Song (Contralto): He was despised

Messiah, HWV 56: Part II. Chorus: Surely he hath borne our griefs

Messiah, HWV 56: Part II. Chorus: And with his stripes we are healed

Messiah, HWV 56: Part II. Chorus: All we, like sheep, have gone astray

Messiah, HWV 56: Part II. Recitative (Tenor): All they that see him laugh him to scorn

Messiah, HWV 56: Part II. Chorus: He trusted in God

Messiah, HWV 56: Part II. Recitative (Tenor): Thy rebuke hath broken his heart

Messiah, HWV 56: Part II. Song (Tenor): Behold, and see, if there be any sorrow

Messiah, HWV 56: Part II. Recitative (Soprano II): He was cut off out of the land

Messiah, HWV 56: Part II. Song (Soprano II): But thou didst not leave his soul in hell

Messiah, HWV 56: Part II. Chorus: Lift up your heads, O ye gates

Messiah, HWV 56: Part II. Recitative (Tenor): Unto which of the angels said he at any time

Messiah, HWV 56: Part II. Chorus: Let all the angels of God worship him

Messiah, HWV 56: Part II. Song (Soprano I): Thou art gone up on high

Messiah, HWV 56: Part II. Chorus: The Lord gave the word

Messiah, HWV 56: Part II. Song (Soprano II): How beautiful are the feet

Messiah, HWV 56: Part II. Chorus: Their sound is gone out into all lands

Messiah, HWV 56: Part II. Song (Bass): Why do the nations so furiously rage together

Messiah, HWV 56: Part II. Chorus: Let us break their bonds asunder

Messiah, HWV 56: Part II. Recitative (Tenor): He that dwelleth in heaven / Song (Tenor): Thou shalt break them with a rod of iron

Messiah, HWV 56: Part II. Hallelujah

Messiah, HWV 56: Part III. Song (Soprano II): I know that my Redeemer liveth

Messiah, HWV 56: Part III. Chorus: Since by man came death

Messiah, HWV 56: Part III. Recitative (Bass): Behold, I tell you a mystery

Messiah, HWV 56: Part III. Song (Bass): The trumpet shall sound

Messiah, HWV 56: Part III. Recitative (Contralto): Then shall be brought to pass

Messiah, HWV 56: Part III. Duet (Contralto & Tenor): O death, where is thy sting?

Messiah, HWV 56: Part III. Chorus: But thanks be to God

Messiah, HWV 56: Part III. Song (Soprano I): If God is for us

Messiah, HWV 56: Part III. Chorus: Worthy is the Lamb that was slain - Amen

Con che soavità

Lamento della Regina d'Inghilterra

Il ballo del Gran Duca, op. 16: Corrente Nona

Cessate, omai cessate, RV 684

Lamento d'Arianna

Incassum, Lesbia, rogas, Z. 383

Ciaccona

Oh solitude! Z. 406

Anonymous Flemish Melodies (late 15th and early 16th century): T'andernaken - Laet ons mit hartzen - Hoboekentanz - Laet ons mit hartzen - Ihesus is een kyndekyn cleyn - Laet ons mit hartzen

Ave regina caelorum

Pourquoy non

Passe et medio & reprise

Gaillarde - Gaillarde - Gaillarde

Ls Morisque

J'ay pris amours I

J'ay pris amours II

Crions Noel

T'andernaken

Laet u ghenoughen, liever Johan

Entre du fol

Mon désir

Je loe amours

T'andernaken

[Untitled duo]

De tous biens playne

Pavane & Gaillarde "La dona"

Wij sheyt edel vrouwe

Allemaigne

4 Bransles

Bergerette

O Crux benedicta

Ave mundi spes Maria

T'andernaken al op den Rijn

Les larmes

Fortis cum quevis actio

Die winter is verganghen

Inviolata, integra, et casta es Maria à 5

Ut Phoebi radiis à 4

De profundis clamavi à 5

Christe Fili Dei - J'ay pris amours à 4

O Virgo virginum à 6

Vultum tuum deprecabuntur à 4: Vultum tuum deprecabuntur

Vultum tuum deprecabuntur à 4: Ave Maria, gratia plena

Vultum tuum deprecabuntur à 4: Sancta Dei genitrix

Vultum tuum deprecabuntur à 4: O intemerata Virgo

Vultum tuum deprecabuntur à 4: O Maria, nullam tam gravem

Vultum tuum deprecabuntur à 4: Mente tota tibi supplicamus

Vultum tuum deprecabuntur à 4: Ora pro nobis

La Déploration de Johannes Ockeghem: Nymphes des bois à 5

O bone et dulcis Domine Jesus - Pater noster - Ave Maria à 4

Huc me sydereo / Plangent eum à 5

O Virgo prudentissima / Beata Mater à 6

Delirio amoroso, HWV 99: Introduzione

Delirio amoroso, HWV 99: Recitative: Da quel giorno fatale

Delirio amoroso, HWV 99: Aria: Un pensiero voli in ciel

Delirio amoroso, HWV 99: Recitative: Ma fermati pensier

Delirio amoroso, HWV 99: Aria: Per te lasciai la luce

Delirio amoroso, HWV 99: Recitative: Non ti bastava, ingrato

Delirio amoroso, HWV 99: Aria: Lascia omai le brune vele / Recitative: Ma siamo giunti in Lete

Delirio amoroso, HWV 99: Entrée

Delirio amoroso, HWV 99: Arietta e Recitativo: In queste amenge piagge serene (Minuet) / Si, disse Clori (Recitative) / Minuet

La Lucrezia, HWV 145: Recitative: O Numi eterni!

La Lucrezia, HWV 145: Aria: Già superbo del mio affanno

La Lucrezia, HWV 145: Recitative: Ma voi forse nel cielo

La Lucrezia, HWV 145: Aria: Il suol che preme

La Lucrezia, HWV 145: Recitative: Ah! che ancor nell'abisso / Furioso: Questi la disperata anima mia

La Lucrezia, HWV 145: Aria: Alla salma infedel porga la pena

La Lucrezia, HWV 145: Recitative: A voi, a voi, padre, consorte

La Lucrezia, HWV 145: Arioso: Già nel seno comincia a compir / Furioso: Ma se qui non m'è dato

Tra le fiamme, HWV 170: Aria: Tra le fiamme tu scherzi / Recitative: Dedalo già ke fortunate penne

Tra le fiamme, HWV 170: Aria: Pien di nuovo e bel diletto / Recitative: Si, si, pur troppo è vero

Tra le fiamme, HWV 170: Aria: Voli per l'aria chi può volare / Recitative: L'uomo, che nacque per salire al cielo

Tra le fiamme, HWV 170: Da capo: Tra le fiamme tu scherzi

Zaïs: Ouverture qui peint le debrouillement de Cahos et le choc des Elemens lorsqu'ils sont séparés

Castor et Pollux: Acte II. Scène 2. Scène funèbre

Les Fêtes d'Hébé: Scène 5. Air tendre

Dardanus: Prologue. Tambourins I & II

Le Temple de la Gloire: Acte I. Air tendre pour les Muses

Les Boréades: Acte I. Scène 4. Contredanse en Rondeau

La Naissance d'Osiris: Air gracieux

Les Boréades: Acte IV. Scène 4. Gavottes I & II pour les Heures et les Zéphirs

Platée: Acte I. Scène 6. Orage

Les Boréades: Acte V. Scène 1. Prélude

Concert no. 6: La Poule

Les Fêtes d'Hébé: Musette en Rondeau (Danse de Terpsichore) - Tambourin en Rondeau (Troisième Entrée: La Danse)

Hippolyte et Aricie: Acte III. Ritournelle

Naïs: Prologue. Rigaudons I & II

Les Indes galantes: Danse des Saubages - Rondeau (Quartrième Entrée: Les Sauvages)

Les Boréades: Acte IV. Scène 4. Entrée de Polymnie

Les Indes galantes: Chaconne (Quartrième Entrée: Les Sauvages)

Overture in A major for 2 Horns, 2 Oboes, 2 Violins, 2 Violas and Bass: 1. Allegro con brio

Overture in A major for 2 Horns, 2 Oboes, 2 Violins, 2 Violas and Bass: 2. Andante

Overture in A major for 2 Horns, 2 Oboes, 2 Violins, 2 Violas and Bass: 3. Allegro

Symphony in F major for 2 Horns, 2 Oboes and Strings: 1. Allegro assai

Symphony in F major for 2 Horns, 2 Oboes and Strings: 2. Andante

Symphony in F major for 2 Horns, 2 Oboes and Strings: 3. Tempo di Menuetto

Symphony in C major for 2 Horns, 2 Transverse Flutes, 2 Boboes, 2 Violins, 2 Violas and Bass: 1. Allegro assai

Symphony in C major for 2 Horns, 2 Transverse Flutes, 2 Boboes, 2 Violins, 2 Violas and Bass: 2. Allegretto

Symphony in C major for 2 Horns, 2 Transverse Flutes, 2 Boboes, 2 Violins, 2 Violas and Bass: 3. Prestissimo

Symphony in G major for 2 Horns, 2 Oboes and Strings: 1. Allegro

Symphony in G major for 2 Horns, 2 Oboes and Strings: 2. Allegretto

Symphony in G major for 2 Horns, 2 Oboes and Strings: 3. Prestissimo

Symphony in E-flat major for 2 Horns, 2 Oboes and Strings: 1. Spiritoso

Symphony in E-flat major for 2 Horns, 2 Oboes and Strings: 2. Andantino

Symphony in E-flat major for 2 Horns, 2 Oboes and Strings: 3. Presto

Symphony in C major for 2 Violins, 2 Violas and Bass: 1. Larghetto

Symphony in C major for 2 Violins, 2 Violas and Bass: 2. Allegro

Symphony in C major for 2 Violins, 2 Violas and Bass: 3. Presto

Concertino in E-flat major for 2 Horns, 2 Transverse Flutes, 2 Clarinets, Bassoon and Strings: 1. Allegro

Concertino in E-flat major for 2 Horns, 2 Transverse Flutes, 2 Clarinets, Bassoon and Strings: 2. Largo

Concertino in E-flat major for 2 Horns, 2 Transverse Flutes, 2 Clarinets, Bassoon and Strings: 3. Presto assai

Concerto in G major, RV 516: 1. Allegro molto

Concerto in G major, RV 516: 2. Andante

Concerto in G major, RV 516: 3. Allegro

Concerto in D major, RV 511: 1. Allegro molto

Concerto in D major, RV 511: 2. Largo

Concerto in D major, RV 511: 3. Allegro

Concerto in D minor, RV 514: 1. Allegro non molto

Concerto in D minor, RV 514: 2. Adagio

Concerto in D minor, RV 514: 3. Allegro molto

Concerto in B-flat major, RV 524: 1. Allegro

Concerto in B-flat major, RV 524: 2. Andante

Concerto in B-flat major, RV 524: 3. Allegro

Concerto in C minor, RV 509: 1. Allegro ma poco e cantabile

Concerto in C minor, RV 509: 2. Andante molto

Concerto in C minor, RV 509: 3. Allegro

Concerto in A minor, RV 523: 1. Allegro molto

Concerto in A minor, RV 523: 2. Largo

Concerto in A minor, RV 523: 3. Allegro

Alcina, HWV 34: 1. Ouverture

Alcina, HWV 34: 2. Musette

Alcina, HWV 34: 3. Menuet

Alcina, HWV 34: Act I. O Dei! quivi non scorgo (Bradamante, Melisso, Morgana)

Alcina, HWV 34: Act I. 4. Aria: O s'apre al riso (Morgana)

Alcina, HWV 34: Act I. 5. Coro: Questo è il cielo di contenti (Coro)

Alcina, HWV 34: Act I. 6. Gavotte

Alcina, HWV 34: Act I. 7. Sarabande

Alcina, HWV 34: Act I. Gavotte (da Capo)

Alcina, HWV 34: Act I. 8. Menuet

Alcina, HWV 34: Act I. 9. Gavotte

Alcina, HWV 34: Act I. Ecco l'infido / Taci (Bradamante, Melisso, Alcina)

Alcina, HWV 34: Act I. 10. Aria: Di', cor mio, quanto t'amai (Alcina)

Alcina, HWV 34: Act I. Generosi guerrier, deh! per pietade (Oberto, Melisso, Bradamante)

Alcina, HWV 34: Act I. 11. Aria: Chi m'insegna il caro padre (Oberto)

Alcina, HWV 34: Act I. Mi ravvisi, Ruggier (Bradamante, Ruggiero, Melisso)

Alcina, HWV 34: Act I. 12. Aria: Di te mi rido (Ruggiero)

Alcina, HWV 34: Act I. Qua dunque ne veniste (Oronte, Bradamante, Morgana)

Alcina, HWV 34: Act I. 13. Aria: È gelosia, forza è d'amore (Bradamante)

Alcina, HWV 34: Act I. lo dunque... (Oronte, Morgana) / Vo cercando la bella cagion delle mie pene (Ruggiero)

Alcina, HWV 34: Act I. 14. Aria: Bramo di trionfar (Ruggiero)

Alcina, HWV 34: Act I. La cerco invano (Ruggiero, Oronte)

Alcina, HWV 34: Act I. 15. Aria: Semplicetto! a donna credi? (Oronte)

Alcina, HWV 34: Act I. Ah, infedele, infedel! (Ruggiero, Alcina) / Regina, il tuo soggiorno (Bradamante, Alcina, Ruggiero)

Alcina, HWV 34: Act I. 16. Aria: Si, son quella, non più bella (Alcina)

Alcina, HWV 34: Act I. Se nemico mi fossi (Bradamante, Ruggiero) / Bradamante favella? (Ruggiero, Melisso, Bradamante)

Alcina, HWV 34: Act I. 17. Aria: La bocca baga (Ruggiero)

Alcina, HWV 34: Act I. A quai strani perigli (Melisso, Bradamante) / Fuggi, cor mio, ti affretta! (Morgana, Bradamante)

Alcina, HWV 34: Act I. 18. Aria: Tornami a vagheggiar (Morgana)

Alcina, HWV 34: Act II. 19. Arioso: Col celarvi a chi v'ama (Ruggiero, Melisso)

Alcina, HWV 34: Act II. 20. Arioso: Qual portento mi richiama (Ruggiero, Melisso)

Alcina, HWV 34: Act II. 21. Aria: Pensa a chi geme (Melisso)

Alcina, HWV 34: Act II. Qual odio ingiusto contro me? (Bradamante, Ruggiero)

Alcina, HWV 34: Act II. 22. Aria: Vorrei vendicarmi (Bradamante)

Alcina, HWV 34: Act II. Chi scopre al mio pensiero (Ruggiero)

Alcina, HWV 34: Act II. 23. Aria: Mi lusinga il dolce affetto (Ruggiero)

Alcina, HWV 34: Act II. S'acquieti il rio sospetto (Alcina, Morgana) / E la tua pace (Morgana, Alcina, Ruggiero)

Alcina, HWV 34: Act II. 24. Aria: Ama, sospira, ma non t'offende (Morgana)

Alcina, HWV 34: Act II. Non scorgo nel tuo viso (Alcina, Ruggiero)

Alcina, HWV 34: Act II. 25. Aria: Mio bel tesoro (Ruggiero)

Alcina, HWV 34: Act II. Regina, io cerco invano (Oberto, Alcina)

Alcina, HWV 34: Act II. 26. Aria: Tra speme e timore (Oberto)

Alcina, HWV 34: Act II. Regina, sei tradita! (Oronte, Alcina)

Alcina, HWV 34: Act II. 27. Aria: Ah! mio cor, schernito sei! (Alcina)

Alcina, HWV 34: Act II. Or che dici, Morgana? (Oronte, Morgana) / All'offesa, il disprezzo (Oronte)

Alcina, HWV 34: Act II. 28. Aria: È un folle, è un vile affetto (Oronte)

Alcina, HWV 34: Act II. Ed è ver che mi narri? (Oberto, Bradamante) / Eccomi a' piedi tuoi (Ruggiero, Bradamante, Morgana)

Alcina, HWV 34: Act II. 29. Aria: Verdi prati, selve amene (Ruggiero)

Alcina, HWV 34: Act II. 30. Recitative: Ah! Ruggiero crudel (Alcina)

Alcina, HWV 34: Act II. 31. Aria: Ombre pallide (Alcina)

Alcina, HWV 34: Act III. 32. Sinfonia

Alcina, HWV 34: Act III. Voglio amar e disamar (Oronte, Morgana)

Alcina, HWV 34: Act III. 33. Aria: Credete al mio dolore (Morgana)

Alcina, HWV 34: Act III. M'inganna, me n'avveggo (Oronte)

Alcina, HWV 34: Act III. 34. Aria: Un momento di contento (Oronte)

Alcina, HWV 34: Act III. Molestissimo incontro! (Ruggiero, Alcina)

Alcina, HWV 34: Act III. 35. Aria: Ma quando tornerai (Alcina)

Alcina, HWV 34: Act III. Tutta d'armate squadre (Melisso, Ruggiero, Bradamante)

Alcina, HWV 34: Act III. 36. Aria: Sta nell'ircana pietrosa tana (Ruggiero)

Alcina, HWV 34: Act III. Vanne tu seco ancora (Melisso, Bradamante)

Alcina, HWV 34: Act III. 37. Aria: All'alma fedel (Bradamante)

Alcina, HWV 34: Act III. Niuna forza lo arresta (Oronte, Alcina)

Alcina, HWV 34: Act III. 38. Aria: Mi restano le lagrime (Alcina)

Alcina, HWV 34: Act III. 39. Coro: Sin per le vie del sole (Coro)

Alcina, HWV 34: Act III. Già vicino è 'l momento di cangiar (Oberto, Alcina)

Alcina, HWV 34: Act III. 40. Aria: Barbara! lo ben lo so (Oberto)

Alcina, HWV 34: Act III. Le lusinghe, gl'inganni (Bradamante, Alcina, Ruggiero)

Alcina, HWV 34: Act III. 41. Terzetto: Non è amor, né gelosia (Alcina, Bradamante, Ruggiero)

Alcina, HWV 34: Act III. Prendi, e vivi (Ruggiero, Oronte) / Ah! mio Ruggier, che tenti? (Alcina, Ruggiero, Bradamante) / Misera, ah, no! (Alcina, Morgana) / A che tardi? (Melisso, Ruggiero, Oronte, Bradamante, Alcina, Morgana)

Alcina, HWV 34: Act III. 42. Coro: Dall'orror di notte cieca (Coro)

Alcina, HWV 34: Act III. 43. Entrée

Alcina, HWV 34: Act III. 44. Tamburino

Alcina, HWV 34: Act III. 45. Coro: Dopo tante amare pene (Coro)

Surrexit pastor bonus

O lux et decus Hispaniae

O Regem caeli

Magi viderunt stellam

Condito alme siderum

Vadam et circuibo civitatem

Duo seraphim

Veni, creator Spiritus

O magnum mysterium

Ascendens Christus

Dum complerentur dies Pentecostes

Hostis Herodes

Quem vidistis, pastores?

Ardens est cor meum

Lamento della ninfa

Furie terribili (Armida)

Restino imbalsamate (Calisto)

Responsories of the Office of Tenebrae for Holy Saturday: Responsorium I. Sicut ovis ad occisionem

Responsories of the Office of Tenebrae for Holy Saturday: Responsorium III. Plange quasi virgo

Concerto for Violin, Strings and Basso continuo in D major, RV 232: 1. Allegro

Concerto for Violin, Strings and Basso continuo in D major, RV 232: 2. Largo

Concerto for Violin, Strings and Basso continuo in D major, RV 232: 3. Allegro