111 Years of Deutsche Grammophon: The Collectors’ Edition 2

Carmen: Prélude

Carmen: Acte I. no. 1 Introduction “Sur la place chacun passe” (les Soldats, Moralès)

Carmen: Acte I. “Regardez donc cette petite” (Moralès, les Soldats, Micaëla)

Carmen: Acte I. no. 2 Marche et Chœur des gamins “Avec la garde montante” (les gamins)

Carmen: Acte I. “Repos!” (Zuniga, Moralès, Don José)

Carmen: Acte I. “Allons! allons!” (Zuniga, les gamins)

Carmen: Acte I. “Dites‐moi, brigadier?” (Zuniga, Don José)

Carmen: Acte I. no. 3 Chœur et Scène “La cloche a sonné” (les Jeunes Gens, les Soldats, les Cigarières)

Carmen: Acte I. “Mais nous ne voyons pas la Carmencita” (les Soldats, les Jeunes Gens)

Carmen: Acte I. “Quand je vous aimerai?” (Carmen) – no. 4 Havanaise “L’amour est un oiseau rebelle” (Carmen, chœur)

Carmen: Acte I. no. 5 Scène “Carmen, sur tes pas nous nous pressons tous” (les Jeunes Gens, le Cigarières, Don José)

Carmen: Acte I. “Monsieur le brigadier?” (Micaëla, Don José) – no. 6 Duo “Parle‐moi de ma mère” (Don José, Micaëla)

Carmen: Acte I. “Votre mère avec moi sortait de la chapelle” (Micaëla, Don José)

Carmen: Acte I. “Ma mère, je la vois…” (Don José, Micaëla)

Carmen: Acte I. “Que son fils l’aime et la vénère” (Don José, Micaëla) – “Eh bien, eh bien!” (Zuniga)

Carmen: Acte I. no. 7 Chœur “Au secours!” (les Cigarières, Zuniga, les Soldats)

Carmen: Acte I. “Voyons, brigadier…” (Zuniga, Don José) – no. 8 Chanson et Mélodrame “Tra la la la…” (Carmen, Zuniga, les Cigarières, un Soldat, Don José)

Carmen: Acte I. no. 9 Chanson (Séguedille) et Duo “Près des remparts de Séville” (Carmen, Don José)

Carmen: Acte I. no. 10 Finale “Le lieutenant!... Prenez garde!” (Don José, Zuniga, Carmen)

Carmen: Entr’acte

Carmen: Acte II. no. 11 Chanson “Les tringles des sistres tintaient” (Carmen, Mercédès, Frasquita)

Carmen: Acte II. “Vous avez quelque chose à nous dire” (Zuniga, Pastia, Frasquita, Mercédès, Andrès, Carmen)

Carmen: Acte II. “Tout est bien alors” (Carmen, Zuniga) – no. 12 Chœur et Ensemble “Vivat! vivat le toréro!” (chœur, Zuniga, Mercédes, Andrès, Frasquita, Pastia)

Carmen: Acte II. no. 13 Couplet (Air du Toréador) “Votre toast… je peux vous le rendre” (Escamillo, chœur, Frasquita, Mercédès, Carmen, Pastia, Zuniga) – no. 13 bis Chœur “Toréador, en garde” (chœur, Frasquita, Pastia, Dancaïre, Remendado)

Carmen: Acte II. no. 14 Quintette “Nous avons en tête une affaire” (Dancaïre, Frasquita, Mercédès, Remendado, Carmen)

Carmen: Acte II. “Amoureuse… ce n’est pas une raison, cela” (Dancaïre, Remendado, Frasquita, Mercédès, Carmen) – no. 15 Chanson “Halte‐là! Qui va là?” (Don José, Mercédès, Frasquita, Dancaïre, Carmen)

Carmen: Acte II. no. 16 Duo “Je vais danser en votre honneur” (Carmen, Don José)

Carmen: Acte II. Air de la fleur “La fleur que tu m’avais jetée” (Don José)

Carmen: Acte II. “Non! Tu ne m’aimes pas!” (Carmen, Don José)

Carmen: Acte II. no. 17 Finale “Holà! Carmen! holà!” (Zuniga, Don José, Carmen, Dancaïre, Remendado, les Bohémiens)

Carmen: Acte II. “Suis‐nous à travers la campagne” (Frasquita, Mercédès, Dancaïre, Remendado, les Bohémiens, les Bohémiennes)

Carmen: Entr’acte

Carmen: Acte III, Tableau I. no. 18 Introduction “Écoute, compagnon, écoute” (les Contrabandiers, Frasquita, Mercédès, Carmen, Don José, Dancaïre, Remendado)

Carmen: Acte III, Tableau I. “Halte! nous allons nous arrêter ici…” (Dancaïre, Remendado, Don José, Carmen)

Carmen: Acte III, Tableau I. no. 19 Trio “Mêlons!” / “Mêlons!” / “Coupons!” (Frasquita, Mercédès)

Carmen: Acte III, Tableau I. Air des cartes “Carreau, pique… la mort!” (Carmen)

Carmen: Acte III, Tableau I. “Parlez encore, parlez, mes belles” (Frasquita, Mercédès, Carmen)

Carmen: Acte III, Tableau I. “Eh bien, j’avais raison” (Dancaïre, Carmen, Remandado, Frasquita, Mercédès, Don José)

Carmen: Acte III, Tableau I. no. 20 Morceau d’Ensemble “Quant au douanier, c’est notre affaire” (Carmen, Mercédès, Frasquita, les Bohémiennes, les Bohémiens, Dancaïre, Remandado)

Carmen: Acte III, Tableau I. “Nous y sommes” (le Guide, Micaëla)

Carmen: Acte III, Tableau I. no. 21 Air “Je dis que rien ne m’épouvante” (Micaëla)

Carmen: Acte III, Tableau I. “Mais… je ne me trompe pas…” (Micaëla, Escamillo, Don José) – no. 22 Duo “Je suis Escamillo, toréro de Grenade” (Escamillo, Don José)

Carmen: Acte III, Tableau I. no. 23 Finale “Holà, José!” (Carmen, Escamillo, Dancaïre, Don José, les Contrebandiers, les Contrebandières)

Carmen: Acte III, Tableau I. “Halte!... Quelqu’un est là qui cherche à se cacher” (Remendado, Carmen, Dancaïre, Don José, Micaëla, chœur, Escamillo)

Carmen: Entr’acte

Carmen: Acte III, Tableau II. no. 24 Chœur “A deux cuartos” (Marchandes, Marchands, un Soldat, Andrès, un Bohémien)

Carmen: Acte III, Tableau II. no. 25 Chœur et Scène “Les voici! Voici le quadrille” (chœur)

Carmen: Acte III, Tableau II. “Si tu m’aimes, Carmen” (Escamillo, Carmen, Frasquita, Mercédès)

Carmen: Acte III, Tableau II. no. 26 Duo final “C’est toi?” / “C’est moi!” (Carmen, Don José, chœur)

Concerto for Piano and Orchestra no. 3 in C major, op. 26: I. Andante - Allegro

Concerto for Piano and Orchestra no. 3 in C major, op. 26: II. Thema: Andantino / Var. I: L’istesso tempo / Var. II: Allegro / Var. III: Allegro moderato / Var. IV: Andantino meditativo / Var. V: Allegro giusto / Thema: L’istesso tempo

Concerto for Piano and Orchestra no. 3 in C major, op. 26: III. Allegro ma non troppo

Concerto for Piano and Orchestra in G major: I. Allegramente

Concerto for Piano and Orchestra in G major: II. Adagio assai

Concerto for Piano and Orchestra in G major: III. Presto

Gaspard de la nuit: I. Ondine. Lent

Gaspard de la nuit: II. Le Gibet. Très lent

Gaspard de la nuit: III. Scarbo. Modéré

Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto

Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto

Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato

Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio

Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile

Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro

Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai

Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto

Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo

Kantate no. 197 “Gott ist unser Zuversicht”, BWV 197, no. 8: Vergnügen und Lust, Gedeihen und Heil

Kantate no. 58 “Ach Gott, wie manches Herzeleid”, BWV 58, no. 3: Ich bin vergnügt in meinem Leiden

Kantate no. 204 “Ich bin in mir vergnügt”, BWV 204, no. 4: Die Schätzbarkeit der weiten Erden

Kanatate no. 97 “In allen meinen Taten”, BWV 97, no. 4: Ich traue seiner Gnaden

Kantate no. 115 “Mache dich, mein Geist, bereit”, BWV 115, no. 4: Bete aber auch dabei

Kantate no. 171 “Gott, wie dein Name, so ist auch dein Ruhm”, BWV 171, no. 4: Jesus soll mein erstes Wort

Messe h‐moll, BWV 232 no. 23: Benedictus, Qui Venit In Nomine Domini

Messe h‐moll, BWV 232, no. 5: Laudamus Te

Kantate no. 202 “Weichet nur, betrübte Schatten”, BWV 202, no. 5: Wenn die Fruhlingslüfte streichen

Kantate no. 36 “Schwingt freudig euch empor”, BWV 36, no. 7: Auch mit Gedämpften, schwachen Stimmen

Kantate no. 187 “Es wartet alles auf dich, dass du ihnen Speise”, BWV 187, no. 5: Gott versorget alles Leben

Kantate no. 84 “Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert”, BWV 84, no. 3: Ich esse mit Freuden mein weniges Brot

Kantate no. 105 “Herr, gehe nicht ins Gericht mit deinem Knecht”, BWV 105, no. 5: Kann ich nur Jesu mir zum Freunde machen

Symphonie no. 1 D‐dur: I. Langsam. Schleppend. Wie ein Naturlaut - Im anfang sehr gemächlich

Symphonie no. 1 D‐dur: II. Kräftig bewegt

Symphonie no. 1 D‐dur: III. Feierlich und gemessen, ohne zu schleppen

Symphonie no. 1 D‐dur: IV. Stürmisch bewegt

Concerto for piano and orchestra no. 1 in E minor, op. 11: I. Allegro maestoso

Concerto for piano and orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto

Concerto for piano and orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace

Concerto for piano and orchestra no. 2 in F minor, op. 21: I. Maestoso

Concerto for piano and orchestra no. 2 in F minor, op. 21: II. Larghetto

Concerto for piano and orchestra no. 2 in F minor, op. 21: III. Allegro vivace

Concerto for Clarinet in A major, K. 622: I. Allegro

Concerto for Clarinet in A major, K. 622: II. Adagio

Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro

Concerto for Flute no. 1 in G major, K. 285c/313: I. Allegro maestoso

Concerto for Flute no. 1 in G major, K. 285c/313: II. Adagio non troppo

Concerto for Flute no. 1 in G major, K. 285c/313: III. Rondo. Tempo di menuetto

Concerto for Bassoon in B‐flat major, K. 186e/191: I. Allegro

Concerto for Bassoon in B‐flat major, K. 186e/191: II. Andante ma adagio

Concerto for Bassoon in B‐flat major, K. 186e/191: III. Rondeau. Tempo di menuetto

Nocturnes (orchestral version): I. Nuages

Nocturnes (orchestral version): II. Fêtes

Nocturnes (orchestral version): III. Sirènes

Première Rhapsodie: Rêveusement lent

Jeux: Poème danse: Très lent - scherzando - (tempo initial)

La Mer: I. De l’aube à midi sur la mer

La Mer: II. Jeux de vagues

La Mer: III. Dialogue du vent et de la mer

Symphony no. 4 in E minor, op. 98: I. Allegro non troppo

Symphony no. 4 in E minor, op. 98: II. Andante moderato

Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - poco meno presto - tempo I

Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - più allegro

Tod und Verklärung, op. 24

Falsa moneda

Cruz de mayo

La bien pagá

Porque te quiero

El día que nací yo

¡Ay, Maricruz!

Me embrujaste

Cariño verdá

Te lo juro yo

No me quieras tanto

Antonio Vargas Heredia

Ojos verdes

Suspiros de España

Sensemayá

Margariteña

Mediodía en el llano

Danzón no. 2

Suite para cuerdas (version for orchestra): Fuga con pajarillo

Estancia: Danzas del ballet: I. Los trabajadores agrícolas

Estancia: Danzas del ballet: II. Danza del trigo

Estancia: Danzas del ballet: III. Los peones de hacienda

Estancia: Danzas del ballet: IV. Danza final (malambo)

Santa Cruz de Pacairigua (suite sinfónica)

“West Side Story” Symphonic Dances: IV. Mambo

Cantata “Ich will den Kreuzstab gerne tragen”, BWV 56: I. Aria: “Ich will den Kreuzstab gerne tragen”

Cantata “Ich will den Kreuzstab gerne tragen”, BWV 56: II. Recitativo: “Mein Wandel auf der Welt”

Cantata “Ich will den Kreuzstab gerne tragen”, BWV 56: III. Aria: “Endlich, endlich wird mein Joch”

Cantata “Ich will den Kreuzstab gerne tragen”, BWV 56: IV. Recitativo: “Ich stehe fertig und bereit”

Cantata “Ich will den Kreuzstab gerne tragen”, BWV 56: V. Choral: “Komm, o Tod, du Schlafes Bruder”

Cantata “Ich habe genug” BWV 82: I. Aria: Ich habe genug, ich habe den Heiland

Cantata “Ich habe genug” BWV 82: II. Recitativo: Ich habe genug! Mein Trost ist nur allein

Cantata “Ich habe genug” BWV 82: III. Aria: Schlummert ein, ihr matten Augen

Cantata “Ich habe genug” BWV 82: IV. Recitativo: Mein Gott! wann kommt das schöne Nun!

Cantata “Ich habe genug” BWV 82: V. Aria: Ich freue mich auf meinen Tod

Die Fledermaus: Overture

Annen‐Polka, op. 117

Kaiserwalzer, op. 437

Tritsch‐Tratsch‐Polka, op. 214

Radetzky‐Marsch, op. 228

An der schönen blauen Donau, op. 314

Eljen a Magyar, op. 332

Geschichten aus dem Wienerwald, op. 325

Rosamunde, D. 797 (Incidental music to play by Helmina von Chézy): Overture (Die Zauberharfe, D. 644)

Symphony no. 9 in C major, D. 944 “The Great”: I. Andante - allegro ma non troppo

Symphony no. 9 in C major, D. 944 “The Great”: II. Andante con moto

Symphony no. 9 in C major, D. 944 “The Great”: III. Scherzo. Allegro vivace

Symphony no. 9 in C major, D. 944 “The Great”: IV. Allegro vivace

Las Hijas del Zebedeo: Carceleras

Werther: Act III: “Werther! Werther…qui m’aurait dit la place”

Les Contes d’Hoffmann (edition: Michael Kaye and Jean‐Christophe Keck): Act III: Romance “C’est l’amour vainqueur”

La Cenerentola: Act II: Nacqui all’affanno

Bachianas brasileiras no. 5 for Soprano and Cellos: Aria. Cantilena

La Grande‐Duchesse de Gérolstein (edition by Jean‐Christophe Keck): Act I: Rondeau. “Ah, que j’aime les militaires”

L’italiana in Algeri: Act II: Cavatina: Per lui che adoro

Madrigal on a catalan popular theme

Der Rosenkavalier, op. 59: Act III: “Marie Theres’!” - “Hab mir’s gelobt, Ihn lieb zu haben”

Der Rosenkavalier, op. 59: Act III: “Ist ein Traum, kann nicht wirklich sein”

Konzert für Klavier und Orchester nr. 1 D‐moll, op. 15: I. Maestoso

Konzert für Klavier und Orchester nr. 1 D‐moll, op. 15: II. Adagio

Konzert für Klavier und Orchester nr. 1 D‐moll, op. 15: III. Allegro non troppo

Requiem, op. 48: I. Introït Et Kyrie

Requiem, op. 48: II. Offertoire

Requiem, op. 48: III. Sanctus

Requiem, op. 48: IV. Pie Jesu

Requiem, op. 48: V. Agnus Dei

Requiem, op. 48: VI. Libera Me

Requiem, op. 48: VII. In Paradisum

Pavane pour une infante défunte

Ayre for voice and chamber ensemble, no. 1: Mañanita de San Juan (Morning of St. John’s Day)

Ayre for voice and chamber ensemble, no. 2: Una madre comió asado (A Mother Roasted her Child)

Ayre for voice and chamber ensemble, no. 3: Tancas Serradas a Muru (Walls are Encircling the Land)

Ayre for voice and chamber ensemble, no. 4: Luna

Ayre for voice and chamber ensemble, no. 5: Nanni

Ayre for voice and chamber ensemble, no. 6: Wa Habibi (My Love)

Ayre for voice and chamber ensemble, no. 7: Aiini Taqttiru (My Eyes Weep)

Ayre for voice and chamber ensemble, no. 8: Kun Li‐Guitari Wataran Ayyuha Al‐Maa’ (Be a String, Water, to my Guitar)

Ayre for voice and chamber ensemble, no. 9: Suéltate las cintas (Untie your Ribbons)

Ayre for voice and chamber ensemble, no. 10: Yah, Anna Emtzacha (Oh, Where Shall I find You?)

Ayre for voice and chamber ensemble, no. 11: Ariadna en su laberinto (Ariadne in Her Labyrinth)

Folk songs for voice and 7 instruments, no. 1: Black is the colour (USA)

Folk songs for voice and 7 instruments, no. 2: I wonder as I wander (USA)

Folk songs for voice and 7 instruments, no. 3: Loosin yelav (Armenia)

Folk songs for voice and 7 instruments, no. 4: Rosssignolet du bois (France)

Folk songs for voice and 7 instruments, no. 5: A la femminisca (Sicily)

Folk songs for voice and 7 instruments, no. 6: La donna ideale (Italy)

Folk songs for voice and 7 instruments, no. 7: Ballo (Italy)

Folk songs for voice and 7 instruments, no. 8: Motettu de Tristura (Sardinia)

Folk songs for voice and 7 instruments, no. 9: Malorous qu’o uno fenno (Auvergne - France)

Folk songs for voice and 7 instruments, no. 10: Lo fiolaire (Auvergne - France)

Folk songs for voice and 7 instruments, no. 11: Azerbaijan love song (Azerbaijan)

Piano Concerto in A minor, op. 54: I. Allegro affettuoso

Piano Concerto in A minor, op. 54: II. Intermezzo: Andantino grazioso

Piano Concerto in A minor, op. 54: III. Allegro vivace

3 Lieder, op. 12: I. Er is gekommen in Sturm und Regen

3 Lieder, op. 12: III. Warum willst du and’re fragen?

Am Strande

Sonata for Cello and Piano no. 1 in E minor, op. 38: I. Allegro non troppo

Sonata for Cello and Piano no. 1 in E minor, op. 38: II. Allegretto quasi minuetto

Sonata for Cello and Piano no. 1 in E minor, op. 38: III. Allegro - più presto

2 Rhapsodies, op. 79: no. 1 in B minor

2 Rhapsodies, op. 79: no. 2 in G minor

String Quartet in F major, op. 135: I. Allegretto

String Quartet in F major, op. 135: II. Vivace

String Quartet in F major, op. 135: III. Lento assai, cantante e tranquillo

String Quartet in F major, op. 135: IV. “Der schwer gefaßte Entschluß.” Grave, ma non troppo tratto (Muss es sein?) — Allegro (Es muss sein!) — Grave, ma non troppo tratto — Allegro

String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”: I. Allegro

String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”: II. Andante con moto

String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”: III. Scherzo. Allegro molto

String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”: IV. Presto

Concerto for violin and orchestra, op. 36: I. Poco allegro

Concerto for violin and orchestra, op. 36: II. Andante grazioso

Concerto for violin and orchestra, op. 36: III. Finale. Allegro

Concerto for violin and orchestra in D minor, op. 47: I. Allegro moderato

Concerto for violin and orchestra in D minor, op. 47: II. Adagio di molto

Concerto for violin and orchestra in D minor, op. 47: III. Allegro, ma non tanto

Chaconne in G major

Keyboard Suite in D minor, HWV 437: IV. Sarabande

Ricercata segunda

La suave melodia

Passacalio in G minor

Diverse bizzarrie sopra la Vecchia Sarabanda o pur Ciacconna

Canon and Gigue in D major: I. Canon

Canon and Gigue in D major: II. Gigue

Concerto for violin concertato, strings and basso continuo in A minor, TWV 51:A1: I. Adagio

Concerto for violin concertato, strings and basso continuo in A minor, TWV 51:A1: II. Allegro

Concerto for violin concertato, strings and basso continuo in A minor, TWV 51:A1: III. Presto

Sonata for Violin and Continuo III: Imitazione della campane

Ayrs for the Violin, Book 4, Suite in F major: Ground after the Scotch Humour

Concerto grosso no. 5 in G minor from Corelli: Sonata op. 5 no. 5: I. Adagio

Concerto grosso no. 5 in G minor from Corelli: Sonata op. 5 no. 5: II. Vivace

Concerto grosso no. 5 in G minor from Corelli: Sonata op. 5 no. 5: III. Adagio

Concerto grosso no. 5 in G minor from Corelli: Sonata op. 5 no. 5: IV. Allegro

Gagliarde napolitane

Passacaglia in G minor

Tambourin

Greensleeves to a Ground

Sonata in A major, “La guerra”: La guerra cosí nominata di sua maestà

Sonata for Violin and Continuo II “Consacrate al Grand’ Apolline di questi tempi”: Imitazione del Liuto. Presto

Suite no. 3 in D major, BWV 1068: II. Air

Piano Sonata in B‐flat major, K. 281: I. Allegro

Piano Sonata in B‐flat major, K. 281: II. Andante amoroso

Piano Sonata in B‐flat major, K. 281: III. Rondeau: Allegro

Adagio in B minor, K. 540

Rondo in D major, K. 485

6 Moments musicaux in F minor, op. 94 no. 3, D. 780: Allegro moderato

Schwanengesang, transcriptions for piano after Schubert, S. 560 no. 7 “Ständchen”: Serenade

Soirées de Vienne, valses caprices d’après Schubert, in A major, S. 427 no. 7: Allegro con spirito

Soirées de Vienne, valses caprices d’après Schubert, in A minor, S. 427 no. 6

Symphony no. 4 in E‐flat major “Romantic”: I. Bewegt, nicht zu schnell

Symphony no. 4 in E‐flat major “Romantic”: II. Andante quasi allegretto

Symphony no. 4 in E‐flat major “Romantic”: III. Scherzo, Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend

Symphony no. 4 in E‐flat major “Romantic”: IV. Finale. Bewegt, doch nicht zu schnell

Ein deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen

Ein deutsches Requiem, op. 45: II. Denn alles Fleisch, es ist wie Gras

Ein deutsches Requiem, op. 45: III. Herr, lehre doch mich

Ein deutsches Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen

Ein deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit

Ein deutsches Requiem, op. 45: VI. Denn wir haben hie keine bleibende Statt

Ein deutsches Requiem, op. 45: VII. Selig sind die Toten

Fantasie in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen; im Legenden‐Ton.

Fantasie in C major, op. 17: II. Mäßig. Durchaus energisch.

Fantasie in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten.

Variations and Fugue on a Theme by Handel, op. 24

La Traviata: Preludio

La Traviata: Atto I. Introduzione: “Dell’invito trascorso è già l’ora” (Coro, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Alfredo)

La Traviata: Atto I. Brindisi: “Libiamo ne’ lieti calici” (Alfredo, Tutti, Violetta)

La Traviata: Atto I. Valzer e Duetto: “Che è ciò?” (Tutti, Violetta, Alfredo)

La Traviata: Atto I. Valzer e Duetto: “Un dì felice, eterea” (Alfredo, Violetta)

La Traviata: Atto I. Valzer e Duetto: “Ebben? che diavol fate?” (Gastone, Violetta, Alfredo)

La Traviata: Atto I. Stretta dell’Introduzione: “Si ridesta in ciel l’aurora” (Tutti)

La Traviata: Atto I. Scena ed Aria - Finale: “È strano! … Ah, fors’è lui” (Violetta)

La Traviata: Atto I. Scena ed Aria - Finale: “Follie! Delirio vano è questo! … Sempre libera” (Violetta, Alfredo)

La Traviata: Atto II, Quadro I. Scena ed Aria: “Lunge da lei … De’ miei bollenti spiriti” (Alfredo)

La Traviata: Atto II, Quadro I. Scena ed Aria: “Annina, donde vieni?” - “Oh mio rimorso!” (Alfredo, Annina)

La Traviata: Atto II, Quadro I. Scena e Duetto: “Alfredo?” - “Per Parigi or or partiva” (Violetta, Annina, Giuseppe, Germont)

La Traviata: Atto II, Quadro I. Scena e Duetto: “Pura siccome un angelo” (Germont, Violetta)

La Traviata: Atto II, Quadro I. Scena e Duetto: “Non sapete quale affetto” (Violetta, Germont)

La Traviata: Atto II, Quadro I. Scena e Duetto: “Un dì, quando le veneri” (Germont, Violetta)

La Traviata: Atto II, Quadro I. Scena e Duetto: “Ah! Dite alla giovine” (Violetta, Germont)

La Traviata: Atto II, Quadro I. Scena e Duetto: “Imponete” - “Non amarlo ditegli” (Violetta, Germont)

La Traviata: Atto II, Quadro I. Scena: “Dammi tu forza, o cielo!” (Violetta, Annina)

La Traviata: Atto II, Quadro I. Scena: “Che fai?” - “Nulla” (Alfredo, Violetta)

La Traviata: Atto II, Quadro I. Scena ed Aria: “Ah, vive sol quel core” (Alfredo, Giuseppe, Commissionario, Germont)

La Traviata: Atto II, Quadro I. Scena ed Aria: “Di Provenza il mar, il suol” (Germont)

La Traviata: Atto II, Quadro I. Scena ed Aria: “Né rispondi d’un padre all’affetto?” - “No, non udrai rimproveri” (Germont, Alfredo)

La Traviata: Atto II, Quadro II. Finale II: “Avrem lieta di maschere la notte” (Flora, Marchese, Dottore)

La Traviata: Atto II, Quadro II. Finale II: “Noi siamo zingarelle” (Coro, Flora, Marchese, Dottore)

La Traviata: Atto II, Quadro II. Finale II: “Di Madride noi siam mattadori” (Gastone, Coro, Flora, Dottore, Marchese)

La Traviata: Atto II, Quadro II. Finale II: “Alfredo! Voi!” (Tutti, Alfredo)

La Traviata: Atto II, Quadro II. Finale II: “Invitato a qui seguirmi” (Violetta, Alfredo, Tutti)

La Traviata: Atto II, Quadro II. Finale II: “Ogni suo aver tal femmina” (Alfredo, Tutti)

La Traviata: Atto II, Quadro II. Finale II: “Di sprezzo degno se stesso rende” (Germont, Alfredo, Flora, Gastone, Barone, Dottore, Marchese, Coro)

La Traviata: Atto II, Quadro II. Finale II: “Alfredo, Alfredo, di questo core” (Violetta, Tutti)

La Traviata: Atto III. Preludio

La Traviata: Atto III. Scena ed Aria: “Annina?” - “Comandate?” (Violetta, Annina, Dottore)

La Traviata: Atto III. Scena ed Aria: “Teneste la promessa … Attendo, né a me giungon mai … Addio del passato” (Violetta)

La Traviata: Atto III. Baccanale: “Largo al quadrupede” (Coro di Maschere)

La Traviata: Atto III. Scena e Duetto: “Signora …” - “Che t’accadde?” (Annina, Violetta, Alfredo) - “Parigi, o cara, noi lasceremo” (Alfredo, Violetta)

La Traviata: Atto III. Scena e Duetto: “Ah, non più!” - “Ah! Gran Dio! Morir sì giovine” (Violetta, Alfredo)

La Traviata: Atto III. Finale ultimo: “Ah, Violetta!” - “Voi? Signor?” (Germont, Violetta, Alfredo)

La Traviata: Atto III. Finale ultimo: “Prendi, quest’è l’immagine” (Violetta, Alfredo, Germont, Annina, Dottore)

Le nozze di Figaro, K. 492: Act IV, Scene X. no. 28 Finale “Giunse alfin il momento” (Cherubino, La Contessa, Il Conte, Susanna, Figaro)

Le nozze di Figaro, K. 492: Act II, Scene II. no. 12 Arietta “Voi che sapete che cosa è amor” (Cherubino)

Recitative and Aria for Soprano, Piano & Orchestra in E‐flat major, K. 505: “Ch’io mi scordi di te… Non temer, amato bene”

Così fan tutte, K. 588: Act I, Scene IX. no. 12 Aria “In uomini, in soldati sperare” (Despina)

Così fan tutte, K. 588: Ei parte… Senti!… Ah, no! - Per pietà, ben mio, perdona

Così fan tutte, K. 588: Act II, Scene X. no. 28 Aria “È amore un ladroncello” (Dorabella)

La clemenza di Tito, K. 621: Act II, Scene XV. no. 23 Aria. Rondo “Non più di fiori” (Vitellia)

Idomeneo, rè di Creta, K. 366: Act I, Scene I. Recitativo “Quando avran fine omai” (Ilia)

Aria for Soprano & Orchestra in E‐flat major, K. 583: “Vado, ma dove?”

Le nozze di Figaro, K. 492: Act I, Scene V. no. 6 Aria “Non so più cosa son, cosa faccio” (Cherubino)

Aria for Soprano & Orchestra in B‐flat major, K. 578: “Alma grande e nobil core”

Le nozze di Figaro, KV 492: Giunse alfin il momento - Al desio di chi t’adora

Concerto for violin and orchestra: I. = 104 - = 120

Concerto for violin and orchestra: II. = ca. 108

Concerto for violin and orchestra: III. = ca. 150 - Coda: Poco meno = 104

Concerto Grosso no. 5: I. Allegretto

Concerto Grosso no. 5: II.

Concerto Grosso no. 5: III. Allegro vivace

Concerto Grosso no. 5: IV. Lento

Piano Sonata no. 10 in C major, K. 330: I. Allegro moderato

Piano Sonata no. 10 in C major, K. 330: II. Andante cantabile

Piano Sonata no. 10 in C major, K. 330: III. Allegretto

Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso

Piano Sonata no. 3 in B minor, op. 58: II. Scherzo. Molto vivace

Piano Sonata no. 3 in B minor, op. 58: III. Largo

Piano Sonata no. 3 in B minor, op. 58: IV. Finale. Presto non tanto

Kinderszenen, op. 15: I. Von fremden Ländern und Menschen

Kinderszenen, op. 15: II. Kuriose Geschichte

Kinderszenen, op. 15: III. Hasche‐Mann

Kinderszenen, op. 15: IV. Bittendes Kind

Kinderszenen, op. 15: V. Glückes genug

Kinderszenen, op. 15: VI. Wichtige Begebenheit

Kinderszenen, op. 15: VII. Träumerei

Kinderszenen, op. 15: VIII. Am Kamin

Kinderszenen, op. 15: IX. Ritter vom Steckenpferd

Kinderszenen, op. 15: X. Fast zu ernst

Kinderszenen, op. 15: XI. Fürchtenmachen

Kinderszenen, op. 15: XII. Kind im Einschlummern

Kinderszenen, op. 15: XIII. Der Dichter spricht

Rhapsody in Blue (jazz band version (1924))

Cuban Overture

“Porgy and Bess”: Catfish Row

“Porgy and Bess”: Porgy Sings: Oh, I Got Plenty O’Nuttin’

“Porgy and Bess”: Porgy Sings: Bess, You Is My Woman Now

“Porgy and Bess”: Fugue

“Porgy and Bess”: Hurricane

“Porgy and Bess”: Good Morning, Brother (Sistuh)

An American in Paris (revised by F. Campbell‐Watson)

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: I. “Kyrie”

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIa. Gloria: “Gloria in excelsis”

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIb. Gloria: “Laudamus te”

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIc. Gloria: “Gratias agimus tibi”

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IId. Gloria: “Domine Deus”

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIe. Gloria: “Qui tollis”

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIf. Gloria: “Quoniam tu solus”

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIg. Gloria: “Jesu Christe”

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIh. Gloria: “Cum Sancto Spiritu”

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIIa. Credo: “Credo in unum Deum”

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIIb.Credo: “Et incarnatus est”

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IVa. Sanctus: “Sanctus”

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: V. Benedictus

Scena di Berenice, dramatic scena, Hob XXIVa:10: “Berenice, che fai?”

“Ah! perfido”, op. 65

Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio - Allegro non troppo

Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia

Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace

Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Adagio lamentoso

Viderunt omnes fines terre

Viderunt omnes

Alle psallite cum luya

Amor potest

S’on me regarde

In mari miserie

O Mitissima

Aucun ont trouve

De me dame vient

J’os bien a m’amie parler

Le mesnie fauveline

Impudentur circumivi

Cum statua nabucodonasor

Clap, clap, par un matin

Febus mundo oriens

Qui es promesses de fortune

Lasse! comment oublieray

Inter densas deserti meditans

Hoquetus David

Zigeunerweisen, for violin & piano (or orchestra), “Gypsy Airs”, op. 20

Légende in G minor for violin & orchestra, op. 17

Sonata for violin & continuo in G minor, op. 1/6 B. g5 “Il trillo del diavolo”

Tzigane, rhapsodie de concert for violin & piano (or orchestra)

Thäis, opera Méditation

Concert Fantasy on themes from Bizet’s “Carmen,” for violin & orchestra (or piano), op. 25: Introduction. Allegro moderato

Concert Fantasy on themes from Bizet’s “Carmen,” for violin & orchestra (or piano), op. 25: I. Moderato

Concert Fantasy on themes from Bizet’s “Carmen,” for violin & orchestra (or piano), op. 25: II. Lento assai

Concert Fantasy on themes from Bizet’s “Carmen,” for violin & orchestra (or piano), op. 25: III.. Allegro moderato

Concert Fantasy on themes from Bizet’s “Carmen,” for violin & orchestra (or piano), op. 25: IV. Moderato

Berceuse, for violin & piano (or orchestra) in D Major, op. 16

La Bohème: Act I: Duet “O soave fanciulla” (Mimi, Rodolfo)

Lucia di Lammermoor, Part I: no. 4. Scene and Duet “Lucia perdona…Sulla tomba” (Lucia, Edgardo)

Rigoletto: Act I: no. 5. Scene and Duet “Giovanna, ho dei rimorsi…E il sol dell’anima” (Gilda, Duca)

Roméo et Juliette: Act IV, Scene 1: no. 14. Duet “Va! je t’ai pardonné ... Nuit d’hyménée”

Les Pêcheurs de perles: Act II: no. 8. Chanson “De mon amie, fleur endormie” - no. 9 Duett “Léila! Léila! Dieu puissant” (Leïla, Nadir)

Manon: Act III, Scene 2: Duet “Toi! Vous!... Ah! Viens, Manon, je t’aime!” (Manon, des Grieux)

Iolanta: no. 7 Duet “Tvajo malchan’je nepan’atna” (Iolanta, Vodemon)

Luisa Fernanda: Act III: no. 13 Duet “iCállate, corazón! iDuèrmete y calla!” (Luisa Fernanda, Javier)

12 études d’exécution transcendante: I. Preludio

12 études d’exécution transcendante: II. Molto vivace

12 études d’exécution transcendante: III. Paysag

12 études d’exécution transcendante: IV. Mazeppa

12 études d’exécution transcendante: V. Feux follets

12 études d’exécution transcendante: VI. Vision

12 études d’exécution transcendante: VII. Eroica

12 études d’exécution transcendante: VIII. Wilde Jagd

12 études d’exécution transcendante: IX. Ricordanza

12 études d’exécution transcendante: X. Allegro agitato molto

12 études d’exécution transcendante: XI. Harmonies du soir

12 études d’exécution transcendante: XII. Chasse‐neige

Die sieben Todsünden: Prolog: “Meine Schwester und ich stammen aus Louisiana”

Die sieben Todsünden: I. Faulheit: “Hoffentlich nimmt sich unsre Anna auch zusammen”

Die sieben Todsünden: II. Stolz: “Als wir aber ausgestattet waren”

Die sieben Todsünden: III. Zorn: “Das geht nicht vorwärts”

Die sieben Todsünden: IV: Völlerei “Da ist ein Brief aus Philadelphia”

Die sieben Todsünden: V. Unzucht: “Und wir fanden einen Mann in Boston”

Die sieben Todsünden: VI. Habsucht: “Wie hier in der Zeitung steht, ist Anna”

Die sieben Todsünden: VII. Neid: “Und die letzte Stadt der Reise war San Francisco”

Die sieben Todsünden: Epilog: “Darauf kehrten wir zurück nach Louisiana”

Lady in the Dark: My Ship

Lady in the Dark: One Life to Live

Buddy on the Nightshift

Nannas Lied

Happy End: Bilbao‐Song

Happy End: Surabaya‐Johnny

Happy End: Das Lied von der harten Nuss

Je ne t’aime pas

Schickelgruber

Der Abschiedsbrief

One Touch of Venus: Foolish Heart

One Touch of Venus: Speak Low

One Touch of Venus: I’m a Stranger Here Myself

Concerto no. 1 in F major, BWV 1046: I.

Concerto no. 1 in F major, BWV 1046: II. Adagio

Concerto no. 1 in F major, BWV 1046: III. Allegro

Concerto no. 1 in F major, BWV 1046: IV. Menuetto - trio I - polacca - trio II

Concerto no. 2 in F major, BWV 1047: I.

Concerto no. 2 in F major, BWV 1047: II. Andante

Concerto no. 2 in F major, BWV 1047: III. Allegro assai

Concerto no. 3 in G major, BWV 1048: I.

Concerto no. 3 in G major, BWV 1048: II. Adagio

Concerto no. 3 in G major, BWV 1048: III. Allegro

Concerto for Piano no. 14 in E‐flat major, K. 449 “First Ployer”: I. Allegro vivace

Concerto for Piano no. 14 in E‐flat major, K. 449 “First Ployer”: II. Andantino

Concerto for Piano no. 14 in E‐flat major, K. 449 “First Ployer”: III. Allegro ma non troppo

Concerto for Piano no. 26 in D major, K. 537 “Coronation”: I. Allegro

Concerto for Piano no. 26 in D major, K. 537 “Coronation”: II. Larghetto

Concerto for Piano no. 26 in D major, K. 537 “Coronation”: III. Allegretto

Three Movements from “Pétrouchka”: I. Danse russe. Allegro giusto

Three Movements from “Pétrouchka”: II. Chez Petrouchka

Three Movements from “Pétrouchka”: III. La semaine grasse. Con moto - allegretto - tempo giusto - agitato

Sonata for piano no. 7 in B‐flat major, op. 83: I. Allegro inquieto - andantino - allegro inquieto - andantino - allegro inquieto

Sonata for piano no. 7 in B‐flat major, op. 83: II. Andante caloroso - poco più animato - più largamente - un poco agitato - tempo I

Sonata for piano no. 7 in B‐flat major, op. 83: III. Precipitato

Variations for piano, op. 27: I. Sehr mäßig

Variations for piano, op. 27: II. Sehr schnell

Variations for piano, op. 27: III. Ruhig fließend

Second sonata for piano: I. Extrêmement rapide

Sonata for piano no. 2: II. Lent

Sonata for piano no. 2: III. Modéré, presque vif

Sonata for piano no. 2: IV. Vif

Die Schöne Müllerin, D. 795: I. Das Wandern

Die Schöne Müllerin, D. 795: II. Wohin?

Die Schöne Müllerin, D. 795: III. Halt!

Die Schöne Müllerin, D. 795: IV. Danksagung an den Bach

Die Schöne Müllerin, D. 795: V. Am Feierabend

Die Schöne Müllerin, D. 795: VI. Der Neugierige

Die Schöne Müllerin, D. 795: VII. Ungeduld

Die Schöne Müllerin, D. 795: VIII. Morgengruß

Die Schöne Müllerin, D. 795: IX. Der Müllers Blumen

Die Schöne Müllerin, D. 795: X. Tränenregen

Die Schöne Müllerin, D. 795: XI. Mein!

Die Schöne Müllerin, D. 795: XII. Pause

Die Schöne Müllerin, D. 795: XIII. Mit dem grünen Lautenbande

Die Schöne Müllerin, D. 795: XIV. Der Jäger

Die Schöne Müllerin, D. 795: XV. Eifersucht und Stolz

Die Schöne Müllerin, D. 795: XVI. Die liebe Farbe

Die Schöne Müllerin, D. 795: XVII. Die böse Farbe

Die Schöne Müllerin, D. 795: XVIII. Trockne Blumen

Die Schöne Müllerin, D. 795: XIX. Der Müller und der Bach

Die Schöne Müllerin, D. 795: XX. Des Baches Wiegenlied

Drumming, Part I

Drumming, Part II

Drumming, Part III

Drumming, Part IV

Six Pianos

Music for Mallet Instruments, Voices and Organ

Sinfonia in D major, Wq 183 no. 1: I. Allegro di molto

Sinfonia in D major, Wq 183 no. 1: II. Largo

Sinfonia in D major, Wq 183 no. 1: III. Presto

Sinfonia in E‐flat major, Wq 183 no. 2: I. Allegro di molto

Sinfonia in E‐flat major, Wq 183 no. 2: II. Larghetto

Sinfonia in E‐flat major, Wq 183 no. 2: III. Allegretto

Sinfonia in F major, Wq 183 no. 3: I. Allegro di molto

Sinfonia in F major, Wq 183 no. 3: II. Larghetto

Sinfonia in F major, Wq 183 no. 3: III. Presto

Sinfonia in G major, Wq 183 no. 4: I. Allegro assai

Sinfonia in G major, Wq 183 no. 4: II. Poco andante

Sinfonia in G major, Wq 183 no. 4: III. Presto

Marsch no. 2 in G minor from 4 Marches, op. 76

Waldszenen, op. 82: I. Eintritt

Waldszenen, op. 82: II. Jäger auf der Lauer

Waldszenen, op. 82: III. Einsame Blumen

Waldszenen, op. 82: IV. Verrufene Stelle

Waldszenen, op. 82: V. Freundliche Landschaft

Waldszenen, op. 82: VI. Herberge

Waldszenen, op. 82: VII. Vogel als Prophet

Waldszenen, op. 82: VIII. Jagdlied

Waldszenen, op. 82: IX. Abschied

8 Fantasiestücke, op. 12: I. Des Abends

8 Fantasiestücke, op. 12: II. Aufschwung

8 Fantasiestücke, op. 12: III. Warum?

8 Fantasiestücke, op. 12: V. In der Nacht

8 Fantasiestücke, op. 12: VII. Traumes‐Wirren

8 Fantasiestücke, op. 12: VIII. Ende vom Lied

Swan Lake, op. 20 Suite - 1. Scene - Swan Theme

Swan Lake, op. 20 Suite - 2. Valse in A

Swan Lake, op. 20 Suite - 3. Danse des petits cygnes

Swan Lake, op. 20 Suite - 4. Scene

Swan Lake, op. 20 Suite - 5. Danse Hongroise (Czardas)

Swan Lake, op. 20 Suite - 6. Scène finale.

The Sleeping Beauty, Suite, op. 66a - Introduction - The Lilac Fairy

The Sleeping Beauty, Suite, op. 66a - Pas d’action: Rose Adagio

The Sleeping Beauty, Suite, op. 66a - Pas de caractère: Puss in Boots

The Sleeping Beauty, Suite, op. 66a - Panorama (andantino)

The Sleeping Beauty, Suite, op. 66a - Valse

Nutcracker Suite, op. 71a - 1. Miniature Overture

Nutcracker Suite, op. 71a - March

Nutcracker Suite, op. 71a - Dance of the Sugar‐Plum Fairy

Nutcracker Suite, op. 71a - Russian Dance (Trepak)

Nutcracker Suite, op. 71a - Arabian Dance (Coffee)

Nutcracker Suite, op. 71a - Chinese Dance (Tea)

Nutcracker Suite, op. 71a - Dance of the Reed‐Flutes

Nutcracker Suite, op. 71a - 3. Waltz of the Flowers

Sonata concertata per chitarra e violino in A major, M.S. 2: I. Allegro spiritoso

Sonata concertata per chitarra e violino in A major, M.S. 2: II. Adagio, assai espressivo

Sonata concertata per chitarra e violino in A major, M.S. 2: III. Rondeau. Allegretto con brio, scherzando

Sei sonate per violino e chitarra, M.S. 27 op. 3, no. 1: I. Larghetto

Sei sonate per violino e chitarra, M.S. 27 op. 3, no. 1: II. Presto variato - variazione

Sei sonate per violino e chitarra, M.S. 27 op. 3, no. 4: I. Andante largo

Sei sonate per violino e chitarra, M.S. 27 op. 3, no. 4: II. Allegretto

Sei sonate per violino e chitarra, M.S. 27 op. 3, no. 6 in E minor: I. Andante

Sei sonate per violino e chitarra, M.S. 27 op. 3, no. 6 in E minor: II. Allegro vivo e spiritoso - minore

Grand sonata per chitarra e violino in A major, M.S. 109: Romance - Più tosto Largo, Amorosamente

Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata no. 2 in D major: I. Adagio cantabile

Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata no. 2 in D major: II. Rondoncino. Andantino, Tempo di polacca - minore

Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata no. 4 in A major: I. Adagio cantabile

Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata no. 4 in A major: II. Rondo. Andantino. Allegretto - minore - maggiore

Cantabile per violino e chitarra (pianoforte) in D major, M.S. 102

Sonata a preghiera per violino IV corda e chitarra in F minor, M.S. 23 (Lars Hannibal guitar transcription version): I. Introduction. Allegro

Sonata a preghiera per violino IV corda e chitarra in F minor, M.S. 23 (Lars Hannibal guitar transcription version): IIa. Thème. Tempo alla Marcia

Sonata a preghiera per violino IV corda e chitarra in F minor, M.S. 23 (Lars Hannibal guitar transcription version): IIb. Variation I.

Sonata a preghiera per violino IV corda e chitarra in F minor, M.S. 23 (Lars Hannibal guitar transcription version): IIc. Variation II. Vigoroso

Sonata a preghiera per violino IV corda e chitarra in F minor, M.S. 23 (Lars Hannibal guitar transcription version): IId. Variation III.

Sonata a preghiera per violino IV corda e chitarra in F minor, M.S. 23 (Lars Hannibal guitar transcription version): III. Finale

Allegro vivace a movimento perpetuo per violino e chitarra in C major, M.S. 72 op. 11 (Lars Hannibal revised guitar part version)

Die Zauberflöte: O Isis und Osiris, welche Wonne!

Fidelio: O welche Lust, in freier Luft den Atem leicht zu heben!

Der Freischütz: Was gleicht wohl auf Erden dem Jägervergnügen?

Der Freischütz: Victoria! Der Meister soll leben

Tannhäuser: Freudig begrüßen wir die edle Halle

Nabucco: Coro: Introduzione - “Va pensiero, sull’ali dorate”

I Lombardi: Coro: “O signore, dal tetto natio”

Macbeth: Coro di Profughi Scozzesi: “Patria oppressa”

Il trovatore: “Vedi! le fosche notturne spoglie” (Anvil Chorus)

Aida: Gloria all’Egitto

Aida: Vieni, o guerriero vindice

Idomeneo, re di Creta, K. 366: Act III: “Zeffiretti lusinghieri”

Die Zauberflöte, K. 620: Act II. “Der Hölle Rache kocht in meinem Herze”

Semiramide: Act I. “Bel raggio lusinghier”

Don Pasquale: Act I. Quel guardo di cavaliere ... So anch’io la virtù magica

Der Freischütz: Act II. “Kommt ein schlanker Bursch gegangen”

Rigoletto: Act I. Gualtier Maldè…Caro nome

Un ballo in maschera: Act I. “Volta la terrea”

Un ballo in maschera: Act III. “Saper vorreste”

I vespri siciliani: Act V. “Mercè, dilette amiche”

Les Huguenots: Act I. “Nobles seigneurs, salut”

Mignon: Act II. “Oui, pour ce soir je suis reine des fées”

La Bohème: Act II. “Quando m’en vo”

Le nozze de Figaro: “Non piu andrai, farfallone amoroso”

Don Giovanni: “Deh vieni alla finestra”

Don Giovanni: “Madamina, il catalogo e questo”

Così fan tutte: “Rivolgete a lui lo sguardo”

Die Zauberflöte: “Der Vogelfänger bin ich ja”

Tannhäuser: “Wie Todesahnung Dämmrung deckt die Lande…O du mein holder Abendstern”

Der fliegende Holländer: “Die Frist ist um”

Les Contes d’Hoffmann: “Allez!…Pour te livrer combat…Seintille, diamant”

Faust: “Vous qui faites l’endormie”

Prince Igor: “Ni sna ni otdyeha izmueenoj duse”

Don Pasquale: “Bella siccome un angelo”

La Cenerentola: “Miei rampolli femminini”

Macbeth: “Perfidi! All’anglo contra me v’unite!”

Falstaff: “Ehi! paggio!…L’Onore!”

Piano Sonata no. 2 in B‐flat minor, op. 35: I. Grave - doppio movimento

Piano Sonata no. 2 in B‐flat minor, op. 35: II. Scherzo - più lento - tempo I

Piano Sonata no. 2 in B‐flat minor, op. 35: II. Marche funèbre. Lento

Piano Sonata no. 2 in B‐flat minor, op. 35: IV. Finale. Presto

6 etudes pour piano, premier livre: Etude n. 4 “Fanfares”

Piano Sonata no. 2, in G‐sharp minor, op. 19 “Sonata Fantasy”: I. Andante

Piano Sonata no. 2, in G‐sharp minor, op. 19 “Sonata Fantasy”: II. Presto

Etude no. 10 “Der Zauberlehring”

Piano Sonata in B minor, S. 178: Lento assai - allegro energico - grandioso - recitativo

Piano Sonata in B minor, S. 178: Andante sostenuto

Piano Sonata in B minor, S. 178: Allegro energico - andante sostenuto - lento assai

Concierto de Aranjuez for Guitar and Orchestra: I. Allegro con spirito

Concierto de Aranjuez for Guitar and Orchestra: II. Adagio

Concierto de Aranjuez for Guitar and Orchestra: III. Allegro gentile

Fantasía para un gentilhombre for Guitar and Small Orchestra: I. Villano y Ricercare. Adagietto - andante moderato

Fantasía para un gentilhombre for Guitar and Small Orchestra: II. Españoleta y Fanfare de la Caballería de Nápoles. Adagio - allegretto molto ritmico

Fantasía para un gentilhombre for Guitar and Small Orchestra: III. Danza de las hachas. Allegro con brio

Fantasía para un gentilhombre for Guitar and Small Orchestra: IV. Canario. Allegro ma non troppo

Ballade no. 1 in G minor, op. 23

Ballade no. 2 in F, op. 38

Ballade no. 3 in A flat, op. 47

Ballade no. 4 in F minor, op. 52

Barcarolle in F sharp, op. 60

Fantaisie in F minor, op. 49